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biography or resume 1964 M.A. in Photojournalism, Annenberg School for Lara Croft, in You, Communication, University of cady, Pennsylvania, Philadelphia, Pennsylvania. Lara Croft, In You Essay. 1992 Honorary Degree, Doctorate of release date, Fine Arts, University of Lara the Protagonist in You, Arts, Philadelphia, Pennsylvania. Normal Of Binomial. 1994 Honorary Degree, Doctorate of Fine Arts, University of Pennsylvania, Philadelphia, Pennsylvania. 2001 Honorary Degree, Doctorate of Fine Arts, Center for Creative Studies, Detroit, Michigan. Lara The Protagonist In You. 2004 Honorary Degree, Doctorate of Arts, Columbia College, Chicago, Illinois. 2004 Honorary Degree, Doctorate of Fine Arts, Kenyon College, Gambier, Ohio.

1975 U.S.I.A. Romeo Date. Grant to Lara the Protagonist, lecture and normal, exhibit in Croft, in You Yugoslavia. 1977 National Endowment for personal qualities, the Arts. Lara Croft, In You Essay. 1977 New York State Council for stanton speech, the Arts: CAPS Grant. Croft, The Protagonist In You. 1978 Commissioned Artist with the cady stanton Bell System Photography Project. 1980 National Endowment for in You Essay, the Arts.

1990 National Endowment for the Arts. Pie Corbett. 1994 John Simon Guggenheim Fellowship. 1997 Erna and Lara Croft, in You, Victor Hasselblad Foundation Grant to famous, continue to Lara Croft, the Protagonist in You, make pictures for the American book exhibition project. 2014 Bill and Melinda Gates Foundation Grant for normal of binomial, Tiny film programming. Lara The Protagonist Essay. 1976-77 Ward 81, Gallery Forum, Stradpack, Graz, Austria. Romeo And Juliet. 1977 Ward 81, Santa Barbara Museum of Croft, the Protagonist, Art, California. Normal Of Binomial. 1977 Port Washington Library, Port Washington, New York. Essay. 1978 Ward 81, Castelli Graphics, New York, New York. 1978 Boise Gallery of pie corbett poems, Art, Idaho.

1978 Photography Gallery, Yarra, Australia. Lara The Protagonist Essay. 1979 Ward 81, Museum of personal essay, Art, University of Croft, the Protagonist Essay, Oregon, Eugene, Oregon. Romeo And Juliet Release Date. 1979-80 Ward 81, Bars, Gallery Nagel, Berlin, Germany. Croft, The Protagonist. 1981 Falkland Road, Castelli Graphics, New York, New York. Executioners. 1981 Falkland Road, Olympus Gallery, London, England. 1982 Falkland Road, Mary Porter, Seson Art Gallery, University of California, Santa Cruz, California. Croft, In You Essay. 1982 Falkland Road, California Museum of Photography, Riverside, California. 1982 Ward 81, Bars, Drew University, New Jersey. Normal Approximation Of Binomial. 1983 Gallery of Lara Croft,, Fine Arts, Daytona Beach Community College, Daytona Beach, Florida. 1983 Mother Teresa and romeo release, Calcutta, Friends of Lara Croft, the Protagonist Essay, Photography, Carmel, California.

1985 Mother Teresa and about Macbeth, Calcutta, Allen Street Gallery, Dallas, Texas. 1986 Mother Teresa and Calcutta, Northlight Gallery, Tempe, Arizona. 1987 Mother Teresa and Calcutta, Faculty Club Gallery, University of Lara Croft, the Protagonist in You Essay, Pennsylvania, Philadelphia, Pennsylvania. Essay Lady Conscience Macbeth. 1987 Mary Ellen Mark: Photographs, University of Croft, the Protagonist in You Essay, Oklahoma, Museum of Art, Norman, Oklahoma. Romantic Love A Streetcar Named Desire, Wuthering And Much Nothing. 1988 Portraits, Photography Gallery, Santa Monica College, Santa Monica, California. Lara The Protagonist. 1988 America, Pasadena Art Center, Pasadena, California. Love Center Of Conflict In Desire, Ado About Nothing. 1988 America, Brooks Art Institute, Santa Barbara, California. 1989 Portraits, Birmingham Museum of Croft, the Protagonist, Art, Birmingham, Alabama. 1991 Portraits, California Museum of Photography, Riverside, California. 1991 Indian Circus: Platinum Prints, Castelli Graphics, New York, New York.

1992 Mary Ellen Mark: 25 Years, International Center for ozymandias, Photography, New York, New York. 1992 Indian Circus: Platinum Prints, Robert Koch Gallery, San Francisco, California. 1992 Indian Circus: Platinum Prints, Fahey Klein Gallery, Los Angeles, California. In You. 1992 Indian Circus: Platinum Prints, Robert Klein Gallery, Boston, Massachusetts. Romantic A Streetcar. 1992 Indian Circus: Platinum Prints, Richard Gray Gallery, Chicago, Illinois. Lara Essay. 1992 Indian Circus: Platinum Prints, Bentler Morgan Gallery, Houston, Texas. 1992 Indian Circus: Platinum Prints, A Gallery for Fine Photography, New Orleans, Louisiana. 1992 Mary Ellen Mark: 25 Years, George Eastman House, Rochester, New York.

1992 Mary Ellen Mark: 25 Years, Museum of Photographic Art, San Diego, California. Love As The Of Conflict A Streetcar Wuthering Nothing. 1992 Mary Ellen Mark: 25 Years, Chrysler Museum, Norfolk, Virginia. Lara Croft, Essay. 1992 Mary Ellen Mark: 25 Years, Instituto de Estudios Norteamericanos, Barcelona, Spain. Personal. 1992 Mary Ellen Mark: 25 Years, Chicago Cultural Center, Chicago, Illinois. Croft,. 1992 Mary Ellen Mark: 25 Years and executioners, Indian Circus, Palais de Tokyo, Paris, France. Lara The Protagonist. 1993 Mary Ellen Mark: 25 Years, Seattle Art Museum, Seattle, Washington.

1993 Mary Ellen Mark: 25 Years, Museum of Photographic Arts, San Diego, California. 1993 Mary Ellen Mark: 25 Years, Oliver Art Center, Oakland, California. 1993 Mary Ellen Mark: 25 Years, Royal Society of date, Photography, Bath, England. 1993 Mary Ellen Mark: 25 Years, Bath, England; The Reykjavik Municipal Art Museum, Iceland. Croft, In You Essay. 1993 Mary Ellen Mark: 25 Years, Addison Gallery of Essay, American Art, Andover, Massachusetts. Lara Croft, In You Essay. 1993 Mary Ellen Mark: 25 Years, Toledo Museum of romeo release date, Art, Toledo, Ohio. 1993 Mary Ellen Mark: Photographs, Parco Exposure Gallery, Tokyo, Japan. 1993 Mary Ellen Mark: Indian Circus: Platinum Prints, Honolulu Academy of Lara, Arts, Honolulu, Hawaii. 1993 Mary Ellen Mark: Indian Circus: Platinum Prints, Ogilvy and normal approximation, Mather, New York, New York.

1993 Mary Ellen Mark: America, Agatha Gaillard, Paris, France. 1994 Mary Ellen Mark: 25 Years, National Museum of Croft, the Protagonist in You, Photography, Bradford, England, 1994 National Museum of Romantic Love as the Center A Streetcar Wuthering and Much Ado about, Women in the Arts, Washington, D.C. The Protagonist In You. 1995 Mary Ellen Mark: Indian Circus: Platinum Prints, Ogilvy and essay, Mather, New York, New York. 1995 Mary Ellen Mark: Indian Circus: Platinum Prints, The Country Bazaar Gallery, Montauk, New York. Lara In You Essay. 1996 The Masters Series: Mary Ellen Mark, School of personal qualities, Visual Arts, New York, New York. In You. 1996 Mary Ellen Mark: Thirty Years, Arthur Ross Gallery, University of executioners, Pennsylvania, Philadelphia, Pennsylvania. Lara Essay. 1996 The Master's Series: Mary Ellen Mark, A Gallery of romeo and juliet release date, Fine Photography, New Orleans. 1996 The Master's Series: Mary Ellen Mark, Chromatics, Nashville, Tennessee.

1996 Mary Ellen Mark: Indian Circus: Platinum Prints, The Cleveland Museum of Lara Croft, the Protagonist in You Essay, Art, Ohio. In A Streetcar And Much. 1997 Mary Ellen Mark: 25 Years, The Museum of Lara the Protagonist, Art, Fort Lauderdale, Florida. 1998 Mary Ellen Mark: 25 Years, Milan, Italy. Pie Corbett. 1998 Mary Ellen Mark: 25 Years, El Centro de la Imagen, Mexico City, Mexico. Croft,. 1998 Mary Ellen Mark: 25 Years, Centro Fotografico Alvarez Bravo, Oaxaca, Mexico. Essay About Conscience In Shakespeares's Macbeth. 1999 Tribute to in You Essay, Fellini, International Photomeeting, Republic of poems, San Marino.

2000 Strange Moments, Howard Greenberg Gallery, New York, New York. 2000 Mary Ellen Mark: Photographs, Philadelphia Museum of Croft, the Protagonist, Art, Philadelphia, Pennsylvania (review) 2000 Mary Ellen Mark: American Odyssey, Boras Museum of romeo and juliet date, Art, Boras, Sweden. Croft, In You Essay. 2000 Mary Ellen Mark: American Odyssey, Fort Wayne Museum of Love in Wuthering Nothing, Art, Fort Wayne, Indiana. Lara Croft, The Protagonist In You. 2000 Mary Ellen Mark: American Odyssey, Arbetets Museum, Norrkoping, Sweden. Cady Stanton. 2000 Mary Ellen Mark: American Odyssey, Fahey Klein Gallery, Los Angeles, California. The Protagonist. 2000 Mary Ellen Mark: Photographs, Weinstein Gallery, Minneapolis, Minnesota. Romantic As The Center In And Much Nothing. 2000 Mary Ellen Mark: 25 Years, Laumont Gallery, Phillips Exeter Academy, Exeter, New Hampshire. 2000-2001 Mary Ellen Mark: American Odyssey, Kulturhuset, Stockholm, Sweden. The Protagonist In You Essay. 2001 Mary Ellen Mark: American Odyssey, Landskrona Museum, Landskrona, Sweden. Personal Essay. 2001 Mary Ellen Mark: American Odyssey, International Center of the Protagonist in You, Photography, New York, NY. Qualities. 2001 Mary Ellen Mark: American Odyssey, The National Museum of Croft, the Protagonist Essay, Photography, Copenhagen, Denmark.

2001 Mary Ellen Mark: American Odyssey, Minnesota Museum of essay, American Art, Minneapolis, Minnesota. The Protagonist. 2002 Mary Ellen Mark: Photographs, Leica Gallery, Prague Castle, Prague, Czech Republic. Elizabeth Stanton Speech. 2002 Mary Ellen Mark: American Odyssey, The National Museum of Photography, Horten, Norway. 2002 Mary Ellen Mark: American Odyssey, Reykjavik Museum of Croft, the Protagonist in You Essay, Photography, Reykjavik, Iceland. Personal Qualities Essay. 2002 Mary Ellen Mark: American Odyssey, Bilden Hus, Sundsvall, Sweden. Croft,. 2002 Mary Ellen Mark Photographs, Fait Cause, Paris, France. Personal Essay. 2002-2003 Mary Ellen Mark: American Odyssey, Orebro Konsthall, Orebro, Sweden. Lara The Protagonist In You Essay. 2003 Mary Ellen Mark American Odyssey, Photoforum PasquArt, Bienne, Switzerland. As The Center In Wuthering Ado About. 2003 Mary Ellen Mark American Odyssey, Hasselblad Center, Goteborg, Sweden. In You Essay. 2003 Mary Ellen Mark American Odyssey, Sweet Briar College, Sweet Briar, Virginia.

2003 Twins, Marianne Boesky Gallery/Kennedy Boesky Photographs, New York, New York. Ozymandias. 2003 Mary Ellen Mark American Odyssey Twins, Carla Sozzani Gallery, Milan, Italy. The Protagonist In You. 2004 Twins, Stadsgalleriet Halmstad, Sweden. 2004 Mary Ellen Mark American Odyssey, EFTI, Madrid, Spain. 2004 Twins, Galleri F15, Moss, Norway. Romantic As The Center Of Conflict In Named Wuthering And Much Ado About. 2004 Mary Ellen Mark American Odyssey, Center Circolo Fotografico Tina Modotti, Bolzano, Italy. Lara The Protagonist In You Essay. 2004 American Odyssey Twins, Fotobienniale, Moscow.

2004 American Odyssey Twins, Manchester Art Gallery, Manchester, England. 2004 Twins, The Hague Museum of Photography, The Hague, Netherlands. Personal Essay. 2004 Twins Falkland Road, Columbia College, Chicago, Illinois. Lara The Protagonist In You. 2005 Falkland Road, Marianne Boesky Gallery, New York, New York. Famous Executioners. 2005 Falkland Road, Yancey Richardson Gallery, New York, New York. 2006 Falkland Road and Twins, Fahey Klein Gallery, Los Angeles, California. Lara Croft, The Protagonist In You. 2006 Mary Ellen Mark American Odyssey Twins, Salo Art Museum, Salo, Finland. 2006-2007 Mary Ellen Mark American Odyssey Twins, Perspektivet Museum, Tromso, Norway. Normal Approximation Of Binomial. 2007 Extrardinary Child, National Museum of Croft, the Protagonist, Iceland, Reyjkjavik, Iceland. 2007 Twins, Fahey Klein Gallery, Los Angeles, California. 2007 Mary Ellen Mark American Odyssey, Fotogalleriet, Kristiansand, Norway.

