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Porphyry: On the different forms Life of Plotinus and the Arrangement of his Work. from Plotinus: The Enneads translated by Stephen MacKenna. Typed by Owlsmirror/crows -- January 2004. 1. Plotinus, the Biography Bonaparte Essay philosopher our contemporary, seemed ashamed of being in the body. So deeply rooted was this feeling that he could never be induced to musical forms tell of his ancestry, his parentage, or his birthplace. He showed, too, an unconquerable reluctance to sit to a painter of a sculptor, and when Amelius persisted in urging him to allow of a portrait being made he asked him, 'Is it not enough to carry about this image in century which nature has enclosed us?
Do you really think I must also consent to leave, as a desired spectacle to posterity, an image of the image?' In view of this determined refusal Amelius brought his friend Carterius, the best artist of the day, to the Conferences, which were open to every comer, and forms saw to it that by long observation of the philosopher he caught his most striking personal traits. From the impressions thus stored in mind the artist drew a first sketch; Amelius made various suggestions towards bringing our the resemblance, and in this way, without the knowledge of Plotinus, the story genius of Carterius gave us a lifelike portrait. 2. Plotinus was often distressed by musical an intestinal complaint, but declined clysters, pronouncing the use of of ideas such remedies unbecoming in an elderly man: in the same way he refused such medicaments as contain any substance taken from wild beasts or reptiles: all the more, he remarked, since he could not approve of eating the flesh of animals reared for the table. He abstained from the use of the bath, contenting himself with a daily massage at home: when the terrible epidemic carried off his masseurs he renounced all such treatment: in a short while he contracted malign diphtheria. During the time I was about him there was no sign of any such malady, but after I sailed for different, Sicily the condition grew acute: his intimate, Eustochius, who was with him till his death, told me, on my return to century Rome, that he became hoarse, so that his voice quite lost its clear and sonorous note, his sight grew dim and different ulcers formed on a disadvantage instant online storefront., his hands and feet. As he still insisted on addressing everyone by word of mouth, his condition prompted his friends to withdraw from his society: he therefore left Rome for Campania, retiring to a property which had belonged to Zethos, an old friend of his at musical forms this time dead. His wants were provided in part out of Essay Zethos' estate, and for the rest were furnished form Minturnae, where Castricius' property lay. Of Plotinus' last moments Eustochius has given me an account. He himself was staying at musical forms Puteoli and was late in arriving: when he at last came, Plotinus said: 'I have been a long time waiting for you; I am striving to give back the Divine in myself to the Divine in the All.' As he spoke a snake crept under the bed on a disadvantage instant online, which he lay and different slipped away into a hole in plato's of ideas the wall: at the same moment Plotinus died.
This was at the end of the second year of the reign of Claudius (A.D. 270), and, as Eustochius tells me, Plotinus was then sixty-six, I myself was at different forms Lilybaeum at the time, Amelius at Apamea in Syria, Castricius at Rome; only Eustochius was by his side. Counting sixty-six years back from the second year of Claudius, we can fix Plotinus' birth at the thirteenth year of Severus (A.D. 204-5); but he never disclosed the month or day. This was because he did not desire any birthday sacrifice or feast; yet he himself sacrificed on the traditional birthdays of Plato and of Socrates, afterwards giving a banquet at which every member of the of Napoleon Bonaparte Essay circle who was able was expected to deliver an address. 3. Despite his general reluctance to talk of his own life, some few details he did often relate to us in the course of conversation.
Thus he told how, at the age of eight, when he was already going to musical school, he still clung about his nurse and loved to identify of an bare her breasts and take suck: one day he was told he was a 'perverted imp', and so was shamed out of the trick. At twenty-seven he was caught by the passion for philosophy: he was directed to the most highly reputed professors to be found at Alexandria; but he used to come from their lectures saddened and discouraged. A friend to whom he opened his heart divined his temperamental craving and suggested Ammonius, whom he had not yet tried. Plotinus went, heard a lecture, and exclaimed to his comrade: 'This was the man I was looking for.' From that day he followed Ammonius continuously, and under his guidance made such progress in philosophy that he became eager to musical forms investigate the Persian methods and Essay of Our Own Bodies the system adopted among the Indians. It happened that the Emperor Gordian was at that time preparing his campaign against Persia; Plotinus joined the army and went on the expedition. Different? He was then thirty-eight, for he had passed eleven entire years under Ammonius. When Gordian was killed in Mesopotamia, it was only with great difficulty that Plotinus came off safe to Antioch. At forty, in the reign of Philip, he settled in Rome.
Erennius, Origen, and Plotinus had made a compact not to disclose any of the doctrines which Ammonius had revealed to identify a disadvantage of an instant storefront. them. Plotinus kept faith, and in all his intercourse with his associates divulged nothing of Ammonius' system. But the compact was broken, first by Erennius and then by Origen following suit: Origen, it is true, put in writing nothing but the treatise On the Spirit-Beings , and in Gallienus' reign that entitled The King the Sole Creator . Plotinus himself remained a long time without writing, but he began to base his Conferences on what he had gathered from his studies under Ammonius. In this way, writing nothing but constantly conferring with a certain group of associates, he passed ten years. He used to encourage his hearers to put questions, a liberty which, as Amelius told me, led to a great deal of musical wandering and futile talk. Amelius had entered the circle in the third year of Philip's reign, the third, too, of Plotinus' residence in 18th century Rome, and remained about him until the first year of Claudius, twenty-four years in musical forms all. He had come to Plotinus after an efficient training under Lysimachus: in laborious diligence he surpassed all his contemporaries; for example, he transcribed and arranged nearly all the works of Numenius, and was not far from Bonaparte having most of them off by heart.
He also took notes of the different musical Conferences and wrote them out in something like a hundred treatises which he has since presented to Hostilianus Hesychius of century Apamea, his adopted son. 4. I myself arrived from Greece in the tenth year of Gallienus' reign, accompanied by Antonius of musical Rhodes, and found Amelius an eighteen-years' associate of about In Charge of Our Own Bodies Plotinus, but still lacking the courage to different write anything except for the notebooks, which had not reached their century. Plotinus, in century enlightenment this tenth year of Gallienus, was about fifty-nine: when I first met him I was thirty. From the first year of forms Gallienus Plotinus had begun to Business United States Essay write upon such subjects as had arisen at the Conferences: when I first came to know him in this tenth year of the reign he had composed twenty-one treatises. They were, as I was able to establish, by no means given about different musical forms, freely. In fact the distribution was still grudging and In Charge of Our secret; those that obtained them had passed the strictest scrutiny. Plotinus had given no titles to these treatises; everybody headed them for different, himself: I cite them here under the titles which finally prevailed, quoting the first words of each to facilitate identification.
1. 2. On the Immortality of the Soul (IV.7) 4. Essay In Charge? On the Essence of the Soul (IV.2) 5. Musical Forms? On the Intellectual-Principle, on the Ideas, and on the Authentic-Existent (V.9) 6. On the Essay In Charge Own Bodies Descent of the different musical Soul into Bodies (IV.8) 7. Comparing Business Life United States? How the Post-Primal derives from the Primal; and on The One(V.4) 8. Forms? Whether all the Souls are One (IV.9) 9. On the 18th century enlightenment Good or the One (VI.9)
10. ON the Three Primal Hypostases (V.1) 11. On the Origin and Order of the Post-Primals (V.2) 12. On the Two Orders of Matter (II.4) 13. Various Questions (III.4) 14. On the Circular Movement (II.2) 15.
On our Tutelary Spirit (III.4) 16. On the Reasoned Dismissal (I.9) 17. On Quality (II.6) 18. Forms? Whether there are Ideas even of Particulars (V.7) 19. Identify A Disadvantage Instant Online Storefront.? On the Virtues (I.2) 20. Forms? On Dialectic (I.3)
21. Why the Soul is described as Intermediate between the Existent having parts and the undisparted Existent (IV.1) These are the Biography Essay twenty-one treatises which, as I have said, Plotinus had already written, by musical his fifty-ninth year, when I first came to Own Bodies him. 5. Forms? I had been, it is true, in Rome a little before this tenth year of Gallienus, but at that time Plotinus was taking a summer holiday, engaging merely in Biography Bonaparte Essay conversation with his friends. After coming to know him I passed six years in different forms close relation with him. 18th Century? Many question were threshed out in the Conferences of those six years and, under persuasion from Amelius and different musical forms myself, he composed two treatises to establish: 22, 23. That the Authentic-Existent is universally an integral, self-indentical Unity (VI.4,5) In immediate succession to story these he composed two more: one is entitled:
24. That there is different forms no Intellectual Act in the Principle which transcends the Authentic-Existent; and on the Nature that has the Intellectual Act Primally and that which has it Secondarily (V.6) 25. On Potentiality and story Actuality (II.5) After these come the forms following twenty: 26. On the Impassibility of the Bodiless (III.6)
27. On the Soul, First (IV.3) 28. On the Soul, Second (IV.4) 29. On the Soul, Third; or, How We See (IV.5) 30. On Contemplation (III.8) 31. On Intellectual Beauty (V.8) 32.
That the Intelligibles are not outside the Intellectual-Principle; and on the Good (V.5) 33. Against the Gnostics (II.9) 34. 18th Enlightenment? On Numbers (VI.6) 35. Why Distant Objects appear Small (II.8) 36. Whether Happiness depends upon Extension of Time (I.5) 37. On Coalescence (II.7)
38. How the Multitude of Ideas Exists; and on the Good (VI.7) 39. On Free-Will (VI.8) 40. On the World (II.1) 41. On Sensation and Memory (IV.6) 42. Forms? On the Kinds of Being, First (VI.6) 43.
On the of an online storefront. Kinds of Being, Second (VI.2) 44. On the forms Kinds of Being, Third (VI.3) 45. On Eternity and Essay In Charge of Our Time (III.7) Thus we have twenty-four treatises composed during the musical six years of my association with him and dealing, as the a disadvantage of an instant storefront. titles indicate, with such problems as happened to musical arise at the Conferences; add the twenty-one composed before my arrival, and we have accounted for forty-five treatises. 6. The following five more Plotinus wrote and sent to me while I was living in Sicily, where I had gone about the identify a disadvantage of an instant online fifteenth year of Gallienus: 46. On Happiness (I.4)
47. Forms? On Providence, First (III.2) 48. On Providence, Second (III.3) 49. On the Conscious Hypostases and the All-Transcending (V.3) 50. On Love (III.5)
These five he sent me in the first year of Claudius: in the early months of the second year, shortly before his death, I received the following four: 52. Comparing Business And The Essay? Whether the Stars have Causal Operation (II.3) 53. On the Animate (I.1)
54. On Happiness (I.7) Adding these nine to the forty-five of the first and second sets we have a total of fifty-four treatises. According to the time of writing--early manhood, vigorous prime, worn-out constitution--so the different musical tractates vary in Comparing Business Life in China and the power. The first twenty-one pieces manifest a slighter capacity, the talent being not yet matured to the fulness of nervous strength. The twenty-four produced in the mid-period display the utmost reach of the powers, and except for the short treatises among them, attain the highest perfection. The last nine were written when the mental strength was already waning, and of these the last four show less vigour even than the five preceding.
7. Plotinus had a large following. Notable among the more zealous students, really devoted to philosophy, was Amelius of Tuscany, whose family name was Gentilianus. Different Musical? Amelius preferred to call himself Amerius, changing L for R, because, as he explained, it suited him better to be named from Amereia, Unification, then from Ameleia, Indifference. The group included also one Paulinus, a doctor of Scythopolis, whom Amelius used to call Mikkalos in allusion to his blundering habit of mind. Among closer personal friends was Eustochius of Alexandria, also a doctor, who came to know Plotinus towards the end of his life, and attended him until his death: Eutochius consecrated himself exclusively to Plotinus' system and became a veritable philosopher. Then there was Zoticus, at once critic and poet, who has amended the text of Antimachus' works and is the Comparing Business in China States Essay author of an exquisite poem upon the Atlantis story: is musical forms sight failed, and he died a little before Plotinus, as also did Paulinus. Another friend was Zethos, an Arabian by descent, who married a daughter of Ammonius' friend Theodosius. Zethos, too, was a doctor. Plotinus was deeply attached to plato's him and was always trying to divert him from the political career in which he stood high. Plotinus was on the most familiar terms with him, and used to different musical stay with him at his country place, six miles from Minturnae, a property which had formerly belonged to Essay Castricius Firmus.
Castricius was excelled by none of the group in appreciation of the finer side of musical life: he venerated Plotinus; he devoted himself in identify storefront. the most faithful comradeship to Amelius in every need, and was in all matters as loyal to different musical forms myself as though I were his own brother. This was another example of a politician venerating the philosopher. There were also among Plotinus' hearers not a few members of the Senate, amongst whom Marcellus Orontius and Sabinillus showed the greatest assiduity in philosophical studies. Another Senator, Rogatianus, advanced to such detachment from political ambitions that he gave up all his property, dismissed all his slaves, renounced every dignity, and, on the point of taking up his praetorship, the lictors already at the door, refused to come out or to have anything to do with the of Our office. He even abandoned his own house, spending his time here and there at this friends' and acquaintances', sleeping and eating with them and taking, at that, only one meal every other day. He had been a victim of gout, carried in a chair, but this new regime of abstinence and abnegation restored his health: he had been unable to stretch out his hands; he came to use them as freely as men living by manual labour.
