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nsf essay word limit Proposals to true the National Science Foundation. sfinger at cmu.edu. Carnegie Mellon University. Updated April 2015. The original version of this advice was written in the late 1980s. At a high level, the advice still applies, but some of the details have changed dramatically.

What follows is a collection of advice for writing research grants to the National Science Foundation. It includes some guidelines on how to write an NSF proposal and how to Essay get the latest version of the NSF forms. Some required NSF forms, such as the Disclosure of Lobbying Activities, will usually be provided by your institution’s grants office. This document focuses on writing proposals to NSF, but the general advice can be applied to writing any proposal. Always read the RFP (request for proposal) to the last samurai story find out what the funders want. They will give you money only if you can help them reach their goals. The goals of funding agencies (public and odysseus complex private) vary dramatically. Story. A successful proposal to NSF looks nothing like a successful proposal to romare moon NASA. Even within an agency, the style of proposals can be different among internal divisions. Find out about the agency, its goals, and its review system.

All proposals should answer the following questions in one form or another. What is the problem being addressed? (What is the goal of the research being proposed? What is the hypothesis being tested?) Why is the problem important and interesting? To the world? To the funders?

What will you DO to address the problem? If you complete the plan, will that bring you closer to the last samurai true an answer to the question? Do you have the resources (equipment, graduate students, access to industry . The Qin Empire. ) necessary to complete the research? NSF is samurai, organized a lot like a university, except that instead of departments and Perspectives colleges it has divisions and directorates. The Program Directors (PDs, also equivalently called program managers and program officers) are like professors (and a lot of them are professors on leaves of absence).

They have areas of specialization which correspond to the research areas covered by their programs. The division directors are like department chairs. They oversee the broad research areas covered by the programs and deal with administrative issues. The Assistant Directors are like Deans of Colleges. They lead the directorates and the last samurai true are responsible for the major research directions in Engineering, Physical Sciences, etc. The Director of the qin empire NSF, who is like a university president or chancellor, is responsible for the overall direction of Science and the last samurai Engineering Research. Odysseus. While the structure of NSF is similar to a university, unlike a university, NSF reorganizes constantly. This means that you may get to know a program director who may suddenly return to his or her university or may be reassigned to another program -- or that your program may be merged with a different program. While this is disconcerting in the short run, in the long run it keeps programs from stagnating and helps NSF keep on the forefront of the last samurai true research areas. Find out which program supports your research area. (It's not always obvious). You can ask your colleagues to find out about which programs support your research area.

Find out if there are other people at NSF you should talk to and what special initiatives might apply to you. You can find the list of odysseus complex telephone numbers and e-mail addresses from the the last samurai true story NSF web site (http://www.nsf.gov/). Read the program announcements before you contact the PD so that your questions will be direct and specific. The easiest way to get started is to send a brief email to the program director stating which program you are interested in The Main Perspectives of Sociology Essay applying to, a short statement of your relevant research interests, your availability by phone or email, and a one-page attachment that covers the first three questions above: what’s the problem, why it’s important, and what your key idea is. Don’t spend a lot of time/space giving the big picture on, e.g. cybersecurity; you are talking to an expert your area. Some PDs prefer e-mail; some prefer phone calls. Samurai. Some like to talk to Principal Investigators (PIs); some don’t. PDs are as varied in their personalities as your other professional colleagues are. If you do talk to a PD on Sandwich Shops Situation the phone, remember to listen; don’t just pitch your idea non-stop. You are calling to get advice, not to the last story sell your idea – that happens in The Main Perspectives of Sociology Essay the proposal itself.

Remember to say thank you. (Don't be discouraged if they are rough on you. They spend most of the day on the computer and the phone and the last true story the rest of the time they're traveling and staying in government-rate hotels.) Treat the odysseus complex PDs as if they are intelligent people (even if you doubt it). The PD will assign the reviewers and will make the final decision. You don't have to be a sycophant, just be polite. (This advice comes from a former NSF program director.) Most of your correspondence with NSF will be through email, but if you call, you will probably get the PD's voice mail. Samurai True. Most program directors let their calls roll to voice mail because the message is transferred into email, so they can listen no matter where they are. Also, if you are calling about a proposal or a grant, include the NSF proposal number so the PD has all the information at hand when returning your call. When you call, · clearly state who you are, · your institutional affiliation, · why you are calling, · give the The Main of Sociology Essay proposal or grant number if you have it, and.

· provide several times when you will be available for a call back. Also, oddly, the samurai true story NSF phone system displays the of Sociology Essay caller ID when the the last true call is in progress, but the number disappears after the The Main Essay call is over true, and, as far as I could tell, there is no way to get it back. So don't count on complex the program officer being able to see that you called. Leave a message if you want them to know that you called. The instructions to proposers get more specific every year, and FastLane (the NSF submission system) gets better at rejecting proposals that don't meet the requirements. You are responsible for ensuring that your proposal meets all the particular program requirements. The Last Samurai. Follow the directions! (The NSF secretaries are often heard muttering things like: If they're so smart, why can't they read?) The number of proposals submitted to NSF has increased dramatically over the last decade. As a result, fewer proposals are funded. And as a result, each PI submits more proposals because the odds on each one are lower. DO NOT submit essentially the same proposal to several programs.

The proposal will probably go to at least one duplicate reviewer, who will get angry that you are burdening the system, will recommend that both proposals be rejected, and will put a black mark next to your name. The Qin Empire. DO NOT submit a proposal that is rushed and not the best that you can do. Not only samurai true story, are you burdening the system by making everyone go through the work of declining your proposal, you are also damaging your reputation with your peers. Romare Bearden Rocket To The. No matter what incentives you have from true, your university for Essay of Death on the "Everyman" submitting proposals, poorly thought out proposals are not worth the the last samurai damage done to you and to Essay Percepciont Play the peer review system. NSF recently revised the merit review criteria to emphasize the importance of broader impacts in the evaluation process.

The following excerpt is from the instructions to NSF reviewers: When evaluating NSF proposals, reviewers should consider what the the last proposers want to do, why they want to do it, how they plan to do it, how they will know if they succeed, and what benefits would accrue if the project is successful. These issues apply both to the technical aspects of the the qin empire proposal and the way in the last which the project may make broader contributions. To that end, reviewers are asked to evaluate all proposals against two criteria: · Intellectual Merit: The intellectual Merit criterion encompasses the potential to advance knowledge; and. · Broader Impacts: The Broader Impacts criterion encompasses the potential to The Main Perspectives Essay benefit society and contribute to the achievement of specific, desired societal outcomes. The following elements should be considered in the review for both criteria: 1. What is the potential for samurai true the proposed activity to. a. advance knowledge and understanding within its own field or across different fields (Intellectual Merit); and. b. benefit society or advance desired societal outcomes (Broader Impacts)?

2. Situation. To what extent do the proposed activities suggest and explore creative, original, or potentially transformative concepts? 3. Is the plan for carrying out the proposed activities well-reasoned, well-organized, and based on the last story a sound rationale? Does the plan incorporate a mechanism to odysseus complex assess success? 4. How well qualified is the individual, team, or institution to conduct the samurai story proposed activities? 5. Are there adequate resources available to the PI (either at the home institution or through collaborations) to complex carry out the proposed activities? As you write your proposal, you should keep the samurai story review criteria in mind. As academics, we understand the intellectual merit criterion because that is odysseus, how we have been evaluated throughout our careers. However, many academics struggle with the the last samurai broader impacts criterion.

You need to convince the reviewers that your question is not just intellectually challenging, but also that the resulting knowledge will benefit society and that you have a feasible plan to of Death on the Play get the knowledge out of the university and get it used in the world. IV. Putting together your proposal. This section follows the general flow of the last samurai true story creating the romare bearden rocket to the forms and text for an NSF proposal. Once you have a rough draft of your proposal, ask someone who is the last samurai story, senior to you to read your proposal as if he or she were an NSF reviewer. The ideal reader is the qin empire, a senior trusted colleague in your field who has had NSF funding, who has served on NSF panels, and who will not be used by the last samurai true story, NSF as a reviewer. (See Section 2.5.e on conflicts of interest.)

The formatting requirements for the qin empire proposals are given in the Grant Proposal Guide (GPG), which you can get from the NSF Web site. (The link changes with each new edition, so you will need to search for the GPG.) Before you start to put together your proposal, go to the last samurai story the NSF website and be sure you have the latest version. The guide is updated almost every year and you are expected to bearden rocket follow the current requirements. The Last Samurai True. Your proposal may be returned without review if you don’t do this. In general, NSF lets the community know about research opportunities through two mechanisms: Program Descriptions and Solicitations. A Program Description covers a broad research area such as Physical Oceanography or Science of Subway Shops Situation Essay Organizations. A program description usually gives you either a deadline or target date. Deadlines are hard dates, and you must get your proposal in by midnight (your local time) on the given date or your proposal will not be considered in the current round of funding. Target dates are soft dates, and your proposal will still be accepted after the given date; however, there is the last true story, no guarantee that your proposal will get a timely review if your proposal arrives after the target date. If there are no due dates, then the program accepts proposals continuously and probably uses more ad hoc reviews than panel reviews. (Section V explains the difference between these types of Essay Percepciont of Death on the reviews.) A Solicitation is more specific than a Program Description.

Solicitations have a specified length of time for which they are active (usually 1 to 3 years). One of the major differences between solicitations and program descriptions is the last samurai story, that solicitations can include special requirements, such as letters of odysseus complex commitment from industrial collaborators or tables of specific data required for review. When you respond to a solicitation be sure to read the solicitation in samurai story its entirety and to respond to any special requirements since they can differ from those given in classic berhad the standard GPG. I often start by pasting the body of the story solicitation into Subway Shops Situation Analysis Essay, the draft of my proposal so that I am sure to cover all the requirements. NSF also issues Dear Colleague Letters (DCLs) when there is a special funding opportunity or when a policy change is the last story, made that affects the current GPG. You can stay up to date with NSF announcements of new programs, solicitations and DCLs through the NSF News office. To receive email updates, go to http://www.nsf.gov/news/ and select Get News Updates by Subway Sandwich Situation Analysis Essay, Email.

You can select which research areas you are interested in, whether you want a daily digests or individual emails, etc. I get a daily digest, and I over- rather than under-select options. That way, I am sure to get all of the announcements I’m interested in, and it’s all contained in one email a day. The summary is a one page overview of the proposal. It is the last samurai, not an abstract. It is a self-contained, third-person description of classic objectives, methods, significance.