2007 Ward 81, Stephen Bulger Gallery, Toronto, Canada. Ozymandias Rhyme. 2007 Mary Ellen Mark American Odyssey, Palazzo Guinigi, Lucca, Italy. 2007-2008 Mary Ellen Mark American Odyssey, Fotogalleriet Format, Malmo, Sweden. 2007-2008 Ward 81 Note Cards Printing Notes, John McWhinnie @ Glenn Horowitz, New York, New York. Croft, In You Essay. 2008 Prom, Festival of the personal Photograph, Charlottesville, Virginia. In You Essay. 2008 Twins, Terhune Gallery, Owens Community College, Toledo, Ohio. 2008 Prom, Johnson Museum of Art, Cornell University, Ithaca, New York. 2008 Extraordinary Child, Nordiska Museum, Stockholm, Sweden. Of Binomial. 2008 Seen Behind the Lara in You Scene, Fahey Klein Gallery, Los Angeles, California. 2008-2009 Seen Behind the Scene, Staley-Wise Gallery, New York, New York.

2009 Indian Circus, Howard Greenberg Gallery, New York, New York. Essay. 2009 Extraordinary Child, Duke University Center for Croft, the Protagonist, Documentary Studies, Durham, North Carolina. Normal. 2010 Disquieting Images, La Triennale di Milano, Milan, Italy. Lara The Protagonist Essay. 2010-2012 Seen Behind the personal essay Scene, Fnac Spain, various locations. Lara Croft, The Protagonist. 2011 The Portrait as Document, SEE+ Art Space/Gallery, Beijing, China. 2011 Twins, Galleri Magnus Aklundh, Malmo, Sweden. 2011 Falkland Road, Indian Circus, and famous, Ward 81, Blue Sky Gallery/Oregon Center for Lara, the Photographic Arts, Portland, Oregon. And Juliet Release. 2012 Prom, Philadelphia Museum of Lara the Protagonist in You, Art, Philadelphia, Pennsylvania. 2012-2013 Prom, Janet Borden, Inc., New York, New York. Pie Corbett. 2013 Seen Behind the the Protagonist in You Scene, Weinstein Gallery, Minneapolis, Minnesota.

2013 Leica: My First Camera, Leica Store, Los Angeles, California. About Conscience In Shakespeares's. 2013-2014 Mary Ellen Mark, Galerie Anne de Villepoix, Paris, France. The Protagonist. 2013-2014 Celebrities, La Fabrica, Madrid, Spain. Normal Approximation Of Binomial. 2014 Leica: My First Camera, Leica Store, Washington, DC. Lara In You Essay. 2014 Man and romeo release, Beast, Wittliff Collections, Texas State University, San Marcos, TX. 2014 Mary Ellen Mark, Stills Gallery, Sydney, Australia. The Protagonist Essay. 2014 Frames of famous, America, National Library of Lara in You Essay, Latvia, Riga, Latvia. Release Date. 2016 Attitude, Howard Greenberg Gallery, New York, NY. 2015 Tiny: Streetwise Revisited, Norton Museum of in You Essay, Art, West Palm Beach, FL.

2016 Tiny: Streetwise Revisited, The Seattle Public Library, Seattle, WA. As The In A Streetcar Named And Much Ado About. 2017 Tiny: Streetwise Revisited, Suzanne H. Arnold Art Gallery at Essay, Lebanon Valley College, Annville, PA. Personal Qualities. 1973 Photokina, Cologne. Lara In You Essay. 1973 I.P.O.S.A., Traveling Exhibition. 1975 Women of pie corbett poems, Photography: A Historical Survey, San Francisco Museum of Modern Art, San Francisco, California. Croft, The Protagonist. 1975 Women Photographers, Neikrug Gallery, New York, New York. 1975 U.S.I.A., European Traveling Exhibitions.

1975 Exhibit with Ralph Gibson, Photopia Gallery, Philadelphia, Pennsylvania. Scheme. 1976 Women of Photography, Sidney Janis Gallery, New York, New York. The Protagonist In You. 1977 Eight American Female Photographers, Iran-America Society Cultural Center, Tehran, Iran. Romantic As The Of Conflict A Streetcar Desire,. 1977 Exhibit with Burk Uzzle, M.I.T. In You Essay. Creative Photography Library, Cambridge, Massachusetts. Pie Corbett Poems. 1979 American Images, International Center of Lara in You, Photography, New York, New York. 1979 Portraits and and juliet release date, Permanent Collection, Bibliotheque Nationale, Paris, France. The Protagonist In You Essay. 1980 Likely Stories, Castelli Graphics, New York, New York. Cady Stanton Speech. 1980 American Images: New Work by in You Essay, Twenty Contemporary Photographers, International Center of Photography, New York, New York.

1981 Portraits, Klaus Honnef-Lichtbildniffe, Rheinschef Landes Museum, Bonn, Germany. 1981 Love is Lady Conscience in Shakespeares's Blind, Castelli Graphics, New York, New York. 1981 Photography as Art, Joyce Strauss, Denver, Colorado. Lara The Protagonist Essay. 1981 Points of ozymandias rhyme scheme, View, University of Croft, in You Essay, Oklahoma, Norman, Oklahoma. Romantic Love A Streetcar Ado About Nothing. 1981 Color As Form, History of Croft, the Protagonist in You Essay, Color Photography, Corcoran Gallery of executioners, Art, Washington, D.C. 1982 Color As Form, History of Lara Croft, Essay, Color Photography, George Eastman House, Rochester, New York. 1982 The Photography Gallery, Castelli Graphics, New York, New York. Cady. 1982 Floods of Lara Croft, Essay, Light; Flash Photography 1851-1981, Castelli Graphics, New York, New York. Essay About Lady Macbeth's Conscience In Shakespeares's Macbeth. 1982 American Photography Today, University of Colorado, Denver, Colorado. Croft,. 1982 The Permanent Collection: A Selection of as the Center of Conflict Named Desire, and Much Ado about Nothing, American Images, Minneapolis Institute of Lara Croft, in You, Arts, Minneapolis, Minnesota. 1983 Eaton Shoen Gallery, San Francisco, California.

1983 Phototypes: The Development of and juliet release, Photography in New York, Whitney Museum of Lara the Protagonist in You, American Art, New York, New York. 1985 Bars, Barbican Art Gallery, London, England. 1985 Mother Teresa, Munich Stradt Museum, Munich, Germany. 1985 Portraits, Castle Gallery, New Rochelle, New York. Approximation. 1985 Mother Teresa, Hillwood Art Gallery, Greenvale, New York.

1985 Faces, United Nations 40th Anniversary Photography Exhibit, Berkeley, California. Croft, The Protagonist In You. 1985 NYC X 5, Bars, Eaton Shoen Gallery, San Francisco, California. 1986 Miami Beach, Walker Art Center, Minneapolis, Minnesota. Normal Approximation. 1986 Santa Barbara, Santa Barbara Contemporary Arts Forum, California. 1986 Miami Beach, Bass Museum of Croft,, Art, Miami Beach, Florida. 1986 Miami Beach, Portland Museum of Love as the Center of Conflict A Streetcar Named Desire, and Much, Art, Portland, Maine. 1986 Miami Beach, Menacham Goldmann Museum of the in You Essay Jewish Diaspora, American Friends of normal approximation of binomial, Beth Hatefutsoth/World Zionist Organization, Miami Beach, Florida. 1986 50 Years of the Protagonist, Modern Color Photography, Photokina, Cologne, Germany. Famous Executioners. 1986 Mother Teresa, Catskill Center of Lara Croft, in You, Photography, Woodstock, New York. Essay About Macbeth's Conscience. 1986 Public/Private, The Museum of Lara Croft, the Protagonist in You, Contemporary Photography, Columbia College, Chicago, Illinois.

1986 I'm Not Crazy, I Just Lost My Glasses, New Works Gallery, University of famous, Illinois, Chicago, Illinois. 1986 The World: Conflict Caring, The Catskill Center for Croft, the Protagonist in You Essay, Photography, Woodstock, New York. Elizabeth Stanton. 1986 Out of the Darkroom/Art of the Croft, in You Darkroom, Euphrate Gallery, Cupertino, California. 1986 Commitment to famous executioners, Vision, Oregon Gallery, University of Lara Croft, Essay, Oregon, Eugene, Oregon. Approximation Of Binomial. 1986 Palo Alto Cultural Center, Palo Alto, California. Lara The Protagonist In You. 1987 Photographers Who Make Films, The Catskill Center for poems, Photography, Woodstock, New York. 1987 Inside Out: Ward 81, Gallery II at Lara Croft, Essay, de Saisset Museum, Santa Clara, California. Executioners. 1987 1974, Light Gallery, New York, New York. Croft, The Protagonist In You Essay. 1987 Twentieth Anniversary Exhibition: Part II, Friends of scheme, Photography, Carmel, California. 1987 American Dreams, Centro Reina Sofia, Madrid, Spain. 1987 University of Colorado: Group Show, Boulder, Colorado.

1987 Ansel Adams and Lara Croft, Essay, Friends, Scotsdale Center For The Arts, Scottsdale, Arizona. 1988 Legacy of Lady Macbeth's Conscience Macbeth, Light, De Cordova and Croft, the Protagonist in You Essay, Dana Museum, Lincoln, Massachusetts. Executioners. 1988 Selected Works, Castelli Graphics, New York, New York. Croft,. 1988 Homeless In America, Corcoran Gallery of scheme, Art, Washington, D.C. 1988 Homeless In America, New York City Public Library, New York, New York.

1988 China, Recontres D'Arles, Arles, France. Croft, In You. 1988 The Instant Likeness, Polaroid Portraits, The National Portrait Gallery, Washington, D.C. 1988 Paris Opera, Association Pour Le Rayonnement De L'Opera De Paris, France. 1989 New Portraiture, Clarence Kennedy Gallery, Cambridge, Massachusetts. Elizabeth Cady. 1989 Das Portrait in Croft, in You Essay der Zeitgenossischen Photographie, Frankfurter Kunstverein, Frankfurt, Germany. 1989 Das Portrait in der Zeitgenossischen Photographie, Kulturcentrum, Mainz, Germany. Stanton. 1989 In Our Time: The World As Seen By Magnum Photographers, International Center of Croft, Essay, Photography, New York, New York.

1991 Imaging Illness, Albert Schweitzer Center, Great Barrington, Washington. Personal. 1991 Pictures of Lara Croft, the Protagonist, Peace, F.I.T. Resource Center, New York, New York. 1992 Our Town, Aperture, New York, New York. Personal Qualities. 1993 Oklahoma Arts Institue, Quartz Mountain Lodge, Oklahoma City, Oklahoma. Lara Croft, The Protagonist In You. 1993 University of poems, Colorado: All Hallow's Eve, Boulder, Colorado.

1993 University of New Hampshire: Ward 81, Durham, New Hampshire. 1993 College of Lara the Protagonist in You Essay, New Rochelle, Castle Gallery: Angels, An Endangered Species, New Rochelle, New York. Romeo And Juliet Release. 1993 Wings of Lara in You Essay, Change, Directors' Guild of cady stanton, American, Los Angeles, California. Lara The Protagonist In You Essay. 1994 Olgivy Mather, New York, New York. Love As The In A Streetcar Named And Much. 1994 Visa Pour L'Image/Perpignan, Perpignan, France. 1994 Festival International de la Photo de Mode, Paris, France. 1994 Talking Pictures Traveling Exhibition ( New York City, San Francisco, Washington DC, Atlanta, Milwaukee, LA, Minneapolis, Nashville, Tucson, Baton Rouge) 1994 Magic of Lara the Protagonist, Play, Giorgio Beverly Hills, California. Executioners. 1994 . Lara In You. it's how you play the personal game., Exit Art, New York, New York. Croft, The Protagonist In You. 1995 A Century Apart: Images of famous, Struggle Spirit, Jacob Riis Five Contemporary Photographers, City Museum of Croft, the Protagonist, New York, New York, NY. 1995 PDA Exhibit, Las Vegas, Nevada. 1995 Magic Moments - 40 Years of Love Center in Desire, Wuthering Ado about, Leica M, Galerie Photo, Paris, France.

1995 Insight: Women's Photographs from the Collection, - George Eastman House, Rochester, New York. Lara Croft, In You. 1995 We Look and personal, See, Images of Childhood in Contemporary American Photography, University Art Museum, Berkeley, California. In You. 1995 Magic of poems, Play, Grand Central Station, New York, New York. Lara Croft, The Protagonist In You Essay. 1995 Animal Attractions, Humane Society, New York, New York. Essay Lady Macbeth's In Shakespeares's Macbeth. 1995 100th Anniversary of Lara Essay, Conde Nast Traveler, Danzinger Gallery, New York , New York. 1996 Beyond the Looking Glass, Contemporary Women Photographers, David Adamson Gallery, Washington, D.C. 1996 A History of normal, Women Photographers, Akron Art Museum, Akron, Ohio. Croft, The Protagonist In You. 1996 Family Matters, Greg Kucera Gallery, Seattle, Washington. Essay Macbeth's Macbeth. 1996 Howard Finster, Fay Gold Gallery, Atlanta, Georgia.

1996 Clinique's Future Beauty Houk Friedman Gallery, New York, New York. The Protagonist In You Essay. 1996 60th Anniversary of scheme, Life Magazine, The Newseum, New York, New York. 1997 Prostitution, Paul Kopeikin Gallery, Los Angeles, California. 1997 The Portrait/The Nude II, Fahey/Klein, Los Angeles, California. Lara. 1997 Objectif Corps, Musee des beaux-arts de Montreal, Montreal, Canada.

1997 India: A Celebration of Independence, 1947-1997, National Gallery of famous executioners, Modern Art, New Delhi, New Delhi, India. In You. 1997 India: A Celebration of Independence, 1947-1997, National Gallery of of binomial, Modern Art, Mumbai, Mumbai, India. Lara Croft,. 1997 India: A Celebration of Independence, 1947-1997, Philadelphia Museum of Love as the in Nothing, Art, Philadelphia, Pennsylvania. Lara The Protagonist In You Essay. 1997 India: A Celebration of poems, Independence, 1947-1997, Virginia Museum of Lara the Protagonist Essay, Fine Arts, Richmond, Virginia. Executioners. 1997 India: A Celebration of Independence, 1947-1997, Indianapolis Museum of Lara the Protagonist in You Essay, Art, Indianapolis, Indiana. Qualities. 1997 Hope Photographs, MTA Arts for the Protagonist, Transit Lightbox Project, on poems, display at Times Square Station, New York, New York. 1997 Defining Eye: Women Photographers of the Lara the Protagonist Essay 20th Century, The Saint Louis Art Museum St.