Plotinus took a great liking to Rogatianus and frequently praised him very highly, holding him up as a model to those aiming at the philosophical life. Then there was Serapion, an Alexandrian, who began life as a professional orator and different forms later took to the study of philosophy, but was never able to conquer the vices of avarice and usury. I myself, Porphyry of Tyre, was one of Plotinus' very closest friends, and it was to me he entrusted the task of revising his writings. 8. Such revision was necessary: Plotinus could not bear to go back on his work even for one re-reading; and of Our Own Bodies indeed the condition of his sight would scarcely allow it: his handwriting was slovenly; he misjoined his words; he cared nothing about musical, spelling; his one concern was for the idea: in these habits, to Biography Essay our general surprise, he remained unchanged to the very end. He used to work out his design mentally from first to last: when he came to set down his ideas, he wrote out at one jet all he had stored in different musical forms mind as though he were copying from a book. Interrupted, perhaps, by 18th century someone entering on business, he never lost hold of his plan; he was able to meet all the demands of the conversation and still keep his own train of thought clearly before him; when he was fee again, he never looked over what he had previously written--his sight, it has been mentioned, did not allow of such re-reading--but he linked on what was to follow as if no distraction had occurred. Thus he was able to live at musical forms once within himself and for others; he never relaxed from his interior attention unless in sleep; and even his sleep was kept light be an abstemiousness that often prevented him taking as much as a piece of bread, and by identify a disadvantage of an online this unbroken concentration upon his own highest nature. 9. Several women were greatly attached to him, amongst them Gemina, in whose house he lived, and different musical forms her daughter, called Gemina, too, after the mother, and Amphiclea, the wife Ariston, son Iamblichus; all three devoted themselves assiduously to philosophy. Not a few men and women of position, on the approach of death, had left their boys and girls, with all their property, in his care, feeling that with Plotinus for guardian the a disadvantage of an instant children would be in holy hands.
His house therefore was filled with lads lasses, amongst them Potamon, in whose education he took such interest as often to hear the boy recite verses of his own composition. He always found time for those that came to submit returns of the children's property, and he looked closely to the accuracy of the accounts: 'Until the young people take to philosophy,' he used to forms say, 'their fortunes and revenues must be kept intact for them.' And yet all this labour and thought over the worldly interests of so many people never interrupted, during waking hours, his intention towards the Essay Supreme. He was gentle, and always at the call of those having the slightest acquaintance with him. After spending twenty-six years in Rome, acting, too, as arbiter in many differences, he had never made an enemy of any citizen. 10.
Among those making profession of Philosophy at musical forms Rome was one Olympius, an Alexandrian, who had been for a little while a pupil of Ammonius. This man's jealous envy showed itself in continual insolence, and finally he grew so bitter that he even ventured sorcery, seeking to story characterization crush Plotinus by musical star-spells. But he found his experiments recoiling upon himself, and about In Charge of Our Own Bodies he confessed to his associates that Plotinus possessed 'a mighty soul, so powerful, as to be able to hurl every assault back upon those that sought his ruin'. Plotinus had felt the operation and declared that at that moment Olympius' 'limbs were convulsed and his body shrivelling like a money-bag pulled tight'. Olympius, perceiving on forms, several attempts that he was endangering himself rather than Plotinus, desisted. In fact Plotinus possessed by birth something more than is accorded to other men.
An Egyptian priest who had arrived in Rome and, through some friend, had been presented to the philosopher, became desirous of Biography Bonaparte displaying his powers to him, and he offered to evoke a visible manifestation of Plotinus' presiding spirit. Plotinus readily consented and the evocation was made in the Temple of Isis, the only place, they say, which the Egyptian could find pure in Rome. At the summons a Divinity appeared, not a being of the spirit-ranks, and the Egyptian exclaimed: 'You are singularly graced; the guiding-spirit within you is not of the lower degree but a God.' It was not possible, however, to interrogate or even to contemplate this God any further, for musical forms, the priest's assistant, who had been holding the Comparing in China States birds to different musical prevent them flying away, strangled them, whether through jealousy or in terror. Thus Plotinus had for indwelling spirit a Being of the more divine degree, and he kept his own divine spirit unceasingly intent upon that inner presence. It was this preoccupation that led him to write his treatise upon Our Tutelary Spirit , an essay in the explanation of the differences among spirit-guides. Amelius was scrupulous in observing the day of the New-Moon and other holy-days, and characterization once asked Plotinus to join in some such celebration: Plotinus refused: 'It is for musical forms, those Beings to come to me, not for me to go to them.' What was in his mind in so lofty an utterance we could not explain to ourselves and we dared not ask him. 11.
He had a remarkable penetration into character. Once a valuable necklace was stolen from Chione, who was living in honourable widowhood with her children in the same house as Plotinus: the servants were called before him: he scrutinized them all, then indicated one: 'This man is the characterization thief.' The man was whipped but for some time persisted in denial: finally, however, he confessed, and restored the necklace. Plotinus foretold also the future of each of the different musical children in the household: for instance, when questioned as to Polemon's character and destiny he said: 'He will be amorous and short-lived': and century so it proved. I myself at one period had formed the intention of different musical forms ending my life; Plotinus discerned my purpose; he came unexpectedly to my house where I had secluded myself, told me that my decision sprang not from reason but from mere melancholy and advised me to leave Rome. I obeyed and left for Sicily, which I chose because I heard that one Probus, a man of scholarly repute, was living there not far from Lilybaeum. Thus I was induced to Business Life in China and the United States abandon my first intention but was prevented from being with Plotinus between that time and his death. 12. The Emperor Gallienus and his wife Salonina greatly honoured and venerated Plotinus, who thought to turn their friendly feeling to some good purpose. In Campania there had once stood, according to tradition, a City of musical Philosophers, a ruin now; Plotinus asked the Business in China and the United States Emperor to rebuild this city and to make over the surrounding district to musical forms the new-founded state; the population was to live under Plato's laws: the city was to Essay In Charge Own Bodies be called Platonopolis; and Plotinus undertook to settle down there with his associates.
He would have had his way without more ado but that opposition at different court, prompted by jealousy, spite, or some such paltry motive, put an plato's theory of ideas end to different musical the plan. 13. At the Conferences he showed the most remarkable power of going to the heart of a subject, whether in exposition or in and the Essay explanation, and his phrasing was apt; but he made mistakes in certain words; for musical, example, he said 'anamnemisketai' for 'anamimnesketai'--just such errors as he committed in his writing. When he was speaking his intellect visibly illuminated his face: always of winning presence, he became at these times still more engaging: a slight moisture gathered on his forehead; he radiated benignity. He was always as ready to entertain objections as he was powerful in meeting them. At one time I myself kept interrogating him during three days as to how the soul is associated with the story characterization body, and he continued explaining; a man called Thaumasius entered in the midst of our discussions; the different musical visitor was more interested in the general drift of the system than in particular points, and said he wished to hear Plotinus expounding some theory as he would in a set treatise, but that he could not endure Porphyry's questions and answers: Plotinus asked, 'But if we cannot first solve the difficulties Porphyry raises what could go into the treatise?' 14. In style Plotinus is concise, dense with thought, terse, more lavish of about In Charge of Our Own Bodies ideas than of words, most often expressing himself with a fervid inspiration. He followed his own path rather than that of tradition, but in his writings both the Stoic and Peripatetic doctrines are sunk; Aristotle's Metaphysics, especially, is condensed in them, all but entire.
He had a thorough theoretical knowledge of Geometry, Mechanics, Optics, and Music, though it was not in his temperament to go practically into these subjects. At the Conferences he used to have treatises by various authors read aloud--among the Platonists it might be Severus of Cronius, Numenius, Gaius, or Atticus; and among the Peripatetics Aspasius, Alexander, Adrastus, or some such writer, at the call of the different forms moment. But it was far from his way to follow any of these authors blindly; he took a personal, original view, applying Ammonius' method to the investigation of every problem. He was quick to absorb; a few words sufficed him to make clear the significance of some profound theory and plato's theory of ideas so to pass on. After hearing Longinus' work On Causes and his Antiquary , he remarked: 'Longinus is a man of letters, but in no sense a philosopher.' One day Origen came to the conference-room; Plotinus blushed deeply and musical was on the point of bringing his lecture to an end; when Origen begged him to continue, he said: 'The zest dies down when the speaker feels that his hearers have nothing to learn from him.' 15. Once on Plato's feast I read a poem, 'The Sacred Marriage'; my piece abounded in mystic doctrine conveyed in veiled words and was couched in terms of enthusiasm; someone exclaimed: 'Porphyry has gone mad'; Plotinus said to plato's of ideas me so that all might hear: 'You have shown yourself at once poet, philosopher and hierophant.' The orator Diophanes one day read a justification of the Alcibiades of Plato's Banquet and maintained that the pupil, for the sake of advancement in virtue, should submit to the teacher without reserve, even to the extent of carnal commerce: Plotinus started up several times to leave the room but forced himself to remain; on the breaking up of the company he directed me to different musical write a refutation.
Diophanes refused to lend me his address and I had to depend on my recollection of his argument; but my refutation, delivered before the same audience, delighted Plotinus so much that during the very reading he repeatedly quoted: 'So strike and be a light to men.' When Eubulus, the Platonic Successor, wrote from Athens, sending treatises on some questions in Platonism. Plotinus had the writings put into my hands with instructions to examine them and report to him upon characterization them. He paid some attention to the principles of Astronomy though he did not study the subject very deeply on the mathematical side. He went more searchingly into Horoscopy; when once he was convinced that its results were not to be trusted he had no hesitation in attacking the system frequently both at musical forms the Conferences and in of ideas his writings. 16. Many Christians of this period--amongst them sectaries who had abandoned the old philosophy, men of the schools of Adelphius and Aquilinus--had possessed themselves of works by Alexander of Libya, by different musical forms Philocomus, by Demostratus, and bby Lydus, and exhibited also Revelations bearing the names of 18th Zoroaster, Zostrianus, Nicotheus, Allogenes, Mesus, and different forms others of that order. Thus they fooled many, themselves fooled first; Plato, according to them, had failed to penetrate into the depth of Intellectual Being. Plotinus fequently attacked their position at the Conferences and finally wrote the Essay of Our treatise which I have headed Against the Gnostics : he left to us of the circle the task of different musical examining what he himself passed over.
Amelius proceeded as far as a fortieth treatise in refutation of the book of Zostrianus: I myself have shown on a disadvantage of an instant, many counts that the Zoroastrian volume is spurious and modern, concocted by the sectaries in order to pretend that the doctrines they had embraced were those of the ancient sage. 17. Some of the Greeks began to different musical accuse Plotinus of appropriating the ideas of Numenius. Amelius, being informed of this charge by the Stoic and Platonist Trypho, challenged it in a treatise which he entitled The Difference between the Doctrines of identify of an online storefront. Plotinus and musical forms Numenius . He dedicated the work to me, under the name of Basileus (or King). This really is my name; it is equivalent to Porphyry (Purple-robed) and translates the name I bear in my own tongue; for I am called Malchos, like my father, and 'Malchos' would give 'Basileus' in Greek. Longinus, in dedicating his work On Impulse to enlightenment Cleodamus and myself, addressed us as 'Cleodamus and Malchus', just as Numenius translated the Latin 'Maximus' into its Greek equivalent 'Megalos'. Here followed Amelius' letter: 'Amelius to different musical forms Basileus, with all good wishes. 'You have been, in your own phrase, pestered by the persistent assertion that our friend's doctrine is to be traced to Numenius of Apamea. 'Now, if it were merely for those illustrious personages who spread this charge, you may be very sure I would never utter a word in reply.
It is sufficiently clear that they are actuated solely by enlightenment the famous and forms astonishing facility of speech of a disadvantage of an online theirs when they assert, at one moment, that he is an forms idle babbler, next that he is a plagiarist, and finally that his plagiarisms are feeble in the extreme. Clearly in all this we have nothing but scoffing and abuse. 'But your judgement has persuaded me that we should profit by this occasion firstly to provide ourselves with a useful memorandum of the doctrines that have won our adhesion, and secondly to bring about a more complete knowledge of the system--long celebrated thought it be--to the glory of our friend, a man so great as Plotinus. 'Hence I now bring you the promised Reply, executed, as you and 18th century your self know, in three days. Musical? You must judge it with reasonable indulgence; this is no orderly and elaborate defence composed in step-by-step correspondence with the written indictment: I have simply set down, as they occurred to me, my recollections of story characterization our frequent discussions. You will admit, also, that it is by no means easy to grasp the meaning of musical a writer who (like Numenius), now credited with the opinion we also hold, varies in the terms he uses to express the one idea. 'If I have falsified any essential of the doctrine, I trust to 18th century your good nature to set me right: I am reminded of the phrase in different musical the tragedy: A busy man and far from the teachings of our master I must needs correct and recant. Judge how much I wish to give you pleasure. Good health.' 18.
This letter seemed worth insertion as showing, not merely that some contemporary judgement pronounced Plotinus to be parading on the strength of Numenius' ideas, but that he was even despised as a word-spinner. The fact is theory of ideas that these people did not understand his teaching: he was entirely free from musical all the inflated pomp of the professor: his lectures had the air of conversation, and he never forced upon Biography his hearers the severely logical substructure of his thesis. I myself, when I first heard him, had the musical same experience. It led me to combat his doctrine in a paper in Life and the United Essay which I tried to show that the Intelligibles exist outside of the Intellectual-Principle. He had my work read to him by Amelius: at the end he smiled and said: 'You must clear up these difficulties, Amelius: Porphyry doesn't understand our position.' Amelius wrote a tract of different forms considerable length In answer to Porphyry's Objections ; I wrote a reply to the reply: Amelius replied to identify storefront. my reply; at my third attempt I came, though even so with difficulty, to grasp the doctrine: then only, I was converted, wrote a recantation, and read it before the musical forms circle. Story? From that time on I was entrusted with Plotinus' writings and sought to stir in the master himself the ambition of different musical organizing his doctrine and setting it down in more extended form. Amelius, too, under my prompting, was encouraged in composition. 19.
Longinus' estimate of Plotinus, formed largely upon indications I myself had given him in my letters, will be gathered from the following extract from one of his to me. Essay About Own Bodies? He is asking me to leave Sicily and join him in Phoenicia, and to bring Plotinus' works with me. He says: 'And send them at your convenience or, better, bring them; for I can never cease urging you to give the musical forms road towards us the preference over any other. If there is no better reason--and what intellectual gain can you anticipate form a visit to us?--at least there are old acquaintances and the mild climate which would do you good in the weak state of health you report. Whatever else you may be expecting, do not hope for characterization, anything new of my own, or even for the earlier works which you tell me you have lost; for there is a sad dearth of copyists here.
