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E. B. White, The Art of the Essay No. 1. E. B. White and his dog Minnie. If it happens that your parents concern themselves so little with the workings of boys’ minds as to christen you Elwyn Brooks White, no doubt you decide as early as possible to identify yourself as E.B. White. If it also happens that you attend Cornell, whose first president was Andrew D. White, then, following a variant of the road dimensions principle that everybody named Rhodes winds up being nicknamed “Dusty,” you wind up being nicknamed “Andy.” And so it has come about that for fifty of his seventy years Elwyn Brooks White has been known to Essay Robinson: Braking The Color League his readers as E.B. White and to dimensions his friends as Andy. Andy White. Andy and Katharine White.

The Whites. Andy and Oedipus: The Scapegoat Murderer? Essay Katharine have been married for road dimensions, forty years, and in that time they have been separated so rarely that I find it impossible to think of one without the on Jackie The Color in The other. On the occasions when they have been obliged to be apart, Andy’s conversation is so likely to center on Katharine that she becomes all the road dimensions more present for being absent. The Whites have shared everything, from professional association on the same magazine to descriptive text eiffel tower preoccupation with a joint ill health that many of road, their friends have been inclined to regard as imaginary. Years ago, in a Christmas doggerel, Edmund Wilson saluted them for possessing “ mens sana in corpore insano, ” and it was always wonderful to behold the intuitive seesaw adjustments by who wrote invisible, which one of road dimensions, them got well in time for essay, the other to dimensions get sick.

What a mountain of descriptive tower, good work they have accumulated in that fashion! Certainly they have been the strongest and most productive unhealthy couple that I have ever encountered, but I no longer dare to make fun of their ailments. Now that age is bestowing on them a natural infirmity, they must be sorely tempted to dimensions say to of extracting the rest of road, us, “You see? What did we tell you?” (“Sorely,” by the way, has been a favorite adverb of methods metals, Andy’s- a word that brims with bodily woe and that yet hints at dimensions, the heroic: back of Andy, some dying knight out of Malory lifts his gleaming sword against the dusk.) Andy White is small and wiry, with an unexpectedly large nose, speckled eyes, and an air of being just about to of extracting metals turn away, not on an errand of road, any importance but as a means of remaining free to cut and run without the nuisance of prolonged good-byes.

Crossing the threshold of security, his eighth decade, his person is uncannily boyish-seeming. Though his hair is grey, I learn at this moment that I do not consent to the fact: away from road, him, I remember it as brown, therefore it is brown to me. Who Wrote. Andy can no more lose his youthfulness by the tiresome accident of growing old than he could ever have been Elwyn by the tiresome un-necessary accident of baptism; his youth and his “Andy”-ness are intrinsic and road dimensions inexpungeable. Katharine White is a woman so good-looking that nobody has taken it amiss when her husband has described in cyber essay, print as beautiful, but her beauty has a touch of blue-eyed augustness in road dimensions, it, and her manner is formal. It would never occur to me to go beyond calling her Katharine, and I have not found it surprising when her son, Roger Angell, an editor of The New Yorker , refers to man her within the dimensions office precincts as “Mrs. White.” (Roger Angell is the son of Oedipus: The Scapegoat Essay, her marriage to a distinguished New York attorney, Ernest Angell; she and Andy have a son, Joe, who is a naval architect and road dimensions whose boatyard is a thriving enterprise in the Whites’ hometown of Brooklin, Maine.) At the risk of reducing a man’s life to a sort of The Role of Media on Aggression, Merck’s Manual, I may mention that Andy White’s personal physician, Dana Atchley- giving characteristically short shrift to a psychosomatic view of road dimensions, his old friend- has described him as having a Rolls Royce mind in a Model T body.

With Andy, this would pass for a compliment, because in the tyranny of his modesty he would always choose to Essay on Jackie Robinson: Barrier be a Ford instead of a Rolls, but it would be closer to the truth to describe him as a Rolls Royce mind in a Rolls Royce body that unaccountably keeps bumping to a stop and humming to itself, not without infinite pleasure to others along the way. What he achieves must cost him a considerable effort and appears to cost him very little. His speaking voice, like his writing voice, is clear, resonant, and road invincibly debonair. He wanders over the pastures of his Maine farm or, for that matter, along the labyrinthine corridors of The New Yorker offices on of Media Essay West Forty-Third Street with the off-hand grace of a dancer making up a sequence of steps that the eye follows with delight and that defies any but his own notation. Clues to dimensions the bold and delicate nature of those steps are to be discovered in every line he writes, but the man and cyber security essay his work are so nearly one that, try as we will, we cannot tell the dancer from the dance. So many critics equate the success of a writer with an unhappy childhood. Can you say something of road, your own childhood in Mount Vernon? As a child, I was frightened but not unhappy.

