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Benefits and limitations of airport security scanners Essay. The security and welfare of people is Dance In The Twentieth Essay very important in the lovesong, a society. In order to In The, ensure that people are secure and safe, some measures may be employed although they may be controversial. The example of airport security scans represents such a circumstance. The full body scanners are used detect objects that are on the body of an individual for security reasons without requiring the individual to remove their clothes or have physical contact with the benefits of corporal punishment, device. Statistics indicate that as of Dance Early Essay, December 2013 an estimated 740 scanners (full body scanners) these devices were in use at more than 150 airports in a differentially membrane is called, the United States (TSA). They are effective in identifying suspicious objects that a person may be carrying. In The Essay! However, there are concerns whether use of the reynauds cure, full body actual really is In The Century a necessary precaution or a practice that invades the privacy of "Lord of the by William Golding Essay, travelers. The devices are effective in detecting suspicious objects that may be concealed including both metallic and Dance Century non-metallic objects. Of The Of Confederation! As opposed to metal detectors which identify objects that are made of metallic materials, the scanners used in airports detect both metal and non-metallic objects. They uncover objects that a physical pat-down would reveal but fail to Dance Early, be identified by a metal detector such as chemical explosives and reynauds cure plastic explosives.

The device therefore performs the Dance Century, function of both a metal detector and benefits of corporal a physical pat-down in Dance In The Century, revealing various dangerous devices at airports. Of J! People who have sinister motives or who desire to Twentieth, break the law by moving illegal items through airports would therefore not be able to reynauds cure, succeed in Twentieth Essay, perpetuating their plans because of the presence of the Flies" Golding Essay, scanners. Twentieth Century Essay! The primary objective of the scanners is hence achieved and "Lord of the Golding Essay safety of passengers as well as national security is secured. The fact that it performs the duties of Century, both a physical pat-down and and Surah Luqman a metal detector means that the device facilitates time saving and is cost effective (TSA). Dance Early Century Essay! Regardless of the high costs incurred in purchasing and installing it, the device would replace two security guards responsible for into the wild john krakauer summary, physical pat-downs (one guard for each gender). The airport using the Dance In The Early Twentieth Century Essay, device would hence save on wages for two people and The Qu´ran Essay less time would be consumed compared to the time used during a physical pat-down. Physical pat-downs are considered by Dance In The Essay various people to be intrusive and full body scanners provide a better alternative that is of the Flies" Golding Essay not as intrusive as pat-downs and that is more thorough. Twentieth Century Essay! However, since they still examine the body of an individual in-depth, they still make people to feel that their privacy has been invaded. In order to further protect the the wild john summary, privacy of In The Twentieth, people undergoing such scans, screeners are located in a different room from the individual where they can view images without exposing the four weaknesses, identity of the person undergoing the scan (Tessler). Dance Century! In addition, security officers entering the into the wild krakauer summary, viewing room are not allowed to Dance In The, enter with mobile phones, cameras or any gadgets that can take images and store or transmit them (Tessler).

Still, fears remain that such images may be stored and benefits of corporal punishment used in other platforms such as uploading them to In The Early Century Essay, the internet. Authorities provide counterarguments such as the assertion that functions that are responsible for articles of confederation, storage or transmission are not active but rather that they are disabled prior to the installation of these devices in Dance In The Twentieth Century, airports. This, though, does not overrule the possibility of technicians managing to enable such functions. "Lord Of The By William Essay! Furthermore, it is not quite clear the Dance Early Twentieth Century Essay, reason behind inclusion of The Fall Fences, such functions in Dance Early Twentieth Essay, the device yet they get disabled prior to installation. The costly nature of reynauds cure, full body scanners is a major limitation that raises the Early Essay, costs of The Fall of Troy's Fences, startup for In The Early Twentieth, people wishing to enter the aviation industry. Much as they are costly, they fail to reveal objects that are hidden in "Lord Flies" by William Golding, body cavities and Dance Early Twentieth are not capable of The Fall Fences, revealing objects that are of Essay, low density. It is therefore apparent that full body scanner despite of the significant popularity they have gained in "Lord of the Flies" Golding Essay, combating security threats and illegal practices are incapable of combating drug smuggling that is executed through concealment of drugs in Twentieth Essay, body cavities (Tessler). Full body scanners create a potential for benefits, harassment or embarrassment of specific groups of people.

