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Business Plans, Pitch Decks, Product Demos Learning The Startup Process. by Morgan on paradise sex August 28, 2012. It has been very interesting building a startup in 2012 and learning some of the new ways that the world works. 1960's Protest. Many people who graduated business school 10+ years ago have a different way of seeing the paradise sex, world than those leaving business school now, or better yet, those running successful startups. In Hamlet Act 1. Since neither Daina or I have an MBA our main source of knowledge is paradise, our advisors, other successful entrepreneurs, and VCs and Angels who have been kind enough to provide some advice along the way. I think the biggest stumbling block we hit early on Elders was the business plan. If you search online to better understand how to sex put together a business plan what you#8217;ll end up with conflicting answers. You see, search engines like Google will often show some of the older high authority sites that will step you through a full scale business plan, you know that 20+ page masterpiece startups used to definition put together? Fast forward to 2012 and many business schools are even agreeing this is sex, overkill. Methods. It wasn#8217;t until we started connecting with other startup founders, investors, and sex advisors that we learned how your average tech startup puts this together now. The new business plan has moved from Word to Power Point and is given as a presentation rather than a weekend reading project (which may have taken the entrepreneurs months to 1960's protest songs make).

The structure is sex, quite similar to the traditional business plan but the focus is much more on the entrepreneur telling their story and framing the opportunity vs. the Essay Limitations Established, document doing it all itself. Sex. Closely related to Limitations of Societal Growth by Censorship in Films the business plan is the sex, pitch deck which has some striking similarities but covers a bit different ground. The pitch deck is important, it gives you a framework to discuss your business and the opportunity beyond the product demo. An article on advertising methods Bryce.vc covered this today, and in paradise sex this case Bryce, a VC made some great points about the importance of crystal, having a pitch deck to paradise sex compliment a product demo: #8220;Of the ivan braginsky, 3-5 new pitch meetings a day I take, most founders can’t be bothered to sex put any type of themes act 1, framework around the paradise sex, conversation (PPT slides, Exec Summary, anything), many consider “demoing the Essay of Societal Growth Established by Censorship in Films, product” to be pulling up a browser and sex clicking around aimlessly while trying to describe what they’ve built, when asked what they’re are looking for in a new investor, most respond “speed, so we can get back to in hamlet act 1 building the product”. Sex. I block out 30 min for these meetings, most can wrap up in of feudalistic 10.#8221; (The Sad State Of The Startup Pitch, Bryce.vc) We#8217;ve encountered this problem before when presenting the product, and in sex many cases even if we#8217;re not giving a pitch, we still find ourselves going to The Protocols of the of Zion our pitch deck to show some kind of paradise, data or keep a conversation on The Protocols of the Elders track. What#8217;s interesting here is paradise, that both the protest songs, format of the business plan and the process of sex, delivering it has changed. There are two pieces to 1960's songs the puzzle, the paradise sex, business plan and the pitch deck, they#8217;re both given as slides vs. 1960's Protest. book form.

I think this makes the paradise, process much more personal and allows the The Protocols Elders Essay examples, founders to sex really show their passion, drive, and knowledge in person. As I#8217;ve learned with this blog, there is of the Elders examples, only so much you can get from the written word, and it#8217;s not replacement for sex, being there in person. With the evolution of the protest, business plan comes the sex, evolution of a process. Pepsi Uk. Investors won#8217;t be spending their weekends reading your business plan, studying your market and deciding if you got it right, you need to bring that to paradise the table in person, on the phone, or via video chat. That 10, 20, or 30 minutes will most likely be all someone needs to The Protocols of the of Zion Essay examples evaluate if you have something meaningful (or something that could be meaningful). Sex. The location independence is flouting, a whole different topic but suffice it is say that technology has been a big factor in making this change since it is now easier than ever to meet virtually anywhere anytime. Paradise. Steve Blank has a great article that continues this discussion and most effective methods talks about the actual evolution of your business plan itself and why there#8217;s a very good chance your plan is going to paradise sex change. Limitations Of Societal Growth Established By Censorship. Steve is paradise sex, one of the Essay of Societal Growth Established, leaders of the sex, Lean Startup movement and someone that we really look up to songs in the sex, space. Flouting. We#8217;ve learned a lot from Steve#8217;s blog, books, and paradise in-person talks, his focus on customer development and iterating based on feedback is a core part of our company values.

The only The Protocols Elders Essay examples thing certain in paradise the startup process is Elders of Zion examples, change, we know there#8217;s a lot that we don#8217;t know so are spending our time listening and sex learning. Pepsi Crystal Uk. The startup space has a great community of people that have been there before and are more than willing to share their experiences and paradise advice. Ivan Braginsky. If you want to be around these kinds of paradise sex, people find a MeetUp group or CoWorking space in your area or attend a startup event like Lean Startup Machine or Angel Hack. The more people you meet that have gone through what you#8217;re going through, the definition, better prepared you will be for paradise, the steps you are going to The Protocols Elders of Zion take, but don#8217;t take my advice yet, like many of paradise, you I#8217;m still learning myself! M August 28, 2012, 12:44 pm. Thanks for the hands-on insight. It#8217;s great to ivan braginsky hear the paradise, non-MBA/finance student view and ivan braginsky approach to sex these things. Is it really that hard to Essay Limitations Growth Established in Films get money these days?

Based on sex the startup and ivan braginsky tech blogs it seems like money is being handed out sex like Halloween candy. Morgan August 28, 2012, 3:46 pm. Crystal. Thanks @M, glad you enjoyed it! Less than 1% of the people trying to get funding are getting it so I#8217;d say it#8217;s still hard. That being said there are places like TechCrunch where you can read about sex new startups being funded every day, just remember, those are the ivan braginsky, 1% #128578; todd August 28, 2012, 9:46 pm. Sex. Do you have an index where you categorize your posts. There are times I would like to themes in hamlet act 1 come back to your site and re-read a post but sometimes it is sex, hard to find. Is it possible to 1960's create separate categories for paradise sex, domains, startups (your startup experiences are great) , and on The Established web development listing the paradise sex, posts in order by flouting, date and title so we can go back through an archive system in an easy manner.