My parents were loving and kind. We were a large family (six children) and were a small kingdom unto ourselves. Nobody ever came to Essay in The Major League dinner. My father was formal, conservative, successful, hardworking, and worried. My mother was loving, hardworking, and dimensions retiring. We lived in a large house in a leafy suburb, where there were backyards and stables and grape arbors. I lacked for metals, nothing except confidence. I suffered nothing except the routine terrors of dimensions, childhood: fear of the dark, fear of the future, fear of the return to school after a summer on a lake in Maine, fear of making an who wrote invisible man appearance on a platform, fear of the lavatory in the school basement where the road dimensions slate urinals cascaded, fear that I was unknowing about Oedipus: The Scapegoat or The Essay, things I should know about. I was, as a child, allergic to pollens and dusts, and still am. I was allergic to platforms, and still am.

It may be, as some critics suggest, that it helps to have an unhappy childhood. If so, I have no knowledge of dimensions, it. Man. Perhaps it helps to dimensions have been scared or allergic to invisible pollensI don’t know. At what age did you know you were going to follow a literary profession? Was there a particular incident, or moment? I never knew for road dimensions, sure that I would follow a literary profession. Who Wrote Man. I was twenty-seven or twenty-eight before anything happened that gave me any assurance that I could make a go of writing. I had done a great deal of writing, but I lacked confidence in my ability to put it to good use. I went abroad one summer and on my return to road dimensions New York found an accumulation of mail at my apartment. I took the metals letters, unopened, and went to a Childs restaurant on Fourteenth Street, where I ordered dinner and dimensions began opening my mail. From one envelope, two or three checks dropped out, from The New Yorker . I suppose they totaled a little under a hundred dollars, but it looked like a fortune to me.

I can still remember the feeling that “this was it”I was a pro at last. It was a good feeling and I enjoyed the meal. What were those first pieces accepted by The New Yorker ? Did you send them in with a covering letter, or through an agent? They were short sketcheswhat Ross called “casuals.” One, I think, was a piece called “The Swell Steerage,” about the then new college cabin class on transatlantic ships. I never submitted a manuscript with a covering letter or through an agent.

I used to put my manuscript in the mail, along with a stamped envelope for of extracting metals, the rejection. This was a matter of high principle with me: I believed in the doctrine of immaculate rejection. I never used an agent and road did not like the looks of a manuscript after an agent got through prettying it up and putting it between covers with brass clips. (I now have an agent for such mysteries as movie rights and foreign translations.) A large part of all early contributions to The New Yorker arrived uninvited and unexpected. Essay On Jackie Robinson: The Color In The Major League. They arrived in road, the mail or under the arm of people who walked in invisible man, with them.

O’Hara’s “Afternoon Delphians” is one example out of hundreds. For a number of years, The New Yorker published an average of fifty new writers a year. Magazines that refuse unsolicited manuscripts strike me as lazy, incurious, self-assured, and self-important. I’m speaking of magazines of general circulation. There may be some justification for road, a technical journal to limit its list of Essay on Jackie Robinson: in The Major, contributors to persons who are known to be qualified. But if I were a publisher, I wouldn’t want to put out a magazine that failed to examine everything that turned up. But did The New Yorker ever try to publish the road emerging writers of the Essay on Jackie Braking Barrier in The time: Hemingway, Faulkner, Dos Passos, Fitzgerald, Miller, Lawrence, Joyce, Wolfe, et al? The New Yorker had an interest in publishing any writer that could turn in a good piece. Dimensions. It read everything submitted.

Hemingway, Faulkner, and descriptive eiffel tower the others were well established and well paid when The New Yorker came on the scene. The magazine would have been glad to publish them, but it didn’t have the money to pay them off, and for the most part they didn’t submit. They were selling to The Saturday Evening Post and road dimensions other well-heeled publications, and in general were not inclined to contribute to the small, new, impecunious weekly. Also, some of them, I would guess, did not feel sympathetic to invisible The New Yorker ’s frivolity. Ross had no great urge to publish the big names; he was far more interested in turning up new and road yet undiscovered talent, the Helen Hokinsons and the James Thurbers.

We did publish some things by methods metals, Wolfe“Only the Dead Know Brooklyn” was one. I believe we published something by Fitzgerald. But Ross didn’t waste much time trying to corral “emerged” writers. He was looking for the ones that were found by turning over a stone. What were the road dimensions procedures in turning down a manuscript by of extracting, a New Yorker regular? Was this done by Ross? The manuscript of a New Yorker regular was turned down in the same manner as was the manuscript of road, a New Yorker irregular. It was simply rejected, usually by the subeditor who was handling the author in cyber essay, question.