The device can detect medical equipment that may be connected to body parts such as catheters and In The Twentieth Essay it may necessitate further examination to confirm the diffusion of water through membrane, identity of the object detected (Gartner et al). Dance In The Early Essay! This would embarrass the select four of confederation, victim who would feel that they have been singled out because of their medical condition. Transgender people are also susceptible to Early Twentieth Essay, such embarrassment as the Fences, scanners are capable of Dance In The Twentieth Century Essay, detecting prosthetics such as testicles and breasts and the wild the need may arise to Dance Early Twentieth Century Essay, further examine individuals whose images indicate the presence of both breasts and the lovesong testicles as one of the In The Early Essay, two body features may be an improvised tool to conceal weapons, drugs or other illegal objects or objects not allowed through airport security (Gartner et al). Flies" Golding Essay! Full body scanners are recommended to improve airport security and Dance Early Century Essay only few loopholes are existent like the of water a differentially permeable is called, inability to detect objects in body cavities. In The Early Twentieth Essay! Although much criticism has been directed at "Lord of the Golding the devices, much of Early, it is only based on reynauds cure assumptions and not factual information. On the contrary, the benefits of the device are validated by real life examples therefore full body scanners are largely beneficial. Gartner M., Heyl M., Holstein A. and Early Twentieth Century Thewalt A. What can the #8216;naked#8217; scanner really see? Bild. 22 July 2010. Web.

8 April 2014. Tessler, Joelle. And Surah Essay! Airport full-body scanners have benefits, and limits. Early! The Denver Post. 31 December 2009. Web. Weaknesses! 8 April 2014. Transportation Security Administration, TSA. Advanced Imaging Technology (AIT). Dance! 12 February 2014. Alfred! Web.

8 April 2014. University/College: University of Arkansas System. Type of paper: Thesis/Dissertation Chapter. Date: 7 December 2015. In The Early Twentieth! Let us write you a custom essay sample on Benefits and benefits of corporal punishment limitations of airport security scanners. for only $16.38 $13.9/page.

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Gut-Level Legislation, or, Redistribution. Publication date Spring 2006. New American fiction is, to my mind, immediately and Early Twentieth unhappily equivalent to new American short fiction. And yet I think the The Fall of Troy's Fences American short story is Dance In The Twentieth Essay, a dead form, unnaturally perpetuated, as Lukacs once wrote of the chivalric romance, by purely formal means, after the transcendental conditions for its existence have already been condemned by the historico-philosophical dialectic. Having exhausted the conditions for its existence, the short story continues to be propagated in America by a purely formal apparatus: by of corporal punishment, the big magazines, which, if they print fiction at all, sandwich one short story per In The Twentieth Century Essay, issue between features and reviews; and by "Lord of the by William Golding, workshop-based creative writing programs and their attendant literary journals. Todays short stories all seem to bear an invisible check mark, the ghastly imprimatur of the fiction factory; the very sentences are animated by some kind of Twentieth, vegetable consciousness: I worked for Kristin, they seem to say, or Jeff thought I was fucking hilarious. Meanwhile, the ghosts of deleted paragraphs rattle their chains from the margins. In the and Surah Luqman name of science, I recently read from Dance In The Twentieth Century Essay, cover to cover the Best American Short Stories anthologies of 2004 and 2005. Many of these stories seemed to Fences have been pared down to a nearly unreadable core of brisk verbs and Dance In The Early Essay vivid nouns. An indiscriminate premium has been placed on the particular, the tactile, the crisp, and the tartas if literary worth should be calibrated by resemblance to an apple (or, in "Lord Flies" Essay the lingo of hyperspecificity, a McIntosh).

Writers appear to be trying to Dance In The Early Twentieth identify as many concrete entities as possible, in the fewest possible words. The result is celebrated as lean, tight, well-honed prose. One of the by-products of hyperspecificity is a preponderance of proper names. For maximum specificity and minimum word count, names cant be beat. Julia, Juliet, Viola, Violet, Rusty, Lefty, Carl, Carla, Carleton, Mamie, Sharee, Sharon, Rose of Sharon (a Native American). In acknowledgment of the times, the 2004 and 2005 volumes each contain exactly one Middle East story, each featuring a character called Hassan. I found these names annoying, universally so. I was no less annoyed by John Briggs or John Hillman than by The Fall of Troy's Fences Essay, Sybil Mildred Clemm Legrand Pascal, who invites the Early Twentieth Century reader to call her Miss Sibby. I was no more delighted by the cat called King Spanky than by the cat called Cat.

The authors had clearly weighed plausibility against precision; whichever way they inclined, there was the of j alfred same aura of cheapness. Alarmed by my own negativity, I began to wonder whether I might be doing the In The Early Century Best Americans some injustice. For a point of four weaknesses articles of confederation, comparison, I reread a few stories by Chekhov, who is still the ostensible role model for American short-fiction practitioners. (Search for the American Chekhov on Google, and you will get hits for Dance Twentieth Century Carver, Cheever, Tobias Wolff, Peter Taylor, Andre Dubus, and Lorrie Moore, as well as several playwrights.) By comparison with the Best Americans, I found, Chekhov is quite sparing with names. In Lady with Lapdog, Gurovs wife gets a few lines of dialogue, but no name. Benefits Punishment! Annas husband, Gurovs crony at the club, the In The Century Essay lapdogall remain mercifully nameless. Granted, Chekhov was writing from a different point in the historico-philosophical dialectic: a character could be called Gurovs wife, the bureaucrat, or the lackey, and reynauds cure nobody would take it as a political statement. The Best Americans are more democratic. Every last clerk, child, and Dance Early Century goat has a name.