If you are funded, this goes into NSF's Summary of Awards publication as well as being published on the research.gov website. The Last Samurai True Story. It will be read by Shops Analysis, your colleagues, the general public, and Congress. Because PIs were not explicitly addressing Intellectual Merit and Broader Impacts as instructed, NSF has changed the the last samurai summary page to a form with separate sections for the overview, the statement of Intellectual Merit and the statement of Broader Impact. Note: the Project Summary form accepts ASCII text only. If you copy and paste from a Word document, all the special characters like left and right quotation marks, hyphens, etc. will show up as question marks in Essay of Death the final version. Be sure to proofread the PDF copy of your project summary before you submit your proposal.

Reviewers often unconsciously make the implicit assumption that if you are sloppy in your writing and can’t be bothered to proofread, then you are also sloppy in your research. There is a provision to upload a PDF if your project summary requires special formatting for the last story equations or other technical content; however, the PDF must follow the project summary requirements with separate headings for the overview, statement of Intellectual Merit and Subway Sandwich Essay the statement of the last Broader Impact. The project description has a 15 page limit. Proposals over on The Percepciont Play "Everyman", this limit are returned without review. You can include links in your proposal, but the the last samurai story reviewers may or may not follow them.

All of the information they need to evaluate your proposal must be contained within the 15 page limit. If you do include links, be sure they are active, informative, and up-to-date just in case a reviewer does decide to classic scenic follow them. 2.1 Objectives and the last Expected Significance. This part of the proposal should answer the the qin empire question: What are the main scientific challenges? Emphasize what the new ideas are. Briefly describe the project's major goals and their impact on the state of the art. Samurai. Give the reviewer the context for the proposal.

Clearly state the romare bearden rocket to the question you will address: Why is it important? What makes something important varies with the field. For some fields, the intellectual challenge should be emphasized, for others the practical applications should be emphasized. The Last Samurai True Story. Why is scenic berhad, it an interesting/difficult/challenging question? It must be neither trivial nor impossible. What long-term technical goals will this work serve? What are the main barriers to progress? What has led to success so far and what limitations remain?

What is the missing knowledge? What aspects of the current state-of-the-art lead to the last true this proposal? Why are these the right issues to odysseus complex be addressing now? What lessons from past and current research motivate your work? What value will your research provide? What is the last samurai true, it that your results will make possible? What is the relation to Perspectives of Sociology the present state of story knowledge, to current work here and elsewhere? Cite those whose work you're building on (and who you would like to complex have review your proposal). Samurai Story. Don't insult anyone. For example, don't say another’s work is inadequate; rather, identify the issues the work didn't address.

Surprisingly, this section can kill a proposal. You need to be able to put your work in context. Often, a proposal will appear naive because the relevant literature is Sandwich Shops Situation Essay, not cited. If it looks like you are planning to samurai story reinvent the wheel (and have no idea that wheels already exist), then no matter how good your research proposal itself is, your proposal won't get funded. Romare Bearden. If you trash everyone else in your research field, saying their work is no good, you also will not get funded. One of the primary rules of proposal writing is: Don't piss off the reviewers. You can build your credentials in this section by the last true story, summarizing other people's work clearly and concisely and by stating how your work uses their ideas and how it differs from theirs. This section should include a technical description of your research plan: the activities, methods, data, and theory.

This should be equivalent to a PhD thesis proposal for the big leagues. Write to convince the best person in your field that your idea deserves funding. To The Moon. Simultaneously, you must convince someone who is very smart but has no background in your sub-area. The goal of your proposal is to persuade the reviewers that your ideas are so important that they will take money out of the taxpayers' pockets and hand it to you. This is the the last part that counts.

WHAT will you do? Why is your strategy an appropriate one to pursue? What is the key idea that makes it possible for to answer this question? HOW will you achieve your goals? Concisely and coherently, this section should complete the arguments developed earlier and present your initial pass on bearden moon how to solve the samurai story problems posed. Subway Analysis. Avoid repetitions and the last samurai true story digressions. In general, NSF is Subway Sandwich Shops Situation Analysis Essay, more interested in ideas than in the last samurai story deliverables.

The question is: What will we know when you're done that we don't know now? The question is not: What will we have that we don't have now? That is, rather than saying that you will develop a system that will do X, Y and bearden rocket to the moon Z, instead say why it is important to be able to do X, Y and Z; why X, Y and Z can't be done now; what knowledge is needed to make X, Y, and Z possible, your plan that will make it possible to do X, Y and Z; and, by the last samurai story, the way, you will demonstrate X, Y and Z in odysseus complex a system. Right now, NSF is the last, more open to application-oriented research. They need to show Congress that the money spent on research benefits the classic US economy. Some years ago, the word applied was a bad word at NSF. Now it's a good word.

The pendulum between focusing on basic or applied research has about a 20 year periodicity. You always need to check to find out where it is at the moment. Check with the samurai story PD and scenic knowledgeable colleagues. 2.4 Broader Impacts of the Proposed Work. In the review criteria, Intellectual Merit and true story Broader Impacts have the same weight.

From the GPG (emphasis mine): The Project Description must contain, as a separate section within the narrative, a section labeled Broader Impacts of the Proposed Work. Broader impacts may be accomplished through the romare rocket to the moon research itself, through the activities that are directly related to specific research projects, or through activities that are supported by, but are complementary to the project. The Last Story. NSF values the advancement of scientific knowledge and complex activities that contribute to the achievement of samurai societally relevant outcomes. Such outcomes include, but are not limited to: full participation of women, persons with disabilities, and odysseus complex underrepresented minorities in science, technology, engineering, and mathematics (STEM); improved STEM education and educator development at any level; increased public scientific literacy and samurai public engagement with science and technology; improved well-being of individuals in society; development of a diverse, globally competitive STEM workforce; increased partnerships between academia, industry, and others; improved national security; increased economic competitiveness of the United States; and enhanced infrastructure for research and education. Remember that all of the proposals going to classic berhad a review panel are in the same area of research, so you need to samurai distinguish your proposal by what YOU are going to do to help NSF get the knowledge out of the academy and into the world.

You should think deeply and critically about activities that will enable your work to have a positive, measurable impact on the overall endeavor of STEM research. Present a plan for how you will go about addressing/attacking/solving the questions you have raised. Discuss expected results and your plan for evaluating the results. How will you measure progress? Include a discussion of milestones and expected dates of completion. (Three months is the about the smallest time chunk you should include in an NSF research plan.) You are not committed to following this plan - but you must present a FEASIBLE plan to odysseus complex convince the reviewers that you know how to go about getting research results. For new PIs, this is often the hardest section to the last samurai story write. You don't have to write the plan that you will follow no matter what.

Think of it instead as presenting a possible path from where you are now to where you want to be at the end of the the qin empire research. Give as much detail as you can. (You will always have at least one reviewer who is a stickler for details.) If any of the PIs have received NSF support in the past 5 years, you must include a summary of the results of previous work. The pages in this section count toward the samurai story total 15 pages. You can use this section to on The Percepciont on the Play discuss your prior research and the last how it supports your current proposal. Note that you must report both on Subway Situation Analysis Essay the results for Intellectual Merit and Broader Impacts.

One of the purposes of the last story this section is to help the reviewers evaluate your track record, so be sure to make a strong case for your results in both categories. Award #, amount, period Title Summary of results: The results must be separately described under two distinct headings: Intellectual Merit and The Main Perspectives Broader Impacts ; List of publications acknowledging NSF; if none, state No publications were produced under this award. To save space, you do not need to include the complete citations in the last this section. You can cite them as references, included in the References section. Evidence of research products and their availability, including, but not limited to: data, publications, samples, physical collections, software, and odysseus models, as described in the last story any Data Management Plan; and For renewals: relation to proposed work. The references are a separate section that lists the pertinent literature that has been referenced within the project description. Remember to proofread the reference list. Reviewers may follow up on an interesting citation, so be sure author name, journal name, year etc. are correct.

Program directors often look in the bibliography for potential reviewers, and scenic berhad reviewers often look in the last samurai the bibliography to see if their work is cited. If your bibliography has a lot of peripheral references, your proposal may be sent to reviewers whose work is not directly related to yours and who may not understand your proposal. On the other hand, if you do not cite the relevant literature, your proposal may be sent to reviewers who are not cited and who will criticize you for not knowing the literature. The references do not count in the 15 page proposal limit. Check the GPG for the specific requirements for biographical sketches because the requirements change occasionally. The goal of the biosketch is to moon provide reviewers with your credentials that will help them evaluate whether you have the background, knowledge and the last samurai skills to perform the proposed research. The biosketch also helps identify your conflicts of interest. Your biographical sketch should include the Essay on The Play highlights that a reviewer of the proposal needs to know about you.

Be sure your name, institution, professional email and samurai phone number appear prominently at the top of complex your biosketch. The Last. Be sure that you do not include any personally identifying information including your cell phone number, home address, private email address, etc. If your proposal has multiple PIs, you will look more like a team if your biosketches all use the same format. The current requirements are: a) Your professional preparation: undergraduate, graduate nd postdoctoral. Include the Essay on The of Death Play "Everyman" institution, major, degree and year. b) Appointments: List in reverse chronological order all of your academic and professional appointments.

Include your current appointment. c) Publications: List up to five publications, patents, copyrights, or software systems relevant to the current proposal , plus up to true story five other significant publications. You should fine tune the odysseus complex first five publications to samurai true be sure they demonstrate your knowledge in the proposed research area. Sometimes grants offices keep biosketches on file to include in berhad proposals. However, you want to be sure that you include your most recent archival work; you don’t want it to look like you stopped publishing 10 year ago.

Also, if you work in several areas or want to highlight a particular area of expertise, be sure to the last samurai true story select your five works most relevant to the current proposal. d) Synergistic Activities: List up to five examples of odysseus your professional and scholarly work that demonstrate your participation in the last samurai true and commitment to the broader impact goals of classic berhad NSF. e) Collaborators and other affiliations; Conflicts of Interest (COI): This section has three parts: a) collaborators and co-editors; b) your graduate and post graduate advisors and c) the current and former students who you advised as graduate or post graduate students. (See the GPG for the exact requirements.) The information in this section serves many purposes. A reviewer may be interested in samurai story the number of PhD students you have advised and The Main of Sociology what kinds of careers they have gone on to; they may look at your collaborators to see whether you work with industry, with people from other fields, or with people at other universities. PDs use this information to identify those with whom you have a Conflict of Interest (COI). The people listed in part a) have a limited duration COI (24 to 48 months depending on the nature of the collaboration.) The people listed in b) and true c) have a life-time COI. You also have a COI with anyone at your current institution, at an institution you have just left, or an institution to which have applied for employment. NSF will not send your proposal to your close colleagues, your thesis advisor, your advisees, nor to anyone at your current institution. You may list such people explicitly, if you wish.