Ross did not deal directly with writers and artists, except in the case of road, a few old friends from an earlier day. He wouldn’t even take on Woollcottregarded him as too difficult and fussy. Who Wrote. Ross disliked rejecting pieces, and he disliked firing peoplehe ducked both tasks whenever he could. Did feuds threaten the magazine? Feuds did not threaten The New Yorker . The only feud I recall was the road dimensions running battle between the editorial department and the advertising department. This was largely a one-sided affair, with the editorial department lobbing an occasional grenade into the enemy’s lines just on invisible general principles, to help them remember to stay out of sight. Ross was determined not to allow his magazine to dimensions be swayed, in the slightest degree, by the boys in advertising.

As far as I know, he succeeded. When did you first move to New York, and security essay what were some of the things you did before joining The New Yorker ? Were you ever a part of the Algonquin group? After I got out of college, in 1921, I went to work in New York but did not live in New York. I lived at home, with my father and mother in Mount Vernon, and commuted to work. I held three jobs in about seven monthsfirst with the road United Press, then with a public relations man named Wheat, then with the American Legion News Service. I disliked them all, and in the spring of 1922 I headed west in a Model T Ford with a college mate, Howard Cushman, to seek my fortune and as a way of getting away from what I disliked. I landed in Essay, Seattle six months later, worked there as a reporter on the Times for a year, was fired, shipped to road Alaska aboard a freighter, and then returned to New York. It was on Oedipus: or The Murderer? Essay my return that I became an advertising manFrank Seaman Co., J. H. Newmark. Road Dimensions. In the mid-twenties, I moved into text tower, a two-room apartment at 112 West Thirteenth Street with three other fellows, college mates of mine at Cornell: Burke Dowling Adams, Gustave Stubbs Lobrano, and road dimensions Mitchell T. Galbreath. The Scapegoat Essay. The rent was $110 a month. Split four ways it came to $27.50, which I could afford.

My friends in those days were the fellows already mentioned. Also, Peter Vischer, Russell Lord, Joel Sayre, Frank Sullivan (he was older and more advanced but I met him and liked him), James Thurber, and others. I was never a part of the Algonquin group. After becoming connected with The New Yorker, I lunched once at dimensions, the Round Table but didn’t care for it and was embarrassed in the presence of the great. I never was well acquainted with Benchley or Broun or Dorothy Parker or Woollcott.

I did not know Don Marquis or Ring Lardner, both of whom I greatly admired. I was a younger man. Subscribe and save nearly 40%. Already a subscriber? Sign in below. Last / Next Article. These Anemones, Their Song Is Made Up As They Float Along. The Sneaky Brilliance of Geoff Dyers Into the Zone Staff Picks: Fat Ladies, Flowers, and Faraway Lands.

Staff Picks: Pranks, Prints, and Penises. We reached the car, and Essay on Jackie Robinson: Major I held the door open for him, but he didn't climb in right away. He stood there rocking on his crutch, gazing off at the sky and the fields and the fall trees starting to road dimensions go the color of sherbet#133; Back when my son Harry was little, Id take him out early in who wrote invisible, the morning, usually with Miss Otis in tow, and walk over to Les Deux Gamins. One of those mornings, I got there around eight. They were still setting up inside, but the morning was mil Eudora Welty, The Art of Fiction No. 47. I met Eudora Welty in her room at the Algonquin Hotel an dimensions hour or so after her train had arrived in Penn Station.

She had given me the invisible wrong room number, so I first saw her peering out of her door as the elevator opened. A tall, large-boned, gray-haired woman greeted me apologetically. She was admittedly nervous about being interviewed, particularly on a tape recorder. After describing her train rideshe won’t flyshe braced herself and asked if I wouldn’t begin the dimensions questioning. Once the interview got underway, she grew more at ease. As she herself might say, she was “not unforthcoming.” She speaks deliberately with a deep Southern drawl, measuring her words. She is extremely private and won’t reveal anything personal about herself. You wrote somewhere that we should still tolerate Jane Austen’s kind of family novel. Is Austen a kindred spirit?

Tolerate ? I should just think so! I love and admire all she does, and profoundly, but I don’t read her or anyone else for security essay, “kindredness.” The piece you’re referring to road dimensions was written on assignment for cyber, Brief Lives , an road dimensions anthology Louis Kronenberger was editing. He did offer me either Jane Austen or Chekhov, and Chekhov I do dare to cyber essay think is more “kindred.” I feel closer to him in spirit, but I couldn’t read Russian, which I felt whoever wrote about him should be able to do. Chekhov is one of usso close to today’s world, to road dimensions my mind, and very close to of Media Essay the Southwhich Stark Young pointed out a long time ago. Why is Chekhov close to road today’s South? He loved the singularity in people, the individuality. He took for Oedipus: The Scapegoat or The Essay, granted the sense of family. He had the sense of fate overtaking a way of life, and his Russian humor seems to road me kin to the humor of Oedipus: The Scapegoat or The Essay, a Southerner.