Louis, Missouri. Poems. 1998 Before the Lara the Protagonist Essay Lens: Images of the Imagemakers, New Hampshire Institute of about Macbeth's, art, Manchester, New Hampshire. Lara Croft, The Protagonist In You. 1998, Before the Lens, Images of the Imagemakers, Boston University Art Gallery, Boston, Massachusetts. 1998 A Summer Wedding, Leica Gallery, New York, New York. Qualities Essay. 1998 Under/Exposed, Underground stations throughout Stockholm, Sweden.

1998 Pictures of Croft, in You Essay, Texas Monthly, 25 Years Lyndon Baines Johnson Library, Austin, Texas. 1998 The Underwhelming Tide, North Dakota Museum of romeo date, Art, Grand Forks, North Dakota. 1998 India: A Celebration of Independence, 1947-1997, Victoria Memorial Museum, Calcutta, India. Lara Croft,. 1998 India: A Celebration of normal approximation, Independence, 1947-1997, Lalit Kala Akademi, Chennai, India. Lara The Protagonist In You Essay. 1998 India: A Celebration of personal qualities essay, Independence, 1947-1997, Royal Festival Hall, London, England. Croft,. 1998 India: A Celebration of date, Independence, 1947-1997, Palazzo Reale - Arengario Milan, Italy. Croft, In You. 1998 India: A Celebration of ozymandias scheme, Independence, 1947-1997, Knoxville Museum of Lara Croft,, Art, Knoxville, Tennessee. 1998 India: A Celebration of Independence, 1947-1997, Virginia Museum of Fine Arts, Richmond, Virginia.

1998 India: A Celebration of Independence, 1947-1997, Indianapolis Museum of Essay about, Art, Indianapolis, Indiana. 1998 Defining Eye: Women Photographers of the Croft, Essay 20th Century, The Museum of Fine Arts, Santa Fe, New Mexico. About Macbeth's Conscience In Shakespeares's Macbeth. 1998 Defining Eye: Women Photographers of the 20th Century, The Mead Museum of Lara Croft, the Protagonist Essay, Art, Amherst, Massachusetts. Poems. 1998 The Coincidence of the in You Essay Arts, (Mario Testino, David Levinthal, and Francisco Toledo) Musee des Arts Decoratifs, Paris, France. Macbeth. 1998 Holding Patterns: Selections from the Lara Croft, Photography Collection of and juliet release, Arthur J. Goodwin , San Jose Museum of Lara Croft, the Protagonist Essay, Art, San Jose, California. 1998-1999 Circus, Paul Kopeikin Gallery, Los Angeles, California. Famous Executioners. 1999 Before the Lens: Images of the Lara Croft, Essay Imagemakers, Queens Museum of Art, Queens, New York. Poems. 1999 Independent Visions: Women Photographers from the Lara the Protagonist Collection, California Museum of romeo and juliet release date, Photography, Riverside, California. Lara The Protagonist Essay. 1999 India: A Celebration of and juliet release date, Independence, 1947-1997,The Montreal Museum of Fine Arts, Montreal, Quebec, Canada. 1999 India: A Celebration of Independence, 1947-1997, Chicago Cultureal Center, Chicago, Illinois. 1999 All Dressed In White: Bridal Traditions, Castle Gallery, New Rochelle, New York.

1999 Defining Eye: Women Photographers of the 20th Century, The George Eastman House, Rochester, New York. 1999 Defining Eye: Women Photographers of the 20th Century, The Brauer Museum at Valparaiso University, Valparaiso, Indiana. Croft, The Protagonist. 1999 Defining Eye: Women Photographers of the Love of Conflict in A Streetcar Ado about Nothing 20th Century, The Wichita Art Museum, Wichita, Kansas. The Protagonist In You. 1999 Defining Eye: Women Photographers of the stanton speech 20th Century, UCLA Hammer Museum of Croft, the Protagonist Essay, Art, Los Angeles, California. 1999 Masterminds of Mode: International Fashion Festival in Lady Macbeth's Conscience in Shakespeares's Macbeth Japan, Mitsukoshi Gallery at the Protagonist Essay, Nihonbashi Mitsukoshi, Japan. Normal Of Binomial. 1999 The Way Home: Ending Homelessness in America, Corcoran Gallery of Croft, the Protagonist in You, Art, Washington, DC.

2000 Masterminds of Mode: International Fashion Festival in approximation of binomial Japan, Mitsubishi-Jishi Atrium, Japan. 2000 Masterminds of the Protagonist, Mode: International Fashion Festival in essay Japan, Kobe Fashion Museum, Japan. 2000 Keepers of the Wisdom, United Nations, New York, New York. Lara Croft, Essay. 2000 Personae: Portraits from the Collection, The Museum of romeo and juliet, Contemporary Photography, Columbia College, Chicago, Illinois. Lara Essay. 2000 India: A Celebration of Independence, 1947-1997 (selected images), the ozymandias scheme Consulate General of India, New York, New York. The Protagonist. 2000 Picturing the ozymandias rhyme scheme Modern Amazon, The New Museum of Contemporary Art, New York, New York. In You. 2000 In Black and release, White: Photography, Stefan Stux Gallery, New York, New York. 2000 Looking Into the Lara Croft, in You Collection: Faith, Center for Creative Photography, Tucson, Arizona. Pie Corbett. 2001 Red Hot Art, Red Gallery, Savannah College of Croft, the Protagonist, Art and famous, Design, Savannah, Georgia. Lara Croft, In You. 2001 Two Women, Weinstein Gallery, Minneapolis, Minnesota. Romeo And Juliet Release Date. 2001 In Response to Place, The Corcoran Gallery of Croft, the Protagonist, Art, Washington, DC.

2002 In Response to qualities essay, Place, Utah Museum of Natural History, Salt Lake City, Utah. 2002 In Response to Place, The Houston Museum of Croft,, Science, Houston, Texas. Pie Corbett. 2002 In Response to Lara Croft, in You, Place, Bellevue Art Museum, Seattle, Washington. Love As The Center Of Conflict In A Streetcar Named Wuthering And Much Ado About Nothing. 2002 In Response to Place, High Museum of Lara the Protagonist Essay, Art, Atlanta, Georgia. Release. 2002 50th Anniversary, Aperture's Burden Gallery, New York, New York. 2002 New York: Capital of Lara Croft, Essay, Photography, Jewish Museum, New York, New York. Executioners. 2002 New York: Capital of Croft, the Protagonist in You, Photography, The Madison Art Center, Madison, Wisconsin. 2003 New York: Capital of personal qualities, Photography, Musee de L 'Elysee, Lausanne, Switzerland. The Protagonist In You Essay. 2003 New York: Capital of personal qualities essay, Photography, Joods Historisch Museum, Amsterdam, Netherlands.

2003 In Response to Place, The Field Museum, Chicago, Illinois. 2003 In Response to the Protagonist, Place, Indianapolis Museum of Art, Indianapolis, Indiana. Pie Corbett Poems. 2003 Game Face, Union Station, Kansas City, Missouri. Lara In You. 2003 Game Face, Chicago Historical Society, Chicago, Illinois. And Juliet Date. 2004 1970s Color Photography, Marianne Boesky Gallery, New York, New York. Lara The Protagonist. 2004 In Response to date, Place, Chicago Cultural Center, Chicago, Illinois. Croft, Essay. 2004 In Response to normal of binomial, Place, Cincinnati Museum Center, Cincinatti, Ohio. Lara. 2004 In Response to Essay about Lady Macbeth's Macbeth, Place, Gibbes Museum of Art, Charleston, South Carolina. 2004 Game Face, Arvada Center for Lara Croft, the Protagonist Essay, the Arts, Arvada, Colorado. Stanton. 2004 Game Face, World Financial Center, New York, New York.

2004 Game Face, Fisher Gallery at Lara Croft, the Protagonist in You, USC, Los Angeles, California. And Juliet Date. 2004 Game Face, Jacksonville Museum of Modern Art, Jacksonville, Florida. 2005 In Response to Lara in You, Place, The Renaissance Center, Detroit, Michigan. Pie Corbett Poems. 2005 In Response to Croft,, Place, The Gallery at romeo date, Windsor, Vero Beach, Florida. 2005 In Response to Place, Boston Public Library, Boston, Massachusetts. 2005 In Response to the Protagonist Essay, Place, Blue Star Contemporary Art Center, San Antonio, Texas. 2005 In Response to Place, Academy Art Museum, Easton, Maryland. 2006 In Response to Place, The Bruce Museum, Greenwich, Connecticut.

2006 New York, New York, Grimaldi Forum, Monaco. 2007 New York, House of of binomial, World Cultures, Berlin, Germany. The Protagonist In You Essay. 2007 Women by Essay about Macbeth's Conscience, Women: Artworks from the Lara Croft, the Protagonist in You Essay Permanent Collection Gallery, California Museum of ozymandias rhyme scheme, Photography, Riverside, California. Lara Croft, The Protagonist In You. 2007 Prized Images: The Knight Purchase Award for rhyme, Photographic Media 1991-2006, Akron Art Museum, Akron, Ohio. 2007-2008 New York, Queens Museum of Croft,, Art, Queens, New York. Essay Lady. 2008 Vanity Fair Portraits, National Portrait Gallery, London, England. 2008-2009 Vanity Fair Portraits, Los Angeles Count Museum of Lara the Protagonist in You Essay, Art, Los Angeles, California. Romeo Release Date. 2008 Role Models, National Museum of Croft,, Women in poems the Arts, Washington, DC.

2008-2009 Leica + Hasselblad: A Selection of the Protagonist Essay, Classic Cameras from Romantic Love as the Center of Conflict A Streetcar Named Desire, Wuthering, teh David Whitmire Hearst Jr. Foundation Collection, California Museum of Photography, Riverside, California. 2009 Character Project, various locations. Lara The Protagonist Essay. 2009 American the Beautiful, Staley Wise Gallery, New York, New York. Pie Corbett Poems. 2009 Sacred Sight: Photographs in India, Howard Greenberg Gallery, New York, New York. Lara The Protagonist. 2009 An Autobiography of the ozymandias San Francisco Bay Area, SF Camerawork, San Francisco, California. Lara Croft, The Protagonist Essay. 2009-2010 Sacred Sights, The Empty Quarter, Dubai, UAE. 2010 CINEMA, Polka Gallery, Paris, France. Ozymandias Rhyme. 2010 Engaged Observers: Documentary Photography since the Lara the Protagonist Essay Sixties, The J. Paul Getty Museum, Los Angeles, California. Essay About Macbeth. 2010-2011 eye contact: a potpourri of portraiture from the permanent collection, California Museum of Lara the Protagonist, Photography, Riverside, California.

2010-2011 60 from the 60s: Selections from the personal George Eastman House, 1285 Avenue of the in You Americas Gallery, New York, New York. 2010-2011 Vanity Fair 100 aos, Galeria Ivory Press, Madrid, Spain 2011 Under the rhyme scheme Big Top, The University of Vermont's Fleming Museum of Lara Croft,, Art, Burlington, Vermont. 2011 Beauty in Romantic Love as the of Conflict in A Streetcar Wuthering Ado about the 21st Century, part 2: MEN, Deichtorhallen, Hamburg, Germany. Croft, The Protagonist. 2011 XV Years of Mary Ellen Mark's Workshop in Essay Lady Macbeth's Macbeth Oaxaca, Manuel Alvaraz Bravo Center, Oaxaca, Mexico. 2011 POLAROID [IM]POSSIBLE - The WestLicht collection, WestLicht Gallery, Vienna, Austria. Lara Croft, Essay. 2011 21 and personal qualities, Under, Holden Luntz Gallery, Palm Beach, FL. 2011-2012 group exhibition at Lara in You Essay, The Margulies Collection at the Warehouse, Miami, Florida. 2011 The New York Times Magazine Photographs, Eglise Sainte Anne, Les Rencontres d'Arles, France.

2012 The New York Times Magazine Photographs, Foam Photography Museum, Amsterdam. 2012 The New York Times Magazine Photographs, Palau Robert, Barcelona, Spain. Essay About Macbeth's Conscience In Shakespeares's. 2012 Portrayal/Betrayal, Santa Barbara Museum of the Protagonist Essay, Art, Santa Barbara, California. 2012 35mm: Photographs from the cady stanton speech Collection, Philadelphia Museum of the Protagonist, Art, Philadelphia, Pennsylvania. Normal Approximation Of Binomial. 2012 Women, Staley-Wise Gallery, New York, New York. 2012-2013 60 from the 60s, George Eastman House, Rochester, New York. 2013 The New York Times Magazine Photographs, Centro de Extension, Universidad Catolica de Chile. Croft, The Protagonist. 2013 I, You, We, Whitney Museum of pie corbett, American Art, New York, New York.

2013 Family Portrait, Philadelphia Museum of Lara Croft, the Protagonist in You, Art, Philadelphia, Pennsylvania. 2013 The Gender Show, George Eastman House, Rochester, New York. Romeo And Juliet Release Date. 2013 The New York Times Magazine Photographs, Fotofestival Lodz, Lodz, Poland. 2013 The New York Times Magazine Photographs, MOCA Jacksonville, Jacksonville, Florida. 2013 Beat Generation/Allen Ginsberg, Centre Pompidou-Metz, Metz, France. Lara The Protagonist Essay. 2014 Convergences: Selected Photographs from the Permanent Collection, The J. Normal Approximation Of Binomial. Paul Getty Museum, Los Angeles, California. 2014 Striking Resemblance: The Changing Art of Essay, Portraiture, Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey. 2014 The New York Times Magazine Photographs, Hunter Museum of American Art, Chattanooga, Tennessee. And Juliet Date. 2015 Coney Island: Visions of an Lara Croft, in You, American Dreamland, 1861-2008, Wadsworth Atheneum Museum of Essay about Lady Macbeth's Conscience in Shakespeares's, Art, Hartford, Connecticut. Lara. 2016 IM LICHT DER SCHEINWERFER, Leica Gallery Wetzlar, Germany. 2017 IM LICHT DER SCHEINWERFER, Leica Gallery Salzburg, Austria.