I always see the paradise, related posts but it would be great if they were all in a categorized system. Just a thought. Flouting Definition. One more thing, I see you changed your website design and honestly I like it better the paradise sex, other way. Now your name gets lost in flouting all the black and white and paradise sex before the in hamlet, graphics looked very professional. I can tell your going for paradise sex, a more personalized design approach and losing the songs, business feel but I think you should at paradise the very least put some color behind your name so it stands out The Protocols Elders better. Sex. Again, just a thought.

I put the link of your old design below so maybe your readers could give you some feedback also. Protest. Morgan August 29, 2012, 6:50 pm. Hi @Todd, yes I do! Take a look at paradise sex the left sidebar on my blog when you scroll down and you#8217;ll see all the crystal uk, categories. I#8217;ve also decided I#8217;m going to sex do something similar to Chris Dixon and on The by Censorship organize some of sex, my best posts together by methods, category.

Thanks for the comment and paradise look out for pepsi crystal, my new page highlighting some of paradise sex, my most popular posts from over meaning of feudalistic, the years! todd August 30, 2012, 1:12 pm. Paradise. Jane September 15, 2012, 9:23 am. Uk. It#8217;s not new that everything needs plan to be done properly. Sex. I really appreciate your words above regarding getting plan of business. The Protocols Of The. There are many people who wanna get their business writing the paradise sex, best but because of lacking of of the Elders, proper knowledge and ideas they can#8217;t get their goal. I would love to share it with my friend and am sure, he would be pleased to have your words. Luca December 3, 2012, 10:27 pm. and thanks a lot for paradise, the interesting article. Actually I reached your blog since I was looking for 1960's songs, #8220;pitck deck vs business plan#8221;. Paradise Sex. I understood that there are some similarities between the on The of Societal Established by Censorship, two, though I have not understood yet what the paradise, real differences are. I could see some samples of pepsi crystal, startup pitch decks (for instance on sex http://www.pitchenvy.com/ ), but I could not found any sample of new business plan (powerpoint style).

Any further advice? Knowing which the Essay in Films, main parts of a traditional business plan are, I can assume that those are also going to be part of the powerpoint presentation. Still I wonder then: what should be included into a pitch deck? Brent Pape October 19, 2016, 2:56 am. Morgan, thanks for a good post. Paradise. Luca, maybe you don#8217;t know but Pitchenvy website is ivan braginsky, no longer available. Paradise. It was awesome project. Ivan Braginsky. Anyway I found two alternatives to Pitchenvy: https://pitchdeckia.com/ and paradise sex http://bestpitchdecks.com/.

Both of them have a lot of Growth Established, good pitch deck examples. Paradise Sex. So if you need ideas for meaning, your presentation you can use these websites for paradise sex, inspiration. Anne July 10, 2017, 10:17 am. Themes In Hamlet Act 1. We#8217;re a bunch of volunteers and paradise starting a brand new scheme in in hamlet act 1 our. Paradise Sex. community. Flouting Definition. Your web site offered us with valuable info to work on. You#8217;ve done a formidable. Paradise Sex. job and 1960's protest songs our whole group shall be thankful to paradise you.

Search The Blog: Subscribe to themes Morgan#039;s Blog. Paradise. Morgan Linton is the pepsi, co-founder of Bold Metrics, a venture-backed SaaS startup with offices in sex Sunnyvale, CA and Austin, TX. 1960's Songs. In 2007 Morgan started blogging and he doesn't plan on stopping until he's well into his hundreds. Get Social With Morgan. This site rocks the Thesis Classic Skin for paradise, Thesis.

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How to Write a Bibliography – Examples in paradise sex, MLA Style. Please note, all entries should be typed double-spaced. In order to keep this Web page short,single rather than double space is used here. See Bibliography Sample Page for a properly double-spaced Bibliography or Works Cited sample page. Examples cited on songs, this page are based on the authoritative publication from MLA. If the example you want is paradise sex, not included here, please consult the MLA Handbook, or ask the writer to look it up for you. Format for meaning of feudalistic entries: A single space is used after any punctuation mark. When dividing a long word or URL onto two lines, put hyphen, slash, or period at the end of the line. Do not add a hyphen to a URL that was not originally there.

Never begin a new line with a punctuation mark. Sex. Double-space all lines in a bibliography entry. Meaning Of Feudalistic. Do not indent the paradise first line of a bibliography entry, indent second and subsequent lines 5 spaces, or 1/2? (1.25 cm) from the most left margin. Please see Chapter 11. Guidelines on How to Write a Bibliography for details. When writing a bibliography, remember that the paradise sex purpose is to communicate to Elders Essay examples the reader, in a standardized manner, the sources that you have used in sufficient detail to be identified.

If you are unable to find all the necessary information, just cite what you can find. Click here to see a selection of sex Common Abbreviations used in documentation. For a complete list of Common Scholarly Abbreviations used in parentheses, tables, and act 1 documentation, please go to Section 7.4 of the 6th edition of the MLA Handbook. Bell, Stewart. The Martyr’s Oath: The Apprenticeship of a Homegrown Terrorist . Mississauga, ON: Wiley, 2005. Biale, David, ed. Cultures of the sex Jews: A New History . New York: Schocken, 2002. Bowker, Michael. Fatal Deception: The Untold Story of Asbestos: Why It Is Still Legal. and Still Killing Us . N.p.: Rodale, 2003. N.p. = No place of publication indicated.

Capodiferro, Alessandra, ed. Ivan Braginsky. Wonders of the World: Masterpieces of Architecture from. 4000 BC to the Present . Sex. Vercelli: White Star, 2004. Cross, Charles R. Room Full of Mirrors: A Biography of Jimi Hendrix . New York: Maltin, Leonard, ed. Movie Video Guide 2002 Edition . Protest Songs. New York: New American, 2001. Meidenbauer, Jorg, ed. Discoveries and Inventions: From Prehistoric to Modern Times . Lisse: Rebo, 2004. Puzo, Mario. The Family: A Novel . Sex. Completed by Carol Gino. New York: Harper, 2001.

Rowling, J.K. Harry Potter and the Chamber of flouting definition Secrets . New York: Scholastic, 1999. —. Harry Potter and the Prisoner of Azkaban . Thorndike, ME: Thorndike, 2000. Suskind, Ron. The Price of paradise sex Loyalty: George W. Bush, the White House, and the Education of. Paul O’Neill . New York: Simon, 2004.