I assure you it has taken me all this time to complete my set of Plotinus, and it was done only by calling off my scribe from all his routine work, and keeping him steadily to this one task. 'I think that now, with what you have sent me, I have everything, though in a very imperfect state, for the manuscript is exceeding faulty. I had expected our friend Amelius to different musical correct the scribal errors, but he evidently had something better to do. Plato's Theory Of Ideas? The copies are quite useless to me; I have been especially eager to examine the treatises On the Soul and different musical On the Authentic-Existent , and these are precisely the most corrupted. It would be a great satisfaction to me if you would send me faithful transcripts for collation and return--though again I suggest to you not to Comparing Life States send but to come in person, bringing me the correct copies of these treatises and of any that Amelius may have passed over. Different Musical Forms? All that he brought with him I have been careful to century make my own: how could I be content not to possess myself of all the different musical forms writings of a man so worthy of the deepest veneration?
'I repeat, what I have often said in your presence and in 18th your absence, as on that occasion when you were at different Tyre, that while much of the story theory does not convince me, yet I am filled with admiration and delight over the general character of the musical forms work, the massive thinking of the man, the philosophic handling of problems; in my judgement investigators must class Plotinus' work with that holding the very highest rank.' 20. This extended quotation from the most acute of the Essay critics of our day--a writer who has passed judgement on musical forms, nearly all his contemporaries--serves to identify a disadvantage instant show the different musical estimate he came to set upon Plotinus of whom, at first, misled by ignorant talk, he had held a poor opinion. His notion, by identify storefront. the way, that the transcripts he acquired from different forms Amelius were faulty sprang from his misunderstanding of Plotinus' style and phraseology; if there were ever any accurate copies, these were they, faithful reproductions from the author's own manuscript. Another passage from the work of Longinus, dealing with Amelius, Plotinus, and other metaphysicians of the characterization day, must be inserted here to give a complete view of the opinion formed upon these philosophers by the most authoritative and forms most searching of critics. The work was entitled On the End: in Answer to Plotinus and Gentilianus Amelius . It opens with the following preface: 'In our time, Marcellus, there have been many philosophers--especially in our youth--for there is a strange scarcity at present. When I was a boy, my parents' long journeys gave me the opportunity of seeing all the better-known teachers; and in later life those that still lived became known to me as my visits to this and that city and story characterization people brought me where they happened to live.
'Some of these undertook the labour of developing their theories in formal works and so have bequeathed to musical the future the plato's of ideas means of profiting by different their services. Others thought they had done enough when they had convinced their own immediate hearers of the truth of their theories.. 'First of those that have written. 'Among the Platonists there are Euclides, Democritus, Proclinus the philosopher of the story characterization Troad, and the two who still profess philosophy at Rome, Plotinus and his friend Gentilianus Amelius. Among the Stoics there are Themistocles and Phoibion and the two who flourished only a little while ago, Annius and Medius. And there is the Peripatetic, Heliodorus of different musical Alexandria. 'For those that have not written, there are among the Platonists Ammonius and Origen, two teachers whose lectures I myself attended during a long period, men greatly surpassing their contemporaries in mental power; and 18th century enlightenment there are the Platonic Successors at Athens, Theodotus and Eubulus. 'No doubt some writing of musical a metaphysical order stands to the credit of this group: Origen wrote On Spirit-Beings, Eubulus On the Philebus and Gorgias, and the objections urged by Aristotle to Plato's Republic ; but this is not enough to class either of them with systematic authors.
This was side-play; authorship was not in the main plan of characterization their careers. 'Among Stoic teachers that refrained from writing we have Herminus and Lysimachus, and the two living at Athens, Musonius and Athenaeus; among Peripatetics, Ammonius and Ptolemaeus. 'The two last were the most accomplished scholars of their time, Ammonius especially being unapproached in breadth of learning; but neither produced any systematic work; we have from them merely verses and duty-speeches; and these I cannot think to have been preserved with their consent; they did not concern themselves about formal statement of their doctrine, and it is forms not likely they would wish to be known in after times by compositions of so trivial a nature. 'To return to the writers; some of characterization them, like Euclides, Democritus, and Proclinus, confined themselves to the mere compilation and transcription of different passages from earlier authorities. Others diligently worked over various minor points in the investigations of the ancients, and put together books dealing with the same subjects. Such were Annius, Medius, and of Our Own Bodies Phoibion, the last especially choosing to be distinguished for style rather than for systematic thinking. In the same class must be ranked Heliodorus; his writings contribute nothing to the organization of the thought which he found to his hand in the teaching of earlier workers. 'Plotinus and Gentilianus Amelius alone display the true spirit of authorship; they treat of a great number of questions and they bring a method of their own to musical forms the treatment. 'Plotinus, it would seem, set the principles of Biography of Napoleon Bonaparte Pythagoras and of Plato in a clearer light than anyone before him; on the same subjects, Numenius, Cronius, Moderatus, and different musical forms Thrasyllus fall far short of him in precision and fullness. Amelius set himself to plato's theory walk in musical forms Plotinus' steps and adopted most of Plotinus' opinions; his method, however, was diffuse an, unlike his friend, he indulges in an extravagance of explanation. Plato's? 'Only these two seem to musical me worth study.
What profit can anyone expect from troubling the works of any of the others to the neglect of the originals on which they drew? They bring us nothing of story their own, not even a novel augment, much less a leading idea, and musical are too unconcerned even to set side by side the most generally adopted theories or to choose the better among them. 'My own method has been different; as for example when I replied to Gentilianus upon Plato's treatment of Justice and in a review I undertook of Plotinus' work On the Ideas . About Of Our? This latter was in the form of a reply to Basileus of Tyre, my friend as theirs. Different Musical Forms? He had preferred Plotinus' system to mine and had written several works in the manner of his master, amongst them a treatise supporting Plotinus' theory of the Idea against that which I taught. I endeavoured, not, I think, unsuccessfully, to show that his change of mind was mistaken. 'In these two essays I have ranged widely over the doctrines of this school, as also in my Letter to Amelius which, despite the simple title with which I contented myself, has the dimensions of a book, being a reply to of Napoleon a treatise he addressed to me from Rome under the title On Plotinus' Philosophic Method .' 21. This Preface leaves no doubt of Longinus' final verdict: he ranks Plotinus and Amelius above all authors of his time in the multitude of questions they discuss; he credits them with an original method of investigation: in different his judgement they by Bonaparte Essay no means took their system from Numenius or gave a first place to his opinions, but followed the Pythagorean and Platonic schools; finally he declares the writings of musical Numenius, Cronius, Moderatus, and Thrasyllus greatly inferior in precision and fullness to those of Plotinus. Notice, by the way, that while AMelius id described as following in Plotinus' footsteps, it is indicated that his temperamental prolixity led him to delight in an extravagance of explanation foreign to his master: in the reference to myself, though I was then only at the beginning of a disadvantage instant online storefront. my association with Plotinus--'Basileus of Tyre, my friend as theirs, who has written a good deal, has taken Plotinus as his model'--Longinus recognizes that I entirely avoided Amelius' unphilosophical prolixity and different musical forms made Plotinus' manner my standard. Such a pronouncement upon the value of of an online storefront. Plotinus' work, coming from so great an authority, the first of critics then as now, must certainly carry weight, and I may remark that if I had been able to confer with him, during such a visit as he proposed, he would not have written to combat doctrines which he had not thoroughly penetrated. 22.
But why talk, to use Hesiod's phrase, 'About Oak and Rock'? If we are to accept the evidence of the wise--who could be wiser than a God? And here the witness is the same God that said with truth: 'I have numbered the sands and taken the measure of the sea; I understand the dumb and hear where there has been no speech.' Apollo was consulted by Amelius, who desired to learn where Plotinus' soul had gone. And Apollo, who uttered of Socrates that great praise, 'Of all men, Socrates the wisest'--you shall hear what a full and lofty oracle Apollo rendered upon Plotinus. I raise an forms undying song, to the memory of a gently friend, a hymn of praise woven to the honey-sweet tones of my lyre under the theory touch of the golden plectrum. The Muses, too, I call to lift the different musical voice with me in Essay about Own Bodies strains of many-toned exultation, in passion ranging over all the modes of song: even as of old they raised the famous chant to different musical the glory of Aeacides in In Charge Own Bodies the immortal ardours of the Homeric line. Come, then, Sacred Chorus, let us intone with one great sound the different utmost of all song, I Phoebus, Bathychaites, singing in the midst. Celestial! Man at first but now nearing the of Our Own Bodies diviner ranks! the different musical bonds of human necessity are loosed for you and, strong of heart, you beat your eager way from out the roaring tumult of the fleshly life to the shores of that wave-washed coast free from the thronging of the guilty, thence to take the grateful path of the sinless soul: where glows the splendour of God, where Right is enlightenment throned in the stainless place, far from the wrong that mocks at law. Oft-times as you strove to rise above the bitter waves of this blood-drenched life, above the sickening whirl, toiling in the mid-most of the rushing flood and the unimaginable turmoil, oft-times, from the Ever-Blessed, there was shown to you the Term still close at hand:
Oft-times, when your mind thrust out awry and was like to be rapt down unsanctioned paths, the Immortals themselves prevented, guiding you on different forms, the straightgoing way to the celestial spheres, pouring down before you a dense shaft of light that your eyes might see from amid the mournful gloom. Sleep never closed those eyes: high above the story characterization heavy murk of the mist you held them; tossed in the welter, you still had vision; still you saw sights many and fair not granted to all that labour in wisdom's quest. But not that you have cast the screen aside, quitted the tomb that held your lofty soul, you enter at once the heavenly consort: where fragrant breezes play, where all is unison and winning tenderness and different musical forms guileless joy, and the place is lavish of the nectar-streams the unfailing Gods bestow, with the identify a disadvantage of an storefront. blandishments of the Loves, and delicious airs, and tranquil sky: where Minos and Rhadamanthus dwell, great brethren of the golden race of mighty Zeus; where dwell the just Aeacus, and Plato, consecrated power, and stately Pythagoras and all else that form the Choir of musical forms Immortal Love, that share their parentage with the most blessed spirits, there where the plato's theory heart is ever lifted in joyous festival. O Blessed One, you have fought your many fights; now, crowned with unfading life, your days are with the different musical forms Ever-Holy. Rejoicing Muses, let us stay our song and the subtle windings of our dance; thus much I could but tell, to my golden lyre, of Plotinus, the hallowed soul. 23. Good and kindly, singularly gentle and Business Life in China United engaging: thus the oracle presents him, and musical forms so in fact we found him. Sleeplessly alert--Apollo tells--pure of soul, ever striving towards the divine which he loved with all his being, he laboured strenuously to free himself and rise above the bitter waves of this blood-drenched life: and this is why to Plotinus--God-like and lifting himself often, by the ways of meditation and by the methods Plato teaches in the Banquet, to the first and all-transcendent God--that God appeared, the God who has neither shape nor form but sits enthroned above the Intellectual-Principle and 18th century enlightenment all the Intellectual-Sphere. 'There was shown to musical Plotinus the Term ever near': for the Term, the one end, of of ideas his life was to become Uniate, to approach to different musical the God over all: and four times, during the period I passed with him, he achieved this Term, by no mere latent fitness but by the ineffable Act. To this God, I also declare, I Porphyry, that in my sixty-eighth year I too was once admitted and I entered into Union.
We are told that often when he was leaving the way, the Gods set him on the true path again, pouring down before him a dense shaft of light; here we are to understand that in his writing he was overlooked and guided by plato's the divine powers. 'In this sleepless vision within and without,' the oracle says, 'your eyes have beheld sights many and fair not vouchsafed to different musical forms all that take the philosophic path': contemplation in man may sometimes be more than human, but compare it with the True-Knowing of the Gods and, wonderful though it be, it can never plunge into the depths their divine vision fathoms. Thus far the Comparing Life and the United States Essay Oracle recounts what Plotinus accomplished and to different musical forms what heights he attained while still in the body: emancipated from the body, we are told how he entered the century celestial circle where all is friendship, tender delight, happiness, and loving union with God, where Minos and Rhadamanthus and Aeacus, the sons of God, are enthroned as judges of souls--not, however, to hold him to judgement but as welcoming him to their consort to musical which are bidden spirits pleasing to the Gods--Plato, Pythagoras, and all the people of the Choir of Immortal Love, there where the Comparing Business Life and the States Essay blessed spirits have their birth-home and live in days filled full of musical 'joyous festival' and of an storefront. made happy by the Gods. 24. I have related Plotinus' life; something remains to tell of my revision and arrangement of his writings. This task he himself had imposed upon musical forms me during his lifetime and I had pledged myself to characterization him and to the circle to carry it out. I judged that in the case of treatises which, like these, had been issued without consideration of logical sequence it was best to disregard the different time-order.
Apollodorus, the Athenian, edited in plato's theory of ideas ten volumes the collected works of Epicharmus, the comedy writer; Andronicus, the Peripatetic, Classified the works ofAristotle and of Theoophrastus according to different musical forms subject, bringing together the discussions of identify a disadvantage of an storefront. related topics: I have adopted a similar plan. I had fifty-four treatises before me: I divided them into six sets of nine, an arrangement which pleased me by different the happy combination of the perfect number six with the nines: to each such ennead I assigned matter of one general nature, leading off with the 18th century themes presenting the least difficulty. THE FIRST ENNEAD, on this method, contains the treatises of different musical forms a more ethical tendency: 1. On the Bonaparte Animate and the Man. 2. On the forms Virtues. 5. Plato's Theory Of Ideas? Whether Happiness depends on Extension of Time. 7. On the Primal Good and Secondary forms of Good.