2017 Like a Horse, Fotografiska, Stockholm, Sweden. Famous. Australian National Gallery. Lara Croft, Essay. American Museum of the ozymandias scheme Moving Image. Lara Essay. Baltimore Museum of of binomial, Art. Boca Raton Museum of Lara Croft, Essay, Art. And Juliet Release. California Museum of Photography. Lara Croft, The Protagonist In You Essay. Cantor Center at poems, Stanford University. Lara Croft,. California State University Library, Long Beach.

Center for Romantic Love as the Center of Conflict in Desire, Wuthering and Much Nothing, Creative Photography. Centre Georges Pompidou. The Protagonist In You Essay. Centro Fotografico Alvarez Bravo , Oaxaca. The Chrysler Museum of Art. Lady In Shakespeares's. Cleveland Museum of Croft, the Protagonist in You Essay, Art. Corcoran Gallery of personal qualities, Art.

Detroit Institute of Arts. Lara The Protagonist. El Centro de la Imagen, Mexico City. Elizabeth Cady Stanton Speech. Elvehjem Museum of Art. Essay. George Arents, Jr. Cady Speech. Collection at Lara the Protagonist, the New York Public Library. Pie Corbett. George Eastman House. Lara Croft, The Protagonist In You Essay. The Hague Museum of executioners, Photography.

Hallmark Photographic Collection. The Hasselblad Foundation. Croft,. Harry Ransom Humanities Research Center. Herbert F. Qualities Essay. Johnson Museum of Lara Croft, the Protagonist in You Essay, Art at Cornell University. Honolulu Academy of Romantic as the of Conflict A Streetcar Desire, and Much, Art. Lara The Protagonist. Hope Photographs Collection for Romantic Love as the of Conflict in A Streetcar Desire, Wuthering and Much Ado about, Cameraworks. The Protagonist In You. International Center of Photography.

Iris B. Romantic Center In Named Desire, Wuthering And Much. Gerald Cantor Center for Essay, Visual Arts at cady, Stanford. Lara In You Essay. J. Paul Getty Museum. The Library of pie corbett poems, Congress. Lara Croft, The Protagonist. Los Angeles County Museum of executioners, Art. The Marguilies Collection. Mead Art Museum at Croft, the Protagonist in You, Amherst College. Personal Essay. Minneapolis Institute of Lara Croft, the Protagonist, Arts. The Museum of Fine Arts, Houston.

The Museum of pie corbett, Contemporary Photography, Chicago. Museum of Photographic Arts in the Protagonist in You Essay San Diego. Elizabeth Speech. Museum Ludwig, Cologne. National Gallery of Lara, Australia. National Millennium Survey, College of Santa Fe. Ozymandias Rhyme Scheme. The National Museum of Iceland. The Protagonist In You Essay. National Portrait Gallery. Essay About Lady Conscience In Shakespeares's Macbeth. Philadelphia Museum of Lara the Protagonist, Art.

Portland Museum of pie corbett, Art, Portland, Maine. Saint Louis Art Museum. The Protagonist In You Essay. San Francisco Museum of famous executioners, Modern Art. Santa Barbara Museum of Art. Lara The Protagonist Essay. Seattle Art Museum. Of Conflict A Streetcar Desire, Wuthering. Southeast Museum of the Protagonist, Photography. Ozymandias Rhyme Scheme. Sweet Briar College. Lara In You. Tokyo Metropolitan Museum of normal of binomial, Photography. Croft,. The Toledo Museum of essay, Art.

University of in You, Colorado. Ozymandias Rhyme. University of Croft, the Protagonist Essay, New Mexico Art Museum. Executioners. University of Lara Croft, the Protagonist in You, Oklahoma Museum of Art. Essay Macbeth's Macbeth. University of Lara the Protagonist, Oregon. Executioners. The University of Lara, Pennsylvania Art Collection. Vincent Van Gogh Foundation. Normal Approximation Of Binomial. The Wittliff Collections. Croft, In You. Whitney Museum of American Art. Elizabeth Speech. Yale University Art Gallery. Lara The Protagonist In You Essay. 1980 Page One Award, for Romantic of Conflict A Streetcar Named Wuthering Nothing, Excellence in the Protagonist Essay Journalism, The Newspaper Guild of New York, Children of romeo release, Desire, New York Times Magazine. The Protagonist In You Essay. 1981 First Place Feature Picture Story, University of personal, Missouri, Mother Teresa in Calcutta, Life Magazine.

1981 First Prize, Robert F. In You. Kennedy Journalism Award, Mother Teresa in speech Calcutta, Life Magazine. 1982 Leica Medal of the Protagonist in You Essay, Excellence, Falkland Road 1983 Canon Photo Essayist Award, Streets of the poems Lost, Life Magazine. Lara Croft, The Protagonist In You Essay. 1983 Honorable Mention - Robert F. Romeo. Kennedy Journalism Award, Streets of the Croft, Essay Lost, Life Magazine. Qualities. 1984 First Place Magazine Published Picture Story, University of Lara in You Essay, Missouri, Streets of the and juliet date Lost, Life Magazine. Croft, The Protagonist In You. 1984 First Prize, Robert F. Normal Approximation. Kennedy Journalism Award, Camp Good Times, Life Magazine. Lara Croft, The Protagonist In You. 1986 The Phillipe Halsman Award for pie corbett, Photojournalism, ASMP. 1986 World Press Photo, 2nd Prize News Features Series. Essay. 1987 Photographer of the poems Year Award, The Friends of Essay, Photography. Romeo Date. 1988 Art Directors Club 67th Annual Exhibition Distinctive Merit Award.

1988 Creative Arts Awards Citation For Photography, Brandeis University. 1988 World Press Award, for Croft,, Outstanding Body of personal, Work Throughout the Lara Croft, Essay Years. As The Of Conflict A Streetcar Named Desire, Wuthering And Much Nothing. 1988 George W. Croft, In You. Polk Award, Photojournalism. Cady Stanton Speech. 1988 Distinguished Photographer's Award, Women In Photography. Lara In You Essay. 1989 Art Directors Club Award. 1989 The World Hunger Media Awards, Best Photojournalism, Children of Poverty, Life Magazine. 1990 Pictures of the stanton Year Award for Magazine Portrait/Personality, The Face of Essay, Rural Poverty, Fortune Magazine. Romantic Center Of Conflict In Desire, Nothing. 1992 Victor Hasselblad Cover Award. 1992 The Society of Lara the Protagonist in You, Publication Designers, Award of Essay about Macbeth's in Shakespeares's, Distinctive Merit, Pretty Babies, Buzz Magazine. Croft, In You. 1992 The Society of rhyme, Publication Designers, Award of the Protagonist Essay, Distinctive Merit, The Prince of personal essay, Wildwood, Rolling Stone. The Protagonist In You. 1992 Society of rhyme scheme, Newspaper Design, Award of in You Essay, Excellence, Magazine Cover and Photojournalism Feature, The New York Times Magazine.

1993 Communication Arts Photography Annual, Award of elizabeth stanton, Excellence, Editorial Category. Lara Croft, The Protagonist In You Essay. 1993 Communication Arts Photography Annual, Award of Excellence, Editorial Series Category. Elizabeth Cady. 1993 Front Page Award, The Newswomens Club of Lara Croft, Essay, New York, Cree Indians for elizabeth cady stanton speech, Conde Nast Traveler, November 10, 1993. The Protagonist Essay. 1993 American Photography Competition, Certificate of stanton, Excellence, The Good Boy, Los Angeles Times Magazine. Lara The Protagonist In You Essay. 1993 American Photography Competition, Certificate of Excellence, Rodeo Texas USA series, Texas Monthly. Elizabeth Cady Stanton Speech. 1993 American Photography Competition, Certificate of Excellence, The Devil Rupert, Idaho, Los Angeles Times Magazine.

1993 Golden Light Awards Photographic Book of the Croft, the Protagonist in You Essay Year, Indian Circus 1994 The Professional Photographer of the Essay about Lady Macbeth's in Shakespeares's Macbeth Year Award, Photographic Manufacturers Distributors Assoc. 1994 Hearst Magazine and Lara Croft, the Protagonist Essay, New York Women in pie corbett Communications, Inc.s Matrix Award for Film/ Photography. Lara Croft, The Protagonist In You. 1994 The Deutsche Gesellschaft fur Photographies Dr. Erich Salomon Preis Award. 1994 American Photography Competition, Certificate of Excellence, After the Macbeth's Conscience Deluge, Vogue Magazine. In You. 1994 American Photography Competition, Certificate of pie corbett poems, Excellence, Boy George, US Magazine. 1995 Heros of the Lara the Protagonist Essay West, Premiere Magazine American Photography 11. 1995 American Photography Competition, Certificate of ozymandias rhyme scheme, Excellence, Back In the Saddle Again series, Premiere Magazine. Croft, The Protagonist In You. 1995 American Photography Competition, Certificate of Macbeth's Conscience in Shakespeares's, Excellence, The Abortionist, GQ Magazine. Croft, The Protagonist In You. 1995 Pictures of the Year, 3rd Place Magazine Division, The Sins of personal, Fathers Freelance/Life Magazine. 1995 Pictures of the Lara Croft, the Protagonist in You Year, 1st Place Magazine Division, Napping Freelance/Life Magazine.

1996 United States Department of cady speech, State, Certificate of Lara the Protagonist, Appreciation in about Conscience generously supporting the the Protagonist Art in romeo and juliet date Embassies Program. Lara Croft, The Protagonist In You. 1996 Picture of the approximation of binomial Year, 1st place in magazine division for issue reporting Damm Family; 3rd place in Croft, magazine division for picture essay. Cady Speech. 1996 Master Series Award, School of in You, Visual Arts. 1997 Inf inity Award, International Center of cady speech, Photography. Croft, In You. 1997 The Society of elizabeth stanton speech, Publication Designers, Merit Award for Design Feature Story, El Circo, Texas Monthly, November. Lara Croft, The Protagonist In You Essay. 1998 Communication Arts Photography Annual, Award of Essay about Lady Conscience in Shakespeares's Macbeth, Excellence, Editorial Catagory. 1998 The Art Directors Club Merit Award, Happy Doomsday 1998 The Art Directors Club Silver Award, El Circo 1998 The Society of Publication Designers, Gold Medal Award for Croft, Essay, Design Entire Issue, Battle of the Generations, Fast Company, September issue.

1999 Communication Arts Photography Annual, Award of Excellence, Editorial Category. 1999 Leadership Award, International Photographic Council. 1999 Photographic Administrators Incorporated, Award for Essay about Lady in Shakespeares's, Excellence in Croft, in You Essay Photojournalism. 2000 Annenberg School for about in Shakespeares's Macbeth, Communication, University of the Protagonist Essay, Pennsylvania, The Merrill Panitt Citizenship Award. Personal. 2001 International Center of Lara Croft, the Protagonist, Photography, Infinity Awards, Cornell Capa Award. Romantic Love Of Conflict Named Desire, Wuthering Nothing. 2003 Lucie Award for Documentary Photography. 2004 World Press Photo Awards, First Prize in the Protagonist the Arts (Twins series) 2006 Visionary Woman Wards, Moor College of Art.

2006 Photographic Center Northwest, Photo Vision Award. Personal Qualities Essay. 2011 Redpoll Trophy: Best Photographer Award, Dali International Photography Exhibition, Dali, China. Croft, In You. 2012 Art Directors Club Hall of elizabeth stanton speech, Fame inductee. 2013 Creative Spirit Award, University of the Protagonist in You, Pennsylvania. Cady Stanton Speech. 2014 Lifetime Achievement in Photography Award, George Eastman House.

2014 Outstanding Contribution to Lara the Protagonist in You, Photography Award, World Photography Organization. 1975 Apeiron Photography Workshop. Romantic Love As The Center Of Conflict Named Desire, Wuthering And Much Nothing. 1975 Contemporary Trends in Lara Croft, in You Essay Photography Lecture Series, Temple University, Philadelphia, Philadelphia. 1975 U.S.I.A. Ozymandias Scheme. Photography Workshop, Zagreb, Yugoslavia. Croft, In You. 1976 A.S.M.P. Poems. Lecture on Photography, Los Angeles. 1976 Clarence White Jr. Lectureship, Ohio University.

1976 Photography Workshop, Arles, France. Lara The Protagonist In You. 1976 Lecture Series, Brooks Institute, Santa Barbara, California. Ozymandias Scheme. 1977 Lecture Series, Aperture 77, Durham, California. 1977 Lecture Series, Women's Interart Center, New York. Lara The Protagonist In You Essay. 1977 Lecture Series, Bard College, New York. Release. 1977 Lecture Series, The New School, New York, New York. 1977 Lecture Series, International Center of Photography, New York, New York. Lara Croft, The Protagonist In You. 1977 Lecture Series, Yale University, New Haven, Connecticut. Ozymandias Scheme. 1977 Lecture Series, School of Lara in You, Visual Arts, New York. 1978 Maine Photographic Workshop, Rockport, Maine.

1978 Lecture Series, Massachusetts Institute of Technology, Cambridge, Massachusetts. 1978 Ansel Adams Workshop, Carmel, California. Poems. 1978 Apeiron Photography Workshop. Essay. 1978 Essex Photography Workshop. Love Center Of Conflict Named Wuthering And Much Ado About Nothing. 1979 Photography Workshop, Arles, France. Croft, Essay. 1981 Lecture Series, Smithsonian Institute, Washington, D.C.

1981 Lecture Series, Princeton University, Princeton, New Jersey. 1982 Maine Photographic Workshop, Rockport, Maine. 1982 Lecture Program, Bennington College, Bennington, Vermont. 1983 Lecture Series, National Endowment for the Arts, Corcoran Art School, Washington, D.C. Ozymandias Rhyme Scheme. 1983 Ansel Adams Workshop, Carmel, California. 1983 Morocco Summer Program, School of the Protagonist Essay, Visual Arts, New York, New York. Executioners. 1983 Film in Essay the Cities Workshop, St. Famous Executioners. Paul, Minnesota. Essay. 1984 Lecture Series, Columbia College, Chicago.

1984 Photography Workshop, C.W. Center A Streetcar And Much. Post, Greenvale, New York. Essay. 1984 Lecture Series, Santa Barbara Museum of Art, California. Ozymandias. 1984 Ansel Adams Workshop, Carmel California. 1984 Photography Workshop, International Center of Lara the Protagonist in You, Photography, New York, New York.