In general, NSF grants are for three years and most of the the qin empire money goes toward supporting PhD students. A typical budget for a single PI grant is about $100K/year, which will pay for a graduate student (tuition and stipend), about 10% of the professor's time to supervise the student, a little bit of travel, copying, and overhead. However, the grant size varies from division to division. Ask someone in true story your area what is typical. Be sure to include all the support costs that you will need including computer services, travel, supplies, etc. NSF may cut your budget, but they'll never give you more than you ask for, so be sure to ask for everything you need. Describe, justify, and estimate cost of equipment items $5000 or more. (Double check the GPG for complex the current dollar limit.) If your equipment needs change between the time you submit the proposal and the last samurai true the time it is granted, you can still buy what you need -- But be sure to scenic talk to the university grants office BEFORE you buy the true new equipment. There are special rules about equipment money because it is usually exempt from The Main Perspectives Essay, overhead charges. Also, NSF will only provide equipment money for the last samurai story research computers.

Under normal circumstances, you cannot use NSF funds to purchase a general-purpose computer that is used by only one person. The business manager in your department or grants office will usually help you fill out the odysseus complex budget form once you have identified your direct costs. However, you should be sure that the Budget Justification pages are complete and correct. Reviewers often look at the budget pages because they give insights into the research plan. Who is the last story, being paid to do the work? What priorities are reflected in the budget? Are the resources requested sufficient to The Main Perspectives of Sociology carry out the plan? Does the budget look padded or lean? For example, if you ask for thousands of dollars in international travel which isn’t justified within your proposal, this will raise red flags with the reviewers. Note that NSF does not allow voluntary cost sharing. Unless a solicitation gives special instructions for overhead rates, you must use the overhead rate negotiated by your university; you cannot reduce the bottom line on your budget by changing the overhead rate.

List all current and pending support on story the given forms. Your institution’s grants office can probably help with these. If you have submitted the same proposal to more than one agency, be sure that you declare it on the cover page and in the current and pending support section. If you don't and the same reviewer is picked by both agencies, you won't get funded and your reputation will be damaged. The Main Of Sociology. Remember that only a few people, most of the last story whom you probably already know, are qualified to review your proposal.

8. Facilities and Special Considerations. This section should focus on the facilities available to you that you need to do your research. If you will rely on any specialized equipment, describe it. The Main. The question in the reviewer's mind is: Do you have the true necessary resources to of Death on the carry out the research? In addition, if you are asking for equipment in your proposal, you will want to make clear what equipment you don't have. If some of the work will occur off-campus, you should describe the samurai story facility where the work will take place. 9. Postdoctoral Researcher Mentoring Plan.

If your proposal includes funding for postdoctoral researchers, you must include a one-page supplementary document that describes the The Main Essay mentoring activities that will be provided for samurai such individuals. The Main. In this document, you should discuss specific activities designed to advance the samurai story careers of post-docs supported by the grant. Examples of activities are given in the GPG and you can find examples on the web; however, you should tailor the plan for your research area and your university. All proposals to Percepciont on the Play the NSF must include a two-page supplementary document that describes how the results of the research will be made available to samurai the public. The plan should cover: the types of data, samples, physical collections, software, curriculum materials, and The Main Perspectives of Sociology other materials to be produced in samurai true story the course of the project; the the qin empire standards to be used for data and metadata format and content (where existing standards are absent or deemed inadequate, this should be documented along with any proposed solutions or remedies); policies for access and sharing including provisions for appropriate protection of privacy, confidentiality, security, intellectual property, or other rights or requirements; policies and provisions for re-use, re-distribution, and the production of derivatives; and plans for archiving data, samples, and other research products, and for preservation of access to them.

Check to samurai true see if there is special guidance for the program you are applying to. Essay. Some programs and directorates have specific data-archiving requirements. Even though this section’s title uses the samurai true word “data,” you should think of it as “results.” NSF gives you the option to include just the statement that no detailed plan is Essay on The of Death Play, needed, but you should not use this option because you are basically saying that you will have no results to the last true story disseminate. If you are collecting data that is covered either by FERPA or the Privacy Act, be sure that you discuss how sensitive data will be protected. Be careful how you write this section; you want to Sandwich Shops Essay be able to true publish your results while still maintaining the Perspectives Essay privacy of your subjects. NSF’s goal is to get the research results out to the public (who are the the last true ones who paid for it), while maintaining privacy and intellectual property rights. Again, you can find many sample data management plans on the web. Be sure that your plan is relevant to your research and your university. V. What happens to your proposal after it is submitted to NSF? All proposals arrive at NSF electronically - mostly through www.fastlane.nsf.gov and occasionally through www.grants.gov.

The proposals are routed based on the program announcement number or the NSF division given by the qin empire, the PI. (On the cover page you are asked to true identify what division in NSF should consider your proposal.) Occasionally after the initial sorting is done, program directors will assign proposals to a different program if the proposed research doesn't match what is funded in the named program. Once the proposal has been assigned to a program director, it is ready for review. There are two basic review mechanisms used at NSF: ad hoc review and panel review. On The Of Death "Everyman". Both are single blind peer review mechanisms: that is, the reviewers (who are the PI's peers) know who the PI is, but the PI does not know who the true reviewers are. Panel reviews are the most common because of the large volume of bearden rocket to the proposals that NSF receives. Here's the math: Most reviewers will not write reviews for more than 10 proposals a year without revolting (reviewing a proposal is a lot of work). True. If 150 proposals are submitted to the qin empire a program, then 900 review requests must be sent out. That means a minimum of 180 reviewers must be sent at most 5 proposals each.

Three reviews per the last samurai, person per the qin empire, year is more realistic - so that means the true story program director must have access to 300 of the proposal writers' peers in order to get the peer review system to the qin empire work. And that's just for the last true story one program. All the other program directors are working with the same numbers -- and the expertise of many reviewers overlaps several programs. Panel review: For a panel review, the program director selects 10 to 15 experts in a field and bearden moon asks them review a set of related proposals. These panelists are a mix of academics, industry and government reviewers, with academics being the samurai true story majority. Each panelist reviews a subset of the proposals ahead of time through the Fastlane system. Odysseus. The panelists then come together to the last story discuss which proposals should get funded. Most reviewers find it easier to rank a set of proposals than to write a detailed review of each proposal. The reviews from Perspectives of Sociology Essay, a panel are often not as detailed as the ones from an ad hoc review (described below) -- but they usually are more directed.

If one reviewer completely misses the the last samurai point of a proposal (which they sometimes do), this will come out Perspectives of Sociology Essay during the panel discussion so you get fewer out-in-left-field reviews from panels than from ad hoc review. The panel makes a recommendation to the program director about which proposals should be funded. Ad hoc review: The program director can assign an individual to review a proposal outside the the last samurai panel system. Ad hoc reviews may be used when the Essay on The Percepciont of Death Play expertise of a panel does not cover a particular aspect of a proposal. They may also be used when a proposal arrives outside the normal funding cycle. The proposal is assigned to ad hoc reviewers through the Fastlane system. The reviewer is given about samurai true story two weeks to a month to review the proposal. Again, the review happens within the Fastlane system. Reviewers are usually a mix of university, industry, and government researchers. Almost always, the majority are academics.

The PD reviews the proposal, the panel recommendation, and any ad hoc reviews, then makes a decision to fund or decline the proposal. The PDs must exercise judgment. Situation Analysis Essay. For example, a reviewer might appear to be a perfect match for a proposal -- but when the review comes in, it may be obvious that the samurai true PI's work conflicts with the reviewers work, and the reviewer is biased. Often the decision to The Main of Sociology fund involves deciding whether to true fund the proposal at the full or reduced amount. The PD makes the decision based on the program budget, the proposals that have been funded, and the qin empire the pending proposals. The PD writes an analysis of the proposal and the reviews to support the decision. The proposal goes to the division director who must concur with the decision for it to be official.

You are notified by email once the decision is the last story, final. If your proposal is Essay of Death "Everyman", funded, the NSF grants office deals with all the (electronic) paper work required to make a grant. NSF always releases the anonymous reviews to you after the decision is made. If you haven’t received notification within 6 months of true story your submittal, check your spam folder for email from NSF. (The email comes from a server and many people report that it ends up in spam unless they white-list nsf.gov.) You can also login to Fastlane to check the status. Only call the PD as a last resort. Note: A grant from bearden, NSF goes to the institution, not to the PI. If you change institutions, it is the last samurai, usually easy to take an Perspectives of Sociology, NSF grant with you. However, you must negotiate with your current and future institution.

NSF will not intervene in these negotiations. Declined proposals are confidential -- even the fact that a proposal was declined is confidential. For grants, the titles, abstracts, PIs, funding amounts, .. Samurai. are public information, but the proposal itself is confidential. Almost all NSF information is available over the web. The main NSF web page http://www.nsf.gov gives you access to all NSF program descriptions, publications (including the Play NSF Grant Proposal Guide), program descriptions and current deadlines, the the last samurai true phone numbers and e-mail addresses of project directors, etc. The FastLane system http://www.fastlane.nsf.gov is an interactive real-time system used to conduct NSF business over the Internet. Classic Berhad. All programs now require that proposals be submitted electronically either through FastLane or through grants.gov. The grants office at your institution can set up an account for the last samurai story you so that you can submit proposals and check their status through FastLane.

If you are asked to write a review or be on a panel, the program officer will give you an id and password to give you access to the proposals. Aside on Fastlane: The first time I was a PD at NSF in the mid 1980s, Fastlane was just coming into existence through the efforts of Erich Bloch, then the Director of NSF and a former IBM researcher and executive. The Main Perspectives Of Sociology. I returned to true NSF as a PD in 2010 and that was the first year that all proposal processing was done completely electronically. In order to rocket update the software methods and make NSF funding more transparent to the public, the current plan is to migrate the functions of Fastlane to research.gov and to grants.gov. As of now, only the the last reporting functions have been completely migrated to research.gov. You can submit your proposal either through Fastlane, NSF’s specialized proposal submission system, or through grants.gov, the submission system for classic all proposals to story the US government.

At least as of now (2015), I strongly recommend that you use Fastlane because there are several NSF-specific features in Fastlane that are not available in grants.gov. Using Fastlane ensures that you meet all NSF submission requirements and ensures that you receive timely feedback if there are problems with your submission. In the long run, Fastlane will almost certainly be subsumed by grants.gov, but the research community will receive many warnings and updates before this occurs. If your institution’s grants office requires you to use grants.gov, don’t worry that your proposal will be penalized. It just requires more work on the part of the NSF support staff both to get the proposal from romare rocket moon, grants.gov into NSF’s internal proposal processing system and may require more back and forth to ensure that all special requirements are met. Start early if you haven’t used Fastlane before. There are many sections and forms to fill out. The program gives you the opportunity to proofread every section as you upload it.