It’s the kind that lies mostly in road, character. You know, in Uncle Vanya and The Cherry Orchard , how people are always gathered together and talking and cyber talking, no one’s really listening. Yet there’s a great love and understanding that prevails through it, and a knowledge and acceptance of road dimensions, each other’s idiosyncrasies, a tolerance of them, and also an of extracting metals acute enjoyment of the road dramatic. Like in The Three Sisters , when the fire is The Role on Aggression Essay, going on, how they talk right on through their exhaustion, and Vershinin says, “I feel a strange excitement in the air,” and laughs and sings and talks about the future. Road. That kind of responsiveness to the world, to whatever happens, out of their own deeps of character seems very southern to me. Anyway, I took a temperamental delight in Chekhov, and gradually the connection was borne in upon me. Do you ever return to who wrote Virginia Woolf? Yes.

She was the one who opened the door. When I read To the Lighthouse , I felt, Heavens, what is this? I was so excited by the experience I couldn’t sleep or eat. I’ve read it many times since, though more often these days I go back to her diary. Any day you open it to will be tragic, and yet all the dimensions marvelous things she says about her work, about working, leave you filled with joy that’s stronger than your misery for her. Remember“I’m not very far along, but I think I have my statues against who wrote man, the sky”?* Isn’t that beautiful? About your own work, are you surprised that Losing Battles was on the best-seller lista first for you, I believe? It occurred to me right at first it must be a flukethat whoever had that place on the best-seller list had just got up and road given me his seatlet the lady sit down, she’s tottering.

Yet any reception would have surprised meor you could just as well say nothing would have surprised me, because I wasn’t thinking of descriptive text tower, how it would be received when I wrote it. Road. I thought about the of Media on Aggression opinion of a handful of friends I would love to road have love that book, but not about the public. Do you write for your friends? At the time of writing, I don’t write for my friends or myself, either; I write for it , for The Role on Aggression, the pleasure of it . I believe if I stopped to wonder what So-and-so would think, or what I’d feel like if this were read by a stranger, I would be paralyzed. I care what my friends think, very deeplyand it’s only road, after they’ve read the finished thing that I really can rest, deep down. But in the writing, I have to methods just keep going straight through with only the thing in mind and road what it dictates. It’s so much an inward thing that reading the proofs later can be a real shock. When I received them for cyber essay, my first bookno, I guess it was for dimensions, Delta Wedding I thought, I didn’t write this. It was a page of The Role, dialogueI might as well have never seen it before. Dimensions. I wrote to my editor, John Woodburn, and cyber security told him something had happened to that page in the typesetting. He was kind, not even surprisedmaybe this happens to all writers.

He called me up and read me from the manuscriptword for word what the proofs said. Proofs don’t shock me any longer, yet there’s still a strange moment with every book when I move from the position of road, writer to the position of reader, and I suddenly see my words with the eyes of the Essay Barrier in The Major cold public. It gives me a terrible sense of exposure, as if I’d gotten sunburned. Do you make changes in galleys? I correct or change words, but I can’t rewrite a scene or make a major change because there’s a sense then of someone looking over my shoulder.

It’s necessary, anyway, to trust that moment when you were sure at last you had done all you could, done your best for that time. Road. When it’s finally in security essay, print, you’re deliveredyou don’t ever have to look at it again. It’s too late to worry about its failings. Dimensions. I’ll have to apply any lessons this book has taught me toward writing the next one. Is Losing Battles a departure from your previous fiction?

I wanted to see if I could do something that was new for me: translating every thought and feeling into action and speech, speech being another form of actionto bring the whole life of it off through the The Role Essay completed gesture, so to speak. I felt that I’d been writing too much by way of description, of introspection on road the part of my characters. I tried to see if I could make everything shown, brought forth, without benefit of the author’s telling any more about what was going on eiffel inside the characters’ minds and hearts. For me, this makes almost certainly for road dimensions, comedywhich I love to write best of all. Now I see it might be a transition toward writing a play. Did you know what you were going to write before you put it on Robinson: The Color League paper? Yes, it was there in my head, but events proliferated as I went along. For instance, I thought all the road action in the novel would be contained in one day and night, but a folder started to on Aggression fill up with things marked “Next A.M.” I didn’t foresee the stories that grew out of the storiesthat was one of the joys of working the novel out.

I thought the book would be short, and instead it was three or four times longer than my normal work. There’s no way of estimating its original length because I had great chunks of things in paper clips, which weren’t numbered until they went to the printer. And I must have thrown away at least as much as I kept in the book. Did you learn anything new about writing dialogue? I believe so.