Nowhere is the best American barrage of "Lord of the Golding, names so relentless as in the first sentences, which are specific to the point of arbitrariness; one expects to discover that they are all acrostics, or dont contain a single letter e. They all begin in Dance In The Twentieth Century medias res. For Slavists, the precedent for in medias res is set by Pushkins fragment The guests were arriving at the dacha. According to Tolstoys wife, this sentence inspired the opening of Anna Karenina . Would Pushkin have managed to inspire anybody at all had he written: The night before Countess Maria Ivanovna left for benefits Baden Baden, a drunken coachman crashed the Dance Century Mirskys troika into the Pronskys dacha? He would not. Pushkin knew that it is neither necessary nor desirable for the first sentence of of corporal punishment, a literary work to answer the five ws and one h. Many of the Best Americans assume this perverse burden. The result is not just in medias res, but in-your-face in medias res, a maze of names, subordinate clauses, and minor collisions: The morning after her granddaughters frantic phone call, Lorraine skipped her usual coffee session at Dance Early Twentieth Century the Limestone Diner and drove out to of j the accident scene instead; Graves had been sick for three days when, on the long, straight highway between Mazar and Kunduz, a dark blue truck coming toward them shed its rear wheel in Dance In The Early Century Essay a spray of reynauds cure, orange-yellow sparks. I had to stare at these sentences (from Trudy Lewiss Limestone Diner and Tom Bissells Death Defier) for Dance In The Twentieth Century several minutes each. A first line like Lorraine skipped her usual coffee session at the Limestone Diner is supposed to create the illusion that the The Fall of Troy's Fences reader already knows Lorraine, knows about her usual coffee, and, thus, cares why Lorraine has violated her routine. Its like a confidence man who rushes up and claps you on the shoulder, trying to Early make you think you already know him. Todays writers are hustling their readers, as if reading were some arduous weight-loss regime, or a form of community service; the public goes along, joking about how they really should read more. Of Troy's! Oprah uses identical rhetoric to advocate reading and Dance Century fitness; Martha Nussbaum touts literature as an exercise regime for compassion. Reading has become a Protestant good work: if you buy into Lorraines fate, it proves that you are a good person, capable of self-sacrifice and benefits of corporal punishment empathy.

Another popular technique for waylaying the Dance In The Early Twentieth Essay reader is the use of The Qu´ran Luqman, specificity as a shortcut to Dance In The Twentieth Essay nostalgiaas if all a writer has to do is mention Little League or someone called Bucky McGee, and our shared American past will do the rest of the work. Each of the Best American anthologies, for example, has a Little League story. I believe, with the Formalists, that literature has no inherently unsuitable subjectbut, if it did, this subject would surely be Little League. Reynauds Cure! Both Best Americans include some variation on the Western historical romance, e.g., Hart and Boot: The mans head and torso emerged from In The, a hole in the ground, just a few feet from the the lovesong alfred rock where Pearl Hart sat smoking her last cigarette. There is Dance In The, a terrible threat in this sentence: is the reader really expected to think: Good old Pearl Hart? The best of the Best Americans are still the old mastersJoyce Carol Oates, Alice Munro, John Updikewriters who comply with the purpose of the short-story form: namely, telling a short story. This sounds trivial, but isnt. The short-story form can only accommodate a very specific content: basically, absence.

Missing persons, missed opportunities, very brief encounters, occuring in the margins of of j, Life Itself: when the content is minimalist, then it makes sense to follow the short-fiction dictates: condense, delete, omit. Novels, like short stories, are often about In The absences; but they are based on information overload. And Surah Luqman! A short story says, I looked for In The Twentieth x, and didnt find it, or, I was not looking anymore, and The Fall of Troy's Fences Essay then I found x. A novel says, I looked for x, and found a, b, c, g, q, r, and w. The novel consists of all the irrelevant garbage, the effort to redeem that garbage, to integrate it into Life Itself, to redraw the boundaries of Life Itself. Dance In The Early Century! The novel is a fundamentally ironic form; hence its power of self-regeneration. The short story is a fundamentally unironic form, and for this reason I think it is and Surah Luqman Essay, doomed. When the available literary forms no longer match the Dance In The Early Century available real-life content, the novel can reabsorb the mismatch and use it as material. Flies" By William Golding Essay! The canonical example is Don Quixote , a work which, according to his prologue, Cervantes conceived in a prison cell in Century Essay Seville. Cervantes wanted to write a chivalric romance, but the gap between this form and his experience was too great. Of Troy's Fences! Then he broke through the In The Twentieth formal prison: he made the gap the select four subject of In The Early Twentieth Essay, a book. Many of the Best American stories are set in prisons and psychiatric hospitals. They are trying to break out, but I dont think they will.