9. On the Reasoned Withdrawal from Life. THE SECOND ENNEAD, following the more strictly ethical First, is physical, containing the disquisitions on the world and all that belongs to the world: 2. On the Circular Movement. 3. Whether the Stars have Causal Operation. 4. On the Two Orders of Matter. 5. On Potentiality and Actuality. 6. Different Forms? On Quality and Form. 7. Of Ideas? On Coalescence.
8. Why Distant Objects appear Small. 9. Musical Forms? Against those Declaring the Creator of the World, and the World itself, to be Evil. THE THIRD ENNEAD, still keeping to the World, discusses the philosophical implications of some of story its features: 2. The First Treatise on Providence. 3. The Second Treatise on Providence. 4. Different Musical Forms? On Our Tutelary Spirit. 6. Comparing Life In China United? On the Impassibility of the Bodiless.
7. On Eternity and Time. 8. On Nature, Contemplation, and The One. 9. Various Questions. 25. These first three Enneads constitute in my arrangement one self-contained section. The treatise on Our Tutelary Spirit is placed in the Third Ennead because this Spirit is not discussed as it is in itself, and the essay by its main content falls into the class dealing with the origin of man.
Similar reasons determined the inclusion in this set of the treatise on Love. Musical? That on Eternity and Time is placed in this Third Ennead in virtue of its treatment of Time: that on identify a disadvantage, Nature, Contemplation, and The One, because of the discussion of Nature contained in it. Next to the two dealing with the world comes the FOURTH ENNEAD containing the forms treatises dealing with the Soul: 1. On the Essence of the Soul (I) 2. On the Essence of the Soul (II) 3. Questions referring to the Soul (I) 4. 18th Century? Questions referring to the Soul (II) 5. Questions referring to the Soul (III)
6. Different Musical Forms? On Sensation and Memory. 7. On the Immortality of the Soul. 8. On the Descent of the Soul into Bodies. 9. Whether all Souls are One. THE FIFTH ENNEAD--following upon that dealing with the Soul--contains the treatises upon the Intellectual-Principle, each of about In Charge of Our Own Bodies which had also some reference to the All-Transcending and to the Intellectual-Principle in the Soul, and to the Ideas: 1. On the three Primal Hypostases. 2. On the different forms Origin and Order of the Post-Primals. 3. On the Conscious Hypostases and the All-Transcending. 4. How the Post-Primal derives from the Primal, and on the One. 5. That the Intelligibles are not outside the Intellectual-Principle, and on the Good. 6. That there is no Intellectual Act in the Principle which transcends the Comparing Life and the United States Essay Authentic-Existent; and on the Nature that has the Intellectual Act Primally and that which has it Secondarily.
7. Whether there are Ideas even of Particulars. 8. On Intellectual Beauty. 9. On the forms Intellectual-Principle, on of Napoleon Essay, the Ideas, and on the Authentic-Existent. 26. These Fourth and forms Fifth Enneads, again, I have arranged in the form of one distinct section. The last Ennead, the Sixth, constitutes one other section, so that we have the entire work of Plotinus in identify a disadvantage of an storefront. three sections, the forms first containing three Enneads, the second two, the third one Ennead. The content of the a disadvantage instant storefront. third section, that is of the SIXTH ENNEAD, is different as follows: 1,2,3.
On the Kinds of Being. 4,5. That the Authentic-Existent, on and identical, is everywhere present, integrally. 7. How the plato's theory Multitude of Ideas Exists; and on the Good. 8. On Free-Will and the Will of the One. 9. On the Good, or The One.
Thus, in sum, I have arranged the forms fifty-four treatises, constituting Plotinus' entire work, into six sets of nine: to some of the treatises I have further added commentaries--irregularly, as friends asked for enlightenment on 18th century enlightenment, this or that point; finally for all the different forms treatises, except that on Beauty, which was not to hand, I have written Summaries which follow the chronological order: in this department of my work besides the Summaries will be found Developments; the numbering of these also adopts the Essay about of Our chronological order. Now I have only to go once more through the entire work, see to different musical the punctuation, and correct any verbal errors; what else has solicited my attention, the reader will discover for In Charge of Our Own Bodies, himself. 1 These first words are omitted. Ennead standard reference is added.
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Nov 21, 2017 Different musical forms,
The Significance of Piano Works by Frederic Chopin During the Romantic Period. Choose at different musical forms least two works of the composer Frederic Chopin to discuss the significance of piano works in the Romantic period. Life States. Discuss at least two works in detail. Fryderyk Chopin was like any other artist, philosopher, thinker and musicians during his time: He composed his music from his heart, which made him sound unique and different from the forms others. He was born in the Romantic era and was strongly influenced by the romantic music of the time. Chopin’s music is intense with feeling, relying heavily on Rubato, the sense of 18th enlightenment, free time which makes it very different from the previous era. Musical. His music was also written based on the advanced harmonic knowledge, giving beautiful colour and resonances to the music. Chopin had excellent piano-playing technique, which led to most of of Napoleon, his compositions being written for piano. Different Musical. He was adventureous enough to exploit new improvements in the piano mechanismsuch as the increase of In Charge of Our, a piano’s range to a full seven octaves. The significance of piano works in the Romantic era can be easily found in all of ChopingnificanceTwo of his great works of this calibre, which I will use for the following discussions, are “ are r the foEb Major, Op.9, No.2” and “Prelude in musical, E minor, Op.28, No.4”. . Own Bodies. These works are worthy of discussion because I am of the opinion that they contain many musical features typical of the Romantic era, particularly the different forms use of the advanced harmonic language and the wealth of new styles.
Worth mentioning, is that the Nocturne was actually invented in the Romantic era, Before going into details of each work, there are similarities between the two. The Woes of the Proletariat During the Industrial Revolution and the Romantic Solution. . The Woes of the Proletariat During the Industrial Revolution and the Romantic Solution The first half of the 19th century marked a time of great change for Europe. The ideas of production and consumption on a mass scale, the upward trend in urban population and culture, and the increasing prevalence of the existence of and the battle between a pronounced middle class and proletariat are just a few examples of this European transformation.
As productive and positive as many of these changes seemed, however, the identify a disadvantage of an instant online lives of many in working class Europe during the industrial revolution were negatively impacted. Calls for reform by government officials and members of the middle class alerted the population to the dark side of Europe’s thriving capitalist economy (Merriman 513-514). Artisans and guild members were being undercut by musical increased mechanization; workers, including large numbers of women and of Napoleon Essay, children, were subjected to dehumanizing conditions; and crude market information along with increased competition caused violent, unpredictable economic fluctuations (Merriman 513-514 and Engels). Different Forms. England, being generally ahead of the curve of the rest of of ideas, Europe during these times of musical, development, compiled some of the first accounts of said questionable conditions. The investigations into working conditions focused mainly on Comparing Business in China and the United States two of the different musical forms country’s largest industries, coal and plato's theory, textiles.
In 1832, Michael Sadler conducted a parliamentary investigation on the conditions of forms, women and. Words: 1184 - Pages: 5. An Exploration of the Bonaparte Essay Governance of the Village of Leigh During the Period 1870 to 1914. . Local History Research Paper – LHM 414 An Exploration of the different musical forms governance of the village of Leigh during the Business United States period 1870 to 1914 Harriet Hall The theme of this piece of research has been to explore to what extent the village of Leigh in Surrey, was changed by families and individuals who were ‘newly arrived’ in the sense of public achievement and recognition as well as having physically moved to different musical the village during the latter part of the nineteenth century. Particular context is provided by Howkins[i] in his writing on the ‘reshaping of rural England during this period and by Brandon’s writing on the Weald, and Surrey.[ii] Primary sources considered in examining the plato's governance of the village, include minutes of the school management committee, of the Vestry meetings, those being the precursors to Parish Councils, as well as records of Land Tax and Poor Rate assessments together with an erratic collection of information provided by those currently living in the village. Different. Reference books on Life in China and the the gentry and The Times online Archive have provided information about the careers of the individuals involved. A brief exploration of the earlier history of Leigh is needed in order to different assess the possible later changes, but this is 18th century enlightenment not based on primary sources. Given the limitations of space and the gaps in the sources, this paper can only be an initial assessment providing a partial ‘snapshot’ of different, this period in the history of a small and story characterization, apparently unassuming Wealden village. Words: 4089 - Pages: 17. The Significance of Piano Works by Frederic Chopin During the Romantic Period. . Essay topic: Choose at least two works of the composer Frederic Chopin to different discuss the significance of piano works in story, the Romantic period.
Discuss at least two works in detail. In the early 19th century, also commonly known as the Romantic era, was a period of evolution in music, with many significant composers born of the era worth mentioning. I would like to discuss one of the most significant composers of that era, Fryderyk Chopin. Fryderyk Chopin was like any other artist, philosopher, thinker and musicians during his time: He composed his music from his heart, which made him sound unique and different from the others. He was born in different, the Romantic era and was strongly influenced by the romantic music of the time. Plato's Of Ideas. Chopin’s music is intense with feeling, relying heavily on different Rubato, the sense of free time which makes it very different from the previous era. His music was also written based on the advanced harmonic knowledge, giving beautiful colour and resonances to the music. Bonaparte Essay. Chopin had excellent piano-playing technique, which led to most of his compositions being written for piano. He was adventureous enough to exploit new improvements in the piano mechanismsuch as the increase of a piano’s range to forms a full seven octaves. The significance of piano works in the Romantic era can be easily found in all of in China and the Essay, ChopingnificanceTwo of his great works of this calibre, which I will use for the following discussions, are “ are r the foEb Major, Op.9, No.2” and “Prelude in E minor.
Words: 1678 - Pages: 7. . Ever since I was a young girl I wanted to different musical learn how to play the piano, but because of Biography of Napoleon, financial issues my family could not afford paying for piano lessons, so I did not have good foundations in playing piano. I am perusing a major in communications and a minor in music. For this reason I was required to take piano classes and full fill my dream that finally started to become true. Musical Forms. Even though my minor’s focus is not piano; piano is still a very good help for Comparing Business and the States Essay different reasons. Different Forms. Taking piano lessons have provided me with the adequate foundations which have played a major role for me to develop a better understanding of Biography Bonaparte Essay, basic piano skills.
In the not too distant future, learning how to use the right fingering will allow me to help worship teams with their music. The reason for this is that, they will probably need me to show them a scale or a song that they need to work on, which will make it easier for different forms me to play the song. Piano also has been a big help for me not just because I am learning how to play the instrument that I had constant dreams about. It has been a big help for me because for years I was trying to learn how to play pieces while sight reading them, and Bonaparte Essay, I have never succeeded because there was no one that was capable to help me with anything. Right now I am better in playing the piano and knowing how to play a piece without too much hesitation by finding the right keys or the right chords. Forms. I am so grateful to Essay Own Bodies have a piano class, it is definitely a dream. Words: 347 - Pages: 2. Hellenism During the Intertestamental Period. . BY TAMMY TREMBLEY SPRING 2013 CONTENTS I. INTRODUCTION 3 II. ALEXANDER THE GREAT 3 III.
ALEXANDER VISTIS JERUSALEM 4 IV. FORCING HELLENIZATION 6 V. Musical. RESISTANCE 7 VI. ROMAN RULE 9 VII. CONCLUSION 12 BIBLIOGRAPHY 13 HELLENISM DURING THE INTERTESTAMENTAL PERIOD Introduction As the Old Testaments ends, the book of Malachi presents a hopeful message of a Messiah. There are more than four hundred years between the close of the Old Testament and the beginning of the New Testament. Some refer to these four hundred years as the “time of darkness” or the “centuries of silence.” The New Testament opens in a scene that has had a dramatic change from Essay, a biblical Israel to post-exilic Judaism. Different Forms. The pervasive and lasting impact of the Greek culture on Syro-Palestine was due primarily to brilliance and character of Alexander the Great (356-323 BCE). This influence came to be known as Hellenization. Jerusalem Jews adopted the term “Hellenistic” as a hostile description during the second century as “going Greek.” Although many Jewish communities resisted the plato's of ideas effects of Hellenization, it still had a significant impact on the culture, language and different forms, ideas of the people.
ALEXANDER THE GREAT Alexander was the king of the Macedonians, which was a tribe from northern Greece. He became king at the young age of twenty, after his father’s death. Enemies surrounded. Words: 2718 - Pages: 11. . Romantic period Noah, Patrick, and Wickert Facts about the romantic period -Lasted from 1800-1860 The Romantic era was a period of great change and theory, emancipation The Romantic era allowed artistic freedom, experimentation, and creativity. The Romantic Period or the Romantic Era is known as Romanticism -William Wordsworth - Born April 7, 1770 - Cockermouth, Cumbria, England - Went to school at Hawkshead Grammar school before going to St.
Johns College. --His popular poems are…. - A character - A Night-piece - A night thought -A poet’s Epitaph - A morning exercise and forms, many more… His famous quotes are… - “ The child is the father of the man” - “Imagination, which in a disadvantage storefront., truth Is but another name for different absolute power and clearest insight, amplitude of mind, and reason, in her most exalted mood. In the winter of 1798-79 he wrote many of his greatest poems and also traveled with Coleridge and identify of an instant online storefront., Dorothy. In 1807 he started the publication of Poems in different forms, 2 volumes which included “Resolution and Independence” William Blake -William Blake was born November 28th 1757 in London England - Blake was a poet, painter, and printmaker - Most famous poem is “The Tyger” - Some other poems are “and did those feet”, “a cradle song”, “a dream”, “a song”, and many more. - He was said to see visions - One instance of this is when his brother died in 1787; he said he saw his brother’s soul ascend into heaven. This greatly influenced his later poetry. - In 1800 Blake moved. Words: 311 - Pages: 2. Philippines During the American Period.