In its beginning, dialogue’s the easiest thing in road, the world to write when you have a good ear, which I think I have. But as it goes on, it’s the most difficult, because it has so many ways to function. On Jackie Braking The Color Barrier In The. Sometimes I needed to make a speech do three or four or five things at oncereveal what the road dimensions character said but also what he thought he said, what he hid, what others were going to think he meant, and what they misunderstood, and so forthall in his single speech. And the speech would have to Braking Barrier in The League keep the essence of this one character, his whole particular outlook in concentrated form. This isn’t to say I succeeded. Road Dimensions. But I guess it explains why dialogue gives me my greatest pleasure in writing. I used to laugh out loud sometimes when I wrote itthe way P. G. Wodehouse is said to do. I’d think of some things my characters would say, and even if I couldn’t use it, I would write the scene out just to let them loose on somethingmy private show. Sign up for the Paris Review newsletter and keep up with news, parties, readings, and more.

Join the writers and staff of The Paris Review at our next event. Visit our store to buy archival issues of the magazine, prints, T-shirts, and accessories. This site was created in collaboration with StrickWilliams, Tierra Innovation, and the staff of The Paris Review .

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an essay on road dimensions drama For many decades, drama has been in our world. It gives us feelings, emotions, morality and sometimes quotes. What is drama exactly? Is it a play? An action? Or just an entertainment? It quite hard to define what is who wrote, it exactly, but if we look closely, we could see that drama is everything. Drama is both play and action, and road dimensions still an entertainment. It may come in descriptive eiffel, many forms like as we say Devil comes in many forms. Road Dimensions! Drama does not have a specific place, time or order, it could be anywhere even in a school or in a hospital.

Nowadays, teachers and professors are teaching drama in schools and The Scapegoat universities because it helps the student to speak fluently, build up self-confidence, learn how to express feelings in road dimensions, different ways and gain experience in life. Cyber Essay! Its quite important to learn drama in our school because it builds up our self-confidence, in which we need it when we work, interview for jobs and when we are presenting our work. If we are learning drama when we are young, we could have a lot of practice in public speaking and fluency. In every drama, theres always a thing called elements of drama. The elements of drama is like an dimensions analysis of it, it tells us how the play goes on and how it will end. The elements of drama consist of 4 main parts and of extracting they are Plot, Character, Setting and Theme. In this paragraph, Im going to analyze a play called My reality. Road Dimensions! The plot of the story is about a man named Sam Blench who has a twin and who wrote invisible a wife name Amanda. One day, Sam came back to his house after his trip to Mexico, everything seems normal but as the play goes on, Amanda begins to have some weird actions and road emotions towards her kids and Sam himself. Some crazy things start to occur, like his kids friends got scared when he was talking about his kids and his neighbor were starting to get curious about The Role, whats going on with him.

His neighbor, Josh went to road, see a detective to descriptive eiffel, ask him to check on Sam because hes getting worried about dimensions, Sam. The police went on and investigate on one person name, Ms. Vivian, who was in a hospital. The police asked showed and asked about Sams wife and man it turns out that Ms. Vivian screamed and was terrified. Ms. Vivian told what she knows about Sams wife and by those information, the case were even more complicated and road strange. The One fine night, Sam was having his dinner but its strange because dinner was only served to him and only him not the twins. Sam asked his maid why didnt she served dinner to the twins, the maid was shocked and told Sam that she could no longer stay there. Suddenly one of his conscious came in and talk to him, trying to remind Sam about essay, what he had done but it turns out that Sam cant remember. The conversation went on for a while, another conscious came in and talk about forgiveness, happiness and dimensions peace.

Both conscious has different aspect, the first conscious was trying to convince him to kill himself and end this but another conscious was a good one, he tried to or The Murderer?, convince Sam to road dimensions, forgive himself and move on in his life. In the cyber security, end, Sam followed the dark conscious because he thought that it would be the best way to end this. The police went to Sams house and found out that Sam was lying down dead, and so the police locked up the house and make that house a scene of homicide. Later on, Josh broke into dimensions the house, sitting down on The Scapegoat Murderer? one of Sams chair, being miserable about his lost. Suddenly, Sams spirit came in and told everything that he killed Amanda because she killed his child. Even though Sam told everything, no one knows because he was dead and of course, his neighbor, Josh, could not hear dead people talking.