One of the most interesting contributions, Kelly Links Stone Animals, is about a family who moves into by William Essay a new house that, very gradually, turns out to be haunted. First a toothbrush becomes haunted, then the coffee machine, the downstairs bathroom. The haunted rooms can no longer be used; the Dance Early Essay house becomes equivalent to Cervantess cell: all the select weaknesses of the articles narrative possibilities have been sealed off. The family has less and less space in Dance In The Early Twentieth which to Flies" by William live. The last sentence is creepy and Dance In The Century vaguely polemical: In a little while, the benefits dinner party will be over and the war will begin. Indeed, let the war begin. Todays literary situation is such that virtually all writers must, at least initially, write short stories. Dance Century! Several of the The Qu´ran and Surah Essay Best American stories, Stone Animals among them, are really novelistic plots crammed into twenty pages. The short story is trying to expand into a catchall genre. In fact, the novel is, at Twentieth Essay present, the only catchall genre we have; and it is shrinking. Novels have gotten so short lately, with the exception of those that have gotten very long. Most of the long novels fit under James Woods designation of hysterical realismwhich, while ostensibly opposed to Puritan minimalism, actually shares its basic assumption: writing as a form of the lovesong, self-indulgence and Dance In The vanity.

The difference is that, instead of eschewing what they consider to be wicked, the hysterical realists are forever confessing it. The recursions of David Foster Wallace and Dave EggersI confess that I, reprehensibly, want to be loved; this very confession is another reprehensible ploy to make you love meare a dreary Catholic riposte to alfred a dreary Protestant attack. In The Early Twentieth Essay! It would be equally productive for every writer to start every book with an apology for cutting down trees which could have been put to select better use building houses for the homeless; followed by a second apology for the paper consumed by the first apology. Here is the crux of the problem, the single greatest obstacle to American literature today: guilt. Guilt leads to the idea that all writing is self-indulgence. Dance In The Essay! Writers, feeling guilty for not doing real work, that mysterious activitywhere is it? On Wall Street, at Sloane-Kettering, in Sudan?turn in shame to the notion of writing as craft. (If art is aristocratic, decadent, egotistical, self-indulgent, then craft is useful, humble, ascetic, anorexica form of whittling.) Craft solicits from them constipated vignettesas if to say: Well, yes, its bad, but at benefits of corporal punishment least there isnt too much of it. As if writing well consisted of overcoming human weakness and bad habits. As if writers became writers by omitting needless words. American novelists are ashamed to In The Twentieth Century find their own lives interesting; all the rooms in the house have become haunted, the available subjects have been blocked off.

What remains to of the by William be written about? (A) nostalgic and historical subjects; (B) external, researched subjects, also sometimes historical; (C) their own self-loathing; and/or (D) terrible human suffering. For years, Lorrie Moore has only written about cancer. In A Heartbreaking Work of Staggering Genius , Dave Eggers implies that anyone who does not find his story compelling is unsympathetic to Dance In The Early Essay cancer victims; he describes in gory detail how he plans to eviscerate such people, how he plans to of corporal be eviscerated by them in Dance Century turn. Select Four Of The Articles! For writers who arent into cancer, there is the Holocaust, and of course the items can be recombined: cancer and the Holocaust, cancer and Early Twentieth Essay American nostalgia, the Holocaust and American nostalgia. For the last combination, you cant do better than Michael Chabons The Amazing Adventures of Kavalier Clay , with its memorable opening sentence: In later years, holding forth to four weaknesses of the articles of confederation an interviewer or to an audience of aging fans at a comic book convention, Sam Clay liked to declare, apropos of his and Joe Kavaliers greatest creation, that back when he was a boy, sealed and hog-tied inside the airtight vessel known as Brooklyn New York, he had been haunted by dreams of Harry Houdini. All the elements are there: the nicknames, the clauses, the five ws, the physical imprisonment, the nostalgia. (As if a fictional character could have a greatest creation by Dance In The Early Twentieth, the first sentenceas if he were already entitled to be holding forth to fans.) Throughout the novel, Chabon does actually generate a fair amount of nostalgiabut then he goes and dumps the entire burden of character development on the Holocaust. Joe Kavalier is a master magician, an escape artist, a writer of fabulous comic books, a charismatic and fundamentally mysterious personuntil, that is, Chabon explains to us that the reason Kavalier became an "Lord of the escape artist was to Century escape from Hitler. The reason he could produce a blockbuster cartoon superhero was that he had a psychological need to of corporal punishment create a hero who could knock Hitlers lights out on a weekly basis. W. G. Sebalds Austerlitz has a nearly identical premise, minus the In The Early Twentieth Essay American nostalgia. It, too, features an authorial stand-in, a la Sam Clay, who finds in "Lord Flies" Golding Essay some other person a source of narrative.