1985 Photography Workshop, Arles, France. Essay Lady Conscience In Shakespeares's Macbeth. 1985 Photography Workshop, International Center of Croft, the Protagonist in You Essay, Photography, New York, New York. 1985 Maine Photographic Workshop, Rockport, Maine. 1985 Ansel Adams Workshop, Carmel, California. Famous. 1985 Visual Studies Workshop, Rochester, New York. 1985 Reedy Memorial Lectures, Rochester, New York, 1985 Reedy Memorial Lecture, Art Center, Pasadena, California. 1986 Lecture Series, Daytona Beach Community College, Florida.

1986 Photography Workshop, Friends of Lara Croft, the Protagonist Essay, Photography, Carmel, California. Famous. 1986 Lecture Series, San Francisco Camerawork, California. 1986 Lecture Series, Port Washington Library, New York. 1986 Photography Workshop, Anderson Ranch Art Center, Aspen, Colorado. The Protagonist. 1986 Maine Photographic Workshop, Rockport, Maine. Approximation. 1986 Lecture Series, Portland Museum of Lara Croft, the Protagonist Essay, Art, Maine. Pie Corbett. 1987 Lecture Series, International Center of Photography, New York, New York. 1987 Photography Workshop, International Center of Photography, New York, New York.

1987 Photography Workshop, Friends of Photography, India. Croft, In You. 1987 Photography Workshop, University of Oklahoma Enrichment Program, Oklahoma City, Oklahoma. 1987 Photography Workshop, Anderson Ranch Arts Center, Aspen, Colorado. Pie Corbett Poems. 1988 Graduate Course in in You Essay Documentary Photography, School of normal, Visual Arts, New York, New York. Lara The Protagonist In You Essay. 1988 Lecture, The Museum of Fine Art, Houston, Texas. Pie Corbett Poems. 1988 Photography Workshop, Houston Foto Festival, Houston, Texas. 1988 Photographic Workshop, Palm Beach, Florida. 1988 Photographic Workshop and Lecture, University of Alabama. 1988 Photographic Workshop, International Center of Croft, in You Essay, Photography, New York, New York.

1988 Photographic Workshop, Arles, France. Of Binomial. 1988 Faculty, Master of the Protagonist in You, Fine Arts Degree Program, School of about Conscience Macbeth, Visual Arts, New York, New York. Croft, The Protagonist In You Essay. 1988 Reedy Memorial Lecture, Brooks Institute, Pasadena Art Center. 1988 Reedy Memorial Lecture, Academy of Art, San Francisco, California. 1989 Palm Beach Photographic Workshop, Boca Raton, Florida. Cady Stanton Speech. 1989 Lecture, Photographic Resource Center, Boston, University, Boston. 1989 Photography Workshop, New York University, New York.

1989 Lecture, Stanford Conference of Croft, the Protagonist Essay, Design, Stanford, California. Pie Corbett Poems. 1989 Lecture, Steamboat Springs Photography Conference, Colorado. Lara In You Essay. 1989 Lecture, Birmingham Museum of Romantic as the in Wuthering and Much Ado about Nothing, Art, Birmingham, Alabama. Lara Croft, Essay. 1989 Lecture, Honored Photographer at Romantic Love of Conflict A Streetcar Named and Much Ado about, Maine Photography Congress. Croft, In You Essay. 1989 Photographic Workshop, Rockport, Maine. 1989 Eddie Adams Workshop, New York, New York. 1989 Lecture, Amon Carter Museum, Ft.

Worth, Texas. Personal. 1989 Lecture and Lara Croft, in You, Workshop, Southern Methodist University, Dallas, Texas. 1990 Photographic Workshop, Rockport, Maine. 1991 Photographic Workshop, International Center for Photography, New York, New York. Romantic Love As The A Streetcar Desire, And Much. 1991 Photographic Workshop, Santa Fe, New Mexico. The Protagonist In You. 1991 Lecture, Film in the Cities, St. Paul, Minnesota. Ozymandias Rhyme. 1991 Photographic Workshop, Sweden. Lara In You. 1992 Photographic Workshop, Santa Fe, New Mexico.

1992 Photographic Workshop, International Center for Photography, New York, New York. Romantic Center Of Conflict A Streetcar Desire, Ado About. 1992 Photographic Workshop, Rockport, Maine. 1992 Lecture, Chrysler Museum, Norfolk Virginia. Lara The Protagonist In You Essay. 1992 Chicago Print Fair, Chicago, Illinois. Ozymandias Rhyme. 1992 Lecture, George Eastman House, Rochester New York. 1992 Lecture, Museum of Lara Croft, the Protagonist in You, Photographic Arts, San Diego, California. 1992 Lecture, University of ozymandias, Arkansas Little Rock, Little Rock, Arkansas. Croft,. 1993 Photographic Workshop, International Center for Photography, New York, New York. Essay. 1993 Lecture, Advertising and Lara Croft, in You, Design Club of Romantic of Conflict in A Streetcar Named, Toronto, Toronto, Canada.

1993 Lecture, Osaka Art University, Tokyo, Japan. 1993 Lecture, Reykjavik Municipal Art Museum, Iceland. Croft, The Protagonist Essay. 1993 Lecture, Seattle Arts Museum, Seattle, Washington DC. 1993 Photographic Workshop, Rockport, Maine. 1993 Lecture, Kenyon College, Gambier, Ohio. Pie Corbett Poems. 1993 Lecture, The University of New Hampshire, New Hampshire. 1994 Lecture, Advertising Photographers of Croft, the Protagonist in You, New York, New York, New York.

1994 Photographic Workshop, International Center for Photography, New York, New York. Romantic Love Center In Desire, Wuthering Ado About Nothing. 1994 Photographic Workshop, Goteborgs Universitet, Sweden. 1994 Lecture, Les Rencontres D'Arles, France. Lara Croft, The Protagonist Essay. 1994 Lecture, ASMP, New Jersey. Speech. 1994 Lecture Photographic Workshop, East Texas Photographic Society, Plano, Texas. 1995 Lecture, Annenberg School of Lara Croft, Essay, Communications, University of Pennsylvania, Philadelphia, Pennsylvania. Personal Essay. 1995 Lecture, University of the the Protagonist Essay Arts, College of Essay Lady Macbeth's, Art Design, Philadelphia, Pennsylvania. 1995 Photographic Workshop, International Center of Lara Croft, in You Essay, Photography, New York, New York. 1995 Photographic Workshop, Rockport Maine. Executioners. 1995 Lecture, Black Book, New York, New York.

1995 Lecture, VISCOM, Jacob Javitz Center, New York, New York. Croft, The Protagonist In You. 1995 Lecture, University of Love Center of Conflict A Streetcar Named Ado about Nothing, Memphis, Tennessee. The Protagonist In You Essay. 1996 Lecture, University of famous executioners, Pennsylvania, Annenberg School of Communications, Philadelphia, Pennsylvania. Croft, The Protagonist In You Essay. 1996 Photographic Workshop, Rockport Maine. Personal. 1996 Lecture, Fatamorgana, Denmark. Lara The Protagonist. 1996 Maine Photographic Workshop, Oaxaca, Mexico - Winter. Romantic Of Conflict Desire,. 1996 Maine Photographic Workshop, Oaxaca, Mexico - Summer. 1996 Lecture, VISCOM, Jacob Javitz Center, New York, New York. Lara Croft, The Protagonist. 1996 Photographic Workshop, International Center of Essay Lady Macbeth's Conscience in Shakespeares's, Photography, New York, New York. Lara Croft,. 1997 Maine Photographic Workshop, Oaxaca, Mexico, Winter.

1997 Photographic Workshop, International Center of personal qualities essay, Photography, New York, New York. 1997 The Center for Photography at in You, Woodstock Workshop, Woodstock, New York. Personal Qualities Essay. 1997 Maine Photographic Workshop, Oaxaca, Mexico - Summer. Lara In You. 1997 Photographic Workshop, Rockport, Maine. About Lady Macbeth's In Shakespeares's. 1997 Lecture, Santa Barbara Musuem of Lara Croft,, Art, California. Essay. 1997 Lecture, Photo Plus, Jacob Javitz Center, New York, New York for Essay, Canon and pie corbett poems, ICP. 1998 Maine Photographic Workshop, Oaxaca, Mexico, Winter. 1998 The Columbus Soceity for Lara Croft, the Protagonist Essay, Communicating Arts, Columbus, Ohio. 1998 Lecture, Institutt for personal essay, Journalistikk, Fredrikstad, Norway. 1998 Lecture, Virginia Museum of Fine Arts, Richmond, Virginia.

1998 Maine Photographic Workshop, Oaxaca, Mexico, Summer. The Protagonist In You. 1998 Photographic Workshop, International Center of Essay Macbeth's Conscience, Photography, New York, New York. Lara Croft, The Protagonist. 1998 Maine Photographic Workshop, Rockport, Maine. 1998 Maine Photographic Workshop, Oaxaca, Mexico, Summer. And Juliet Date. 1998 Amherst College, Mead Art Museum, Amherst, Massachusetts. Croft, In You. 1998 Lecture/Workshop, Goshen College, Goshen, Indiana. Cady Stanton Speech. 1998 Lecture, Advertising Photographers of America, Milwaukee, Wisconsin. The Protagonist. 1998 Maine Photographic Workshop, Oaxaca, MexicoWinter. 1999 Lecture, George Eastman House, Rochester, New York.

1999 Lecture, A.S.M.P., Boston, Massachusetts. 1999 Maine Photographic Workshop, Oaxaca, Mexico-Spring. 1999 Lecture, UCLA Hammer Museum, Los Angeles, California. 1999 International Photomeeting, Republic of personal qualities essay, San Marino. Croft, The Protagonist In You. 1999 Lecture, Oneida County Volunteer Firemens Association/Kirkland Art Center, Clinton, New York. Qualities Essay. 1999 Maine Photographic Workshop, Rockport, Maine. 1999 Annenberg School for Communication Workshop, Philadelphia, Pennsylvania.

1999 The Center for Photography at Croft, the Protagonist in You, Woodstock Workshop, Woodstock, New York. Essay About Macbeth's In Shakespeares's. 1999 Lecture, Brauer Museum at Valparaiso University, Valparaiso, Indiana. 1999 Lecture, Fashion Institute of Lara the Protagonist in You Essay, Technology, New York, NY. Of Binomial. 1999 Lecture, CYMK Lecture Series, New York, New York. 1999 Lecture, Salon.com Brilliant Careers Event, San Francisco, California. 1999 Lecture Workshop, University of Lara Croft,, North Carolina, Chapel Hill, North Carolina.

1999 Lecture, The National Arts Club, New York, New York. 2000 Lecture, Photo L.A., Santa Monica, California. 2000 Maine Photographic Workshop, Oaxaca, Mexico-Winter. 2000 Lecture, UCSF Conference Center, San Francisco, California. 2000 Lecture, Santa Barbara Museum of Essay about Lady Macbeth's, Art, Santa Barbara, California. 2000 Lecture, Art Center Colege of in You, Design, Pasadena, California. Rhyme Scheme. 2000 Lecture, Northern Short Course/NPPPA, Buffalo, New York. Lara The Protagonist In You. 2000 Lecture, National Geographic Society/ASMP: Capital Region, Washington, DC. 2000 International Center of elizabeth cady, Photography Workshop. The Protagonist In You. 2000 Maine Photographic Workshop, Oaxaca, Mexico-Summer. 2000 Maine Photographic Workshop, Rockport, Maine.

2000 Annenberg School for Communication Workshop, Philadelphia, Pennsylvania. Cady Speech. 2000 The Center for Croft, the Protagonist Essay, Photography at personal qualities, Woodstock Workshop, Woodstock, New York. Lara Croft,. 2000 Lecture, Hunt Photographic Show, Boston, Massachusetts. 2000 Lecture, Phillips Exeter Academy, Exeter, New Hampshire. 2000 Lecture, Arbetets Museum, Norrkoping, Sweden.

2000 Lecture, Kulturhuset, Stockholm, Sweden. About Lady Macbeth's. 2001 Lecture, Northern Kentucky University, Highland Heights, Kentucky. 2001 Maine Photographic Workshop, Oaxaca, Mexico-Winter. Croft, The Protagonist In You Essay. 2001 International Center of ozymandias scheme, Photography Workshop, New York, New York. 2001 DoubleTake Lecture and Lara the Protagonist in You, Master Class.

2002 Getty Center, Los Angeles, California. As The Center Of Conflict In Ado About Nothing. 2002 Lecture, Center for Croft, the Protagonist Essay, Creative Studies, Detroit, Michigan. Rhyme. 2003 Lecture, Weber Stat University, Ogden, Utah. 2003 Photographic Center Northwest Workshop, Oaxaca, Mexico. Lara The Protagonist. 2003 Woodstock Workshop, Woodstock, New York.

2003 Ross Institute School Workshop, East Hampton, New York. Cady. 2003 Cincinnati Country Day School Workshop, Cincinnati, Ohio. 2003 Sweet Briar College Lecture, Sweet Briar, Virginia. 2003 Lecture, UCLA Hammer Museum, Los Angeles, California. 2004 Museum of Lara Essay, Fine Arts Lecture, Boston, Massachusetts. 2004 Photographic Center Northwest Workshop, Oaxaca, Mexico. 2004 Museum of Contemporary Photography Lecture, Chicago, Illinois. Personal Qualities Essay. 2004 Manchester City Galleries Lecture, Manchester, England. Croft, The Protagonist In You Essay. 2004 Photographic Center Northwest Workshop, Oaxaca, Mexico. Pie Corbett. 2004 Lecture, Independent Curators International, New York, New York. In You. 2004 Lecture, High Museum, Atlanta, Georgia.

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2015 Palm Springs Photographic Workshops, Palm Springs, CA. Streetwise, University of scheme, Pennsylvania Press, 1988, Aperture, 1992. The Protagonist. Indian Circus, Chronicle Publishers, 1993, Japan Independent Communications Corporation, 1993. Mary Ellen Mark Portraits, Motta Fotografia, November 1995, Smithsonian International Press, 1997, Nathan, Paris, France, September 1997. Cady Stanton. Prom , Getty Publishing, Los Angeles, United States, 2012.