Josh went back to his house, leaving nothing but fine words about him. After Josh had left, Amanda came in to dimensions, the scene, shouting and crying for Sam but then the twins came in and terrified her. In the end, Amanda screamed and the curtain was closed. The second element of drama is cyber security essay, Character. In this story, the characters were Sam Blench, Amanda, the two twins, the Maid, Josh, The teenagers who tried to sneaked in to the house, Ms. Vivian, Ms. Parry, the twins friends, the police men, good conscious and dimensions bad conscious. The third element of or The Essay drama Setting. The setting of the story is dimensions, very simple, it takes place in a house, a police station and a hospital. The last is theme, the theme of this story is mostly gothic because it brings the audiences emotions into the play in on Aggression Essay, which the emotions are mostly fear and terror. There are some other themes like mystery because there are some investigation and mystery which should be revealed.

Revenge is also there because Sam killed his wife because she killed his kids. Theres also a part of road drama because when his twins were gone he cried, when the twins wasnt served with dinner, he was worried about them getting hungry. From my experiences, I had done lot dramas but this one, it was different. Robinson:! It took all of my emotions into road dimensions the character and into the play and I believe that it wasnt only me who felt like that. I felt that this learning experience is a very huge step because it takes us from doing a play which is methods of extracting, very immature in to something that is road dimensions, big and has maturity in it. It helps me to practice in of extracting metals, fluency, public speaking and mostly self-confidence. In the play I developed my ways of acting and how to put emotions in to the character, in which those emotions were not really me.

I think that I had tried my best but not yet my best effort because there was little of time and there a lot of pressure while practicing and performing. I really appreciate on what our teacher, Mr. Road! Julien did for me. He advice every single thing and I tried my hardest but maybe not hard enough to be that character all the way. I did some practice at home and in other classes to find a connection between me and the character.

I think that if I had some more time, I would be able to descriptive, be that character all the time throughout the play, but its just that maybe I didnt try hard enough to earn that in a short time. If I had one more chance, I would try to do better. Drama could be anywhere, it could be in dimensions, school, hospital or maybe in an auditorium. If there was a drama project, I would love to do it outside the school or outside the cyber security, place where I practice because it would be a challenge for and for my friends. I believe that if there was no restriction, I would practice all the time and put my best effort, my best emotions or lets say that everything that I got into the play, so that my part and road dimensions the play would go on smoothly and descriptive eiffel tower it would be easy to road, understand.

Not only that it would be smooth, but I would also be able to Oedipus: or The, relate the thoughts and the feelings that I had to each of the audience. If the play is really good, I would like to perform it outside school, for dimensions example other schools or maybe to a famous people. By doing this, we could gain more experiences in life and it could be a huge benefit for us in future terms.

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Nov 21, 2017 Road dimensions,

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Edexcel GCSE Statistics Coursework. Extracts from dimensions this document. Edexcel GCSE Statistics 1389. PLANNING SHEET MAYFIELD HIGH. My aim in on Jackie Barrier in The this investigation is to query whether or not there is a correlation between height and road dimensions weight and The Role on Aggression Essay find out if this varies between genders. I believe that as a student becomes taller their weight will increase; due to this assumption I expect a graph of weight and height to show a rising trend.

Listed below are my hypotheses. With the cumulative frequency graph displaying weight, the road, females data produces an of Media almost perfect S-shape curve, whereas the males data has, what seems to road be, an on Jackie Robinson: Braking The Color Barrier Major League anomaly (the third point allocated at the weight of 45KG and road cumulative frequency of 9) which affects its shape. For a symmetrical distribution, the median will lie halfway between the first and third quartile- neither of the medians lie halfway and security so neither have exactly symmetrical distributions. The females median, however, is extremely close to being halfway between the two quartiles showing us a more symmetrical distribution than that of the males; this may explain the almost perfect curve on the frequency graph which the road dimensions, points plotted for or The Murderer? females produce. The inter-quartile range is a measure of the central tendency, much like the road dimensions, standard deviation.

The advantage of the inter-quartile range over the standard deviation, however, is that the inter-quartile range includes half of the points regardless of the shape of the distribution. The smaller the inter-quartile range, the cyber, more consistent the data is. The inter-quartile range for the weights of males appears to be 15 and road dimensions the inter-quartile range for the weights of females is The Scapegoat Essay, 10, 5 less than the dimensions, males. This shows us the females weights are more consistent, another explanation as to why the females curve on the graph is closer to an S-shape than the males. Overall, it is evident from the Braking The Color in The Major, cumulative frequency graph; females generally weigh less than males. Neither curves on the graph displaying height are perfect- nor near perfect, S-shape curves and neither median lies halfway between the first and third quartile, and road so neither males nor females have symmetrical distributions. Of Media? The inter-quartile range for the heights of males appears to road dimensions be equal to the females showing us both sexes have an equal consistency, nevertheless, it is clear males are generally taller than females as their mean is higher.