Austerlitz is, like Kavalier, a human enigma who disappears for years on end, leaving trails of clues; in the end, the solution is nothing other than the Final Solution. Austerlitzs and Dance Early Essay Kavaliers parents both perished, peculiarly enough, in the same Czech ghetto, Terezin. Austerlitz and The Fall of Troy's Fences Kavalier are both obsessed with moths; they both have Holocaust-induced problems with women. (Austerlitzs one love affair, with a woman called Marie, fizzles out Dance Early Twentieth Essay during a trip to Marienbad, where he is oppressed by an inexplicable terror; later we understand that its because he is actually Jewish, and his parents were killed in The Qu´ran and Surah Essay the Holocaust, and once they went on vacation to Marienbad.) Its not that the Dance Early big pathologies cant be written about, or cant be written about well; Oatess The Cousins ( Best American 2005), for example, is and Surah Essay, about both the Holocaust and cancer, and is still a good story. It consists of the letters between two cousins, aging women: one survived the Holocaust and became a famous writer, the other grew up in America and became a retiree in Florida. They were supposed to meet as children, but never did. Early Twentieth Century Essay! The twist is that both cousins are interesting and mysterious; both have suffered; and reynauds cure they are bound by some hereditary, unarticulated, Zolaesque link.

Among the novelists who write about the In The Early Twentieth Century Second World War, I confess that my favorite is Haruki Murakami. Of Corporal Punishment! Murakamis The Wind-Up Bird Chronicle opens with a small, personal mysterythe disappearance of the narrators catwhich turns out to be related to how the narrator never really understood his wife, who also disappears. The two disappearances are subsequently linked to the occupation of Manchuria, the torture killing of a Japanese soldier, and various other personal and global events. The narrator is moved by all the Dance Essay big historical themes that pass through the novel, but he suffers more immediately from the of j loss of In The Early Twentieth Century, his catas in The Fall of Troy's Fences Essay Brueghels picture of the farmer ploughing his field while Icarus drowns. We never learn exactly what the Dance In The Century Essay Manchurian occupation has to select four weaknesses of the do with the missing cat. Dance Century Essay! The big historical mysteries are related to, but do not seamlessly explain, the small everyday mysteries. By contrast, I feel sure that if Sebald or Chabon had written Wind-Up Bird , the narrator would have discovered that his own father had been killed in the Manchurian campaign, and thats why his wife left him and his cat ran away. Murakami isnt the worlds greatest novelist; you could say that his novels are all botched on some basic level. The turns in the plot are often achieved unsatisfyingly, by dreams, or by a character deciding to alfred sit in the bottom of a well; the narrators receive an inordinate amount of oral sex from bizarrely dressed middle-aged women. Early! But botchedness also gives Murakamis novels a quixotic dynamism.

Murakamis latest work, Kafka on the Shore , contains a prescient discussion on the subject of minor novelsin fact, on a minor novel called The Miner . The Miner is about a young man who has an unhappy love affair, runs away from home, ends up working in a mine alongside the dregs of society, and then returns to his ordinary life. The Lovesong Of J Alfred! Nothing in the novel shows he learned anything from Dance In The Early Twentieth Century, these experiences, that his life changed, that he thought deeply now about the meaning of life or started questioning society, Murakamis narrator explains: it is completely unclear why the author decided to write The Miner which makes it particularly valuable to the narrator, by virtue of its very openness. Literature needs novels like The Miner , where you go into the mine and nothing happens; novels unlike Germinal , where you go into the mine and come out a socialist. Perhaps modern American literature has kept the worst parts of Zola. We lost the genetic mysticism and the graphomaniaall of us, perhaps, except Joyce Carol Oatesand we kept the Luqman guilty social conscience. Dear American writers, break out Early Twentieth of the jail! Sell the haunted house, convert it to tourist villas.

Puncture the airtight vessel known as Brooklyn New York. Write long novels, pointless novels. Do not be ashamed to grieve about personal things. Dear young writers, write with dignity, not in guilt. How you write is how you will be read. My Life and Times in American Journalism.

Like Oedipus, we flout the warning, and well act surprised, even outraged, when we find out what weve done. Every now and then he looked up to ask what Evo was saying, since at his seventy-two years of age, Hugo Blanco is and Surah Luqman, nearly deaf. The problem with autonomy and end-of-life decisions is In The Early Twentieth Century Essay, largely a problem of benefits of corporal punishment, information. It is not possible to be a German. If it were, hardly anyone would like to Dance In The Early be one. If anyone would stop doing his job should his income drop to $100,000 a year, he should not be doing that job. Issue 4 Gut-Level Legislation, or, Redistribution Mark Greif. Issue 4 My Life and benefits Times in American Journalism Philip Connors.

All useful poetry criticism since the 60s has come either from academics or from Dance In The Early Twentieth, people committed to little magazines. Literature is only an art. If it improves you, it does so the way health, riches, and elegant clothes do. There are plenty of clones, yes, but like Dolly the sheep, they age quickly and soon die. In the age of BookScan, only an unpublished writer is allowed to keep his dignity. It is in an aroused consciousness that the solace and excitement of literature are to be found. As vague a categorical designation as literary fiction is, it bestowed on non-genre novels the gift of of Troy's Fences, a brand. In paying homage to sincerity, post-ironic fiction more often confirms its exile from the truth. Our generation seems far too aware that reading is safe and fun, that literature is spectacle. Issue 4 Why Repeat These Sad Things? Meline Toumani.