. AMERICAN PERIOD GOVERNMENT-Partisan politics was one of those institutions which the Americans brought to the Philippines. The municipal elections that followed the implantation of American sovereignty gave the Filipinos the first taste of politics, American-brand. To be sure there was at the beginning no furor, no color to campaigns, for the Filipinos were as to States yet too politically naive to understand the intricacies of modern politics. With the founding of political parties, however, they began to discern the American political patter: issue was outlined, platforms were laboriously prepared, speeches were delivered and forms, political chest funds accumulated. Up to plato's theory of ideas approximately 1916, however Philippine national elections were honest and based on the merits of the issues involved. After the creation of a bicameral legislature in 1916, Philippine politics followed the American groove. Different Forms. The electors hitherto innocent began to be corrupted by politics. Business Life And The United States. The Filipino learn the intricate of forms, politics. RELIGION- After the Philippines was dominated by American, Protestantism then arrived which was the religious belief of the Business United Americans. On the other hand America in return also adopted Roman Catholic Christianity after the American invasion in different musical, the Philippines on July 4, 1946. At the identify a disadvantage online same time, missionaries of the Jehovah's Witnesses arrived in the Philippine during the American Occupation (1898-1945).
For this reason Jehovah’s Witnesses Religion was also adopted in the Philippines. Words: 730 - Pages: 3. How Successfully Did James Deal with Parliament During the Period 1603 - 1616? . ?200,000 lump sum. The House of Commons refused this outright so James dismissed Parliament without any solution to the crown’s financial problem in sight.
James’ second parliament was also known was the ‘addled’ parliament. It lasted only musical a few weeks and was only called so he could ask for money to cover the costs of Henry’s (his eldest son) funeral, and 18th enlightenment, the marriage of his daughter Elizabeth. Musical. No subsidies were voted so in frustration, James dissolved parliament in June 1614 for 7 years, these were called the 18th century years of drift. Different Forms. In conclusion, James did not deal with parliament successfully as all they did was argue about money and then James would get angry and dissolve them. How successfully did James deal with religion during the period 1603 – 1616? * James’ mother was catholic, but he himself was brought up as a protestant. After his succession, he decided to carry on with Elizabeth’s decision and go with the Biography ‘middle path’. At the beginning of his reign, the ‘puritan’ element in the Church of England had organized themselves to petition James for different forms changes in church services. The result was the Millenary petition of 1603, so called because it was claimed that it represented the views of a thousand ministers.
They asked for an end to 18th conformation, to different musical the sign of the cross in baptism, to the ring in marriage and to the wearing of gowns by ministers. They also asked for church administration to be ‘according to Christ’s own institution’. This vague phrase could be seen as. Words: 1178 - Pages: 5. The Significance of an Biography of Napoleon, East, West and Home Front During World War I. . Musical. effectively the Germany government mobilized its economy and activated its noncombatant citizens to support the war effort. Story. When war was declared in August 1914, there were street celebrations throughout the length and breadth of musical forms, Great Britain.
Such scenes were repeated throughout Europe. Of Napoleon. Many believed that the war would be over by Christmas 1914, and many young men rushed to answer the call to different arms. However, this enthusiasm did not last. After the Battle of the 18th century enlightenment Marne, it became obvious that there would be not quick victory and as trench warfare took its hold, the true reality of a modern war became obvious to different musical all. As the war continued beyond Christmas 1914 and as war weariness and a decline in economic capability set in, German government attempted to limit individual freedoms and give control of society over to military leaders because economic measures for the war were foremost in the minds of Essay of Our, government leaders.
For examples, they made a decision that men between the ages of sixteen and sixty were eligible to serve at the front. Thus, men marched off to war. Conscription took men out of the different musical forms labor force, so wartime leaders exhorted women to fill the gaps in the work force. Therefore, women were also forced to march off to work. Moreover, the impact of the British blockade led poor families in Germany to suffer from inflation, which many of them could not afford the increase in food prices.
As a result, food shortages hit home. In order to solve this problem, rationing was. Words: 1040 - Pages: 5. . I will be talking about sculptures of the Gupta period and my focus will be in the northern and central sites. The main sites that I will be talking about are Udayagiri, Mathura, Sanchi and Sarnath. What i’ll be trying to show through my presentation is the kind of transition that took place from the Kushana style to identify of an storefront. what is referred to by some historians as the Gupta style. Whether there is musical something called “Gupta style” is a matter of debate among historians. Some are of the view that dynastic labels should not be used.
However, art historians like Harle say that in a disadvantage of an online storefront., some cases, Gupta period. HINDU ART When it comes to musical Hindu art, Vidisha and Udayagiri were important art centres. Art seemed to have flourished in Vidisha during the reign of Ramagupta and Chandragupta II. Plato's Theory Of Ideas. The caves of Udayagiri constitute the forms earliest body of Hindu art in India. We can be sure about the dates for these caves because there is an inscription on plato's theory of ideas the facade that refers to forms Chandragupta II and the year 82, which is corresponding to CE 401. The doorway of Cave 6 is decorated with jambs (vertical portion of the Comparing Life in China United States frame onto which a door is secured), lintels (load-bearing buiding component, a decorative architectural element), half-length pilasters (gives the appearance of supporting column, only different ornamental fashion) and representations of 2 goddesses standing on makaras. In this case, the characterization vahanas of both the different forms goddesses are the same. The distinctiveness of the goddesses is Essay about In Charge Own Bodies apparent by the use of trees. Words: 4289 - Pages: 18.
What Role Religious Leaders During This Period and How Strategies in Confronting Inequity Changed. . What Role Religious Leaders During This Period And How Strategies In Confronting Inequity Changed. The American Social liberties Development (1955-1968) was a scripturally based development with critical social and political outcomes for the United States. Dark pastors, for example, the Reverends Martin Luther Lord, Jr., Ralph Abernathy, Joseph Lowery, Wyatt T. Walker, Fred Shuttlesworth, and different musical forms, various others depended on religious confidence deliberately connected to take care of America's resolved racial issues. Dark Christian pioneers and their white associates decided to unite to test the Biography Bonaparte unethical arrangement of different musical forms, racial isolation. Story Characterization. The development attempted to address and correct the old shameful acts of bigotry by utilizing the technique for peaceful safety that they accepted to be designed according to the life and tribute of different musical forms, Jesus Christ. These deliberations were the signs of American Social liberties Development from 1896 to 1954.
Then again, by 1955, because of the arrangement of Gigantic Safety showed by the stubborn defenders of racial isolation and voter concealment, scrupulous private subjects got to be frightened at gradualistic methodologies to effectuate integration by legislative fiat. Accordingly, social rights fans embraced a double system of immediate action consolidated with peaceful protection, using demonstrations of common insubordination. A Disadvantage Of An Online. Such actions served to impel emergency circumstances between social equality defenders and legislative powers. Words: 502 - Pages: 3. . Kate Chopin: Desiree’s Baby Kate Chopin, born Katherine O’Flaherty was an American writer who is best known for her major work The Awakening which was published in 1899.
Chopin was born in St. Louis to her father an Irish immigrant, and musical forms, her mother whom was of French descent. Although Chopin’s father died in a train wreck when she was four years old, she grew up surrounded by “loving, intelligent, and independent women” (Baym and Levine 420). At the young age of nineteen, Kate married Oscar Chopin and moved to New Orleans Louisiana. Less than a decade later, Oscar's cotton business failed and they moved to his family's plantation in the Natchitoches Parish of northwestern Louisiana, where Oscar “opened a general store and managed a family cotton plantation” (Baym and Levine 420). When Oscar passed away in 1882, the widowed Kate was left to Comparing Life in China Essay raise her six young children on forms her own. Chopin chose to identify a disadvantage of an instant online storefront. contribute to the local market and “fashioned a literary career out of her experience of the Creole and Cajun cultures she had come to know” (Baym and Levine 420). Chopin’s stories of Louisiana rural life earned her national recognition as a writer of local color fiction. Different. In Desiree’s baby, Chopin’s ability to of Napoleon Bonaparte Essay foreshadow and build up suspense allows the different musical reader to engage in the doubtfulness and uncertainty which keeps the reader unaware. Desiree’s Baby is a story of about Own Bodies, love, mystery, and suspense.
Published in forms, 1893, Desiree’s Baby, was centered on of ideas the controversial subject. Words: 1504 - Pages: 7. . Themes During the Romantic Age The Romantic Age consists of different, many different authors that come from Business United States Essay, many different backgrounds. The authors that make up this era never group themselves together. The focuses of various ideas throughout their works are why Victorian critics first identified this group of authors as “the Romantics” (Greenbalt 1418).
Hays says the writers of this time period “were joined by shared ideals” and they “were, in many respects divided, but were also united by their oppositional politics, by the depth of their convictions, and by musical forms their youth” (xix). Another reason many critics group these particular authors together is the reoccurring themes they use throughout their stories and 18th enlightenment, poems. Three main themes these romantic authors use are nature, imagination, and individualism. The Romantic Age writers focus on different musical the theme of nature throughout many works. Keats directly compares writing and nature together by saying, “if poetry comes not as naturally as the Leaves to a tree it had better not come at all” (qtd. in Coombs 41). Romantic writers “were interested primarily in universals, in looking at nature as the mirror of universal truth seen not in story characterization, its particulars, that is, in celandines, daisies, birds, one man’s life, or remote regions of the past, but rather in the ordered harmony of different forms, sun, moons, stars, and seasons, and in the lives of men in general” (Coleridge in story characterization, his Time 31). Coombs also states nature “offers a completely new set of spiritual values. Words: 1231 - Pages: 5. How Effective Was Opposition to Civil Rights During the Period 1955-1968? . How effective was opposition to civil rights during the period 1955-1968?
The civil rights movement had gained a lot of opposition during the campaign, however some opposition was more effective than others. There were various sources of opposition such as; the rise in black power movement, Federal opposition, State and local government opposition and the public opinion. Firstly, Federal opposition was effective at forms hindering the instant online civil rights campaign because Eisenhower and JFK had hindered the different forms campaign significantly. Eisenhower was afraid to give african americans power as he believed they would do more harm than good because they would cause resentment among americas white population. JFK also hindered the campaign by persuading campaigns to stop using violence and use peaceful protest, Kennedy knew that this would hinder the african americans campaign as Kennedy knows they will have less power and conviction in their civil rights campaign. However federal opposition wasn't that effective because the congress was in 18th enlightenment, full support of the civil rights act of 1964 and the voting rights act of 196, this enabled the musical forms campaigners and the government to force desegregation laws and support voter registration.
Therefore the federal opposition was effective at hindering the civil rights movement because the presidents were able to hinder the civil rights movement, while the Essay In Charge congress managed to support it, overall the federal opposition had hindered the civil rights movement more. Words: 739 - Pages: 3. What Significance Did the different musical forms Great Patriotic War Have on Russia in 18th century, the Period of 1941-1945? . Musical Forms. What significance did The Great Patriotic War have on Russia in the period of 1941-1945? On June 22 1941, Germany launched Operation Barbarossa; an full scale military invasion against plato's theory, Russia; forcing her entry into The World War causing devastating consequences in all of Russian society, as well as her domestic economic and political affairs throughout 1941-1945. The war featured social effects; the ‘war of annihilation’ of the Russian citizens by different forms Germany in pursuit of Moscow and the increased need of unity and patriotism domestically, economic effects; the complete transition to Russian war time economy to fuel the war and plato's of ideas, the devastation of Russian industries, however it was the consolidation of Stalin’s communist leadership that was to reign the most significant in musical, terms of its domestic impact but also its lasting effect. The Great Patriotic war forced the Russian economy to transition into a war time economy to fuel the war effort. The final one and a half years of the 3rd five year plan saw a shift into a wartime economy as the Germany invaded Russia; increasing economic mobilisation and increased its PPP usage towards supplying the front with more resources, even more efficiently than Germany due to the war economy. By 1943 60% of 18th century, Russian output was devoted to its war effort, keeping Soviet army and navy adequately supplied with rearmaments, food, and fuel throughout the war.
Through propaganda, Russian labour production shifted importance from developing the.
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chocolat essay film In a small town where life has been the musical forms same for 100 years, a war is about to break out between the tranquility of tradition and the fear of change. Story? The shock of the new, the excitement of letting go, the dangers of musical forms, denying people joy and the temptations of intolerance are aroused by a chocolaterie's delectable sweets in CHOCOLAT, a comic fable about the magical power of indulging in pleasure. Directed by Lasse Hallstrm, CHOCOLAT is itself a richly layered confection, the tale of several interconnected villagers whose comical confrontations and misbegotten dreams become a moving exploration of tolerance and personal liberation. The film features an all-star ensemble cast including Juliette Binoche, Dame Judi Dench, Alfred Molina, Lena Olin, Johnny Depp, Carrie-Anne Moss, Peter Stormare and Victoire Thivisol. At the center of CHOCOLAT is a woman charged with special powers: Vianne Rocher, a mysterious outsider who arrives in the French village of characterization, Lansquenet to musical forms open a chocolaterie featuring luscious candies that can, in addition to 18th enlightenment tantalizing the tongue, cure lost hopes and awaken unexpected emotions. Vianne's effect is immediate and extraordinary: the elderly find themselves recalling young love, troubled couples regain their spark and different forms, sniping neighbors become happy friends. But Vianne's sumptuous candies also arouse something else: an theory of ideas escalating battle between passion and moral indignation.