After looking back at the cumulative frequency graphs it is evident, particularly for the height of males, that I could have grouped the data more clearly. The third and fourth row in the group of male heights show a frequency of 0, which has an effect on the S-shape of the curve on my graph, and descriptive text possibly having an effect on dimensions, the lower quartile. To improve I should have used unequal groupings to ensure no empty groups were present. Box plots are an informative way to display a range of numerical data. It can show many things about a data set, like the lowest term in the set, the highest term in the set, the median, the upper quartile, and the lower quartile. Using these from Oedipus: The Scapegoat or The Murderer? Essay my cumulative frequency curves, I have drawn four box plots. Outliers are not present in every box plot drawn, except one where there is an extreme value which deviates significantly from the rest of the sample.The size of the box can provide an road estimate of the kurtosis of the distribution. A thin box relative to the whiskers indicates that a very high number of cases are contained within a very small segment of the sample indicating a distribution with a thinner peak whereas a wider box is indicative of a wider peak and so, the wider the box, the more U-shaped the distribution becomes. Looking at the box plots representing height, we can see the box plot for females is Essay on Jackie Braking The Color Barrier Major, slightly more negatively skewed than that of the males, showing that most of the data are smaller values, proving females generally weigh less than males. The medians lie at the same point- 1.6M, and they both have an road equal inter-quartile range, nevertheless, the tallest male is 0.5M taller than the on Aggression Essay, tallest female. As both boxes are of road dimensions, equal size both distributions are equally U-shaped.

The box represents the middle 50% of the data sample- half of all cases are contained within it. The 50% of data within the box for the males ranges between 1.55M and 1.7M whereas for the females it ranges between 1.5M and 1.65M, showing us females are generally shorter than males. Looking at the box plots for weight, we see that half the female's weights are between 45 and 55KG whereas half the men's weights lie between 45 and 60KG. The highest value for methods females is 70KG (ignoring the outlier) and for dimensions males: 75KG, the median for the males weight is 5KG higher than that of the females. The lowest value which appears on cyber security, the box plot for males is 30KG and road the highest is invisible man, 75KG, giving us a range of 45KG. Looking at dimensions the same pieces of data for the females, we can work out that the range is in fact 5KG less than that of the males. It is tower, evident that the distribution of the females box plot has a thinner peak than the males attributable to the simple fact that the road dimensions, box of the Essay on Jackie The Color, females weight is far thinner than the males. The distribution for road the weight of males is, therefore, more U-shaped.

The location of the box within the whiskers can provide insight on the normality of the sample's distribution, when the box is not centred between the whiskers, the sample may be positively or negatively skewed. If the box is shifted significantly to Essay on Jackie Barrier in The Major the low end, it is positively skewed; if the box is shifted significantly to the high end, it is negatively skewed, however, none of the four box plots are shifted significantly to dimensions either the high end or the low end. Nevertheless, if I were to of extracting be analytical, I could say both the box plot showing the weights are positively skewed, despite them being insignificantly shifted to the lower end; they are edging more towards that direction than the opposite. These all illustrate that females do in fact generally weigh less than males. An outlier appears on the box plot showing the weights of females, this may be the result of an error in measurement, in which case it will distort the interpretation of the data, having undue influence on road, many summary statistics- for example: the mean , however, if the outlier is a genuine result, it is important because it may perhaps indicate an extreme of behaviour or may have been affected by external behaviour, for example, dietary habits. For this reason, I have left the outlier in the data as I am not sure whether it be a genuine result or miscalculation, as a result of The Role of Media, not having information on exercise or dietary habits. To conclude, it is construable that my hypothesis was in fact correct. It is evident from all the graphs included that females are, in effect, generally shorter and weigh less than males. Whether this is attributable to, as studies show, the varied skeletons of the opposed sexes or the dissimilar hormones produced in road dimensions both female and Oedipus: or The Murderer? Essay male bodies, it is road, known females are generally shorter and man weigh less than males. Road Dimensions? When the average male and female both reach the age of 20 it is said females are generally 10 percent shorter than males and of extracting 20 per cent lighter and road dimensions between the ages of 11 and 16 males appear to generally be 15 percent taller and heavier than the female sex. After comparing my results to articles and published graphs on invisible man, the internet, I am able to confirm that my hypothesis stating females are generally shorter and weigh less than males, was correct.

After calculating the road dimensions, frequency density for the male and who wrote invisible female heights and weights, I created four histograms; the advantage of dimensions, a histogram is that it shows the shape of the The Scapegoat or The Murderer?, distribution for a large set of data and dimensions so was therefore able to show me the shape of the distributions for male and female heights and weights, however, when using histograms it is more difficult to who wrote compare two or more data sets as we are unable to read exact values as the data is grouped into categories. For this reason I used standard to show whether or not the data is normally distributed. From a first glance at the histograms it is easy to see they are not completely symmetrical but not entirely asymmetrical, I expect if I were to have used a larger sample the histograms would have appeared more symmetrical. Tables in which I used to create the histograms. From looking at the histograms, it is clear only dimensions two of these encompass curves which are appropriate to cyber super impose normal distribution curves, and so for this reason I will not calculate the normal distribution. Dimensions? If I had, perhaps, selected a bigger sample it may have been possible to calculate the normal distribution as the histograms may have been more symmetrical.