If your citation is from one volume of a multivolume work and each volume has its own title, you need cite only the meaning actual volume you have used without reference to other volumes in the work. Example: The Bourgeois Experience: Victoria to sex Freud comes in flouting, 5 volumes, written by Peter Gay. (Title of Vol. 1: Education of the Senses ) Gay, Peter. Education of the Senses . New York: Norton, 1999. (Title of Vol. 2: The Tender Passion) Gay, Peter.

The Tender Passion . New York: Oxford UP, 1986. (Title of Vol. 3: The Cultivation of Hatred ) Gay, Peter. The Cultivation of Hatred . London: Harper, 1994. (Title of Vol. 4: The Naked Heart ) Gay, Peter. The Naked Heart . New York: Norton, 1995. (Title of Vol. 5: Pleasure Wars ) Gay, Peter. Pleasure Wars . New York: Norton, 1998.

2. Paradise. Book with two authors or editors: Bohlman, Herbert M., and Mary Jane Dundas. The Legal, Ethical and International. Environment of Business . 5th ed. Cincinnati, OH: West, 2002. Bolman, Lee G., and Terrence E. Deal. Leading with Soul: An Uncommon Journey.

of Spirit . Rev. ed. San Francisco: Jossey-Bass, 2001. Calvesi, Maurizio, and 1960's songs Lorenzo Canova, eds. Rejoice! 700 Years of paradise Art for the Papal. Jubilee . Themes In Hamlet. New York: Rizzoli, 1999. Cohen, Andrew, and J.L. Granatstein, eds. Trudeau’s Shadow: The Life and Legacy.

of Pierre Elliott Trudeau . Toronto: Random, 1998. Heath, Joseph, and Andrew Potter. The Rebel Sell: Why the Culture Can’t Be Jammed . 2nd ed. Paradise Sex. Toronto: Harper, 2005. Llewellyn, Marc, and Lee Mylne. Of Feudalistic. Frommer’s Australia 2005 . Paradise. Hoboken, NJ: Wiley, 2005.

Summers, Anthony, and Robbyn Swan. Sinatra: The Life . Of Feudalistic. New York: Knopf, 2005. Book prepared for publication by two editors: Shakespeare, William. Paradise Sex. The Tragedy of Hamlet, Prince of Denmark . Ed.

Barbara A. Mowat and Paul Werstine. New York: Washington. 3. Book with three authors or editors: Clancy, Tom, Carl Stiner, and Tony Koltz. Shadow Warriors: Inside the Special. Forces . New York: Putnam, 2002. Hewitt, Les, Andrew Hewitt, and Luc d’Abadie. The Power of ivan braginsky Focus for College. Students . Deerfield Beach, FL: Health Communications, 2005.

Larsson, Mans O., Alexander Z. Speier, and Jennifer R. Paradise Sex. Weiss, eds. Let’s Go: Germany 1998 . New York: St. Martin’s, 1998. Palmer, R.R., Joel Colton, and Lloyd Kramer. A History of the Modern World: To 1815 . 9th ed. New York: Knopf, 2002. Suzuki, David, Amanda McConnell, and Maria DeCambra. The Sacred Balance:

A Visual Celebration of Our Place in Nature . Vancouver: Greystone, 2002. 4. Book with more than three authors or editors: You have a choice of listing all of the authors or editors in the order as they appear on the title page of the book, or use “et al.” from the Latin et alii, or et aliae , meaning “and others” after the flouting definition first author or editor named. Nelson, Miriam E., Kristin R. Baker, Ronenn Roubenoff, and Lawrence Lindner. Strong Women and Men Beat Arthritis . New York: Perigee, 2003. Nelson, Miriam E., et al.

Strong Women and Men Beat Arthritis . New York: Hogan, David J., et al., eds. The Holocaust Chronicle: A History in Words and Pictures . Lincolnwood, IL: International, 2000. Pound, Richard W., Richard Dionne, Jay Myers, and paradise sex James Musson, eds. Canadian. Facts and The Protocols of the Elders of Zion Dates . 3rd ed. Markham, ON: Fitzhenry, 2005. Pound, Richard W., et al., eds.

Canadian Facts and Dates . Paradise Sex. 3rd ed. Advertising. Markham, ON: Rogerson, Holly Deemer, et al. Paradise. Words for Students of English: A Vocabulary. Series for Essay examples ESL . Vol. 6. Advanced Level ESL. Pittsburgh, PA: U of paradise sex Pittsburgh P, 1989. 5. Book with compilers, or compilers and editors: McClay, John B., and Wendy L. The Protocols Of The Elders Of Zion Examples. Matthews, comps. and eds.

Corpus Juris Humorous: A Compilation of Outrageous, Unusual, Infamous and Witty Judicial Opinions. from 1256 A.D. to sex the Present . New York: Barnes, 1994. O’Reilly, James, Larry Habegger, and meaning Sean O’Reilly, comps. and eds. Danger: True Stories of Trouble and Survival . San Francisco: Travellers’ Tales, 1999. Teresa, Mother. The Joy in Loving: A Guide to Daily Living with Mother Teresa . Comp. Jaya Chaliha and Edward Le Joly.

New York: Viking, 1997. Note abbreviation: comp. Paradise Sex. = compiler or compiled by. 6. Book with no author or editor stated: Maclean’s Canada’s Century: An Illustrated History of the People and Events. That Shaped Our Identity . Toronto: Key, 1999. Microsoft PowerPoint Version 2002 Step by Step . Redmond, WA: Perspection, 2001. The Movie Book . London: Phaidon, 1999. With Scott to the Pole: The Terra Nova Expedition 1910-1913 . Photographs of.

Herbert Ponting. New York: BCL, 2004. 7. Book with one author, translated by another: Muller, Melissa. Anne Frank: The Biography . Trans. Rita and Robert Kimber. New York: Metropolitan, 1998.

8. Work in an anthology, a collection by several authors, with one or more editors and/or compilers: Fox, Charles James. “Liberty Is Order, Liberty Is Strength.” What Is a Man? 3,000 Years of Wisdom on the Art of Manly Virtue. Meaning. Ed. Waller R. Newell. New York: Harper, 2001. 306-7. Wilcox, Robert K. “Flying Blind.” Danger: True Stories of Trouble and Survival . Comp. and paradise ed. James O’Reilly, Larry Habegger, and Sean O’Reilly. San Francisco: Travellers’ Tales, 1999. 211-22.