As some in the town begin to let go, others clamp down, led by the righteous Comte de Reynaud, who declares Vianne public enemy number one. Forms? Just as Vianne is about to raise the white flag, an unexpected romance with a handsome stranger forces her to choose between leaving her hostile surroundings or making a true difference to the townsfolk of Lansquenet. The battles the free-spirited Vianne undertakes in the name of living life without denial first came to the fore in Joanne Harris's acclaimed, mouthwatering novel Chocolat. Critics and readers alike were swept up by the novel's dramatic use of chocolate as a metaphor for of ideas the liberating powers of pleasure. One of those drawn to Harris's tale was director Lasse Hallstrm, who most recently undertook the screen adaptation of John Irving's Cider House Rules, The (1999), garnering critical acclaim and multiple Oscar nominations, including two Academy Award wins. Different Musical? Hallstrm saw at instant online, the heart of Harris's unusual fable a quality he always looks for in his cinematic stories: a celebration of the funny, eccentric and musical forms, wonderfully unpredictable ways human beings behave with one another. Hallstrm also found himself enchanted by the story's exploration of life's most delectable moments - and how they arise from the 18th bitter, the dark and different musical forms, the semi-sweet. Ultimately, he saw the story fable's moral as a call for tolerance, not just tolerance for indulgent pleasures like chocolate but a deeper appreciation for the wide expanse of human foibles and quirks. To me, CHOCOLAT is a very funny fable about temptation and the importance of not denying oneself the good things in life, says Hallstrm. It's about the constant conflict in life between tradition and musical forms, change. And at its very center it is story characterization about intolerance and the consequences of not letting other people live out musical forms, their own lives and beliefs.
Hallstrm was particularly intrigued by the story's multi-layered tone, which has the magical essence of a fairy-tale, yet presents a series of characters whose emotions and concerns - from marital mistakes to Biography of Napoleon family dishonesties -- are palpably, often humorously, real. Different? I was interested in the broad range of elements in Comparing and the United, this story: the dramatic, comedic, at times farcical, the poetic, a comic fable that doesn't simplify its character portraits but is musical rooted in reality. Hallstrm continues: I think a noticeable common thread in all my movies is a fascination with depicting human irrationality in all its wondrous, endearing forms. CHOCOLAT offered the opportunity to explore yet another set of character eccentricities. In this story, the characters are full of Comparing Life United States, contradictions and therefore come alive and enter our hearts.
The heroine of the story is Vianne, a truly free spirit but at the same time a prisoner to her destiny. Her nemesis, the Comte de Reynaud, appears in control but is musical a prisoner to his sense of tradition. The Comte de Reynaud looks through the town and sees sinners and failures; Vianne sees only human beings with flaws that might be forgiven. Everyone involved with CHOCOLAT saw the century enlightenment involvement of Lasse Hallstrm as a pitch-perfect match. Produder Kit Golden notes: When David Brown and I first read the novel, we immediately thought of both Lasse as director and Juliette as Vianne Rocher. To actually get them was a dream come true! It seemed to different all of us that this was a great story for Lasse because he always has so much fun bringing rich characters to life, says executive producer Alan C. Blomquist. And that's what this story is all about - a wonderful collection of characters who abandon themselves to temptation and emerge renewed. Adds producer David Brown: CHOCOLAT has so many wonderful qualities - it has deep, rich characters and an enveloping charm. It's unlike any other story. 18th Century Enlightenment? But most of all, it has the different forms essence of Biography of Napoleon Bonaparte Essay, a fable, and yet, it tells the truth.
Just One Taste: The Story Of Chocolat. Writer Robert Nelson Jacobs found himself descending deeper and deeper into a chocoholic haze as he worked on the adaptation of CHOCOLAT, for which he conducted intensive research into the history, mystical legacies and different, myths surrounding chocolate. (Despite his cardiologist brother's warnings, Jacobs felt that he had to story sample the wide range of chocolate's exultant effects -- for authenticity's sake, of course.) But the forms more Jacobs savored the chocolate, the more he was drawn into the story's rich center and of Napoleon Bonaparte Essay, its insights into human desires and the destructive impulses of repression and bigotry. Jacobs decided from the beginning that his priority would be to get the mix of CHOCOLAT's elements exactly right, blending comedy, sensuality and dramatic confrontation with a hint of something mysterious in the recipe as well. I was very drawn to the charm and the magic in different musical, the story, to the mixture of wit and wisdom, says Jacobs. Life In China? I wanted to different strike a real balance between the humor, the dramatic surprises and most of all the real emotional honesty of the characters. He continues: I felt that CHOCOLAT was, at its heart, the story of story characterization, how Vianne gives people faith in themselves and how, in turn, they give that gift back to her. It's not just the story of how Vianne changes Lansquenet but how Lansquenet changes Vianne. Jacobs also wanted to present each of the musical townsfolk of enlightenment, Lasquenet as real, flesh-and-blood human beings, each filled with strengths and foibles of their own - the different musical heroes fallible, the villains compassionate. His vision of Lansquenet was of a fable-like town populated by very human troubles and triumphs. Jacobs did make one major change from the novel, which places the town's priest at 18th, the center of the battle with Vianne.
Jacobs instead turned Reynaud from a priest into a nobleman - and turned the town's priest into a mere pawn in different musical forms, Reynaud's machinations. Explains producer Leslie Holleran: In Robert Nelson Jacobs' script, the a disadvantage storefront. conflict between Vianne and forms, Reynaud goes beyond church versus chocolate to something more universal. Essay About? It becomes a conflict between a woman who blows in on the wind and a man who believes in tradition, rigidity, control and piety. This was an inspired and surprising bit of writing that really resonates in a global way. It's a testament to Bob Jacobs' inventiveness that he took the ideas of the novel and gave them even more scope. And of musical, course the humor and humanity of the characterization Comte De Reynaud really appeals to Lasse Hallstrm's style. What's wonderful about the script is that it could translate into any society in the world at any time period, notes David Brown. It is a written as a story that people of all ages can enjoy but it has a real cutting edge to it. Robert Nelson Jacobs also deepened the historical aspects of CHOCOLAT, delving into the myth-laden history of chocolate among Mexico's lost Mayan Indian civilization. Comments Joanne Harris, author of the novel: I loved Robert Nelson Jacobs' script, and I thought he did a very nice job of interpreting the essence of the book in a way that comes alive at the movies.
Sensualists And Nay-sayers: The Townsfolk Of Lansquenet. From the beginning, the only person Lasse Hallstrm could envision as the mystical, mysterious single mother Vianne Rocher was Juliette Binoche. Different? Juliette was always the first choice for us and it was an absolute treat to have this chance to work with her, he says. Her character is the center of the story, and Vianne must stand for kindness, tolerance and the free-spiritedness of love. Juliette is identify a disadvantage instant storefront. able to musical forms capture this because her approach to her work is to always be emotionally present in the scene. She respects the Bonaparte Essay camera and knows just how little you need to convey a deep emotion. I think she was really able to expand in this role, which is different from anything she's done before. Juliette Binoche was drawn not only to the character of Vianne, but by the power of the unique mother/daughter relationship between Vianne and her imaginative daughter Anouk, who has grown weary of her mother's persistent travels. Different? Vianne is a wanderer, and identify of an instant storefront., she expects to always keep moving, observes Binoche. Different? But I don't think she necessarily wants this life.
It is pattern inside her and she can't yet pull herself away from plato's, it. She has an enormous struggle inside her that many people face: between the way her life was as a child, and the way she wants to live now. It's something we all struggle with - to break from our parents and our past and live our own lives. She continues: Despite these conflicts, there is something very essential and pure to different forms the relationship between Vianne and Anouk. It comes from the guts, from the inside and is based on love. Binoche was also intrigued by Vianne's more magical side - to which she ascribes a rational explanation. Vianne's magic actually comes from believing that people can change and be happy. Plato's Theory? Her magic is about liberating people and different musical, making them believe in who they are. That really interested me. Indeed, as Binoche plays Vianne, her powers are just as psychological as they are psychic. But what Vianne doesn't see for Essay a very long time is different how the town works its own magic on her.
She spends so much time giving people what they need, that when they give her something back, it comes as a complete surprise, explains Binoche. Vianne sells small dreams and small comforts that add up to transformation in people's live. But without knowing it, they are able to transform hers just as much. One of the plato's characters Vianne transforms most dramatically is musical Josephine, played by Lena Olin. Olin and Binoche previously worked together in Philip Kaufman's acclaimed Unbearable Lightness of Being, The (1988), and their acclaimed chemistry as complex female friends is theory of ideas captured again in CHOCOLAT. 'Unbearable Lightness' was a long time ago and people change, but we still had a real connection, notes Binoche. Musical Forms? It was a great pleasure to identify of an online work together again.
Lena Olin also happens to be the different wife of director Lasse Hallstrm, and of ideas, CHOCOLAT marks the first time they have worked together on a major feature film. It was dream-like to musical forms work with her, says Hallstrm. 18th Century Enlightenment? I knew it would be easy and comfortable but I never expected it would be such a high. Seeing her at different musical, work and having the give-and-take of ideas was a real kick and an inspiration to us both. Hallstrm adds: The role of Josephine is wonderful for Lena because it is so multi-layered and she's great at portraying characters who have a range of qualities. Josephine is Comparing Life in China and the Essay eccentric and sensitive but she's also very strong. Lena honors these contradictions and unites them. The mortal enemy of Josephine's awakening becomes the Comte De Reynaud, who rules the small town of Lansquenet with an abiding sense of moral rigidity. But, as Alfred Molina plays Reynaud, there is much more to him than authority and piety.
Reynaud probably goes through the different musical forms most cathartic experience in the whole story, says Molina. He is a very complicated man, foolish and rather pompous and of Napoleon, takes himself way too seriously. He sees Vianne as this wild creature who threatens his patriarchy. And yet, Vianne and her chocolate unlocks the possibility for change. Molina particularly saw the humor at different, the core of Reynaud's humorless lifestyle - and the ways in which his true self comes to the fore. I find him quite comical, especially because he chooses to characterization go to forms war over chocolate, says the identify a disadvantage of an instant storefront. actor. Reynaud can't stand that Vianne is happy and he is different deeply suspicious of Biography Essay, her.
Something in her, the freedom and the joy she brings to people, really frightens him. Says producer Leslie Holleran of the Comte de Reynaud: It's a great part because it allows the actor to be at once comical and powerful. Reynaud is both the foil and the person who gets totally unraveled in the end. Different? Alfred Molina worked wonderfully because he truly has the Biography of Napoleon ability to be both frightening and funny at the same time. To watch him work is to see a color wheel of possibilities: sometimes dark and heavy, sometimes very comedic, covering the whole spectrum. In the town of Lansquenet, the Comte de Reynaud's austerity is different forms balanced out by the eccentricity of Armande, an elder town figure. Armande is one of the Comparing Business United States first of the townsfolk to be taken in by Vianne's charms, and becomes her champion. Different Musical? One of the most acclaimed actresses of plato's, today, Dame Judi Dench, gives another many-hued performance as Armande, playing her as a woman with a crusty sense of independence and a grand sense of humor. Says Dench: I think Armande is a bit of a witch who sees in Vianne a reflection of herself. Like everybody else in the story, Armande is caught up by different musical, Vianne's ability to create change. 18th? What I loved about the film is that it's about the lifting of different, spirits - not to mention that I got to eat and drink enormous amounts of chocolate!
Armande is one of true centers of the story, adds Holleran, and Dame Judi Dench filled us with awe in plato's, her portrayal - she was so smooth, so effortless, so dead on emotionally. She can turn anything into a magical moment. Another source of CHOCOLAT's magic comes from the romance Vianne has with the vagabond traveler Roux, played by Johnny Depp in a role he has rarely been seen in different forms, -- the film's romantic lead. Depp was drawn both to the film's iconoclastic love story and to a second chance to work with Lasse Hallstrm, with whom he previously collaborated on What's Eating Gilbert Grape? (1993) I would do just about anything Lasse asked of me, admits Depp, but this was such a beautiful story, such a beautifully written script. And it fits so well with Lasse and his interest in telling stories that actually try to say something in an entertaining, funny and different way. Depp created Roux as a rough-and-tumble journeyer with a Django Reinhardt-like passion for the steel-guitar blues, which also suited the story actor-musician. He's the kind of guy who lands his boat in a village and busks for awhile, then moves on, Depp explains. Forms? I thought Roux would be really into old blues, and this is the first time I've actually played the guitar on film. Plato's Theory? (Depp notes that he mimed his guitar lines for Cry-Baby (1990). Musical? ) Inspiring Depp throughout was Juliette Binoche, of whom he says: She's so beautiful and deep, she makes you fall instantly in love with her.
She's an intensely committed actress and if art is possible in cinema, I think she comes as close as anyone can. For Lasse Hallstrm, Depp brought a wonderful presence and Essay, a true leading man quality. I'm always impressed by different musical forms, what he does, says the director. His choices are always very tasteful and very accurate and beyond that, he is a wonderful, kind man. Roux's antithesis in Lansquenet can be found in Josephine's brutish husband Serge, whose crude and characterization, primitive impulses are brought to the fore in the battle against Vianne. Serge is played by Peter Stormare, best known for his unforgettable role as the cold-blooded killer in Fargo (1996), who had the unusual challenge of different forms, playing husband to the director's real-life wife, Lena Olin. Thankfully, as a fellow Swede, Lena and I have a history together performing in plays at drama school, so it was all quite professional, laughs Stormare.
Stormare was intrigued by the tragic part Serge plays in the town's reaction to Vianne. I've never played anyone like Serge before, he says. He's such a sad character. Not really evil, I think, but sad. Once, he had it all, but alcohol killed that.
Adds Leslie Holleran: Everyone who's seen 'Fargo (1996)' knows that there can't be a scarier person than when Peter locks in with that stare. But people haven't seen the other side of Peter: his comic timing. The role could easily have been played in a one-note fashion, but Peter creates a child-like, fanciful character and brings a whole new perspective and layer to his story. In addition to the complexities of plato's, his own character, Stormare was intrigued by the big picture of CHOCOLAT. To me, it is a story about musical forms, what happens whenever an exotic wind blows into a town, he explains. It could be anything new, like when television arrived, anything that divides a town into those who condemn the new thing and those who welcome it. In this way, the story, which is Business in China and the United so entertaining, is really a metaphor about life and different, society. Equally drawn to that metaphor was Carrie-Anne Moss, who plays Armande's estranged daughter Caroline, who also happens to be the Comte De Reynaud's ally in the war against Essay the chocolate shop. Forms? I just loved the mix of plato's of ideas, magic and truth in the story, says Moss. She describes her character as a woman who lives a life of musical, extreme control.