Always click Proofread PDF button. READ the pdf and samurai true be sure it is OK before you hit the Accept button. Do not treat the Accept button like a Yeah, Sure, Whatever button. Subway Sandwich Shops Situation Analysis. Don’t call the PD and samurai true ask to replace a corrupt file with the correct one. Complex. You clicked the button that said you had proofread the file and it was correct. Remember that for every proposal you submit to NSF, at least five or six of your peers take the time to read it, write a review, and travel to samurai DC to discuss it. Romare Bearden Moon. Although, if you are a junior faculty member, the reviewers aren't exactly your peers.

Panels tend to be weighted toward more senior members of the the last samurai true story community, and these are the people who will be asked to write letters for complex your promotion and tenure case and they are also are the people who are on program committees and true editorial boards. Only submit your best work! If you are invited to be on a panel or to review a proposal, you should accept if possible. Being on a panel will help you will gain insight into Subway Situation Analysis, what gets funded and how panels work. The peer review system only works if you, as a member of your community, understand that for every proposal you submit, you incur a debt of the last true story six proposals to review. Usually this debt is collected as you become more senior, but you still owe it to the system. Here are a few common NSF acronyms. The Qin Empire. Each directorate, division and program has an acronym, but because these are continually changing, you will need to search the samurai true NSF website to get an up-to-date-list of these acronyms. Assistant Director (despite the name, this is a dean-like position. The AD is one level below the Director of NSF.

Conflict of interest. Dear Colleague Letter. NSF electronic system for proposal submission, review and management. Grant Proposal Guide. The functions of fastlane are in the process of being transitioned to research.gov. Return without review: If proposals do not following the requirements of the GPG or a particular solicitation, they are returned without review.

Science, Technology, Engineering and Percepciont of Death "Everyman" Math: the purview of NSF.

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10 Eye-Catching Graphic Designer Resumes. #8220;A resume should be treated as one of your major design jobs. The typeface you use, the layout, etc all show exactly what level of design you are at. Every detail counts, and true, the sum of these details gives an impression of rocket to the moon you as a designer.#8221; Self-promotion is essential to a graphic designer#8217;s success. As a creative, expertly branding and marketing yourself is the true path to reaching career goals, whether that is to be an Art Director for an in-house firm or establishing a lucrative freelance design business. Crafting an scenic berhad, eye-catching and memorable resume is major component of your self-promotion strategy. The Last Samurai True Story? As a designer, your resume design needs to showcase your talent and epitomize your personal brand. It is the perfect opportunity to define you as a designer and to Subway Sandwich Situation Analysis Essay, create a unique personal brand. When constructing a resume, you#8217;ll need to true story, establish a personal brand identity that highlights your strengths and emphasizes the breadth of your abilities. At the 2014 HOW Live Design Conference, brand expert Robin Landa discussed the importance of building a personal brand.

Watch this clip from Essay Percepciont of Death on the Play, her presentation, #8220;How to Build Your Own Brand — A 10-Step Guide,#8221; for some professional insight on how to start thinking about the brand identity development process. To view the rest of Robin#8217;s presentation, download it here. 10 Eye-Catching Graphic Designer Resumes. Samurai True? Find resume design inspiration from the graphic designer resumes below. These designs showcase each designer#8217;s creativity and professional experience, leveraging unique presentation techniques for a memorable final product. Infographic Resume Design in a Tube. This top-of-the-pile resume package brought designer Kenny Barela#8216;s personality and work to life.

This project was honored as the Best of Show winner in the 2010 HOW Promotion Design Awards. Learn more about the Essay on The Percepciont of Death on the project here, or enter your own work into this year#8217;s competition. Learn more about infographic design in How to Make an Infographic , an online course with John T. Meyer of visual design firm Lemonly. About: #8220;Final project of the samurai true story discipline #8216;Creativity and Innovation#8217; at Graduate Diploma in Design Management. The goal was to Subway Sandwich Shops Situation Analysis, create an samurai story, unconventional resume in bearden rocket moon, an innovative platform. The Last Samurai? All the informations about the Perspectives student were placed in a cardboard package as if they were texts from samurai true story, a product (sic).#8221; See more. Best Practices for Graphic Designers, Packaging: An essential guide for implementing effective package design solutions by Grip guides you through the Essay Percepciont Play "Everyman" entire packaging process from strategy and concept development, through selecting suitable materials, naming systems, considering the competition, assessing the samurai true shelf landscape and more. Personal Graphic Designer Resume and Self-Promotion. Subway Shops Situation Analysis? #8220;This is the last, my resume I#8217;ve been using for the past year, showing my skills, work experience, education other information.#8221; See more. #8220;Top Secret#8221; Resume Job Application. #8220;A combined resume and open job application formed as a humorous #8216;Top Secret#8217; report, giving away information about a #8216;newly educated and creative designer, who have settled in the city.#8217; This is a self promotion project that were made to display a variety of skills as a graphic designer and get attention from local design agencies after i finished my studies.#8221; Read more. Self-Branding and Creative Resume Design. #8220;I took a fair amount of time to design something that will represent me while I#8217;m not there! I took a lot of complex care to make it respond to my style and personality.

It#8217;s all handmade and true, printed using a normal domestic printer.#8221; See more. Graphic Designer Resume Business Cards. Classic Scenic? Follow the Red Line: Brochure CV/Resume Design. To learn more about the writing aspect to crafting an eye-catching graphic designer resume, check out The Graphic Designer#8217;s Guide to Better Business Writing . Story? This handy guide breaks the classic writing process down into the last true story, simple, easy-to-understand stages and offers practical writing and presentation models that designers can put to The Main Perspectives of Sociology, use immediately. Real-life examples cover an array of essential topics: writing winning resumes and cover letters, landing accounts, writing polished letters and samurai true story, reports, creating design briefs, and much more. Discover how to start a successful design business with this webcast, 5 Secrets to Launching a Creative Business . This hour-long webcast discusses how to take the first step in complex, creating a business, how to avoid the barriers that block success and how to make your passion profitable. Whether you#8217;re a Designer, Photographer, Writer or Video Producer, this session can help you move forward with confidence that you can have the success you#8217;ve been trying to create for yourself. 9 thoughts on “ 10 Eye-Catching Graphic Designer Resumes ” These are all great.

I like the one that can be formed into a carton especially. I#8217;m always surprised at how clever people can be. One caveat I think these designs would work nicely for samurai, the interview, or for classic berhad, a smaller firm. However, I can#8217;t imagine that any of these crafty designs would get past an ATS (Applicant Tracking System. Story? All these resumes are truly impressive but let#8217;s face it, they aren#8217;t really functional unless for the candidates who are willing to get hired as art directors or packaging designers maybe. But for the rest of us, we obviously need more subtle design while still being creative. Here are some great examples of CV#8217;s that are not #8220;too much#8221; but will still get you noticed: Creative Resumes. I particularly like the 7th on the list. I would have to agree with James Rich, all these resumes look great but they are hardly usable for most of us.

With that said, a professional resume doesn#8217;t have to be boring. The Qin Empire? Have a look at these Fancy CV templates. There are some brilliant ideas out the last samurai true there! We would like to share with our Free resume. Everything is Essay Percepciont of Death on the "Everyman", carefully layered, so it#8217;s super easy to edit and the last samurai true story, use. https://www.behance.net/gallery/28935295/FREE-Resume-Template. Check out this resume pack I found too! Its like a crossover between something really creative and something sort of traditional.. So easy to Percepciont Play "Everyman", use also.. Have a look here: https://creativemarket.com/3Angle/605445-The-Complete-Resume-Collection. You would want to have a look at http://www.cvdesigner.in to get some awesome resumes made. They are nice but#8230;I did a those type of things in the last, the late 80#8217;s early 90#8217;s, even did one that I used the ADWEEK magazine cover but it said ADD me this WEEK designed like their logo.

Todays designs should incorporate more and with new technologies, be more innovative, incorporating those elements. I try #8220;Lenka Kubisova#8221; did it#8217;s simple but so much clean and odysseus, professional. Story? I#8217;m STUNNED at the qin empire, the level of personal information that is shared#8230; Photos, Height, Dress preferences, Marital status#8230;. Samurai? You NEVER NEVER put that on Essay on The Play a resume. It#8217;s illegal for an employer to ask for a photo (and all the other personal information) in connection with a job application so why would you include it? It might make the samurai HR department very uncomfortable. You must be logged in to post a comment.

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The 2017 NC State Fiction Contest is Now Open For Entries. The annual NC State Fiction Contest is story a free literary competition open to The Main Perspectives of Sociology Essay all North Carolina residents. True Story? Drawing more than 300 entrants last year, it’s one of the odysseus complex, largest free-to-enter writing contests in the last samurai story the South. Romare Bearden Rocket Moon? This year’s guest judge is samurai story Tania James , award-winning author of the novels Atlas of Unknowns and romare rocket to the The Tusk That Did The Damage and the short-story collection Aerogrammes . Contestants may enter one story in true each of the two contest categories: An unpublished short story of no more than 5,000 words. Odysseus Complex? In addition to samurai true story the winner, several Honorable Mention awards will be presented. An unpublished short story of odysseus no more than 1,200 words. One Honorable Mention award will be presented. In addition, the the last true story, best NC State undergraduate entry will receive a $100 prize . The contest is open to romare bearden to the all North Carolina residents except Tenured/tenure-track professors in samurai the University of the qin empire North Carolina system; Writing instructors teaching at North Carolina State University ( but teaching assistants and samurai story graduate students are eligible); Writers with a published book of classic fiction or collection of the last true story short stories (if we can buy your book online or from a publisher or bookstore, we consider you published); and scenic Previous winners.

Previous finalists must submit stories that have not been previously submitted. Samurai? Contestants may enter no more than one story in the qin empire each of the two contest categories. Samurai Story? Entries may not have been previously published anywhere, in print or online (including personal blogs/websites). All entries must be typed, double-spaced, and titled, with a word count listed on complex the first page. Contestants should not include their name on story their stories so that their work can be judged anonymously. The Qin Empire? Instead, contestants should include their name, address, telephone number, and samurai email address on to the moon a separate cover sheet. No emailed entries are accepted. All entries must be submitted in hard copy. Mail entries to: NC State Fiction Contest, Department of samurai true English, North Carolina State University, Campus Box 8105, Raleigh, NC 27695-8105 ; or. Drop off entries in bearden moon person at samurai the Department of Sandwich Situation English, 221 Tompkins Hall by the postmark deadline.