9. Article in an encyclopedia with no author stated: “Nazi Party.” New Encyclopaedia Britannica . 1997 ed. “Tajikistan.” World Book Encyclopedia of People and Places . 2000 ed. 10. Article in an encyclopedia with an author: If the encyclopedia is well known and The Protocols of the Elders examples articles are arranged alphabetically, it is not necessary to paradise indicate the volume and page numbers. If the encyclopedia is not well known, you must give full publication information including author, title of article, title of encyclopedia, name of most methods editor or edition, number of volumes in the set, place of publication, publisher and year of publication. Kibby, Michael W. Paradise Sex. “Dyslexia.” World Book Encyclopedia . 2000 ed. Midge, T. “Powwows.” Encyclopedia of North American Indians . Ed. D.L. Birchfield.

11 vols. New York: Cavendish, 1997. 11. Article in definition, a magazine, journal, periodical, newsletter, or newspaper with no author stated: “100 Years of Dust and Glory.” Popular Mechanics Sept. 2001: 70-75. “Celestica to Repair Palm Handhelds.” Globe and Mail [Toronto] 29 Oct. 2002: B6. “E-Money Slips Quietly into paradise, Oblivion.” Nikkei Weekly [Tokyo] 22 Jan. 2001: 4. “McDonald’s Declines to Fund Obesity Education on Danger of Eating Its Food.” National Post [Toronto] 18 Apr. 2006: FP18.

“Pot Use Doubled in Decade, Study Says: 14% Smoked Up in of feudalistic, the Past Year.” Toronto Star. 25 Nov. 2004: A18. “Secondhand Smoke Reduces Kids’ IQs.” Buffalo News 23 Jan. 2005: I6. 12. Article in paradise, a magazine, journal, periodical, newsletter, or newspaper with one or more authors: Use “+” for pages that are not consecutive. Example: When numbering pages, use “38-45” if page numbers are consecutive. Use “A1+” if article begins on page A1, contains more than one page, but paging is not consecutive. For page numbers consisting of more than 3 digits, use short version if it is clear to the reader, e.g.

220-268 may be written as 220-68, but 349-560 must be written in meaning of feudalistic, full. Note also that there is no period after the month. The period in “Mar.” is for paradise sex the abbreviation of March. If there are 4 or less letters in the month, e.g. May, June, and July, the months are not abbreviated. Meaning. If the publication date is July 18, 2005, citation will be 18 July 2005. Where a journal or magazine is paradise sex, a weekly publication, “date, month, year” are required. Where a journal or magazine is a monthly publication, only “month, year” are needed.

Where a newspaper title does not indicate the location of publication, add the ivan braginsky city of publication between square brackets, e.g. Daily Telegraph [London]. Paradise Sex. Square brackets are used to enclose a word (or words) not found in the original but has been added by you. An article in a scholarly journal is The Protocols Essay examples, treated somewhat differently: Nielsen, Laura Beth. “Subtle, Pervasive, Harmful: Racist and Sexist Remarks in. Public as Hate Speech.” Journal of sex Social Issues 58.2 (2002): 265. The above citation shows: Author’s name, Article title, Name of scholarly journal (underlined), Volume number, Issue number, Year of publication (in parentheses), and Page number. If the article is accessed online, add Access date and of feudalistic URL at the end, see 23. Internet citations, or citing electronic sources (e).

Bogomolny, Laura. “Boss Your Career.” Canadian Business 13-16 Mar. 2006: 47-49. Cave, Andrew. “Microsoft and Sun Settle Java Battle.” Daily Telegraph [London] Cohen, Stephen S., and J. Bradford DeLong. “Shaken and Stirred.” Atlantic Monthly. Jan.-Feb. 2005: 112+. Coleman, Isobel. Paradise Sex. “Women, Islam, and the New Iraq.” Foreign Affairs Jan.-Feb.

2006: 24+. Daly, Rita. “Bird Flu Targeting the Young.” Toronto Star 11 Mar. Meaning Of Feudalistic. 2006: A1+. Dareini, Ali Akbar. “Iranian President Defends Country’s Nuclear Ambitions.” Buffalo News. Hewitt, Ben. “Quick Fixes for Everyday Disasters.” Popular Mechanics Nov. 2004: 83-88. Johnson, Linda A. “Fight Flu with Good, Old Advice from Mom.” Buffalo News.

10 Oct. 2004: A1-2. Mather, Victoria. “In Tiger Country.” Photos by James Merrell. Town Country Travel. Fall 2004: 102-111. Mohanty, Subhanjoy, and Ray Jayawardhana. “The Mystery of Brown Dwarf Origins.” Scientific American Jan.

2006: 38-45. Petroski, Henry. “Framing Hypothesis: A Cautionary Tale.” American Scientist Jan.-Feb. Plungis, Jeff, Ed Garsten, and Mark Truby. “Caremakers’ Challenge: Green, Mean. Machines.” Detroit News and Free Press Metro ed. 12 Jan. 2003: 1A+. Sachs, Jeffrey D. “A Practical Plan to End Extreme Poverty.” Buffalo News 23 Jan. 2005: I2. Saletan, William. “Junk-Food Jihad.” National Post [Toronto] 18 Apr. 2006: A18. Thomas, Cathy Booth, and Tim Padgett. “Life Among the Ruins.” Time 19 Sept.

2005: 28+. Wolanski, Eric, Robert Richmond, Laurence McCook, and Hugh Sweatman. “Mud, Marine Snow and paradise Coral Reefs.” American Scientist Jan.-Feb. 2003: 44-51. Wolanski, Eric, et al. “Mud, Marine Snow and Coral Reefs.” American Scientist. Jan.-Feb. 2003: 44-51. 13. Article from SIRS (Social Issues Resources Series):

Suggested citation example from SIRS: Bluestone, Barry, and Irving Bluestone. “Workers (and Managers) of the World Unite.” Technology Review Nov.-Dec. 1992: 30-40. Reprinted in WORK . (Boca Raton, FL: Social Issues Resource Series, 1992), Article No. Act 1. 20. Bluestone, Barry, and Irving Bluestone. “Workers (and Managers) of the World Unite.” Technology Review Nov.-Dec.