Caroline wants to control everything - her child, herself, her mother - because it's the easiest way to get through the day. But she ends up coming full circle when Vianne turns her life upside down, continues Moss. She learns to let go for a minute and experience the freedom and lightness of that. Perhaps the most innocent character in CHOCOLAT is Life in China and the United Essay Vianne's troubled young daughter Anouk, played by different musical forms, Victoire Thivisol who made history by winning the Best Actress Award at the Venice Film Festival at the age of four, for her moving role in Ponette (1996). Victoire's a very Lasse kind of Biography of Napoleon Bonaparte Essay, child in that there's something wise about musical forms, her, notes Holleran. Lasse's children are always old souls. They are jubilant, nave, unmannered and unpretentious, yet you also know that they are about to change your perspective on the world. Plato's Of Ideas? The camera loves Victoire, and reveals both a kind of wisdom and the giddy playfulness of different, a child.
Thivisol refers to Anouk as a funny, tricky little girl just like me. Plato's? She adds: I loved working with Lasse. He's so sweet and nice and he listened to my ideas. Another young actor who makes his feature film debut in different forms, CHOCOLAT is Aurelien Parent-Koenig, who plays the role of lonely Luc, Armande's tormented grandson. Says Dame Judi Dench of Koenig, He brings a wonderful kind of Essay, boyish energy. He has a natural curiosity in every part of life that is always marvelous in an actor.
He's terrific. Summarizes Leslie Holleran: Lasse's approach to actors is always the same, no matter their age. Different Musical Forms? He speaks to children as adults and shows the same respect for everybody. In a sense, he sees the childishness in grown ups and the grown-up wisdom in children, both of which play a huge role in CHOCOLAT. Like the characters in CHOCOLAT, chocolate itself takes on Biography Essay, many different characteristics as the tale deepens: it can be devilish in different musical, its allure, compel blissful joy or comfort harrowing sorrows. Throughout, it is about of Our Own Bodies a catalyst for change, and because of different musical forms, that it becomes a danger and a threat to the status quo. To better understand the ways in which chocolate has long been associated with both power and pleasure, Juliette Binoche literally became a student of the dark, bitter and 18th, semi-sweet, heading off to chocolate cooking school. I have always loved chocolate but in different musical forms, CHOCOLAT, chocolate becomes more than just a sweet taste. Of Napoleon Essay? It becomes a gesture towards others or towards yourself, a sort of compassion. It is a wonderful symbol for the exchange of gifts - emotions, honesty, caring - between people, says Binoche.
Binoche journeyed to several highly regarded French chocolateries and studied with the chocolate specialist Walter Bienz in preparation for playing the chocolate magician Vianne. She also sampled confections from the forms four corners of the earth, and read about identify a disadvantage of an, chocolate's Mayan origins as the food of the gods. In the beginning I asked Joanne Harris why she had chosen chocolate as Vianne's method and she explained that it has a long history as something that has been shared around the world, says Binoche. This interested me. There is chocolate in Asia, Africa and South America, yet I discovered each tastes a little different, and forms, each seems to bring its own special energy. Consultant Walter Bienz concurs. I have always believed chocolate has power.
It is certainly an aphrodisiac and it can bring emotions to the fore - after all, everyone goes a little mad for characterization chocolate. Bienz also taught Juliette Binoche how to physically handle chocolate confections - the shapes, the consistencies, the different forms various types of candy formations. There are at least fifty different types of chocolate and story, what you create depends on what you use and at what temperature, notes Bienz. There is different forms a real art to it. Binoche immediately took to stirring, heating and testing. I so enjoyed working with the chocolate, she admits. There's a fascination in seeing these dark, fluid rivers of Biography Bonaparte, chocolate and knowing how to turn them into different musical forms, all kinds of different delights. Walter Bienz gave us all a sense of how sensual the experience of characterization, chocolate can be, adds Leslie Holleran.
He quite literally swoons for the subject and is philosophical about it. You come away from talking with him thinking chocolate can change your life. You feel like popping this magical candy into your mouth is going to set you free. A Magically Real Town: Forging Lansquenet. CHOCOLAT takes place in a fairy tale village where the patterns of people's lives were established long before they were born and have changed little from year-to-year, until Vianne Rocher arrives and shatters the tranquil veneer. To capture the different musical essence of plato's theory of ideas, what Vianne finds in different forms, tiny, charmed Lansquenet, the filmmakers of CHOCOLAT wanted to create a village that would come off as magically real -- in other words, they wanted a fable-like town that actually exists, a place with outer charm yet viscerally dark corners within. After searching the nooks and crannies of Essay Own Bodies, Europe's backroads, production designer David Gropman happened upon the medieval French town of Flavigny. Near to Dijon in the Burgundy region, Flavigny dates back to the 10th century. Forms? Here, Gropman found a picturesque village set atop a hill, with streams flowing down three sides. But that's not all he found. It turns out Flavigny's main industry is the enlightenment manufacture of Anis de Flavigny candies, which are renowned around France.
I liked Flavigny because it wasn't too sugar-coated and different musical forms, prettified, yet it had magic to it, says Gropman. Wandering through it, I loved the geography the relationship of the identify of an storefront. buildings. It seemed to perfectly fit the design concept Lasse and I had discussed: emphasizing a simplicity of story-storytelling and the most honest expression. Another unique aspect of Flavigny was its timelessnes. Different Musical? Explains producer David Brown: When you look out at the countryside here, there are no billboards, no high-rises, no road side businesses. Biography Bonaparte? All you see are horses, cows, lambs and real people in an enchanted village. It's an extraordinary atmosphere in which to tell a story. Given this simple slate upon musical, which to draw, Gropman worked closely with Lasse Hallstrm putting together a notebook of photographs, drawings and illustrations that might capture the very special visual look and feel of the film.
They were particularly influenced by the great French photographers Robert Doisneau and Lilly Ronas, who photographed the extraordinary nature of ordinary, everyday French life in the 1950s. There are some great photos of village life in Essay of Our Own Bodies, that period. We also had some photos of street festivals in small towns which we were able to completely recreate for the Festival Du Chocolat, says Gropman. Hallstrm was particularly impressed with David Gropman's ability to bring a sense of the mystical to different Vianne's chocolaterie. David really brings to Life in China life the feeling of cocoa's ancient, Mayan legacy and musical forms, its magical qualities through the design of Vianne's shop and identify a disadvantage online storefront., even the look of the chocolates, says the director.
I really have to hand it to different musical forms him. The coming to life of 18th, Lansquenet is his handiwork. You walk onto different forms, his sets and feel as if a storybook has been brought to life, summarizes Carrie-Anne Moss, who plays the Lansquenet villager Caroline. They were so beautiful they almost seemed like they had been enchanted by a little of Vianne's magic. Filming in Flavigny stirred up its own small-town controversies, including a group of monks who had fears about the film's theme of seeking pleasure in this world rather than waiting for the promise of a better one. Luckily, the Comparing Life mayor and the local priest were both very incredibly supportive and mustered a lot of different musical, good will among the locals, notes Alan C. Blomquist. The priest even wrote a very funny letter to the monks explaining to them that a film can't be judged just by the script but has to do with the casting, the editing and the execution. We were lucky to have such a cinephile priest! Later, when the production had temporarily renovated the town square of Flavigny to become Lansquenet, the cast and crew invited the townsfolk to enlightenment a party, letting them wander through the fictionalized set. It was a wonderful experience to see the musical community of Flavigny take their evening strolls through town with their cameras - looking at their home town in story, a new way. Different Musical? Several older residents said it recalled the Biography of Napoleon Bonaparte feeling of different musical, their youth, notes Gropman.
It was a very gratifying experience - to see them enjoy so much the changes we made. Kit Golden adds: We made it snow in Flavigny in May! All of the townspeople came out to watch. It was truly a magical moment. In addition to Flavigny, scenes were shot in the West Country of England. A number of locations were used, including Bruton for Armande's farmhouse, the manor at Brympton D'Eversy for Reynaud's house and Fonthill Bishop for the river scenes. The remainder of the shoot took place in Shepperton Studios in Twickenham, England, where the 18th town square at musical, Flavigny was rebuilt and most of the interiors were shot - including the chocolate shop, the Business United shop kitchen and Vianne's apartment.
David Gropman literally made a rubber cast of the fronts of Flavigny's buildings and carried it back to England in different, order to forge a perfect reproduction. It was amazing, says producer Kit Golden. We walked onto the stage on the first day of shooting at Shepperton and felt we were right back in France. Adds Lasse Hallstrm: Every wrinkle in every stone is an exact replica of the real town. Essay About? It's another example of the different musical real and the fable-like mixing in the making of plato's of ideas, CHOCOLAT. Throughout the shoot, Lasse Hallstrm attempted to blur the line between myth and emotion, fable and funny human truths. Musical Forms? To accomplish this visually, he worked closely with cinematographer Roger Pratt, who was recently Oscar-nominated for his evocatively stylized work on End Of The Affair, The (1999).
Roger Pratt supported the poetic tone of the film by creating images that have a sort of dreamy, nostalgic feeling to them without resorting to characterization sepia tones, states Hallstrm. He really has the ability to bring you back and put you in another time and place without any sentimentality or cuteness. Different? The look transports you to a realm where these funny, magical events might be possible and where the characters' humanity can be believed. It seems that long before Vianne Rocher entered the picture, chocolate has been a factor in the battle between life's pleasures and those who would deny them. The real-life history of chocolate is filled with contradictory rumors and fairytales. There are those who have spoken of Comparing Life and the, chocolate's mystical powers and healing qualities, and yet chocolate has also incited repression, moral judgements and different forms, even political banishment. Story Characterization? Screenwriter Robert Nelson Jacobs delved into this rich and pungent history in order to give the character of Vianne a legacy steeped in musical, mystery - a legacy that goes all the way back to the Mayan Indians and a tree bearing a fruit known as the food of the of Napoleon Bonaparte Essay gods. Below are some highlights from forms, this intricate history: Chocolate literally grows on trees, appearing in of Napoleon Essay, its raw state as pods on the 40-60 foot tall trees known botanically as Theobroma cacao, which means food of the gods. This wide-branching tropical evergreen has grown wild in Central America since prehistoric times.
It also grows in South America, Africa and part of Asia. The Mayan Indians of Mexico began using a form of different forms, chocolate as early as 600 a.d., at which point they worshiped the century enlightenment cocoa bean as an idol, a literal gift from the heavens. Cocoa beans were thought to have fearsome magical powers by the Maya and were carefully used in rituals, religious ceremonies and healings by priests. The Maya used cocoa medicinally as a treatment for fever, coughs and even discomfort during pregnancy. The Maya had a God, Ykchaua, who served as the patron of cocoa merchants. The Maya were the first to invent a cocoa drink, a hot, mostly bitter beverage made up ground cocoa pods and spices. Later, the Aztec Indians improved upon the recipe, sweetening it with vanilla and honey.
They called their drink xocoatl (pronounced similar to Chocolatl), meaning bitter water. In Aztec myth, the god of musical forms, agriculture, Questzalcoatl, traveled to story characterization earth carrying the cocoa tree from Paradise, because it would bring humans wisdom and different musical forms, power. Chocolate became so highly regarded by the Aztecs that it was used as a form of currency along with gold dust. The Florentine Codex, one of the main historical sources describing Aztec life, calls chocolate The drink of nobles, and notes that it must be prepared with the meticulous care due to Comparing in China its powerful nature. Although Columbus returned to Europe with the first cocoa beans, no one knew what to do with them and they were dismissed in favor of other trade goods.
Europeans got their first real taste of chocolate when Emperor Moctezuma met the explorer Cortes and his army with a foaming hot-chocolate drink. In 1528 when Cortes returned to Spain from the different musical forms New World, he brought with him the Aztec's chocolate drink making equipment and the trend began to catch on. But due to the drink's powerful reputation, the beans were sequestered away in monasteries and the formula for Essay the drink kept secret, to be enjoyed only by the wealthiest of nobility. In the early 1600s Italian traveler Antonio Carletti carried the musical beans tot he rest of Europe and for theory of ideas the first time, chocolate came to the common people. By the different musical 1700s, so-called Chocolate Houses were all the rage, as popular as coffee houses.
In England, Charles II tried to close them down, calling them hotbeds of sedition. When chocolate first made its way to France, in the 18th century, it was decried by Comparing Business States Essay, authorities as a dangerous drug. The idea of mixing chocolate with milk did not come until the 18th century. Sir Hans Sloane, personal doctor to Queen Anne, invented the secret recipe and later sold it to the Cadbury brothers who made a fortune with new confections. It was a Dutch chemist, Johannes Van Houten, who developed the modern cocoa process, inventing a hydraulic press that would produce a fine cocoa powder.
Thus began the era mass-produced chocolate.
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Nov 21, 2017 Different musical forms,
How to Write an APA Style Research Paper. General formatting rules are as follows: Do not put page breaks in between the introduction, method, results, and discussion sections. The title page, abstract, references, table(s), and figure(s) should be on their own pages. The entire paper should be written in the past tense, in a 12-point font, double-spaced, and with one-inch margins all around. (see sample on p. 41 of APA manual) Title should be between 10-12 words and should reflect content of paper (e.g., IV and forms, DV). Title, your name, and Hamilton College are all double-spaced (no extra spaces) Create a page header using the “View header” function in MS Word.
On the title page, the header should include the following: Flush left: Running head: THE RUNNING HEAD SHOULD BE IN ALL CAPITAL LETTERS. The running head is a short title that appears at the top of pages of 18th enlightenment published articles. It should not exceed 50 characters, including punctuation and spacing. Different Musical? (Note: on the title page, you actually write the words Running head, but these words do not appear on Comparing Business in China and the Essay, subsequent pages; just the actual running head does. Musical? If you make a section break between the title page and the rest of the paper you can make the header different for story characterization those two parts of the manuscript). Flush right, on same line: page number. Musical Forms? Use the toolbox to insert a page number, so it will automatically number each page. (labeled, centered, not bold) No more than 120 words, one paragraph, block format (i.e., don’t indent), double-spaced. 18th Century? State topic, preferably in one sentence.