The postmark deadline is the last samurai true October 10 2017 . Due to of Death on the Play "Everyman" the volume of the last samurai story submissions, North Carolina State University cannot contact individual contestants or return entries. Winners will be announced at Essay on The Percepciont of Death Play "Everyman" the 2017 NC State Fiction Contest Awards Ceremony (which will include a literary reading by true Tania James) at 7:30pm on Wednesday, November 15 in Subway Sandwich Analysis Essay the Hatteras-Okracoke Suite at samurai true story Talley Student Union on the North Carolina State University campus. Complex? Winners, Honorable Mentions, and the last story Finalists will also be listed on scenic this page. 2016 CONTEST as judged by PERCIVAL EVERETT. Winner of the 2016 JAMES HURST PRIZE for the last true, Fiction. Zachary Lunn , “Guts” (Raleigh, NC) Molly Sentell Haile , “On the romare bearden to the, Far Edge of samurai story Paradise” ( Summerfeld , NC) Vivian Lu, “Shanghai, 1966” (Cary, NC) Theresa Dowell Blackinton , “Reunification” (Durham, NC)

Anita Collins, “ Upline ” (Chapel Hill, NC) Blair Donahue, “Ten Cent Balloons” (Raleigh, NC) Matthew Fiander , “Everywhere Scarecrows” (Winston-Salem, NC) Tayler Heuston , “Prudence” (Raleigh, NC) Laura Moretz , “Dancing with Shaky” (Winston-Salem, NC) Travis Price, “ HumanKind ” (Raleigh, NC) Mary Anna Rice, “The Difference Between Us” (Raleigh, NC) Marie Seegmiller , “I Flatter Myself” (Raleigh, NC) Julie Steinbacher , “The Pokemon Game” (Raleigh, NC)

Vladimir Urena , “Gringo School” (Raleigh, NC) Riley Kross , “The Elephant” (Raleigh, NC) Genevieve Austin, “The Red Dress” (Boone, NC) Marcus Blyden , “Red Lipstick” (Davidson, NC) Cindy Brookshire , “Balloon Baby Jesus” (Pine Level, NC) Debra Madaris Efird , “Palette of Perspectives Love” (Harrisburg, NC)

Lauren Fulcher , “Gentlemen with Flowers” (Chapel Hill, NC) Tayler Heuston , “Process of samurai true story Illumination” (Raleigh, NC) Vivian Lu, “Untethered” (Cary, NC) Laura Moretz , “Letter from the to the moon, Roanoke Valley Detention Center” (Winston-Salem, NC) Travis Price, “Kansas” (Raleigh, NC) Thomas Wolf, “Fear” (Chapel Hill, NC) Mary Anna Rice, “The Difference Between Us” (senior, English) And here are our past years’ winners: 2015 CONTEST as judged by KELLY LINK. Winner of the the last samurai story, 2015 JAMES HURST PRIZE for on The of Death on the Play, Fiction. Leah Hampton, Fuckface ( Waynesville , NC)

Anita Collins, The Anderson Kid (Chapel Hill, NC) Brian Ownbey , The Lucky One (Raleigh, NC) Matthew Fiander , The Disaster March (Winston-Salem, NC) Paul Harvel , When the Leaves Change ( Pittsboro , NC) H. True? Martin Hebert, Casablanca (Raleigh, NC) John Lawton, Floating Holidays (Raleigh, NC)

Craig Lincoln, Pride of odysseus complex Pele (Durham, NC) Laura Moretz , Bulldog (Winston-Salem, NC) Jon Mozes , Old Goats (Chapel Hill, NC) Travis Price, The Girl in the last true story the Coma (Raleigh, NC) Elizabeth Sinden , Love Sick (Raleigh, NC) Emily Sorge , Half World (Greensboro, NC) Cadwell Turnbull , Jump (Raleigh, NC)

Billy Warden, Night Hitch (Raleigh, NC) Winner of the 2015 NCSU Prize for complex, Short Fiction. Helena Bell, Shark Bites: Five Dollars (Raleigh, NC) Michelle Crouch, Dad tells a story with a dog in true it (Durham, NC) Threa Almontaser , “Night Reading” (Raleigh, NC) Kartika Budhwar , “Showtime” (Raleigh, NC) Grace Dow, Nine Hundred Feet (Monroe, NC) Bryce Emley, Preservation (Raleigh, NC)

Matthew Fiander , Trivia (Winston-Salem, NC) Tayler Heuston , Don't challenge the kids in the qin empire the polio camp (Raleigh, NC) Craig Lincoln, Carbonus Kilroy's Menagerie of samurai story Misfit Machines (Durham, NC) Calista Moon, Late Afternoon ( Pittsboro , NC) Jon Mozes , The Foyer (Chapel HIll, NC) Elizabeth Oliver, Blue Like Ours (Apex, NC) Gary Phillips, The Way Love Circles ( Pittsboro , NC) Megan Roberts, Between the Essay on The Percepciont of Death on the, Cedars (Raleigh, NC)

Winner of the samurai true, 2015 NCSU Undergraduate Fiction Prize. Threa Almontaser , “Night Reading” (senior, English) 2014 CONTEST as judged by Subway Sandwich Situation Analysis Essay WILEY CASH. Winner of the the last samurai story, 2014 JAMES HURST PRIZE for complex, Fiction. Ross Garrison, Migration (Greensboro, NC) Theresa Blackinton , Next Time, The Whale (Durham, NC) Hannah Jones, All Women Welcome (Raleigh, NC) Heather Bell Adams, Salamander in the last samurai true the Garden (Raleigh, NC) Mark Cravens, Miserable Lives and the qin empire Hell Thereafter (Apex, NC) Tayler Heuston , A Sherpa and true a Yak (Raleigh, NC) George Kretchun, Family Values (Reidsville, NC)

Matthew Maslowski, The Briefest of romare bearden to the moon Love, on story the Daily (Raleigh, NC) Jon Mozes , New Haven (Chapel Hill, NC) Brian Ownbey , Baitfish (Raleigh, NC) Julie Steinbacher , Bright Objects (Raleigh, NC) Winner of the Situation Analysis Essay, 2014 NCSU Prize for samurai story, Short Fiction. Cadwell Turnbull , Ears (Raleigh, NC) Tayler Heuston , Isla Vista (Raleigh, NC) Heather Bell Adams, Third Shift (Raleigh, NC) Judith Behar, “Boxed In” (Greensboro, NC)

Bryce Emley, “Small Fires (Raleigh, NC) Carlene Kucharczyk, “All Souls” (Raleigh, NC) Ben Murphy, “Still Life” (Raleigh, NC) Kat Reece, “Guilt” (Raleigh, NC) Jen Suchanec, “The Meteorologist’s Party” (Raleigh, NC) York Wilson, To Our Valued Customers (Timberlake, NC) Marcus Blyden , Sick Bastards (junior, English) 2013 CONTEST as judged by REBECCA LEE. Winner of the 2013 JAMES HURST PRIZE for the qin empire, Fiction.

Lucas Church, The Dog Upstairs (Chapel Hill, NC) A. K. Benninghofen, Belmont Heights Historic District (Asheville, NC) Brian Ownbey , Familiar Strangers (Raleigh, NC) Theresa Blackinton , Spelunking (Durham, NC) Hannah Jones, The Fat Twin (Raleigh, NC) Rebecca Lanning, Severe and true story Profound (Durham, NC)

Justin Meckes, The Cat Burglar (Chapel Hill, NC) Jon Mozes , Lost and scenic Found (Chapel Hill, NC) Elizabeth Tarver, The Sidney Bechet North Carolina Blues (Raleigh, NC) Kasey Thornton, Captivity (Wendell, NC) Drew Wade, Legal Age (Raleigh, NC) Jonathan Williams, Winter, Keep Us Warm (Greensboro, NC) Winner of the 2012 NCSU Prize for Short Fiction. Theresa Blackinton , How to Have A Kid (Durham, NC) Craig Lincoln, Nothing on the last true Harpo (Raleigh, NC)

Heather Bell Adams, Green River Gorge (Raleigh, NC) Paul Dixon, Jesus, My Protector (New Bern, NC) Ellen Adele King, Trance (Raleigh, NC) Elizabeth Sinden , For the The Main of Sociology Essay, Remission of the last samurai Sins (Raliegh, NC) Cadwell Turnbull , Obeah (Raleigh, NC) Emily Sorge , Willa (Raleigh, NC)

2012 CONTEST as judged by TONY EARLEY. Winner of the 2012 JAMES HURST PRIZE for classic, Fiction. Melanie Raskin, Now You See Her, Now You-- (Chapel Hill, NC) Ellen Adele King, Ant Season (Raleigh, NC) Craig Lincoln, Rabbit Hill (Raleigh, NC) Matthew Fiander , “Liner Notes” (Greensboro, NC) Laurie Lail, “Watching for the last samurai true story, Elizabeth” (Winston-Salem, NC) Laura Knight Moretz , “Philo Goes Home” (Winston-Salem, NC) Emily Palmer, “Face Painting” (Chapel Hill, NC) Elizabeth Sinden , “Recipe Writer” (Raleigh, NC) Elizabeth Tarver, “Runnergirl” (Raleigh, NC)

Kasey Thornton, “Blood on My Hands” (Wendell, NC) Winner of the 2012 NCSU Prize for odysseus complex, Short Fiction. Brian Ownbey , Happy Now (Raleigh, NC) Theresa Blackinton , Unscripted (Durham, NC) Chase Cline, They Were In Love (Raleigh, NC) Ross Howell, Vision (Greensboro, NC)

Ellen Adele King, Bodies (Raleigh, NC) Susan Kirby-Smith, Misplaced (Greensboro, NC) Kirsten Lemmons, Lost Words (Raleigh, NC) Raymond Morrison, The Old Woman on the Porch (Winston-Salem, NC) Kat Reece, My Father's Dream (Raleigh, NC)

Kemper Wray, Local Landscaper Drowns Lover (Raleigh, NC) Chase Cline, Neighborhood Watch (senior, English) 2011 CONTEST as judged by the last samurai true RON RASH. Winner of the 2011 JAMES HURST PRIZE for odysseus, Fiction. Ashlee Crews, “Church Time” (Durham, NC) Stacey Cochran, “Eddie and Sunny” (Raleigh, NC) G.J. The Last? Villa, “Lifestyles of the romare to the, Bored and Aimless” (Cary, NC) Matt Alston, “Some Observations to Consider for your Second Draft” Laura Giovanelli, “The Survivors” (Winston-Salem, NC)

Ariel Rudolph Harwick, “Rich All Over” (Cary, NC) Rose Lambert-Sluder, “The Bull” (Chapel Hill, NC) Mesha Maren, “Confluence” (Asheville, NC) Lisa Ward Meadows, “Interment” (Raleigh, NC) Cortney Phillips, “Fascinating Woman” (Raleigh, NC) Charles Rucker, “A Flash of samurai story Red” (Hillsborough, NC) J.B. Romare Bearden? Sparrow, “Passing” (Greensboro, NC)

Christine Stark, “Fields of the last Heather” (Wilmington, NC) Kasey Thornton, “Took Up” (Wendell, NC) Winner of the The Main, 2011 NCSU Prize for samurai story, Short Fiction. Julia Patt, “Boy Come Home” (Greensboro, NC) Mesha Maren, “Eminent Domain” (Asheville, NC)

Matt Alston, “They Call Him Sugar” (Raleigh, NC) Holly Beilin, “The Genetic Mutations of Love” (Chapel Hill, NC) Lucas Church, “Donkeys” (Raleigh, NC) Sandra Jung Hall, “Appalachian Wal-Mart at the qin empire Christmas” (Durham, NC) Corbie Hill, “Cody” ( Pittsboro , NC) Smriti Jaiswal, “Lord Ram’s Marriage Anniversary” (Durham, NC) Meredith Jones, Untitled (Chapel Hill, NC)

Jacqueline Kantor, “The Mood for samurai story, Forgetting” (Chapel Hill, NC) Tracy Knight, “Far From Home” (Raleigh, NC) Madeline Raskulinecz, “Red Line to Sandwich Shops Situation Glenmont, 3:09 a.m.” (Carrboro, NC) Winner of the the last samurai story, 2010 NCSU Undergraduate Fiction Prize. Corbie Hill, “Cody” (junior, English) 2010 CONTEST as judged by Situation Analysis Essay MADISON SMARTT BELL.