1992: 30-40. Work . Ed. Eleanor Goldstein. Vol. 5. Boca Raton: SIRS, 1992. Art. 20. Put in square brackets [ ] important information you have added that is not found in the source cited. Build-a-Bear. Advertisement.

7 Feb. 2005 http://www.buildabear.com/shop/default.aspx. GEICO. Advertisement. Newsweek 16 Jan. 2006: 92. IBM. Advertisement. Globe and Mail [Toronto] . 29 Oct. 2002: B7. Toyota. Advertisement.

Atlantic Monthly . Jan.-Feb. Paradise Sex. 2005: 27-30. 15. Booklet, pamphlet, or brochure with no author stated: Diabetes Care: Blood Glucose Monitoring . Burnaby, BC: LifeScan Canada, 1997. 16. Booklet, pamphlet, or brochure with an author: Zimmer, Henry B. Ivan Braginsky. Canplan: Your Canadian Financial Planning Software . Calgary, AB: May use short forms: Rev. (Review), Ed. (Edition, Editor, or Edited), Comp. Sex. (Compiled, Compiler).

Creager, Angela N.H. “Crystallizing a Life in definition, Science.” Rev. of Rosalind Franklin: The. Dark Lady of DNA , by Brenda Maddox. American Scientist Jan.-Feb. 2003: 64-66. Dillon, Brenda. Sex. “Hana’s Suitcase.” Rev. of Hana’s Suitcase , by Karen Levine. Professionally Speaking June 2003: 36. Foley, Margaret. Of The Elders Essay. “Measured Deception.” Rev. of sex The Measure of All Things: The. Seven-Year Odyssey and Hidden Error That Transformed the World, by Ken Alder. Discover Nov. 2002: 77. Groskop, Viv. “Chinese Torture – at Five.” Rev. of The Binding Chair, by Kathryn.

Harrison. International Express 6 June 2000, Canadian ed.: 37. Hoffman, Michael J. “Huck’s Ironic Circle.” Rev. of The Adventures of Huckleberry. Finn , by Mark Twain. Modern Critical Interpretations of Mark Twain’s. Adventures of Huckleberry Finn, ed. Harold Bloom. New York: Chelsea, Iragui, Vicente.

Rev. of Injured Brains of Medical Minds: Views from Within , comp. and ed. Narinder Kapur. New England Journal of Medicine 26 Feb. 1998: Neier, Aryeh. “Hero.” Rev. of Defending Human Rights in Russia: Sergei Kovalyov,

Dissident and Human Rights Commissioner, 1969-2003 , by Emma Gilligan. New York Review of Books 13 Jan. 2005: 30-33. Onstad, Katrina. Of Feudalistic. “A Life of Pain and Paint.” Rev. of Frida , dir. Julie Taymor. National. Post [Toronto] 1 Nov. 2002: PM1+. Redekop, Magdalene. “The Importance of Being Mennonite.” Rev. of A Complicated. Kindness, by Miriam Toews. Paradise. Literary Review of Canada Oct.

2004: 19-20. Simic, Charles. “The Image Hunter.” Rev. of definition Joseph Cornell: Master of paradise sex Dreams , by. Diane Waldman. New York Review 24 Oct. Most Methods. 2002: 14+. 18. CD-ROM, DVD: See also 35. Tape Recording: Cassette, Movie/Film on VHS or DVD (Digital Videodisc), Videocassette, Filmstrip. A Place in the Sun . Dir.

George Stevens. 1951. Paradise Sex. DVD. Paramount, 2001 . Encarta 2004 Reference Library . CD-ROM. Microsoft, 2003 . Encarta 2004 Reference Library Win32 . Educ. ed. DVD. Microsoft, 2003. LeBlanc, Susan, and Cameron MacKeen. Songs. “Racism and the Landfill.” Chronicle-Herald. 7 Mar. 1992: B1. CD-ROM.

SIRS 1993 Ethnic Groups. Vol. 4. Art. 42. Links 2003: Championship Courses . CD-ROM. Microsoft Game Studios, 2002. YellowPages.city: Toronto-Central West Edition , 1998. CD-ROM. Montreal: 19. Computer service – e.g.

BRS, DIALOG, MEAD, etc.: Landler, Mark. “Can U.S. Companies Even Get a Bonjour?” New York Times , Late Ed. – Final Ed., 1. 2 Oct. Paradise. 1995. Flouting Definition. DIALOG File 472, item 03072065. When citing a definition from a dictionary, add the abbreviation Def. Paradise Sex. after the word. If the word has several different definitions, state the number and/or letter as indicated in the dictionary. “Mug.” Def.

2. The New Lexicon Webster’s Encyclopedic Dictionary of the. English Language . Canadian ed. 1988. Short forms may be used, e.g. dir. (directed by), narr. (narrated by), perf. (performers), prod. (produced by), writ. (written by). A minimal entry should include title, director, distributor, and year of release. May add other information as deemed pertinent between the ivan braginsky title and the distributor. If citing a particular person involved in the film or movie, begin with name of that person. Charlie and the Chocolate Factory . Dir. Tim Burton. Paradise Sex. Based on themes act 1, book by Roald Dahl. Perf.

Johnny Depp. Warner, 2005. Depp, Johnny, perf. Charlie and the Chocolate Factory . Dir. Tim Burton. Based on book. by Roald Dahl. Warner, 2005. Burton, Tim, dir. Charlie and paradise sex the Chocolate Factory . Based on book by Roald Dahl.

Perf. Johnny Depp. Warner, 2005. Monster-in-Law . Dir. Robert Luketic. Writ. Anya Kochoff. Prod. The Protocols Of Zion Essay. Paula Weinstein, Chris Bender, and J.C. Spink. Perf. Jennifer Lopez and Jane Fonda. New Line, 2005. Nanny McPhee . Dir. Kirk Jones. Based on Nurse Matilda Books Writ.

Christianna. Brand. Prod. Lindsay Doran, Tim Bevan, and sex Eric Fellner. Perf. Songs. Emma Thompson, Colin Firth, and Angela Lansbury. Universal, 2005. One Hour Photo . Writ. and dir. Mark Romanek. Paradise. Prod.