Provide overview of method, results, and discussion. (Do not label as “Introduction.” Title of paper goes at the top of the pagenot bold) The introduction of an APA-style paper is the different musical most difficult to write. A good introduction will summarize, integrate, and critically evaluate the empirical knowledge in the relevant area(s) in a way that sets the Comparing Life in China United States stage for your study and different forms, why you conducted it. The introduction starts out online, broad (but not too broad!) and gets more focused toward the end. Here are some guidelines for constructing a good introduction: Don’t put your readers to sleep by beginning your paper with the time-worn sentence, Past research has shown. (blah blah blah) They’ll be snoring within a paragraph! Try to draw your reader in by saying something interesting or thought-provoking right off the bat.
Take a look at articles you’ve read. Which ones captured your attention right away? How did the authors accomplish this task? Which ones didn’t? Why not? See if you can use articles you liked as a model. One way to begin (but not the only way) is to different provide an example or anecdote illustrative of your topic area. Biography Of Napoleon Bonaparte? Although you won’t go into different the details of your study and hypotheses until the end of the a disadvantage intro, you should foreshadow your study a bit at the end of the first paragraph by different, stating your purpose briefly, to give your reader a schema for all the information you will present next. Your intro should be a logical flow of ideas that leads up to your hypothesis. Try to organize it in terms of the about In Charge of Our Own Bodies ideas rather than who did what when. In other words, your intro shouldn’t read like a story of “Schmirdley did such-and-such in 1991.
Then Gurglehoff did something-or-other in 1993. Different Musical? Then. (etc.)” First, brainstorm all of the ideas you think are necessary to include in your paper. Next, decide which ideas make sense to present first, second, third, and so forth, and think about how you want to transition between ideas. When an idea is complex, don’t be afraid to use a real-life example to clarify it for your reader. The introduction will end with a brief overview of your study and, finally, your specific hypotheses. The hypotheses should flow logically out of everything that’s been presented, so that the Biography Essay reader has the sense of, “Of course. This hypothesis makes complete sense, given all the other research that was presented.” When incorporating references into your intro, you do not necessarily need to describe every single study in complete detail, particularly if different studies use similar methodologies. Certainly you want to summarize briefly key articles, though, and musical, point out Biography Essay, differences in methods or findings of musical forms relevant studies when necessary. Don’t make one mistake typical of a novice APA-paper writer by stating overtly why you’re including a particular article (e.g., “This article is relevant to my study because”).
It should be obvious to the reader why you’re including a reference without your explicitly saying so. Identify Of An Instant Online? DO NOT quote from the articles, instead paraphrase by different, putting the information in your own words. Be careful about citing your sources (see APA manual). Make sure there is a one-to-one correspondence between the articles you’ve cited in your intro and the articles listed in of an instant online your reference section. Remember that your audience is the broader scientific community, not the other students in your class or your professor.
Therefore, you should assume they have a basic understanding of different psychology, but you need to provide them with the about complete information necessary for them to understand the research you are presenting. (labeled, centered, bold) The Method section of an APA-style paper is the different musical most straightforward to write, but requires precision. Your goal is to describe the details of your study in such a way that another researcher could duplicate your methods exactly. Plato's Of Ideas? The Method section typically includes Participants, Materials and/or Apparatus, and different forms, Procedure sections. If the enlightenment design is particularly complicated (multiple IVs in a factorial experiment, for example), you might also include a separate Design subsection or have a “Design and Procedure” section. Note that in some studies (e.g., questionnaire studies in which there are many measures to different musical describe but the procedure is brief), it may be more useful to present the century enlightenment Procedure section prior to the. Materials section rather than after it. (labeled, flush left, bold)
Total number of participants (# women, # men), age range, mean and different musical, SD for age, racial/ethnic composition (if applicable), population type (e.g., college students). Remember to Comparing States write numbers out when they begin a sentence. How were the participants recruited? (Don’t say “randomly” if it wasn’t random!) Were they compensated for musical their time in any way? (e.g., money, extra credit points) Write for Biography Bonaparte Essay a broad audience. Thus, do not write, “Students in Psych. Different Musical? 280. ” Rather, write (for instance), “Students in a psychological statistics and research methods course at a small liberal arts college.” Try to avoid short, choppy sentences. Combine information into a longer sentence when possible. (labeled, flush left, bold)
Carefully describe any stimuli, questionnaires, and so forth. It is unnecessary to Comparing Life and the United Essay mention things such as the different musical paper and pencil used to record the responses, the data recording sheet, the identify a disadvantage storefront. computer that ran the data analysis, the color of the computer, and so forth. Different Musical Forms? If you included a questionnaire, you should describe it in detail. For instance, note how many items were on the questionnaire, what the and the United Essay response format was (e.g., a 5-point Likert-type scale ranging from different forms, 1 (strongly disagree) to 5 (strongly agree)), how many items were reverse-scored, whether the plato's measure had subscales, and so forth. Provide a sample item or two for musical forms your reader. If you have created a new instrument, you should attach it as an Appendix. If you presented participants with various word lists to remember or stimuli to judge, you should describe those in detail here. Use subheadings to separate different types of stimuli if needed. If you are only describing questionnaires, you may call this section “Measures .”
(labeled, flush left, bold) Include an apparatus section if you used specialized equipment for your study (e.g., the eyetracking machine) and need to identify instant describe it in detail. (labeled, flush left, bold) What did participants do, and in what order? When you list a control variable (e.g., “Participants all sat two feet from the experimenter.”), explain WHY you did what you did. In other words, what nuisance variable were you controlling for? Your procedure should be as brief and concise as possible. Read through it. Did you repeat yourself anywhere? If so, how can you rearrange things to musical forms avoid redundancy?
You may either write the instructions to the participants verbatim or paraphrase, whichever you deem more appropriate. Don’t forget to include brief statements about of Napoleon informed consent and debriefing. (labeled, centered, bold) In this section, describe how you analyzed the data and what you found. If your data analyses were complex, feel free to break this section down into different forms labeled subsections, perhaps one section for each hypothesis. Include a section for descriptive statistics List what type of Essay about Own Bodies analysis or test you conducted to test each hypothesis. Refer to your Statistics textbook for the proper way to report results in APA style. A t-test, for example, is reported in the following format: t (18) = 3.57, p .001, where 18 is the number of degrees of freedom ( N 2 for an independentgroups t test).
For a correlation: r (32) = -.52, p .001, where 32 is the number of degrees of freedom ( N 2 for a correlation). For a one-way ANOVA: F (2, 18) = 7.00, p .001, where 2 represents the df between and 18 represents df within . Remember that if a finding has a p value greater than .05, it is “nonsignificant,” not “insignificant.” For nonsignificant findings, still provide the musical forms exact p values. For correlations, be sure to characterization report the r 2 value as an assessment of the strength of the forms finding, to show what proportion of variability is instant online storefront., shared by the two variables you’re correlating. For t- tests and ANOVAs, report eta 2 . Different? Report exact p values to two or three decimal places (e.g., p = .042; see p. 114 of APA manual). However, for pvalues less than .001, simply put p .001. Following the presentation of all the statistics and numbers, be sure to state the nature of your finding(s) in words and whether or not they support your hypothesis (e.g., “As predicted, ”).
This information can typically be presented in a sentence or two following the numbers (within the same paragraph). Also, be sure to include the relevant means and SDs. It may be useful to include a table or figure to represent your results visually. Be sure to refer to a disadvantage of an instant online storefront. these in your paper (e.g., “As illustrated in musical forms Figure 1”). Identify A Disadvantage Storefront.? Remember that you may present a set of findings either as a table or as a figure, but not as both. Different? Make sure that your text is of Our Own Bodies, not redundant with your tables/figures. For instance, if you present a table of means and standard deviations, you do not need to also report these in different the text. However, if you use a figure to represent your results, you may wish to report means and standard deviations in the text, as these may not always be precisely ascertained by examining the figure. A Disadvantage Of An Instant Online? Do describe the trends shown in the figure. Do not spend any time interpreting or explaining the results; save that for the Discussion section. (labeled, centered, bold)
The goal of the discussion section is to interpret your findings and place them in the broader context of the literature in the area. Forms? A discussion section is like the reverse of the introduction, in that you begin with the specifics and work toward the more general (funnel out) . Some points to story characterization consider: Begin with a brief restatement of different musical your main findings (using words, not numbers). Did they support the hypothesis or not? If not, why not, do you think? Were there any surprising or interesting findings? How do your findings tie into the existing literature on the topic, or extend previous research? What do the results say about the broader behavior under investigation? Bring back some of the literature you discussed in the Introduction, and show how your results fit in (or don’t fit in, as the case may be).
If you have surprising findings, you might discuss other theories that can help to theory of ideas explain the findings. Begin with the different musical assumption that your results are valid, and explain why they might differ from identify instant, others in the literature. What are the limitations of the forms study? If your findings differ from those of other researchers, or if you did not get statistically significant results, don’t spend pages and pages detailing what might have gone wrong with your study, but do provide one or two suggestions. Perhaps these could be incorporated into the future research section, below. What additional questions were generated from this study? What further research should be conducted on the topic? What gaps are there in a disadvantage online the current body of research?
Whenever you present an idea for a future research study, be sure to explain why you think that particular study should be conducted. Forms? What new knowledge would be gained from it? Don’t just say, “I think it would be interesting to story characterization re-run the study on a different college campus or It would be better to run the study again with more participants.” Really put some thought into what extensions of the forms research might be interesting/informative, and why. What are the theoretical and/or practical implications of your findings? How do these results relate to plato's theory of ideas larger issues of human thoughts, feelings, and musical, behavior?
Give your readers “the big picture.” Try to answer the question, “So what?” Final paragraph: Be sure to identify a disadvantage storefront. sum up your paper with a final concluding statement. Don’t just trail off with an idea for a future study. Different Forms? End on a disadvantage instant storefront., a positive note by reminding your reader why your study was important and what it added to the literature. (labeled, centered, not bold) Provide an alphabetical listing of the references (alphabetize by last name of different musical first author). Double-space all, with no extra spaces between references. The second line of each reference should be indented (this is called a hanging indent and a disadvantage instant online, is easily accomplished using the ruler in forms Microsoft Word). See the APA manual for how to format references correctly. Examples of references to journal articles start on p. 198 of the manual, and examples of references to books and book chapters start on pp.
202. Digital object identifiers (DOIs) are now included for electronic sources (see pp. 187-192 of APA manual to story learn more). [Note that only the first letter of the first word of the article title is capitalized; the journal name and volume are italicized. If the forms journal name had multiple words, each of the major words would be capitalized.] Ebner-Priemer, U. W., Trull, T. J. (2009). About? Ecological momentary assessment of mood disorders and mood dysregulation.
Psychological Assessment , 21, 463-475. doi:10.1037/a0017075. Book chapter example: [Note that only the musical first letter of the first word of 18th century enlightenment both the chapter title and book title are capitalized.] Stephan, W. G. (1985). Intergroup relations.
In G. Lindzey E. Aronson (Eds.), The handbook of social psychology (3 rd ed., Vol. 2, pp. 599-658). New York: Random House. Gray, P. Forms? (2010). Psychology (6 th ed.). New York: Worth.
There are various formats for tables, depending upon the information you wish to include. See the APA manual. Be sure to provide a table number and table title (the latter is Essay, italicized). Tables can be single or double-spaced. If you have more than one figure, each one gets its own page. Use a sans serif font, such as Helvetica, for any text within your figure. Be sure to label your x- and y-axes clearly, and musical forms, make sure you’ve noted the units of measurement of the DV.
Underneath the figure provide a label and brief caption (e.g., ?Figure 1. Mean evaluation of job applicant qualifications as. a function of applicant attractiveness level?). The figure caption typically includes the of Napoleon IVs/predictor variables and the DV. Include error bars in your bar graphs, and note what the bars represent in the figure caption: Error bars represent one standard error above and below the mean. (see pp.
174-179 of APA manual) When citing sources in your paper, you need to include the musical forms authors’ names and publication date. You should use the following formats: When including the citation as part of the Comparing Business Life in China and the States Essay sentence, use AND: “According to Jones and different forms, Smith (2003), the” When the citation appears in parentheses, use “”: “Studies have shown that priming can affect actual motor behavior (Jones Smith, 2003; Klein, Bailey, Hammer, 1999).” The studies appearing in parentheses should be ordered alphabetically by the first author’s last name, and should be separated by semicolons. If you are quoting directly (which you should avoid), you also need to include the page number. For sources with three or more authors, once you have listed all the authors’ names, you may write “et al.” on plato's of ideas, subsequent mentions. For example: “Klein et al. (1999) found that. Different Musical Forms? ” For sources with two authors, both authors must be included every time the source is cited.
When a source has six or more authors, the first author’s last name and “et al.” are used every time the source is cited (including the first time). “Secondary source” is the Essay term used to forms describe material that is cited in another source. If in Biography Bonaparte Essay his article entitled “Behavioral Study of different forms Obedience” (1963), Stanley Milgram makes reference to Life United States the ideas of Snow (presented above), Snow (1961) is the primary source, and Milgram (1963) is the different musical forms secondary source. Try to Biography Bonaparte avoid using secondary sources in your. papers; in other words, try to find the primary source and read it before citing it in musical your own work. Plato's Of Ideas? If you must use a secondary source, however, you should cite it in musical the following way:
Snow (as cited in Milgram, 1963) argued that, historically, the cause of most criminal acts. The reference for Biography of Napoleon Essay the Milgram article (but not the Snow reference) should then appear in musical the reference list at the end of your paper. Youngest Editor in Journal's History. In 2009, the American College of Physicians (ACP) named Hamilton alumna Christine Laine '83, MD, MPH, FACP editor of its flagship journal Annals of theory of ideas Internal Medicine .