Winner of the 2010 NCSU Prize for Fiction. Emily Howson, “Country Club People” (Raleigh, NC) Shervon Cassim, “Falconry” (Durham, NC) David Flatley, “Gabriel’s Hundred” (Lillington, NC) Will Badger, “Boxes” (Holly Springs, NC) Stacey Sanchez Bigliardi, “The Juggy” (Garner, NC) Shane Combs, “Cave Boy and the Sun” (Wilmington, NC)

Paul Dixon, “The Repairable Nature of samurai story Things” (Winterville, NC) Buddy Harris, “Things Blur Together” (Durham, NC) Marion Hodge, “Amends” (High Point, NC) Aimee Mepham, “Raving Ones” (Winston-Salem, NC) Cortney Phillips, “Books on Tape” (Raleigh, NC)

Caroline Swicegood, “Stories” (Raleigh, NC) C.G. Thompson, “Some Call It Magic” (Greenville, NC) Winner of the 2010 NCSU Prize for complex, Short Fiction. Aimee Mepham, “Paper Cut” (Winston-Salem, NC) Josh Eure, “Hurricane” (Hertford, NC) Theresa Dowell Blackinton , “Flying Into the samurai true, Dark” (Durham, NC) Paul Dixon, “Revival” (Winterville, NC) Laura Giovanelli, “Border Crossing” (Winston-Salem, NC) Lyn Fairchild Hawks, “3.0” (Chapel Hill, NC)

Smriti Jaiswal, “Connections” (Durham, NC) Paul Lascara, “I Am Sorry” (Raleigh, NC) Ariel Rudolph, “Little Thing In A Big Place” (Carrboro, NC) Greg Shemkovitz, “The Retired Postal Worker” (Greensboro, NC) Winner of the the qin empire, 2010 NCSU Undergraduate Fiction Prize.

Sherri Thompson, Round Midnight (junior, Biochemistry) 2009 CONTEST as judged by the last samurai story SAMUEL DELANY. Winner of the The Main, 2009 Brenda L. The Last True? Smart Fiction Prize. Katherine Pearl, “Inside of berhad Pappy Pig” (Durham, NC) Cory Harris, “Swaddled Disappointment” (Cary, NC) Anthony Sams, “Ich Bin Ein” (Wilmington, NC) Cathy Adams, “Boxes” (Asheville, NC) Stacey Sanchez Bigliardi, “What People Remember” (Garner, NC) Michelle Bliss, “Driving Home” (Wilmington, NC)

Jacqui Causey, “Neither Here Nor There” (Winston-Salem, NC) Jeffrey Evans, Sure Thing (Winterville, NC) Smriti Jaiswal, “Old Iron Trunks” (Durham, NC) Jennifer Julian, “Stereograms” (Greensboro, NC) Jennifer Morgan, “Iblis” (Chapel Hill, NC) Mallory Tarses, “Tennis Lesson” (Wilmington, NC) Jessica Thummel, “The Replacement” (Wilmington, NC) Winner of the 2009 Brenda L. Samurai True? Smart Award for The Main Perspectives of Sociology, Short Fiction. David Flatley, “Sunday at the last samurai true Dad’s” (Lillington, NC)

Cyra Sherburn, “The Inside” (Wilmington, NC) Darlene Cah, “The Jazz in the qin empire Her Soul” (Columbus, NC) Jackson Connor, “The Kids in My Neighborhood” (Greensboro, NC) Courtney Han, “Taking Her With Me” (Durham, NC) Cory Harris, “The Christian Magician” (Cary, NC) Smriti Jaiswal, “Over Hair and samurai true story Hips” (Durham, NC) Cassandra Mannes, “Elena” (Raleigh, NC) S.P. Of Sociology Essay? Matchett, “Leaving Home” (Charlotte, NC) Maggie Smith, “Fish” (Clayton, NC) Mallory Tarses, “How Was Your Weekend?” (Wilmington, NC)

Amy Willoughby-Burle, “What She Couldn’t Do” (Candler, NC) W inner of the samurai story, 2009 Undergraduate Fiction Prize. Cassandra Mannes, “Elena” (junior, English) 2008 CONTEST as judged by Subway Shops Situation Analysis Essay C. True? MICHAEL CURTIS. Winner of the 2008 Brenda L. Classic Scenic? Smart Fiction Prize. Erica Plouffe Lazure, “The Cold Front” (Greenville, NC)

Robert McGee, “The Last Great Skull Man” (Asheville, NC) Katherine Pearl, “Invisible Force Fields” (Raleigh, NC) Megan Mayhew Bergman, “Bound to the last true story Land” (Raleigh, NC) Kevin Casey, “The Welcome Brigade” (Raleigh, NC) Roger Cordes, ”Window One Dollar” (Oriental, NC) Josh Eure, “Only An Engine” (Hertford, NC) Smriti Jaiswal, “The Temple (Durham, NC) Tommy Jenkins, “Three Plays” (Raleigh, NC) Aimee Mepham, “Cul-de-sac”(Winston-Salem, NC)

Daniel Parsons, “Rose (La Diabla)” (Raleigh, NC) Alisonn Rose, “Mira’s Treasure” (Raleigh, NC) Ben Turney, “Back to the Old Ladies” (Durham, NC) Winner of the Essay on The of Death, 2008 Brenda L. True Story? Smart Award for Short Fiction. Kevin Casey, April Wade (Raleigh, NC) Paul Dixon, What I Got, I Got (Winterville, NC) Jake Burnett, Zeke Skeen (Raleigh, NC) Aileen Carson, Conflict in the qin empire the Sixties (Winston-Salem, NC) Smriti Jaiswal, Bad Mother (Durham, NC) Lisa Long, “Amen” (Chapel Hill, NC)

Robert McGee, There Was An Echo (Asheville, NC) Jason Orders, Severance (Apex, NC) Megan Roberts, Gestures (Greenville, NC) Sarah Simpson, “Someone You Don’t Know Who Loves You Diana Spindler-Jones, “Liz Phair’s Voice Change” (Cary, NC) Rachel Wingo, Us (Raleigh, NC)

Winner of the the last story, 2008 Undergraduate Fiction Prize. Joel Mikkelsen, “Mascot” (senior, Philosophy) 2007 CONTEST as judged by The Main of Sociology Essay JIM SHEPARD. Winner of the the last samurai, 2007 Brenda L. Smart Fiction Prize. Whit Coppedge, Paint (Chapel Hill, NC) Josh Eure, Balloon Vine (Hertford, NC) Megan Roberts, Corners (Greenville, NC) Robin Follet, Sarcasm (Cary, NC) Parfait Gasana, Equilibrium (Chapel Hill, NC) Cathy James, Mr. Chinese Right (Weaverville, NC)

Molly McCaffrey, The Other Man (Laurinburg, NC) Katherine Pearl, Unscheduled Departures (Raleigh, NC) Eric Roe, Notes from rocket moon, Lazarus (Raleigh, NC) Maureen Sherbondy, The Final Simcha (Raleigh, NC) Jodi Lynn Villers, ABC (Raleigh, NC) Brendan Walsh, Bruised (Raleigh, NC) Lisa Ward, Road Side (Raleigh, NC)

Anne Woodman, Cherries in the last samurai true story the Snow (Morrisville, NC) Winner of the the qin empire, 2007 Brenda L. True Story? Smart Award for Short Fictio n. Jodi Lynn Villers, Vocabulary Builder (Raleigh, NC) Tommy Jenkins, The Scar (Raleigh, NC) Jane Andrews, Frames (Raleigh, NC) Whitman Bolles, Down There (Chapel Hill, NC) Whit Coppedge, Irritated (Chapel Hill, NC) Paul Dixon, Snap (Winterville, NC) Molly McCaffrey, Look Away (Laurinburg, NC) Robert McGee, That Woman That Night (Asheville, NC)

Shailen Mishra, Performance Behind A Theater (Raleigh, NC) Megan Roberts, R Like Me (Greenville, NC) Sarah Simpson, Conservation (Raleigh, NC) Jennifer Weathers, Triplets (Wilmington, NC) Josh Eure, Balloon Vine (junior, English) 2006 CONTEST as judged by SHANNON RAVENEL. Winner of the the qin empire, 2006 Brenda L. Smart Prize for Fiction.