Christine Vachon, Pam Koffler, and Stan Wlodkowski. Perf. Robin Williams. Fox Searchlight, 2002. Titanic . Dir., writ., prod., ed. Of Feudalistic. James Cameron. Prod. Jon Landau. Twentieth. Century Fox and Paramount, 1997. The Tuxedo . Dir.

Kevin Donovan. Prod. John H. Williams, and Adam Schroeder. Perf. Jackie Chan and Jennifer Love Hewitt. DreamWorks, 2002. Cite government document in the following order if no author is sex, stated: 1) Government, 2) Agency, 3) Title of publication , underlined, 4) Place of effective methods publication, 5) Publisher, 6) Date. Canada. Minister of Indian Affairs and paradise sex Northern Development.

Gathering Strength: Canada’s Aboriginal Action Plan . Ottawa: Minister of Public Works and. Government Services Canada, 2000. United States. National Council on Disability. Carrying on the Good Fight – Summary Paper from Think Tank 2000 – Advancing the flouting Civil and Human. Rights of People with Disabilities from Diverse Cultures . Washington: Note: GPO = Government Printing Office in Washington, DC which publishes most of the U.S. federal government documents. In citing a Congressional Record, abbreviate and underline the term, skip all the details and indicate only the date and page numbers.

Example – for the following record: United States. Personal Responsibility and Work Opportunity Reconciliation Act of paradise 1996 . Meaning Of Feudalistic. PL 104-193. Congressional Record. Washington: GPO, July 31, 1996. Cong. Rec . 31 July 1996: 104-193. For examples on how to cite more complicated government documents, please see Section 5.6.21 in MLA Handbook for Writers of paradise sex Research Papers, 6th ed. 23. Internet citations, or citing electronic sources: Basic components of an Internet citation:

2) “Title of ivan braginsky Article, Web page or site” in quotation marks. 3) Title of paradise sex Magazine, Journal, Newspaper, Newsletter, Book, Encyclopedia, or Project , underlined. 5) Indicate type of material, e.g. advertisement, cartoon, clipart, electronic card, interview, map, online posting, photograph, working paper, etc. if not obvious. 6) Date of in hamlet article, of Web page or site creation, revision, posting, last update, or date last modified. 7) Group, association, name of forum, sponsor responsible for Web page or Web site.

8) Access date (the date you accessed the Web page or site). 9) Complete Uniform Resource Locator (URL) or network address in paradise, angle brackets. Note: An exception is ivan braginsky, made in referencing a personal e-mail message where an individual’s e-mail address is paradise sex, omitted for privacy reasons. Skip any information that you cannot find anywhere on the Web page or in the Web site, and meaning carry on, e.g. if your Internet reference has no author stated, leave out the sex author and begin your citation with the title. Always put your access date just before the URL which is placed between angle brackets or “less than” and “greater than” signs at the end of the citation. Generally, a minimum of three items are required for an Internet citation: Title, Access Date, and URL. If the URL is of the Essay, too long for a line, divide the address where it creates the least ambiguity and confusion, e.g. do not divide a domain name and end with a period such as geocities . Do not divide a term in the URL that is made up of combined words e.g. SchoolHouseRock . Never add a hyphen at the end of the line to indicate syllabical word division unless the hyphen is paradise, actually found in the original URL. Copy capital letters exactly as they appear, do not change them to lower case letters as they may be case sensitive and be treated differently by some browsers. Remember that the purpose of indicating the URL is for effective advertising readers to be able to access the Web page.

Accuracy and clarity are essential. a. Internet citation for an advertisement: IBM. Advertisement. 23 Mar. 2003 http://www.bharatiyahockey.org/2000Olympics/ TheraTears. Advertisement. 2003. 8 May 2004 http://www.theratears.com/dryeye.htm.

b. Internet citation for sex an article from an online database (e.g. SIRS, eLibrary), study guide, magazine, journal, periodical, newsletter, newspaper, online library subscription database service, or an article in PDF with one or more authors stated: Bezlova, Antoaneta. The Protocols Essay. “China to Formalize One-Child Policy.” Asia Times Online . 24 May 2001. Paradise Sex. 10 Oct. 2005 http://www.atimes.com/china/CE24Ad02.html. Clifford, Erin. “Review of Neuropsychology.” SparkNotes . 10 Oct. 2005. Machado, Victoria, and George Kourakos. Meaning. IT Offshore Outsourcing Practices in sex, Canada . Ottawa: Public Policy Forum, 2004. 1960's Protest Songs. 10 Oct.

2005 http://www.ppforum.com/ow/it_outsourcing.pdf. Marshall, Leon. “Mandela in Retirement: Peacemaker without Rest.” 9 Feb. 2001. National Geographic 10 Oct. 2005 http://news.nationalgeographic.com/news/ Thomason, Larisa. “HTML Tip: Why Valid Code Matters.” Webmaster Tips. Newsletter . Dec. 2003. NetMechanic.

10 Oct. 2005 http://www.netmechanic.com/ If using an online library subscription database service, add the name of the service, the sex name of the library or library system, plus the 1960's location of the library where the sex database is meaning, accessed, e.g.: Gearan, Anne. “Justice Dept: Gun Rights Protected.” Washington Post . 8 May 2002. SIRS. Iona Catholic Secondary School, Mississauga, ON. 23 Apr. 2004. Note: 8 May 2002 = date of paradise publication, 23 Apr.

2004 = date of access. Indicate page numbers after publication date if available, e.g. 8 May 2002: 12-14. Leave out page numbers if not indicated in songs, source. Pahl, Greg. “Heat Your Home with Biodiesel”. Mother Earth News . 12 Jan. 2003. eLibrary Canada. Twin Lakes Secondary School, Orillia, ON. 10 Apr.

2006. Note: If citing the above source but information is obtained from accessing eLibrary at home, leave out the location of the school. Pahl, Greg. “Heat Your Home with Biodiesel”. Mother Earth News . 12 Jan. 2003. eLibrary Canada. 10 Apr.

2006. http://www.proquestk12.com. c. Internet citation for an article from an online encyclopedia: Duiker, William J. “Ho Chi Minh.” Encarta Online Encyclopedia . 2005. Microsoft. Paradise. 10 Oct. 2005. “Ho Chi Minh.” Encyclop?dia Britannica . 2005. Encyclop?dia Britannica Premium Service.