After calculating the standard deviation, it is evident for cyber security both height and weight, that for the male data each value is road dimensions, closer to the central tendency meaning height and weight are normally distributed more so for males than females. Again it is clear males weigh less and are taller than females as the means for the males are higher than that of the femles. After calculating the spearmans rank it is Oedipus: Murderer?, evident there is a correlation between height and weight, and the taller the road dimensions, person is the heavier they are, vice versa. There is a weak positive correlation between height and weight for females and a moderate positive correlation for males as it is Barrier in The League, slightly stronger. The height and dimensions weight of a person is affected by their age and gender. I assumed that in years 7-9 girls will generally be taller than boys- due to the fact girls tend to grow faster than boys during the early stages of of Media Essay, development. Boys will, however, eventually grow taller and so in years 10-11 I assumed the number boys taller than girls will be greater.

I was correct. I also expected the relationship between height and weight to show a rising trend, although both trends for males and road females were weak, they both showed this. It can be seen from all the methods of extracting, graphs included that females are, in effect, generally shorter and weigh less than males. Whether this is attributable to, the varied skeletons of the opposed sexes or the dissimilar hormones produced, it has been proved females are generally shorter and weigh less than males. Start learning 29% faster today 150,000+ documents available Just £6.99 a month. Join over 1.2 million students every month Accelerate your learning by 29% Unlimited access from just £6.99 per month. Related GCSE Height and Weight of road dimensions, Pupils and other Mayfield High School investigations essays. Maths Statistics Coursework - relationship between the weight and height. 11 Girls: 86?1183?50=4 girls Now that I have calculated the number of Oedipus: The Scapegoat Murderer? Essay, boys and girls that have to be sampled from road dimensions each year group, I can now sample randomly from Essay on Jackie Robinson: The Color Barrier in The Major my database that displays all the details of every boy and girl in the Mayfield High School from years 7 to 11.

of the road, male and female people in descriptive text tower my sample. Dimensions? A box plot will be plotted to show the inter-quartile range and to see who is more intellectually smarter (Male or female). Male Average SAT's Results Frequency Cumulative Frequency 1 x ? 2 2 2 2 x ? The purpose of this research paper is to present our findings on The Role of Media Essay, how the . Why should we be bothered when it seems to road dimensions most observers that boys are the authors of their own misfortune? (Noble, Brown Murphy, 2001, p.1). The answer is 'every underachieving boy is a small tragedy for the individual; but a cohort of underachieving men will be a huge problem for any society (Noble, Brown Murphy, 2001, p.1). Conduct an investigation comparing height and weight from pupils in Mayfield School. So therefore this meant that my hypothesis was correct but not very accurate because my results indicate that my hypothesis is generally correct but not for all students. I then hypothesised that separating boy and girls would produce stronger correlation, and my results indicated that my new hypothesis was correct. Offers and on Jackie Braking Barrier Major Stipulation in Lonely Hearts Advertisements: A Comparison of Gender and Age. or opinions, so it could be taken either way; that he wants an open-minded partner or he maybe implying that he wants someone with similar interests.

Open-minded friendly, considerate male, 41, 5'8, slim build, blue/brown, loves eating out, day-trips, boot-sales, seeks like-minded female for happy times. Statistics GCSE Coursework. Height and dimensions weight of pupils. The sampling method I am . 35 97.5 -8 64 1.45 92 72 3.5 88.5 7832.25 1.44 93.5 49 57.5 36 1296 1.44 93.5 49 57.5 36 1296 1.42 95.5 34 100 -4.5 20.25 1.42 95.5 52 44 51.5 2652.25 1.39 97 42 82.5 14.5 210.25 1.36 98 44 78.5 19.5 380.25 1.32 99 48 63. What affects a persons ability to estimate? In a graph I think these results would be easier to of extracting metals compare, therefore below is a column chart to evaluate both sets of results: Observations and conclusions: - The column chart shows that the females are on average better at estimating then males. Mayfield School Mathematics Statistics Coursework. Below is a table illustrating these values: Product-Moment Correlation Coefficient Males Females 0.96 0.68 [Table 5: Male / Female Product-Moment Correlation Coefficients] The calculation of the product-moment correlation coefficient is dimensions, such that it will lie between 1 and -1, with 1 meaning that there is perfect positive correlation, 0 no correlation and The Role -1 perfect negative correlation.

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