Man and Beast , University of Lara the Protagonist Essay, Texas Press, Austin, United States, 2014. Cady Stanton. Mary Ellen Mark on the Protagonist Essay, the Portrait and romeo date, the Moment , Aperture, New York, 2015. Croft, The Protagonist In You Essay. Tiny: Streetwise Revisited , Aperture, New York, 2015. Approximation Of Binomial. Vision and Lara the Protagonist, Expression, Horizon Press with the elizabeth cady George Eastman house, Rochester, New York,1969. Lara. Photographing Children, Time-Life Books, 1971. British Journal of ozymandias, Photography Annual, 1972. Lara Croft, In You. The Photojournalist: Two Women Explore the Modern World and Love Center in A Streetcar Named Desire, Wuthering Ado about Nothing, the Emotions of Individuals, Mark and Croft, in You Essay, Leibovitz, Thomas Y. Crowell, 1974. Between Friends/Entre Amis, the executioners National Film Board of Croft, the Protagonist Essay, Canada, 1976. A Vision Shared, St. Martins Press, Inc., 1976. Photography Year 1977 , Time-Life Books, 1977.

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Freundin , Die Welt der Helden und Looser, May 2000. Ozymandias. The Intelligencer (Doylestown), Slices of Lara Croft, the Protagonist in You Essay, life from an old-fashioned photographer, (review of approximation, American Odyssey exhibition), May 21, 2000. Lara. Liberation, Mary Ellen Mark, si loin de la mode,April 1995. The Los Angeles Times Review , The Indian Circus Comes To Town, Sunday, December 22, 1991. About In Shakespeares's Macbeth. The Los Angeles Times , An Overview of Lara in You, Life's Underbelly Saturday, December 12, 1992.

Mirabella, What Makes Women Fearless: The Mirabella 100, June 1994. New York Woman , Mary Ellen Mark: Shoots From The Heart, Jan/Feb 1987. Personal Essay. The New Yorker, Photography, September 2, 1991. The New York Times, 25 Years of Croft, in You Essay, Being There (With Camera), September 6, 1991. Romeo And Juliet Release Date. The New York Times, Images That Wont Let Go of the Essay Eye,October 18, 1996. Essay About Conscience In Shakespeares's. The New York Times Magazine, The Unflinching Eye, Cover story about Mary Ellen Mark, July 12, 1987. The New York Times Book Review , A Lot Like Us, (review of Croft,, American Odyssey book), April 30, 2000. Poems. Time Magazine , American Beauty, Review of in You, Mary Ellen Mark: Photographs exhibition, May 29, 2000. National Public Radio , All Things Considered with Jacki Lyden, January 11, 1998. Petersen's Photographic , Mary Ellen Mark: Career Profile, August 2000. Speech. Philadelphia Magazine , Revelations By Mary Ellen Mark, (review of American Odyssey book/exhibition) May 2000.

Photo District News, The Masters Turn to Lara Essay, Digital Imaging, August 1998. Essay About In Shakespeares's Macbeth. Photo District News , The 20 Most Influential Photographers, May 2000. The Protagonist In You. Rolling Stone, Human Landscapes, Twenty Five Years of Photography with Mary Ellen Mark, October 3, 1991. Saturday Night, The Look of Love, February 10, 2001 (photo by qualities essay, Grant Delin) Soho Style , Local Color: Mary Ellen Mark, Spring 2000. Lara. Vanity Fair (Fanfair section), American Anthem, (review of Romantic Center of Conflict Wuthering Ado about Nothing, American Odyssey book/exhibition), May 2000.

Vibe, The Hit Factory, September, 2000. Lara The Protagonist In You Essay. Village Voice , Make It Simple, Wed, May 26,1993. Famous Executioners. Working Woman, Image Is Everything, February 1999. The Amazing Plastic Lady , Documentary, National Geographic Explorer Series, 1993, Producer.

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The 7 stages of business life cycle. Just in Time Management Group. Your business is changing. With the passage of time, your company will go through various stages of the business life cycle. Learn what upcoming focuses, challenges and financing sources you will need to Croft, the Protagonist Essay succeed. A business goes through stages of development similar to the cycle of life for the human race. Pie Corbett! Parenting strategies that work for your toddler cannot be applied to your teenager. Lara The Protagonist In You! The same goes for your small business. It will be faced with a different cycle throughout its life. What you focus on today will change and require different approaches to be successful. The 7 Stages of the Business Life Cycle.

The seed stage of personal qualities your business life cycle is when your business is just a thought or an idea. This is the very conception or birth of a new business. Challenge : Most seed stage companies will have to overcome the Lara Croft, Essay challenge of personal essay market acceptance and pursue one niche opportunity. Do not spread money and time resources too thin.. Focus : At this stage of the business the Croft, in You focus is on matching the business opportunity with your skills, experience and passions. Other focal points include: deciding on a business ownership structure, finding professional advisors, and Conscience business planning. Money Sources : Early in the Protagonist in You Essay the business life cycle with no proven market or customers the business will rely on cash from owners, friends and family.

Other potential sources include suppliers, customers, government grants and Love of Conflict in Named Desire, Wuthering Ado about Nothing banks. Just in Time Management facts learned during assignments : In the seed stage, we have noticed many times that completion of a business plan is the Croft, Essay biggest success factor for an emerging company. A good evaluation of the need of cash for rhyme scheme, the coming months is critical. Lara In You Essay! During the first months, the essay company is going to develop its business model without getting revenue from sales. There are multitudes of good ideas when attempting to launch a company. Croft, In You Essay! But in order to be successful, the young company will need visionary managers with assiduity and flexibility in order to dynamically adapt the poems business model to stay in line with rapid market evolution.

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Challenge : If your business is in ozymandias rhyme the start-up life cycle stage, it is likely you have overestimated money needs and the time to market. The main challenge is not to burn through what little cash you have. The Protagonist In You Essay! You need to learn what profitable needs your clients have and do a reality check to see if your business is on the right track. Focus : Start-ups require establishing a customer base and personal qualities essay market presence along with tracking and conserving cash flow. Money Sources : Owner, friends, family, suppliers, customers, grants, and banks. Just in Time Management facts learned during assignments : At this stage, the entrepreneur should put all his energy in Lara Croft, the project. Time to of binomial market is essential. This is the risk zone. Lara Croft, In You! 25% of the start-ups do not reach their fifth anniversary. During the Essay about Lady Macbeth's start-up stage, the budget best be revised often. More cash might be needed than expected.

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Profits are strong, but competition is surfacing. Challenge : The biggest challenge growth companies face is dealing with the constant range of issues bidding for Romantic Love as the Center Named Desire, Ado about, more time and money. Lara Croft, The Protagonist! Effective management is required and a possible new business plan. Learn how to train and rhyme delegate to conquer this stage of Essay development. Focus : Growth life cycle businesses are focused on running the business in a more formal fashion to deal with the increased sales and personal customers. Croft, The Protagonist! Better accounting and Essay Lady Conscience in Shakespeares's Macbeth management systems will have to be set-up. New employees will have to be hired to deal with the the Protagonist Essay influx of business. Money Sources : Banks, profits, partnerships, grants and leasing options. Just in Time Management facts learned during assignments : The most successful entrepreneurs are masters in pie corbett poems finding knowledgeable brains to complement his/hers DIY approach. They team up with a kindred spirit leaving each other enough space to maneuver in a common agreed upon Croft, the Protagonist in You, strategy resulting from Romantic Love of Conflict Nothing business facts. It requires maturity to surround oneself with brighter actors in less mastered domains providing empowered strategic framing.

To stay ahead of the competition, innovation will need to find a breeding ground, as this together with sales marketing are the the Protagonist Essay only money makers growth busters in any one company no matter seize. It is a fact though that 67% of innovation stems from outside input either by addressing opinion leaders as a soundboard or external advisers helping to implement same. Famous! Sales Marketing are like fire and water and need to be blended through business development which is the missing link to a successful go to market commercial strategy. Using an external business development organization will dazzle competition and amaze exceed customer expectation. Just in Time Management services to consider : External assistance with proven return of joint initiative will boost your R.O.I. Your business has now matured into a thriving company with a place in the market and Croft, the Protagonist in You Essay loyal customers. Essay About Macbeth's In Shakespeares's! Sales growth is not explosive but manageable. Business life has become more routine. Challenge : It is far too easy to rest on your laurels during this life stage. You have worked hard and have earned a rest but the marketplace is relentless and competitive. Stay focused on the bigger picture.

Issues like the economy, competitors or changing customer tastes can quickly end all you have work for. Focus : An established life cycle company will be focused on improvement and productivity. To compete in an established market, you will require better business practices along with automation and outsourcing to improve productivity. Money Sources : Profits, banks, investors and government. Just in Croft, in You Time Management facts learned during assignments : It is difficult to accept for pie corbett poems, successful CEO’s, who have had confirmation that their original ideas worked well, now need to reassess wheter their original project is still optimal to satisfy customers needs their operating model is in You Essay, still the most efficient to maximize profitability and long-term development This “rethinking the model” phase is essential before additional growth is about Lady Macbeth's in Shakespeares's, possible. Lara In You! The company has changed significantly due to business volumes: what was informal yesterday becomes now more formal, what has been achieved with a few people is now achieved by a larger staff, requiring more complex communication channels and some delegation of authority.

Motivation from the ozymandias scheme staff also evolved: the ambitions/expectations from the 1st time joiners are not identical to those of newcomers. The child is now becoming a young adult and the operational rules are different. Entrepreneurial CEO’s are usually not well prepared to address such situations and external help from Lara experienced peers might be very useful. Just in Time Management services to consider : CEO’s need quite a lot of courage to accept the advice from peers to help them “think out ozymandias rhyme scheme of the box” while everything worked well before further growth. This is Croft,, why the help of peers will demonstrate rapidly how their seniority will be a real added value to prepare the next development phase of the business. This life cycle is characterized by a new period of growth into new markets and distribution channels.

This stage is often the choice of the Essay about Macbeth business owner to gain a larger market share and find new revenue and profit channels. Challenge : Moving into new markets requires the planning and research of a seed or start-up stage business. Focus should be on businesses that complement your existing experience and capabilities. Moving into unrelated businesses can be disastrous. Focus : Add new products or services to existing markets or expand existing business into new markets and customer types. Croft, Essay! Money Sources : Joint ventures, banks, licensing, new investors and partners, profits, banks, investors and qualities essay government. Just in Lara Croft, Time Management facts learned during assignments : It is not because you are successful in ozymandias your home country that this can be copy- pasted into Lara Essay any other. Same goes for product and service.

Many horror stories exists with financial atrocities in consequence. Pie Corbett! It is recommended to learn from these mistakes to Lara the Protagonist Essay shorten the distance between expansion challenges and it solutions as well as addressing European subsidies where possible available. Just in Time Management services to consider : Consider the impact that the size and nature of Romantic as the Desire, your business can have on international business. Then gauge commitment and resources available within your company to begin expanding (-porting). There are some tricky questions to answer: Have you done market research on target markets? Are you aware of current opportunities of marketing your demand on the export market (s)? Are you sure there is an export market for Croft, the Protagonist in You Essay, your products or services?

What is your knowledge of your potential export market competition? Has there been a sufficient production / staff to meet growing demand? To what extent are your products / services to be adapted to the export market? Do you know the existing constraints (licenses..) for your products / services? Does your product / service have any competitive advantage in the target market? Any idea how competitive you export will be? What Incoterms will you offer? Have you selected a payment method for your export offers? How do you deliver products locally?

Did you calculate the cost of transportation (by type)? Which distribution channels do you think of? Do you already know which mix of promotional methods you can / will use? Do you have appropriate export documentation for the target market (s)? To what extent have you decided to rhyme maintain your personal contact with the in You customers and how? Do you have your own website in English? Do you receive export questions or export orders via your website? Do you accept payments via your website?

Does your team subscribe to the expansion? Are target market languages understood, spoken and written? Year over famous executioners year sales and Lara the Protagonist in You profits tend to be stable, however competition remains fierce. Eventually sales start to fall off and a decision is needed whether to expand or exit the company. Challenge : Businesses in the mature stage of the life cycle will be challenged with dropping sales, profits, and negative cash flow. The biggest issue is how long the business can support a negative cash flow.

Ask is it time to move back to normal of binomial the expansion stage or move on to the Croft, in You Essay final life cycle stage. Ozymandias Scheme! exit. Croft, In You Essay! Focus : Search for new opportunities and business ventures. Cutting costs and finding ways to ozymandias rhyme scheme sustain cash flow are vital for the mature stage. Money Sources : Suppliers, customers, owners, and banks. Profits, banks, investors and government. Just in Time Management facts learned during assignments : The maturity level of a company is a key stage of the life cycle of any company which will need the highest level of capital to go further then what a company has ever engaged into.

Such a key momentum shows how lonely a CEO can be, even with a strong Management Team and Board besides him. It is surely the stage where the CEO mostly needs the help of a peer, not only because of the amounts taken into consideration (banks are well acquainted to help and to make profitable business . for them) but as a captain of industry, there are lots of in You Essay decisions that need a sound discussion which an experienced peer can share with the CEO. One of the main difficulties for any CEO is managing the Macbeth's Conscience in Shakespeares's short-term daily business and simultaneously addressing very long-term issues related to either acquisition or sales of an activity. This depth of Lara Essay expertise is really complex to normal manage where it is not acceptable to only focus on the long-term objectives, for it is requiring lots of time and management attention, as targets set might not be realized within the expected time frame. Just in Croft, Essay Time Management services to consider : Macro market analysis related to famous who are the players you are competing with and understanding their business model and their level of (un)compliancy with your company Define a clear strategy of the development of your company (JV, acquisition, sales) In case of acquisition or sales of the company set up details of targeted companies Anonymous market approach of targeted company to Lara Croft, the Protagonist in You Essay assess feasibility managing the whole trade process in order to scheme allow the CEO keeping managing the business. This is the big opportunity for your business to cash out on Lara Croft, in You Essay, all the effort and years of hard work. Normal! Or it can mean shutting down the business. Challenge : Selling a business requires your realistic valuation. It may have been years of the Protagonist in You Essay hard work to build the company, but what is its real value in the current market place. If you decide to ozymandias scheme close your business, the Croft, the Protagonist in You Essay challenge is to deal with the financial and psychological aspects of a business loss. Focus : Get a proper valuation on your company.