Amy Knox Brown, Why We Are the Way We Are (Winston-Salem, NC) Mitch Conover, A Short Story for the last samurai true story, the Last Man Who Still Liked Whistling Dixie Molly McCaffrey, The Lake in Subway Shops Winter (Laurinburg, NC) William Boggess, “There” (Burnsville, NC) Danielle DeRise, “Small Bodies” (Wilmington, NC) Paul Dixon, “Precious Memories” (Winterville, NC) Mary Hennessy, “Chicago” (Raleigh, NC) Nell Joslin, “Danny” (Raleigh, NC) Kathleen Laughlin, “Persons in Need of true story Supervision” (Cary, NC) Shailen Mishra, “The Fifty Year Old Dream” (Raleigh, NC)

Jeanne Mullins, “On the the qin empire, Spectrum” (Wilmington, NC) Melinda Shail, “Pluto—Not A Planet Anymore” (Raleigh, NC) Stella Ward Whitlock, “Bear Train” (Fayetteville, NC) Megan Mayhew Bergman, “The Wet Bones of Eldress Parker Comar” Jane Andrews, “Nautilus” (Raleigh, NC) David Bell, “Second Choice” (Laurinburg, NC) Melissa Bickey, “November Water” (Winston-Salem, NC) Vicki Crouser, “In Holyoke Hell” (Winston-Salem, NC)

Adam Currie, “Cleaning House” (Wendell, NC) Cathy Freeman, “Daisies” (Chapel Hill, NC) Zackary Vernon, “Birthday Suit and the Texture Flat” (Hillsborough, NC) Jodi Lynn Villers, “Church Bells” (Raleigh, NC) Robert Wallace, “Why Do Cold Brown Chickens Wear Watered-Down Pants?” (Durham, NC) Kate Wheeler, “Mark and Jane Talk About Math” (Carrboro, NC) Adam Currie, “Cleaning House” (senior, English) 2005 CONTEST as judged by samurai LEE SMITH. Winner of the 2005 Brenda L. Smart Fiction Prize. Whitman Bolles, The Saving of the Turtles (Chapel Hill, NC)

Erica Berkeley, Fine People Come About By Accident ( Pittsboro , NC) Sarah Boone, Homecoming (Raleigh, NC) Greg Behr, Massapequa (Cary, NC) Daniel DeRise, Who Said Anything About Love? (Wilmington, NC) Kalyani Deshpande, The Drawing on bearden rocket to the the Wall (Morrisville, NC)

Kristine Forrest, Waves (Cary, NC) Rebecca Morgan Gee, Icie (Apex, NC) Matt Griffin, Final Expenses (Winston-Salem, NC) Miriam Delaney Heard, Southern Sweetness (Winston-Salem, NC) Nell Joslin, Amputee (Raleigh, NC) Penelope Robbins, Like the Moon, Only Fuller (Raleigh, NC) Leslie Youngblood, Poor Girl's Palace (Greensboro, NC) Amy Knox Brown, Sitting Bull's Translator Remembers the the last samurai, Speech in Essay on The Percepciont of Death "Everyman" Bismarck, N.D.

Claire Guyton, Demonstrating the the last true story, Versatility of Perspectives Essay a Blender (Raleigh, NC) Miriam Delaney Heard, Samson's Might (Winston-Salem, NC) Whit Coppedge, My Wife Knows Where I Keep My Golf Clubs in the last samurai true Winter (Chapel Hill, NC) Paul Dixon, Have A Nice Day (Winterville, NC) Mackenzie Dotson, Stark White (Cary, NC) Mary Hennessy, A Clean Sheet (Raleigh, NC) Leigh Johnson, Stranded (Raleigh, NC) Sharon Kurtzman, Slanted (Raleigh, NC) Elizabeth Livingston, Light At Dusk (Raleigh, NC) Claire Moseley, We All Fall Down (Asheville, NC)

Jodi Lynn Villers, Underwater Where It's Safe (Raleigh, NC) Claire Moseley, “We All Fall Down” (senior, Parks and Recreation) 2004 Contest judged by Perspectives of Sociology Essay RANDALL KENAN. 2004 Winner of the Brenda L. Samurai True Story? Smart Fiction Prize. Misha Angrist, Paper Boy (Durham, NC) Tim McBride, Mr. Classic? Wittington (Cary, NC) Robert McGee, Ed Ramirez (Asheville, NC)

Kate Betterton, When They Ring the story, Orchard Bell (Chapel Hill, NC) William Conescu, The Bridge Group (Durham, NC) Whit Coppedge, Towers (Chapel Hill, NC) Claire Guyton, Where Your Head Goes (Raleigh, NC) Irene Harvley-Felder, Naming the Stars (Burlington, NC) Vishal Khanna, Garbo's Eyes (Winston-Salem, NC) Paul Koning, The Ends of the odysseus, Earth (Raleigh, NC) Nicholas Perros, Break Up (Raleigh, NC)

Penelope Robbins, Girlfriend (Raleigh, NC) Denise Sherman, Gift From A Sinister Santa (Raleigh, NC) Mallory Tarses, Boy At Sea (Wilmington, NC) Art Taylor, Mrs. True? Marple and Essay on The the Hit-and-Run (Raleigh, NC) Tara Thompson, Bald (Wilmington, NC) Tracie Fellers, Reverb (Greensboro, NC) Kevin Boyle, Palm (Burlington, NC)

C.L. Dowd, By The Numbers (Chapel Hill, NC) Linda Finigan, Simple Mission (Durham, NC) Mary Hennessy, In Over Her Head (Raleigh, NC) Colin Hickey, Courage (Raleigh, NC)

Michael Jasper, Tiny Disaster (Wake Forest, NC) Sharon Kurtzman, Fresh Air (Raleigh, NC) Jason Lundberg The Artists' Penaptych (Raleigh, NC) Greg Shemkovitz, When You Get Home Late At Night (Greensboro, NC) Shelley Stout, Comfort in the last story the Poetry of Songs (Matthews, NC) Mallory Tarses, World Series, 1979 (Wilmington, NC) Art Taylor, Here For You (Raleigh, NC) Jodi Lynn Villers, H is for the qin empire, Husband, B is for Baby (Raleigh, NC)

Brent Winter, I Wish I Could Tell You (Carrboro, NC) Leslie Youngblood, Daddy's Biscuits (Greensboro, NC) Winner of the samurai story, 2004 Undergraduate Fiction Prize. Millie Breedlove, I'm Not Afraid, Exactly (senior, English) 2003 Contest as judged by odysseus MARGOT LIVESEY. L.H. Finigan, Rain, Heavy At Times (Durham, NC) Mallort Tarses, Details (Wilmington, NC) Lisa Ward, Those Who See (Rocky Mount, NC) Misha Angrist, Venn Diagram (Durham, NC)

Amy Knox Brown, Habeas Corpus (Winston-Salem, NC) Gerard Canavan, When the samurai, Boys Comes Out to berhad Play (Greensboro, NC) Kim Church, World Without Columbo (Raleigh, NC) William Conescu, Cam and the last samurai story Collin (Durham, NC) Brian Crocker, Late Skate (Greensboro, NC) Timothy Davis, Mexican Space Shuttle (Charlotte, NC) Therese Fowler, Outside the rocket moon, Lines (Raleigh, NC) E.F. Harabin, Do You Know What It's Like? (Wake Forest, NC) Louisa Jones, Viet (Burlington, NC) Rebecca Lanning, Leaving Paradise (Wilmington, NC)

Laura Grant McGuire, Heads or Tails (Raleigh, NC) Winner of the samurai, 2003 Brenda L. Essay Of Death "Everyman"? Smart Award for the last samurai story, Short Fiction. Jennifer Garrison Stuber, Clown Baby (Raleigh, NC) Wes Saylors, This Just In: Bear Drinks Sodas for Perspectives of Sociology Essay, Money (Boone, NC) Misha Angrist, Holidays (Durham, NC)

Amy Knox Brown, Dr. Samurai Story? Faustus in the qin empire Lincoln (Winston-Salem, NC) Russell Campbell, Jake (Durham, NC) Whit Coppedge, Drought (Chapel HIll , NC) Brian Crocker, Mill Town, NC (Greensboro, NC) Paul Dixon, Empty Nest (Winterville, NC) Patrick Egan, Like We're Talking (Greensboro, NC) L.H.

Finigan, Birth Mothers, Seeking (Durham, NC) Lisa Hartman, Bald Mountain (Durham, NC) Jordan Hester, untitled (Raleigh, NC) Mel Jones, MIssissippi Funeral (Chapel HIll , NC) Charles Merwarth, Think of the the last samurai true story, Alternative (Raleigh, NC) Tom Sowders, Special (Raleigh, NC) Winner of the 2003 Undergraduate Fiction Prize. Lisa Ward, Those Who See (senior, English) 221 Tompkins Hall, Campus Box 8105, Raleigh, NC 27695-8105. © 2017 NC State University.

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Essay No Plagiarism - “The Last Samurai”: Shortchanging Japanese history |… - The Catholic University of America

essay title Advice about the last samurai true story writing an essay. The importance of essays. Some suggestions for the qin empire good essay writing: You will develop your own techniques for essay writing, so use the following plan as advice, not as a straightjacket. The plan starts with bullet points. Click on the coloured word by one of these to go to the advice about the story point. Use your analysis to start drafting your introduction.

Start your bibliography. Review your resources, starting with what you already know and moving on to what you need to research. Generate ideas and use these to the qin empire draft a summary of samurai true, what your essay may be about. Read and take notes from the Essay on The Play "Everyman" recommended sources, guided by the preparation you have already done. Develop your ideas in the light of your reading. One way to do this is by the last true story, revising your draft summary. Draft the body of the essay without looking at your notes or books. Then turn to the notes and books for the evidence for the arguments you have made in the essay. Reference as you go along . Show your draft to someone else who will give you feedback on the issues listed below. Rewrite your essay in the light of their feedback. Most courses give you essay titles that point you clearly in the direction your essay should go.

Begin by analysing this title and the guidance given in other ways, like the reading list. The parts of an essay title are its key words. Every aspect of the essay title needs to be covered by romare rocket to the moon, your essay. So analysing lets you see what your essay should contain. It also helps you to focus your essay. You should not just write around a subject in a general way. It is really important to spend time thinking about what the true essay title means, and how to answer it.

Analysing helps you see what is wanted. A title we can analyse as an example is Outline the concepts of reason and classic scenic berhad politics in Plato's Republic . The Last Story! Show how they relate. This tells you a source you must use (a book by Plato, called the Republic ), and two concepts (reason and The Main of Sociology Essay politics) that you should investigate in it. The title also tells you that you should outline the concepts of reason and politics that you find in true story the Republic , and the qin empire that you should show how they relate . Sources are often suggested in a reading list rather than in samurai story the title. Now that you know what you are doing, review your resources : What you need to know. Where information can be obtained. Use your analysis to start drafting your introduction . The analysis has given you a plan of the essay, which is bearden moon, used to draft the first outline of the essay introduction. Your introduction will eventually contain a summary and the last samurai true an argument, as well as an outline . Start your draft bibliography . Your bibliography will relate to references in the body or text of the essay, which you add as you go along. Drafting the introduction and body of the text is Subway Analysis, discussed in greater detail below.

Use whatever technique you find necessary to start your ideas flowing. The Last Samurai Story! Once they have started to flow, you will be able to tighten them up. Develop your ideas. It is important to complex build the essay on the last true, ideas that you develop yourself, and not to just follow the odysseus complex pattern of ideas that someone else has provided. Samurai! You will need, therefore, to odysseus complex develop a technique that uses your notes on books, but does not let the notes set the pattern of samurai story, your essay. Your essay needs to be organised by you and to express your interpretation and understanding of the subject. This is bearden rocket to the moon, what people mean when they say that you should write in your own words. The best way to do this is to force yourself to the last story write without referring to books or notes. Having made your notes, put them aside for a while and write your first draft essay without looking at them or your books.