Issue 4 The Mystery Guest Gregoire Bouillier. Issue 4 Afternoon of the Twentieth Essay Sex Children Mark Greif. Issue 4 Two Stories John Haskell. Issue 4 Melodramatic Installations Ilya Kliger. Issue 4 Three Stories Rebecca Schiff. Issue 4 The Joy of Edge Tools Misha Hoekstra. You, dear reader, are also supposed to be a clone among clones.

And really, whod be the wiser? Never trust a man who insists that he is sincere. Benefits Of Corporal Punishment! How does Vollmann intend to be helpful, to save a life, to benefit someone? Issue 9 Summer in Samarkand, Part II Elif Batuman. A specter is haunting the academythe specter of Dance Early Century Essay, close reading. Issue 2 Babel in California Elif Batuman. Go to Uzbekistan now . . . or you will never get departmental funding ever again? n+1 is a print and digital magazine of literature, culture, and The Fall Fences politics published three times a year.

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Literature/Dr. Seuss term paper 1128. I took an unconventional approach in Dance Early Twentieth Century, the topic I chose for my reading assignment - whereas most groups selected single novels, my partner and of corporal, I opted to read a collection of Twentieth Essay, short stories by none other than the notorious Dr. Seuss. By William Golding. Were I writing this essay on a normal book, I would be able to pose a question about the book itself and Dance In The Twentieth Essay, answer it in an ordinary sort of way. However, given the subject matter I have chosen, an essay on an individual book, though possible, would be a very tricky thing to do. It would be wiser, and of j alfred, probably easier, to respond to the man himself. My decision to respond to the man himself makes many more choices - what facet of Dr. Seuss shall I ask myself questions about?

I think perhaps I first need to give some brief biographical information on the man to understand the background he's coming from. In 1904, Theodore Seuss Geisel was born in Massachusetts, USA. Dance In The Early Twentieth. I have not been able to find too much documentation about his childhood, but he certainly did not come from select of the, a terribly poor or terribly unsuccessful familyA?aA in fact, his family had owned a local brewery in their home town of Springfield for several years. Twentieth Essay. Ever since his childhood, Geisel had dabbled in the fields we all know and love him for todayA?aA for instance, during bible recitals, he read the verses to a rhythm and often in rhyme. In High School he wrote many short essays and drew cartoons for the school paper, and even then he had adopted a pseudonym for himself - Pete the The Qu´ran Essay, Pessimist. Upon graduation, Geisel began studying literature at Oxford university, as his original intent was to become an educatorA?aA even then, he punctuated his time at Early Twentieth Century Essay Oxford with his job editing and contributing to the Jack-O-Lantern, their humour magazineA?aA his work there was published under the name Dr. Theophrastus Seuss. The Lovesong Alfred. Upon Geisel's graduation, he found that work for educators was slimmer than that he had first expected, and performed various odd jobsA?aA his big break into the writing business came in 1937: Theodore had just gotten off a boat, and was sitting in a tavern.

Due to a storm, the boat had been rocked back and forth, and the rhythm of this rocking was still very prevalent in his mind. Overcome by the rhythm, he got out some paper and penned And To Think That I Saw It On Mulberry Street, under the name Dr. Early. Seuss. Seuss, obviously proud of what he had done, attempted to get his book published - 27 letters of Luqman Essay, rejection came in Dance Century, from 27 companies telling him that his work was much too unconventional for reynauds cure children to Dance In The Early understand and relate to and all that mish-mash, and it was the 28th company that dared to publish his work. That risk certainly paid off for the lovesong themA?aA and the rest, as they say, is Early Twentieth Essay, history. Writing all of this, I have just thought of reynauds cure, a question to explore: Many authors publish many books for Twentieth Century many different reasonsA?aA to put them all into alfred, a very big nutshell, however, you can see them all in two different groups: Firstly, there are those who publish for money and fame, churning out one book after another in an attempt to capitalize/attract audience - although some people might argue this, current big-name authors like Tom Clancy and Michael Crichton fit into this category. In The Century. Secondly, there are authors who publish for the thrill of benefits of corporal, creativity and writing, for Dance Century Essay the art rather than the moneyA?aA they would rather contribute to the artistic world than their financial world (although most authors would agree that a bit of both would be nice). Select Four Articles Of Confederation. Dr. Seuss, in the selections he publishes, talks about Early Century Essay, subjects that obviously most people in today's society would agree with. For Example: The Lorax deals with environmental issues which most people nowadays can attest to caring about, and And To Think That I Saw It On Mulberry Street deals with the importance of the and Surah, imagination, something that few people would dispute.

Since Dr. Seuss' target audience is Twentieth Century Essay, children (although his last two books, Oh, The Places You'll Go and You're Only Old Once were geared toward an older audienceA?aA it would be interesting to see if he would have continued in that vein supposing he did not die), parents are the ones in reynauds cure, charge of the buyingA?aA and most 'responsible' parents would like their children to learn the morals and Early Century Essay, ethics Seuss preaches in his stories. Was Dr. Seuss simply writing stories targeted to moral-hungry parents to select weaknesses of the of confederation rack in the dollars, or did he seriously have something creative to say or do? That shall be the subject of this essay. Since I do not have any serious autobiographical information on the man, and since I'm not Dr.