Look at Romantic Love as the Center in Desire, and Much Nothing, your business operations, management and the Protagonist competitive barriers to poems make the company worth more to the buyer. Set-up legal buy-sell agreements along with a business transition plan. Lara! Money Sources : Find a business valuation partner. Consult with your accountant and financial advisors for the best tax strategy to sell or close-out down business. Just in Time Management facts learned during assignments : Owners of Romantic Love as the Center of Conflict A Streetcar and Much middle size companies often overestimate the value of their company. The real value, and the only value of any firm, is the check an entrepreneur is ready to put on the table to acquire the company. Most of the owners have put all their energy and time in their company without cashing too much during company lifetime. At the exit time, they might be disappointed. Family companies with a charismatic owner are usually unprepared for a transfer where they have to stay in Croft, the Protagonist in You Essay the company for a period of time (MBO or training of the new owner). They are not used to delegate nor seldom inclined to shed their power gradually. When no candidates are willing to pay the pie corbett poems amount hoped for, e.g. in order to avoid the foreclosure of the company, they will prompt a MBO through a member of the management team.

Owners of family companies and middle sized companies can be helped considerably by advisers during the preparation of a transmission. When an entrepreneur, a fund, or venture capitalist, want to acquire a company, all will spend much time to evaluate the financial results. All the banks will do the same. Very few analyze the Croft, in You non-financial aspects of a company: quality of the management, IT, production means, distribution networks, staff motivation, perfect fit between products and market demand. These non-financial elements are nevertheless essentials for a complete evaluation of Love as the Center A Streetcar Nothing any new acquisition. Just in in You Essay Time Management services to consider : Support coaching of the vendor Preparing the qualities company to be sold in the best conditions 360 audit including all the valuable aspects of the company for the buyer. Whether you are Chairman of the Board, CEO, Managing Director or General Manager within your company, we know that, like all executives, you are alone in the decisions you have to take. Because even if you practice participatory management, there are certain elements of the Protagonist in You Essay your decision-making where it would be too sensitive to share with your board. We know from experience, that many company heads would like to be able to challenge their ideas with someone who has an identical level of responsibility and famous comparable experience in company management.

We know that they would like to be able to confide specific assignments to consultants who speak the same language as them. Just in Time Management Group provides you this opportunity. Peer to Peer : you will not have in front of Lara Croft, Essay you consultants who simply carry out benchmarking and who will advise you to apply standardized solutions. We are a consultancy bureau exclusively composed of Partners who have proven experience in general management and consulting services. Having occupied various positions as board members, CEO, CXO and as the Center in A Streetcar Named Wuthering and Much heads of company, our Partners have chosen to share their know-how, to assist and advise other executives.

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cbt case study essay Cognitive-Behavioral Treatment of Schizophrenia: A Case Study. University of Minnesota. Journal of Lara in You Essay, Cognitive Psychotherapy: An International Journal, 12, (1) 13-25, 1998. Cognitive-behavioural treatment (CBT) has rarely been applied as the primary treatment for the multiple, severe and persistent problems that characterize schizophrenia. This case study describes the process of ozymandias scheme, CBT in the long-term outpatient care of Croft, in You, a young woman with schizophrenia. Normal Approximation Of Binomial! The study highlights the adaptation of cognitive-behavioural strategies to Lara Essay, the unique needs of Love as the A Streetcar Named Ado about Nothing, schizophrenia and presents data regarding clinical outcomes in this case. Measures of psychosocial functioning, severity of symptoms, attainment of treatment goals and hospitalisation data were used to assess change over the 3- year treatment period and at 1-year follow-up.

Results indicate considerable improvement in all outcome variables and maintenance of treatment gains. These findings suggest the potential usefulness of cognitive-behavioural interventions in Lara Croft, the Protagonist the treatment of schizophrenia. Cognitive-behavioural treatment (CBT) has been widely used and Essay Macbeth's its effectiveness established with numerous patient populations and problems (Beck, 1993). However, there has been limited application of CBT techniques in the treatment of persons with schizophrenia and little research regarding its efficacy with this population. This neglect may be due to the dominance of pharmacological treatment and the decline of psychotherapy, the severity of the disorder, or the inadequacies of previous attempts to understand and the Protagonist in You Essay manage schizophrenia from a cognitive behavioural framework (Birchwood Preston, 1991; Goggin, 1993) There is a growing commitment to the design of psychotherapeutic treatments that are grounded in knowledge of the psychopathology of normal, specific diagnostic groups and tailored to the unique needs of the Lara Croft, the Protagonist in You Essay, population (Hogarty et al., 1995; Liberman, 1993). This paper will highlight current clinical findings and critical issues regarding schizophrenia that must be considered in order to develop an effective disorder relevant cognitive-behavioural treatment of schizophrenia. A model of CBT of schizophrenia responsive to these issues will be described and illustrated by a detailed case study.

Schizophrenia: Current Research and personal Critical Issues. Schizophrenia is Croft, the Protagonist in You, defined by positive symptoms (hallucinations and delusions), disorganised speech and behavior, negative symptoms (affective flattening, abolition, etc.) and significant impairment of psychosocial functioning. While it has been considered a uniformly chronic and approximation progressively debilitating disorder, recent long-term outcome studies suggest the course and outcome of schizophrenia is quite varied and that outcomes can be significantly influenced by medications and psychosocial interventions (Carpenter Strauss, 1991; McGlashan, 1988). Schizophrenia is in You, also characterised by rhyme cognitive, psychophysiological, interpersonal and coping skills deficits that result in marked vulnerability to stress (Rolzman, 1987; Seidman, 1984; Zubin, 1986). Lara In You! Stress, coping and the individual's response to his or her disorder significantly influence the severity of disability in schizophrenia. Relapse is frequent and in A Streetcar Wuthering and Much Nothing there are identifiable prodromal symptoms and stages of decompensation that involve problems in affective regulation and management of stress (Herz, 1985, 1989). Croft,! Relapse has been specifically associated with stressful life events (Luckoff, Snyder, Ventura, Nucchterlein, 1984) stressful interactions with family members (Leff Vaughn, 1985), and famous overstimulating residential and Croft, treatment environments (Cournous, 1987; Drake Sederer, 1986).

Previous research has suggested identification of prodromal symptoms and early intervention can be effective in reducing relapse (Herz, Glazer, Mirza, Mostert, Hafez, 1989). There are also discrete phases in the process of recovery that need to be understood in treatment of schizophrenia in order to not precipitate decompensation due to overly aggressive rehabilitation efforts (Breier Strauss, 1983; Carr, 1983; Neuchterlein; 1992; Strauss, 1989). Numerous authors have reported that intensive rehabilitation attempts precipitated relapse in first 6 months of treatment (Drake Sederer, 1986; Hogarty et al., 1991; Lin, Kett, Caffey, 1980). While it is Love Center of Conflict in Named Desire, Ado about Nothing, commonly accepted that the experience of self is impaired in schizophrenia, there has been limited focus on the subjective experience of persons with schizophrenia (Bradshaw Brekke, in review; Strauss Estroff, 1989). Strauss (1989) has highlighted the need to focus on the interaction between the person and Lara Croft, Essay his disorder: how the person's goals, feelings regarding illness and self and ways of managing affect the course of the disorder and vice versa. Similarly, Estroff (1989) has emphasized that focusing on the impact on the self of the person with schizophrenia is critical for Romantic as the Center A Streetcar and Much Nothing treatment of schizophrenia. Assessment and treatment focused primarily on symptoms and psychosocial functioning while important is incomplete. Instead, as Strauss (1989) has stated, attention to life trajectories, personal goals, characteristic approaches to regulating one's life. is essential. These findings regarding illness-specific deficits in schizophrenia suggest a conceptual and empirical foundation for the development of CBT with schizophrenia. They highlight the Lara Croft, in You Essay, need for (I) specific coping skills that help the client modify environmental stresses, change perceptions and interpretations of events, reduce physiological arousal and manage affect, and (2) focus on the interaction of the illness and the person. Enhancement of the client's ability to cope with stress and manage affect is ozymandias scheme, essential to Lara Croft, in You, prevent relapse and improve functional agility.

Cognitive-Behavioral Treatment and Schizophrenia. Previous CBT with schizophrenic clients has focused primarily on modification of famous executioners, hallucinations and delusions. Several studies describe positive results with the use of graded, nonconfrontational examination of evidence and the development of alternative explanations to modify the strength of hallucinations and delusions and to increase control of these symptoms (Beck, 1952; Chadwick Lowe, 1994; Fowler Marley, 1989; Hartman Cashman, 1983; Holel, Rush, Beck, 1979; Lowe Chadwick, 1990; Milton, Patwa, Hafuer, 1978; Rudden, Gilmore, Frances, 1982; Tarrier et al., 1993; Watts, Powele, Austin, 1973). Others have described the use of CBT as an adjunctive therapy in residential and inpatient treatment settings. The Protagonist Essay! Kingdom and Turkington (1991, 1994) describe the personal qualities essay, use of in You, a destigmatising, normalising rationale to explain symptom emergence and management to clients. Their results suggest that these methods resulted in reduced levels of symptomatology, hospitalisations and improved social adjustment. Perris (1988, 1992) reports successful use of cognitive milieu treatment with patients living in group homes in Sweden. In a single subject design study of the CBT of four persons with schizophrenia who participated in outpatient treatment, Bradshaw (1997) found that clients experienced considerable reduction in symptomatology, rehospitalisations and improvement in psychosocial functioning and attainment of treatment goals that were maintained at 1-year follow-up.

Taken as a whole this literature suggests the potential usefulness of CBT with schizophrenic clients. As The Of Conflict In Named Wuthering Ado About Nothing! However, these initial clinical findings are limited due to significant methodological problems: some have described relatively brief periods of experimental treatment with brief follow-up; others lack designs that control for the multiple treatments clients received in inpatient settings; most lack standardised measures of outcome and provide limited posttreatment data. In addition, there has been little comprehensive application of CBT to the multiple problems of schizophrenic clients over the long-term course of the Croft, Essay, disorder. Studies of the treatment process and outcome of scheme, CBT with schizophrenic clients are few and need further replication. This case study describes a model of CBT that is responsive to the unique issues of persons with schizophrenia, delineates the use of CBT strategies in Essay the three year outpatient treatment of ozymandias, a schizophrenic client and provides outcome and follow up data at one year post treatment.

CASE DESCRIPTION AND CONCEPTUALIZATION. Carol is a 26-year-old single White female. She is a high school graduate and completed 1 year of Essay, college. She was raised in an upper-middle-class family where academic and career success were extremely important as was their conservative Christian faith. Famous! She was the third of five children. Carol was a good student, hard working and somewhat self-critical. She was shy but had several friends and dated occasionally. After graduation from high school Carol went out of state to college.

She received passing grades her first year but began to experience auditory hallucinations and delusions. She began to act in bizarre ways and withdrew from people. She was hospitalised at age 18 for 1 month and Lara Croft, the Protagonist in You dropped out of college. Normal Approximation! In the past 7 years she has been hospitalised 12 tunes. She has been unable to work and in You was supported by SSI. Famous Executioners! There was no history of psychiatric illness in the family. Her family was supportive of her financially. Carol was discharged from a psychiatric hospital after 2 months of inpatient treatment. Her diagnosis was schizophrenia, undifferentiated type, chronic. Her Global Assessment of Functioning (GAF) at discharge was 30.

She lived with her parents and was on Lara Croft,, SSI. Rhyme! She took 500 mg of thorazine daily and was medication compliant. Carol was referred by her psychiatrist for ongoing psychotherapy as part of her discharge plan to help her adapt to the demands of community living and manage her illness. Cognitively she experienced auditory persecutory hallucinations and delusions as well as frequent cognitions like, I'm no good, I can't do anything, I'll always be this way. Affectively she had flat affect and anxiety related to interpersonal situations and tasks and the content of the hallucinations and delusions.

Interpersonally she was withdrawn and socially isolated. Behaviourally she was inactive, unable to work or live independently. Her basic self-care was severely limited. Carol's psychosocial functioning was significantly impaired by the Protagonist in You Essay the interaction of Macbeth's Macbeth, her illness and her methods of Lara the Protagonist in You Essay, coping. The hallucinations, delusions and cognitions interfered with her functioning. Her coping methods of avoidant behavior toward tasks and interpersonal situations and the increase in negative symptoms (apathy, avolition, anhedonia) to deal with stress in turn increased anxiety, negative cognitions and psychotic symptoms. Four outcome variables were used in of binomial this study: symptomatology, psychosocial functioning, attainment of Lara Croft, the Protagonist in You Essay, treatment goals and hospitalisations. Famous! Symptomatology was measured by the Global Pathology Index (GPI) of the Hopkins Psychiatric Rating Scale (Derogatis, 1974). Lara In You Essay! The GPI is an 8-point behaviourally anchored scale that describes severity of symptoms.

Psychosocial functioning was measured by the Role Functioning Scale (RFS) (McPheeters, 1988). RFS is made up of four subscales: work, social, family and independent living subscales. Each scale is pie corbett, a 7-point behaviourally anchored scale. Croft, The Protagonist Essay! The RFS and GPI are rater-based scales. Hospitalisation was measured by the number of times hospitalised and total days in qualities essay hospital. Attainment of treatment goals was measured by Goal Attainment Scaling (GAS) (Kiresuk Sherman, 1968). In GAS behavioural descriptions of functioning for various levels of goal achievement are developed and Lara Croft, in You Essay scored with the client. A score ranging from -2 (regression in goal attainment) through 0 (attainment of approximation, goal) to +2 (exceeds standards) is given for each goal based on the client's attainment. The GPI, RFS and Lara Croft, in You Essay hospitalisation data were independently obtained by the case manager on a quarterly basis throughout the ozymandias, 3-year treatment period and at 6 months and 1-year follow-up.

GAS was used as a pretest-post-test assessment of overall accomplishment of treatment goals. THERAPIST CLIENT JOINING. The development of a therapeutic relationship is critically important in work with persons with schizophrenia (Frank Guncerson, 1990; Lamb, 1982). Rapport took some time to develop (approximately 3 months) and was established by consistent use of the core conditions of genuineness, respect and accurate empathy. The worker was directive, active, friendly and used feedback, containment of feelings, reality testing and the Protagonist Essay self-disclosure to Romantic of Conflict A Streetcar Desire,, develop the real relationship and lessen transferential problems.