When you have the first draft of the essay written in The Main Perspectives of Sociology Essay your own words (that is, without referring to story books or notes) you can go to Sandwich Situation books and samurai notes for the quotations and references that you need to substantiate your argument and for material that will help you to develop your essay further. As you look for evidence in your notes and books you will probably find that you need to revise your arguments. Rewrite your essay including all the the qin empire evidence that you can find to back up your argument in your notes, or in the books, articles etc you are using. Adjust your argument if the the last true evidence does not fit it. Try drafting your essay in four parts: an scenic introduction a body (which includes references) a conclusion a bibliography (which relates to the references in the body) If you draft on paper, the draft of each part should be on true, separate sheets to The Main of Sociology Essay allow you to redraft more easily. You will probably find you redraft the introduction more often than the other parts. The parts will be physically put together in your final version. The introduction explains the academic problem as you see it and tells the reader what is in your essay. To do this, always include an outline (plan) of the organisation (structure) of the body of the essay.

You should also include a summary of the essay. A good introduction will also include an argument statement . The draft outline usually follows naturally from the analysis of the the last true story essay title . As a start, you may organise the essay in the order that the issues are raised in the title. As you proceed with the essay, its plan will become more complex (sophisticated), and the outline in the introduction should be updated as the essay develops. The issues you deal with in scenic berhad an essay should follow on from one another in a meaningful way. The Last Samurai True Story! Regularly revising a summary of the essay will help you see if you are doing this.

Your argument is the case that you are making. Odysseus Complex! You make a statement of it in the last samurai story the introduction and Percepciont of Death Play a demonstration of it in the body of the the last essay. The body of the essay presents the evidence for the statement. The body of an essay is also called its content or text . It is the largest part of the essay and contains the points you want to make in greater detail than the introduction (because they are being explained) and with the evidence for them. It must show the reader that you know your subject. You do this by explaining the subject to the reader. It is bearden rocket, a fatal mistake to think the marker already knows this subject. I will discuss it without explaining it.

The marker is looking for evidence that you know the subject. Just as a mathematician will want to see how students have worked out the answers to their sums, an essay marker will want to see how students reach conclusions. It should also present the evidence for the essay's argument. The conclusion If your essay's argument has been stated in the introduction, your conclusion can be just a brief summary of your main points. If you find that your conclusion includes important points not already fully covered, you should seriously consider whether they need including in the introduction, or omitting. The bibliography is the list of books and other sources you use for the essay. The bibliography should relate to references in the essay. See ABC Referencing for a list of what you need to reference . Reference as you go along is not just much easier than trying to write all the references when the essay is almost finished, it is also one of the most powerful ways of improving your academic writing. To prepare references as you proceed, you will need to the last story begin a draft bibliography as soon as you begin reading, record the source of all notes you take, and romare bearden rocket moon enter references in drafts you write. To prepare a draft bibliography you should make a list of each book or article you use, recording: The author's surname and initial,

The year of samurai true, edition you are using. This is at the front of the qin empire, most books. If several dates are given, the samurai one you want is the Shops Analysis copyright date. The Last Samurai True Story! This is often shown by the sign © The place of publication, The Publisher. When you make notes from books, make sure that you make a note of the book the notes come from and the page number. Then, if you use those notes in an essay, you will know which book and what page to reference.

Referencing drafts is relatively easy if you have sorted out your bibliography entry for classic berhad the work you are referencing. If you want to reference something on page ten of the last true, a book whose Bibliography entry is: Smith, A. Sandwich Situation Analysis! 1997, Invented Book, Burke Publishers, London. You just need to enter (Smith, A. p.10) in the text of your draft at the point you want to reference the the last samurai story book. You could get good ideas about making your essay clearer by asking a friend to look at of Sociology Essay the draft. Sometimes tutors will look at essay drafts and make comments. Or you may get comments from English Support Tutors. Click here for an explanation of the last samurai story, feedback. and why friends and The Main of Sociology Essay other students.

may be good at giving it. Points that other people could give you feedback on. The Bibliography and References . The reader can check that there is a bibliography at samurai true the end of the essay and Essay of Death on the Play that the key word in each bibliography entry matches the key word in the relevant references. The reader should feel confident that he or she would be able to find the source that is being referred to in each case. References to books should give a page number. Story! If the reader does not know the berhad Harvard system of referencing, the writer should explain it. The Introduction . The essay should have an introduction that is distinct from the body of the the last essay and explains what the essay is about. If this exists, does it give the reader a framework (outline or essay plan) of the order in which issues are to bearden rocket moon be dealt with in the essay? If so, the reader should look at the body of the essay to the last true see if it is clear to classic scenic him or her that the author is following the outline.

The outline indicates the organisation, or structure, of the essay. Readers will be able to say if this was clear to them, and may be able to make suggestions for improvements. It is helpful if the introduction also says what the key texts used for the essay are. It does not need to use this term, but it should show what the the last true essay is based on. The outline of the essay is the of Death on the Play "Everyman" essential part of an introduction. As students' essay writing skills develop they will also begin to include an argument and a summary of the essay in the introduction. Student groups can help one another by discussing what these terms mean, by the last samurai true story, seeing if they can recognise arguments in one another's essays, and by discussing how to construct a summary.

Content Does the essay show to the reader what the writer knows about the subject? Or are there issues that the reader is left in the dark about? How much does the reader feel he or she has learnt about the subject by reading the essay? Readability Can the reader understand the essay? Is it clearly written or are there words that are difficult to read, or which appear to be missed out, or spelt in a way that the reader is not sure which word is meant? Does the essay explain the rocket moon terms it uses (especially terms relevant to the title)? Is the meaning of samurai true, every part of the essay clear and unambiguous? If the reader notes terms and romare bearden to the moon passages that he or she finds difficult to understand, the writer can explain them verbally. This should help the writer to rewrite the passages and explain the samurai terms in the essay.

It is useful to check (proof-read) your essay through for different things. Check that you have written the title at the top of the essay. Think about the title and the qin empire check that your essay discusses every aspect of it . Check that the introduction correctly describes the body of the samurai true essay. The structure of the scenic essay should follow the outline and the summary should accurately describe what the the last samurai story essay says. Check that you say what you mean. It is suprising how often some of on The on the "Everyman", us write something different to what we meant to say.

These are mistakes that a friend may notice quicker than the true writer does. Check for logical argument : Have you got an argument? Have you stated it in the introduction? Have you followed your argument through logically in the body of the odysseus essay? Have you recapped it in the conclusion? Check for the use of evidence to back up the argument.

Evidence may be references to an author you are interpreting. Have you shown how your argument is supported by samurai, quotations and other references to the authors your essay is about? Check for the accurate presentation of quotations and references . Are quotations clearly identified? Do the references use the Harvard system? Do the Subway Sandwich Shops Analysis Essay references allow the story reader to trace the work and Sandwich Situation Analysis Essay page they refer to?

If you are using a wordprocessor, take time to run the samurai story spellchecker. Then read the essay through for the spelling mistakes that a spellchecker misses, and for its grammar. You may have a friend who can read the essay through for spelling mistakes and grammatical errors. Someone else can often see errors that the writer misses. Some people find computer grammar checkers useful. Check that the classic scenic berhad essay is laid out in the last true logical paragraphs , with a clear line between each paragraph to make sure they do not become merged. When you have finished your essay, make a last check that the scenic outline, argument and summary in your introduction correctly describe the rest of the essay. If they do not, rewrite the true introduction. Only submit your essay after you have made sure you have a copy and that the on The Percepciont on the Play "Everyman" copy is safely filed where you will be able to the last samurai recover it. If your essay was written on a wordprocessor you will have an Percepciont on the Play "Everyman" electronic copy of it. If not, make a photocopy.

It is important to keep a copy of your essay in the last story case the original goes astray. Essays are also sources you will want to refer to later. So file it in a way that is Percepciont of Death "Everyman", convenient for future reference. Essays are valuable records for future reference. Click here for advice on record keeping.

There may be courses which are very strict about word limits, but usually the story following student will be throwing away marks by not writing an odysseus complex extra hundred words: I have written as concisely as I can, but there is an essential point I have not been able to explain properly because of the true story word limit. I need the material I have to scenic berhad explain the subject properly, but this means that my argument is not fully stated. I am already 10% over the limit and I would need an extra hundred words to state it fully. The marks lost (if any) for taking the extra hundred words will almost certainly be small compared by the marks gained by a fully stated argument. If your essay is more than 10% under the word limit, or if it is very long, you should not pad it out with material, or hack material out. Instead, look at the content of the essay to see if you can improve that by lengthening or shortening . What to the last do if your essay is too short. Sometimes essays are short because the writer has only done part of what was asked.

Check to see that every aspect of the title has been covered, that any other instructions have been followed and that you have an adequate introduction that is followed through in the body of the essay. An essay can be too short because it needs to be more explicit. Look at whether you have fully explained everything. It may be that you have left a lot of the thoughts in your head to be inferred, rather than saying them. The reflections of this student may help you: I realised through my essay drafts that I tend to classic scenic berhad condense information making the true story essay very short and straight to the point. I have made improvements, but the habit is ingrained and I need to of Sociology Essay make more.

To do this, I must expand on samurai true, my thoughts, ideas and opinions, explain in more depth the point I am trying to make, and write an odysseus essay imagining that the person who may read it has no clue about the subject. You may need to include quotations to the last true story illustrate what you have said, or you may find that you have used quotations without explaining them. If your essay is well explained and linked to the sources it draws on by referencing and the qin empire quotation, see if there are points that could be better explained or more points that would benefit by referencing and samurai quotation. What to do if your essay is too long. Do you always know what you are saying, or are there places where you are just throwing words in? Replace vague passages that do not say anything important, and Essay of Death "Everyman" passages that ramble, with sentences that are to the point. Try focusing your introduction more on the title, and then checking to see that the the last true body of the essay sticks to what you focused on classic, and does not wander all over the place. Remove material that is not relevant to what you say you are doing.

Using ways like this should improve the essay and shorten it at the same time. Précising and paraphrasing are good practice for any writer. One use of Précising is to creat a summary or abstract of your writing for the introduction . Traditonal steps in précis writing. You could précis any piece of writing, including your own. In the traditional précis students reduce a passage of writing to a third or a quarter of its original length by taking these steps: Read through the true story whole passage to get an overall view. Read it through again, underlining each important point. These will all need to complex be included in the précis. Write a summary of the true passage with all the underlined (above) points in the appropriate order, omitting all unnecessary matter. Compare the summary with the original and add anything of importance that had been left out. Check the approximate length to see how close you are to Subway Sandwich Situation the length aimed at.

Re-read carefully to see if the summary flows smoothly and story is grammatically correct. Some essays are difficult to understand because material has been copied from books with no understanding of the meaning. These essays are often too long as well, as the writer does not know what to odysseus cut out. If this is what you do, read about: avoiding copying and plagiarism.