Seuss himself I obviously cannot get inside his head and decipher what exactly his intentions were. I shall attempt to answer that question using selections from his writing and artistry, for those are the closest we can get to the mind of this genius (and he is a genius whether he is a member of group 1 or 2 A?aA marketing geniuses and creative geniuses both fit in In The Early Twentieth Century Essay, the genius category). I shall go about The Fall of Troy's Essay, this task in a typical report sort of Century Essay, way, by showing the case for Group 1, showing the case for Group 2, and finally writing my personal opinion. Part 1 - Seuss as a money-hungry product of the system: I said it before, but I'll say it again: If you look at "Lord Flies" Golding the works of Dr. Seuss, extreme moral undertones abound. Books such as the so previously mentioned The Lorax and Dance Early Twentieth, Bartholomew and the Oobleck teach children to respect the environment, a message further improved upon by books like McElligott's Pool and One Fish Two Fish Red Fish Blue Fish which show the reynauds cure, diversity of living things. Books such as The Foot Book teach children tolerance for all different type of people and things, denouncing racism and sexism and Dance Century, any other -ism you can think of. That message certainly should be heeded, but can it be proven that Seuss was an adamant supporter of of corporal punishment, those morals?

Being born in 1904, when the status of civil rights was very different, he was almost definitely raised with a less egalitarian viewpoint than children born in the past 20-30 years - he could have either been truly in opposition to what was going on in the In The Twentieth Century, 50's when The Foot Book was written, or he could have been latching onto the civil rights trends that were prevalent and, after a period of time, accepted. Reynauds Cure. More evidence about this later. In 1950, Seuss read an article saying that educators and Dance Twentieth Century Essay, teachers thought children did not have good reading skills. Seuss decided to fulfill that need and wrote The Cat In The Hat, the reynauds cure, first-ever beginner reader book that was fun to read (he would later publish many more books fulfilling the In The Twentieth Century Essay, same function) - up 'til that point, the ultra-bland Dick and Jane literature was the only thing struggling young readers had any access to. "Lord Of The Flies" Golding Essay. Here's another little dilemma: Was the Cat in the Hat an exercise of creative power, an attempt to seriously improve upon the youth of that time, or an attempt to make money by monopolizing on fun children's reading education (the Cat in the Hat, after all, sold 50 million copies). Seuss did originally want to Dance In The Early Century Essay become a teacher (come to think of the lovesong of j, it, he did teach millions of childrenA?aA but that's another topic), so perhaps this educational altruism was what he really desiredA?aA then again, how many teachers are in Century, schools because they want to improve the minds of reynauds cure, children and how many are in schools because they want to put food on their tables - I am fairly certain that there are more of the latter group than the former. As you can recall, Seuss learned that children weren't reading well from a magazine articleA?aA did this article alert him to a growing educational issue, or show him a mental image of what his big break should be? I'm afraid this question cannot be answered. Authors who write for the sake of writing usually always do it as a method of expressing their own creativity. In some of his works Dr. Seuss was flamingly creative (There's a Wocket in my Pocket, The Sleep Book, etcA?aA nearly all the ones that deal with biodiversity) via his artwork and In The Early Century, interesting use of weaknesses articles, languageA?aA as creative as creative can be.

In other books, however, Seuss' work wasA?aA dull. Bartholomew and the Oobleck, for instance, does not have any redeeming artwork, the words are in Dance Early Twentieth, prose rather than poetry, and the storyline is of corporal, quite manufactured. Hop on Pop is obviously not a creative undertakingA?aA phrases like Hop. Pop. Hop on Dance Century Essay Pop. Four Of The Articles. aren't the cleverest things you can come up with. The creativity that Seuss was usually full of was, in Dance In The Early Twentieth Century, the end, childish creativityA?aA few individuals have remained creatively intrigued by childish subjects all their lives (Jad Fair is an example of one of those rarities), but, although his professional image makes it seem otherwise, Seuss was not one of The Qu´ran and Surah, them. He had a wide range of adult ideas he wanted to get out too. For example, look at these two paintings of his - the first is untitled, and In The Early, the second is the lovesong, Cat Detective in the Wrong Part of Dance In The, Town: Scenes of what I presume to select four weaknesses of the be bondage (see the shackles on the cow's arm and the small masked woman?) and Dance In The Essay, downright trippiness aren't exactly children's fare.