9 Oct. 2005 http://www.britannica.com/eb/article-9040629. “Royal Shakespeare Company (RSC).” Britannica Concise Encyclopedia . 2005. Encyclop?dia Britannica. 8 Oct. 2005 http://concise.britannica.com/ebc/article?eu=402567.

d. Internet citation for 1960's an article from an online magazine, journal, periodical, newsletter, or newspaper with no author stated: “Childcare Industry ‘Should Welcome Men’.” BBC News Online: Education .7 June 2003. 10 Oct. 2005 http://news.bbc.co.uk/1/low/education/2971310.stm. “Taiwan: A Dragon Economy and the Abacus.” BrookesNews.Com . 8 Dec. 2003. 10 Oct. Paradise Sex. 2005 http://www.brookesnews.com/030812taiwan.html. e. Internet citation for an article in a scholarly journal: Nielsen, Laura Beth. “Subtle, Pervasive, Harmful: Racist and Sexist Remarks in.

Public as Hate Speech.” Journal of Social Issues 58.2 (2002), 265-280. 7 June 2003. f. 1960's. Internet citation for a cartoon, chart, clipart, comics, interview, map, painting, photo, sculpture, sound clip, etc.: “Islamic State of Afghanistan: Political Map.” Map. Sex. Atlapedia Online . Flouting Definition. 1993-2003. Latimer Clarke.

7 June 2003 http://www.atlapedia.com/online/maps/ Kersten, Rick, and Pete Kersten. “Congratulations!” Electronic card. Blue Mountain Arts . 2000. 7 June 2003 http://www.bluemountain.com/ Lee , Lawrence. Interview. JournalismJobs.com . Feb.

2003. 10 Oct. 2005. Schulz, Charles. “Peanuts Collection – Snoopy Cuddling Woodstock.” Cartoon. Art.com . 25 Apr. Paradise Sex. 2004 http://www.art.com/asp/sp.asp?PD=10037710RFID=814547. “Woodhull, Victoria C.” American History 102 Photo Gallery. Ivan Braginsky. 1997. State. Historical Society of Wisconsin.

10 Oct. 2005 http://us.history.wisc.edu/ g. Internet citation for paradise sex an e-mail (email) from an individual, a listserve, an organization, or citation for an article forwarded from an online database by e-mail: Barr, Susan I. “The Creatine Quandry.” Bicycling Nov. 1998. EBSCOhost Mailer. E-mail to 1960's songs E. Interior. 11 May 2003. Kenrick, John. “Re: Link to Musicals101.com.” E-mail to paradise sex I. Advertising. Lee. 10 May 2003. “NEW THIS WEEK for September 8, 2005.” E-mail to author.

8 Sept. 2005. PicoSearch. “Your PicoSearch Account is Reindexed.” E-mail to John Smith. h. Internet citation for an online government publication: Canada. Office of the Auditor General of Canada and the Treasury Board. Secretariat. Modernizing Accountability Practices in the Public Sector . 6 Jan. 1998. Sex. 10 Oct.

2005 http://www.tbs-sct.gc.ca/rma/account/ United States. National Archives and Records Administration. The Bill of Rights . 29 Jan. 1998. 10 Oct. 2005 http://www.archives.gov/exhibit_hall/ i. Internet citation for an online posting, forum, letter to the editor: Kao, Ivy. “Keep Spreading the Word.” Online posting. 4 June 2003.

Reader Responses, Opinion Journal, Wall Street Journal Editorial Page . 10 Oct. 2005. Seaside Harry . “My Friend Drove My Car with the Parking Brake On!” Online. posting. 10 Oct. 2005. PriusOnline.com Forum Index – Prius – Technical . 10 Oct. 2005 http://www.priusonline.com/viewtopic.php?t=6298highlight=. j. Internet citation for most advertising methods an online project, an information database, a personal or professional Web site: The MAD Scientist Network . 1995-2001 or 30 Feb.

1906. Washington U. School of Medicine. Sex. 10 Oct. 2005. http://www.madsci.org. O’Connor, J.J., and E.F. Robertson. “John Wilkins.” Feb. 2002. U of St. Andrews, Scotland. 10 Oct.

2005 http://www-history.mcs.st-andrews.ac.uk/history/ Officer, Lawrence H. “Exchange Rate between the United States Dollar and Forty. Other Countries, 1913 -1999.” Economic History Services, EH.Net, 2002. 13 Apr. 2006 http://www.eh.net/hmit/exchangerates/. Savill, R. Ivan Braginsky. Richard. Sex. “Jazz Age Biographies.” The Jazz Age Page . 23 Oct. 2000. 12 Apr. 2006 http://www.btinternet.com/

Sullivan, Danny. “Search Engine Math.” 26 Oct. 2001. Search Engine Watch . 10 Apr. 2006 http://www.searchenginewatch.com/facts/math.html. Wurmser, Meyrav, and Yotam Feldner. “Is Israel Negotiating with the flouting definition Hamas?” Inquiry and Analysis No.

16. 23 Mar. 1999. The Middle East Media and. Research Institute. 10 Oct. 2005 http://memri.org/bin/articles.cgi? k. Internet citation for paradise sex a software download:

It is of feudalistic, not essential to include the file size. Do so if preferred by your instructor. RAMeSize . Vers. Paradise. 1.04. Ivan Braginsky. 15K. 24 Sept. 2000. Blue Dice Software. 12 Oct. 2004. l. Internet citation for a speech taken from sex, a published work with an editor:

Lincoln, Abraham. “The Gettysburg Address.” 19 Nov. Songs. 1863. The Collected Works of. Abraham Lincoln . Ed. Roy P. Basler. New Brunswick, NJ: Rutgers UP, 1955. Abraham Lincoln Online. 10 Oct. 2005 http://showcase.netins.net/ m. Internet citation for a work translated and edited by another:

Augustine, Saint, Bishop of Hippo. Confessions Enchiridion . Trans. and ed. Albert C. Sex. Outler. 1955. Dallas, TX: Southern Methodist U. Digitized 1993. 10 Oct.

2005 http://www.ccel.org/a/augustine/confessions/ Blair, Tony. Interview. Prime Minister’s Office. 31 May 2003. 13 Apr. 1960's Protest. 2006. Chirac, Jacques. Interview. Time 16 Feb. 2003. 10 Oct. Paradise. 2005. Longin, Hellmut. Themes In Hamlet. Telephone interview. 3 May 2006. Neilsen, Jerry. E-mail interview. 28 Apr. 2006. Wyse, Randall. Personal interview. 24 July 2005.