For example, Carol had enjoyed playing softball and had been an avid baseball fan. When the therapist shared that he had similar interests it became a regular point of conversation and strengthened their connection. Self-disclosure was also used to normalise situations and promote discussion of real life difficulties. Length of sessions were determined by the client's capacity at the moment and the Protagonist in You Essay would range from 15 minutes to an hour or more. The therapist and client frequently went for walks during the sessions when Carol was agitated or lethargic. The goals of ozymandias, this phase were to develop the therapeutic alliance regarding the rationale of treatment, to facilitate the client's understanding of the process of cognitive-behavioural treatment and to establish agreement about treatment goals. The Protagonist Essay! This phase of treatment (approximately 2 months) involved the therapist taking an active role educating the client about schizophrenia and the process of treatment. The normalising destigmatising procedure described by Kingdom Turkington (1991, 1994) was used to explain the normal, experience of schizophrenia. This rationale emphasizes the biological vulnerability to stress of individuals with schizophrenia and the importance of the Protagonist Essay, identifying stresses and poems improving methods of coping with stress in order to minimise disabilities associated with schizophrenia. The ABC model (Ellis, 1970) was used to teach the cognitive view and Lara Croft, the Protagonist in You process of treatment.

Issues from the client's daily life were used to highlight the cognitive components of feeling and behavior. The therapist and client would label the A (activating event) and C (the emotional consequence) of an emotional episode and pie corbett poems the therapist would help the client figure out possible self- statements (B) that could have led to the emotional consequence or that would lead to other emotional responses. Croft, The Protagonist Essay! It was initially difficult for normal Carol to Lara Croft, the Protagonist, do this in times of stress or when applying the normal of binomial, ABC model to significantly loaded situations. The ABC model was reinforced by use of empathic reflective comments that highlighted the cognitive underpinnings of the Lara in You, situation. Frequent repetition and personal examples from the therapist were helpful in her gaining a reasonable understanding of the cognitive model over Love in Named Wuthering and Much Nothing, a period of 3 months. EARLY PHASE OF TREATMENT. The focus of the early phase of treatment (approximately 12 months) was on her inactivity and her difficulty managing stress and anxiety. Carol would spend much of her time in bed, watching TV and smoking. When she would consider doing some activity or was requested by her parents to do something, she would become anxious and hallucinations and Lara Croft, the Protagonist in You Essay delusions would increase.

She would think that the task was too much for her and would withdraw to her room. She coped with the as the of Conflict in A Streetcar Named Nothing, stress of her symptoms by Lara Croft, apathy and withdrawal. The weekly activity schedule (Beck, 1984) was useful in helping her cope with the loss of structure she experienced after leaving the hospital and the symptoms she experienced. Ozymandias Rhyme Scheme! Using a blank calendar Carol recorded her activities in in You Essay three time blocks: morning, afternoon and evening. She and personal essay the therapist reviewed the activities to Lara Croft, Essay, identify what things improved or exacerbated her condition and to help Carol understand her reactions to different events.

Behavioral assignments using a graded hierarchy of small tasks were used to increase her activity level. Initial focus was on daily living skills (self-care, cooking, cleaning, time management). Exploration of previous interests and the use of an interest inventory were helpful in stimulating her interests and expanding the range of her activities. She had previous experience in arts and crafts and began to of binomial, do paint by number paintings. This was followed by learning macram and adding other activities such as bowling that could be done with other people. Mastery and pleasure ratings were later assigned to activities to evaluate the Croft, the Protagonist, benefits of the activities and to identify cognitive distortions that minimised her sense of accomplishment and pleasure. Stress management skills were developed in three ways. First, a variety of relaxation methods were discussed and Carol expressed an personal qualities, interest in Lara in You meditation.

The therapist taught her meditation (Bensen, Carol, 1974) and they practised meditation for short periods in each session. She gradually established a regular meditation practice twice daily for 15 minutes. Second, she was assisted to identify her personal signs of stress and symptoms of relapse. These were organised as low, medium and high signs on her stress thermometer. She posted the thermometer on her door and recorded her stress temperature each day. As she recognised signs of poems, stress she would meditate briefly as a coping response to stress. Third, habitual stress situations were defined and meditation was used to cope with anticipated stressful events. The major cognitive theme that emerged in this phase was Carol's faulty attributions related to self-efficacy. She significantly underestimated or overestimated her ability to control others, events in the world and her own behavior. The process of faulty attributions resulted in her ongoing negative beliefs regarding her own efficacy. Thoughts like I can't do it; nothing I do can change it; I have no control over things predominated in the early stages of treatment and the Protagonist in You Essay were a major target of behavioural treatment using graded task assignment.

During this period Carol's symptoms lessened and her functioning, especially independent living skills, improved and she moved into an apartment by herself. She bad also developed skills in identifying and Essay Macbeth coping with stress and had experienced some increased sense of self-efficacy. This phase (approximately 16 months) emphasized identification of habitual stressful situations and cognitions and utilization of cognitive strategies to cope with them. Three major areas of cognitive work emerged: dealing with social situations, the impact of in You, schizophrenia on Carol's sense of self and fears of relapse. Social situations were a major source of stress. Social interaction is a well-documented source of stress for pie corbett schizophrenic clients (Wing, 1983). Many problems in social relations were due to Croft, in You, errors in social perceptions of self and others.

Carol frequently had problems reading social cues and would interpret them by pie corbett poems overgeneralising, personalising, and selective abstraction. The Protagonist In You! She was trained to check it out by identifying automatic thoughts, evaluating evidence, exploring alternative explanations and approximation generating new coping self-statements to replace the automatic thoughts (Beck Weishaar, 1989; Burns, 1980). In cognitive work it was more effective to focus on Carol's distortions of events and Lara Croft, the Protagonist in You interactions rather than on underlying schemes and irrational beliefs. Romantic Center Of Conflict In A Streetcar Desire, And Much Nothing! This was done because of initial deficiencies in introspection and logical reasoning and her frequent use of denial and projection. Similarly, hallucinations and delusions were not directly challenged, but were interpreted as reactions to Lara the Protagonist, stress, personal or interpersonal concerns. The focus was on Lady Macbeth, the context triggering these symptoms rather than on their content.

She was assisted to develop skills in checking it out and identifying the difference between confirmable and perceived reality in order to develop more realistic ways of interpreting events (Waler, DiGiuessepe, Wessler, 1980). Social skills deficits specific to stressful social situations were assessed by in You Essay role-play with the therapist and pie corbett social skills training was provided to Lara in You, improve coping in interpersonal situations. Two social skills deficits were addressed. These included expressing feelings and assertiveness. Specific and reoccurring stressful situations were identified and plans made for positive coping responses.

Cognitive coping skills were developed by collaborative empiricism, guided discovery, cognitive modelling, rehearsal, role-play and homework assignments. Carol took a class at the community college, began to go out weekly with a friend and worked 10 hours a week as a volunteer at rhyme scheme, a food shelf. With increased interaction with people she experienced heightened anxiety and paranoia. This was worked on behaviourally by planning activities in a way that ensured she had a sufficient balance of time alone and time with others and by the use of planned regression in which Carol would take a day off in which she stayed in her apartment and had no contact with others. Fears of Relapse. As Carol made major progress in Lara Croft, the Protagonist in You Essay various areas of her life, she frequently experienced anxiety, fears and hopelessness regarding relapse. She would experience anxiety, fatigue or depression that was of a low level and within normal limits and interpret them as I'm going crazy. Her experience of vulnerability and issues of low frustration tolerance, overgeneralising and catastrophising contributed to about Lady Macbeth's in Shakespeares's Macbeth, this problem. Fears of Lara the Protagonist in You Essay, relapse were dealt with in several ways. First, education about her illness and interpretation of her experiences as normal responses to stress helped her understand and normalise her experience. Second, preventive actions were taken that focused on reviewing her stress thermometer, schedule of executioners, activities, sleep patterns, exercise, diet and Lara the Protagonist in You level of stimulation in order to protect against relapse.

Third, fears were examined using Socratic questioning, examining evidence and alternative explanations. (Padesky, 1993). Impact on the Self. As Carol became more confident of her stability and experienced success in her life, she began to talk about the impact of schizophrenia on her sense of self. Living with schizophrenia impacted her in Essay about Lady in Shakespeares's two major ways: limited self- concept and low self-esteem. Given the Lara the Protagonist, early onset, severe disability and long-term nature of her illness, Carol had a limited self-concept, primarily, I'm just a mental patient. This limited and Essay in Shakespeares's negative view of the Protagonist in You, herself was worked with by examining evidence that supported other roles she currently was performing, e.g., student, friend, employee and by exploring other areas of life interests including travel, skiing and her desire to get married. Carol's self-esteem was also impaired by frequent self-criticism and negative comparison to other non-ill individuals.

Selective perception and attributions of Romantic Love as the of Conflict in Named Desire, Wuthering and Much Ado about Nothing, negatives to oneself and positives to others were common. Because individuals with schizophrenia have exceptionally negative and distorted appraisals of themselves and events (Robey, Cohen Gara, 1989; Warner, Taylor, Powers, Hyman, 1989; Wilson, Diamond, Factor, 1990), a cognitive technique, PSOB, pat self on back, was developed by the author to train clients to more positively appraise situations and themselves (Bradshaw, 1997, 1996). Carol was trained to identify three positive events in her life each day, no matter how minor the event may be. She then generated a list of positive words and qualities which described the event and identified positive qualities in themselves that were associated with the event. PSOB was very useful as a daily exercise to Lara, promote positive self- appraisal and enhance self-esteem. Two major tasks were addressed in this phase (approximately 3 months): dealing with thoughts and ozymandias feelings regarding ending treatment and developing plans to Croft, the Protagonist in You Essay, maintain treatment gains. Normal Approximation Of Binomial! Several techniques were used to facilitate maintenance of change. First, a review was done of stresses, signs of stress and effective coping strategies.

Second, these were written down on Essay, cue cards and reviewed each day by the client. Third, a 3-month termination plan was developed. The plan included agreed upon procedures to handle emergencies, gradual reduction of sessions, planned phone contact and booster sessions. Data indicated that Carol experienced improvement in psychosocial functioning, achievement of goals, reduction of Center of Conflict Named Desire, Ado about, symptomatology and number of hospitalisations that were maintained at 6 months and I-year follow-up (cf. Table I) Regarding psychosocial functioning she showed major improvements in work, independent living, social and family relations. The summed subscale scores of the RFS provided an overall psychosocial functioning score. RFS score of 6 at baseline indicated severely impaired functioning in all areas. Her score of in You, 27 at the conclusion of the study indicated major improvements in psychosocial functioning: relationships with family and pie corbett poems friends, ability to independently manage personal and household tasks and performance of Lara Croft, the Protagonist in You, school, employment or household tasks.

Symptomatology as measured by GPI was reduced. Of Binomial! Carol's baseline score of 7 indicated severe levels of symptomatology including inappropriate mood, hallucinations and delusions, impaired judgement, disorganised conceptual processes, disabilities in volitional and motor areas and inability to care for self and risk to self. Variables Pretest 1 2 3 6 mos 1 yr. Psychosocial 6 11 19 27 27 27. Symptomatology (GPI) 7 6 4 1 1 1. Hospital Days* 60 0 0 0 0 0.

Goal Attainment (GAS)19.85 80.15 80.15. *In the 3-month period prior to beginning CBT. At the conclusion of the the Protagonist in You Essay, study her GPI score of 1 indicated only slight impairment. There were few symptoms present and little distress was reported by her. Interpersonal functioning was relatively unimpaired and affect and cognition were within normal limits. The Goal Attainment score was calculated by summing the scale score values and using the executioners, GAS conversion key for equally weighted scales to determine the GAS score. Croft, The Protagonist! A score of 50.00 represents the expected level of famous, goal attainment in this measure. Carol's pre-treatment score was 19.85. Her posttreatment GAS score of 80.15 indicated significant attainment of treatment goals beyond that expected.

Examples of treatment goals accomplished include clinical and socially important tasks such as improved daily living skills, living independently, developing social support systems, returning to school and obtaining employment. Carol had no psychiatric rehospitalisation in the 4-year study period. This compares favourably to her extensive history of hospitalisations prior to treatment and to the national average rehospitalisation rate of 35%-50% (Anthony, Cohen, Vitalo, 1978). This case study of the 3-year supportive CBT of a woman with schizophrenia found major improvements in psychosocial functioning, attainment of treatment goals, reduction of symptomatology and Lara Croft, in You hospitalisations that were maintained at one year follow-up. Ozymandias Scheme! This suggests the potential effectiveness of CBT interventions in treatment of the multidimensional nature of problems facing individuals with schizophrenia. Lara In You Essay! Replication of this study by other clinician researchers and additional testing of this model in community support settings are needed to establish the utility of CBT of schizophrenia. The model presented expands the use of CBT with persons with schizophrenia from the focus on brief treatment of delusions and hallucinations to pie corbett poems, the multiple problems experienced by clients over the course of recovery from the disorder. The model, which is grounded in recent research regarding schizophrenia, is a beginning attempt to identify treatment issues and apply specific interventions to Croft, in You Essay, stages of treatment and the process of recovery in schizophrenia.

While models of cognitive bias, themes and schemes have been identified with other disorders, little work has been done in Essay this area with persons with schizophrenia. Several significant cognitive themes were identified in this client that became important areas of treatment. Lara! These themes are similar to Young's impaired autonomy and performance schemas (Young, 1994). Future research regarding schemas in schizophrenia could be useful in identifying cognitive processes that impact functioning in Romantic Love of Conflict in Named Desire, and Much Nothing schizophrenia. This study also highlights the importance of understanding the impact of schizophrenia on the self and Lara in You Essay the unique process of change in schizophrenia (Strauss, 1989). Ozymandias Rhyme! Strauss has highlighted the importance of studying the interaction between the person and the disorder in order to understand and treat schizophrenia. Specifically the Croft, the Protagonist in You Essay, interaction around life trajectories and personal goals is critical in exacerbating and maintaining pathology as well as driving improvement.

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