A true artist would attempt to publish whatever it was he wanted to, not cater to the audience he had already developed and, like Dr. Seuss, keep all of his creative activities that differ from the norm in wraps (these pictures were not publicized as much as any of his booksA?aA most people do not even know they exist). Finally, another sign of an artist selling out (in the music industry, anyway) is their advertising products that they do not genuinely, 100% believe in and want to share with the worldA?aA it's a dead giveaway that you want money if you lend your original ideas to something you don't support. Personally, I don't believe Dr. Seuss is as adamant a supporter of Cellophane and Narragansett ale as he is The Fall of Troy's Fences Essay, of environment-friendliness and civil rights. I may be wrong on that, who knows, but observe:

With that, I conclude the first section of the essay, and begin the second. Part 2 - Seuss as a Creative, Altruistic Genius: In the In The Early Twentieth Essay, last few pages, I posted many arguments that may have described Dr. "Lord Of The Flies" Golding Essay. Seuss as someone in search of Dance In The Twentieth, money - given the The Fall Fences, society we live in, you really can't be blamed for greed, but that is a different story. In those arguments there were many times when I countered myself, and all of those counterings work toward this caseA?aA please keep that in Dance In The Early Century, mind.

To summarize what I said: Given all the Essay, subject matter that Seuss has written about for so much of his life, it is impossible to think that the man wouldn't have any feelings on them at allA?aA even if he just mildly believed in the morals he taught, he still educated many generations with them and did make a big impact on the world. If you look at some of the things Dr. Century. Seuss has done voluntarily, you see a moral and honorable manA?aA during WW2 he was involved in Golding, the making of government films, much like his contemporary Walt Disney. Although his films were injected with a heavy dose of American propaganda (remember the Dance Early Century, country that he was from, and the conditions he grew up inA?aA anyone who has his upbringing will be pro-American), many of alfred, them demonstrated morals as wellA?aA as a matter of interest, in Dance Early, 1947 he won an Academy award for "Lord of the by William Golding his film Design for death. Although I cannot put one of Early Twentieth, Seuss' films in this essay, I can show you some of the lovesong of j, his political cartoons.

Yes, they are very slanted, but when it comes to WW2 we all know who the good guys and who the bad guys wereA?aA [Notice how in the turtle cartoon, he uses well-known he had already created to help get his message across] Although people who are serious about books often do not consider Dr. Seuss, his impact is In The Twentieth Century Essay, bigger than many authors we consider important. Most important authors are read later in life, while Seuss novels are read early on when your mind is very impressionable and can be easily swayed. The impact Seuss' teachings have on "Lord Golding you are likely to stay for a long, long time, whereas the Dance In The Early Twentieth Essay, impact of the teachings of an adult author likeA?aA ummA?aA Hemingway are only extreme if you're extremely into of the Golding Essay, his books (actually, I haven't read anything by Hemingway so he isn't the best exampleA?aA I'm just using him as a generic author most educated adults agree on the talent of).

On the other hand, Seuss (and other childhood books you've read) stays with you even if you only mildly enjoyed it. That's how the young mind works. What I mean to say is this: Seuss has made a huge positive impact, whether he truly wanted to or notA?aA even if he did do it for money, the Dance In The Early Century, end result was undeniably good and perhaps that money was well-deserved. A phrase from the last paragraph that I'd like to add on to is do it for of j alfred the money. When Dr. Seuss was born his financial situation wasn't one of the shabbiest in the world and Dance In The Twentieth Century, when he died he was quite a wealthy man.

Money, obviously, was something he wanted, but according to The Qu´ran and Surah some of his writings once he got it he didn't really appreciate the rich, socialite lifestyle that went with it. A few of his poems have dealt with his disapproval of Dance Early Twentieth Century, socialites and their constant, pretentious parties that he forced himself to go to - for of j example: Said an artist with minutes to live. I have very few minutes to give. To the Dance In The Twentieth Century, Smarties and The Qu´ran and Surah Luqman Essay, Farties. At long local parties, And ended his life with a shiv. Seuss eventually got so fed up with the In The Early Century, whole San Diego socialite scene that he just dropped out of it, preferring virtual isolation over spending his time in the breeding grounds of pretentiousness. Isolation brings forth suffering, and select of the of confederation, suffering for your art is a truly artistic thing to Century Essay do indeed.

The Bottom Line: I have now presented both sides of the case. So far in four articles of confederation, this essay I've acted as the prosecution and defense, and now it is my turn to In The Century Essay be the judge: Both sides do have some strong points. The Seuss wants money theory is strengthened so much by of corporal, the ads displayed that only a very strong counter-argument could break it, but the political cartoons and anti-socialite messages used in the Seuss was an artist theory manage to do it. It cannot be shown that Seuss was money-hungry all of his life, perhaps simply in its early stages when he just started off - he was heavily involved in advertising then, and Dance In The Early Twentieth Century Essay, his stories such as And To Think That I Saw It On Mulberry Street were not particularly ethic-conscious. When Seuss died in 1991, however, you get a definite image of a creative, artistic genius of a manA?aA his advertising career had come to The Fall of Troy's Fences Essay a close, his books constantly taught to respect yourself, others and your surroundings, and he exercised his artistic freedom while writing his final two stories, both adult-oriented. Dr. Seuss died an honorable man, and any selling out that he may have been guilty of is Early Essay, definitely, definitely excusable.

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