State name of speaker, title of lecture in quotes, conference, convention or sponsoring organization if known, location, date. Bradley, Vicki. “Marriage.” Agnes Arnold Hall, U of Houston. 15 Mar. 2003. Wilson-Smith, Anthony. Sex. “Hello, He Must Be Going.” Editorial. Maclean’s 26 Aug. 2002: 4. Lange, Rick. “U.N. Has Become Ineffective and flouting definition Ought to Be Disbanded.” Letter. Buffalo.

News 23 Jan. 2005: I5. Woods, Brede M. Paradise. Letter. Most Effective Advertising Methods. Newsweek 23 Sept. Paradise Sex. 2002: 16. Kolbert, Elizabeth. “Six Billion Short: How Will the of feudalistic Mayor Make Ends Meet?” Letter. New Yorker 13 Jan. 2003: 33-37. Geens, Jennifer. Reply to letter of Bill Clark.

Toronto Star 29 Sept. 2002: A1. A letter you received from John Smith: Smith, John. Letter to the author. 15 June 2005. Twain, Mark. “Banned in Concord.” Letter to Charles L. Webster. 18 Mar. 1885. Letter 850318 of Mark Twain . Ed. Jim Zwick.

2005. 10 Oct. 2005. Treat citation as if it is a book with no author stated. Indicate if the citation is for a chart or a map. 2004 Andex Chart . Chart. Windsor, ON: Andex, 2004. Canada . Map. Ottawa: Canadian Geographic, 2003. “Dallas TX.” Map.

2005 Road Atlas: USA, Canada, Mexico . Greenville, SC: Michelin, 2005. Components: 1) Name of sex composer. 2) Title of definition ballet, music or opera, underlined, 3) Form, number and key not underlined. Beethoven, Ludwig van. Fur Elise.

Strauss, Richard. Traumerei , op. 9, no. 4. Components for paradise sex a published score, similar to a book citation: 1) Name of composer. 2) Underline title of ballet, music, opera, as well as no. and op., important words capitalized, prepositions and conjunctions in lower case.

3) Date composition written. 4) Place of publication: 5) Publisher, 6) Date of publication. Chopin, Frederic. Mazurka Op. 7, No. 1 . New York: Fischer, 1918. Ledbetter, Huddie, and meaning John Lomax. Goodnight, Irene . 1936.

New York: Spencer, 1950. Stier, Walter C. Sweet Bye and Bye . London: Paxton, 1953. Weber, Carl Maria von. Invitation to the Dance Op. 65 . 1819. London: Harris, 1933. 29.

Painting, photograph, sculpture, architecture, or other art form. Components for citing original artwork: 1) Name of artist. 2) Title of artwork, underlined. 3) Date artwork created. 4) Museum, gallery, or collection where artwork is housed; indicate name of owner if private collection, 5) City where museum, gallery, or collection is located. Ashoona, Kiawak. Smiling Family . 1966. McMichael Canadian Art Collection,

Brancusi, Constantin. The Kiss . Paradise Sex. 1909. Tomb of T. Rachevskaia, Montparnasse. The Great Sphinx . [c. 2500 BC]. Giza. Ingres, Jean-Auguste-Dominique. Odalisque . 1814. 1960's Protest. Louvre Museum, Paris. Raphael. The School of paradise sex Athens . 1510-11.

Stanza della Segnatura, Vatican Palace, Rude, Francois. La Marseillaise . 1833-36. Arc de Triomphe, Paris. Components for artwork cited from a book: 1) Name of artist. 2) Underline title of artwork.

3) Date artwork created (if date is uncertain use [c. 1503] meaning [circa 1503] or around the year 1503). 4) Museum, art gallery, or collection where artwork is house, 5) City where museum, gallery, or collection is located. 6) Title of book used. 7) Author or editor of book. 8) Place of publication: 9) Publisher, 10) Date of ivan braginsky publication. 11) Other relevant information, e.g. figure, page, plate, or slide number. Abell, Sam.

Japan . Sex. 1984. National Geographic Photographs: The Milestones . By Leah Bendavid-Val, et al. Washington, DC: National Geographic, 1999. Carr, Emily. A Haida Village . [c. 1929].

McMichael Canadian Art Collection, Kleinburg, ON. Advertising. The McMichael Canadian Art Collection . Sex. By Jean Blodgett, et al. Toronto: McGraw, 1989. 134. Kasebier, Gertrude. The Magic Crystal . [c. 1904]. Royal Photographic Society, Bath.

A Basic History of Art . By H.W. Janson and Anthony F. Janson. Englewood Cliffs, NJ: Prentice, 1991. 412. Leonardo, da Vinci. Mona Lisa (La Gioconda) . [c. 1503-5]. Louvre Museum, Paris. Favorite Old Master Paintings from the Louvre Museum . New York:

Abbeville, 1979. 31. Michelangelo. Ivan Braginsky. David . 1501-04. Accademia di Belle Arti, Florence. The Great. Masters . By Giorgio Vasari. Trans. Gaston Du C. de Vere. New York: Park Lane, 1986. 226. Sullivan, Louis.

Wainright Building . 1890-91. St. Paradise. Louis, MO. A Basic History of Art . By H.W. Janson and Anthony F. Janson. Englewood Cliffs, NJ: Prentice, Tohaku, Deme.

Ko-omote Female Mask . 1960's Protest. Edo period [1603-1867], Japan. Naprstek. Museum, Prague. The World of paradise Masks . By Erich Herold, et al. Trans. Dusan. Zbavitel. London: Hamlyn, 1992. 207. Vanvitelli, Luigi, and Nicola Salvi. Chapel of St.

John the Baptist . 1742-51. Sao Roque, Lisbon. By Rolf Toman, ed. Baroque: Architecture, Sculpture, Painting . Cologne: Konemann, 1998. 118. Components for a personal photograph: 1) Subject (not underlined or put in quotes). 2) Name of person who took the photograph.

3) Date photograph taken. War in most effective, Iraq: Operation Iraq Freedom on CNN. Personal photograph by sex author. Great Wall of ivan braginsky China, Beijing, China. Personal photograph by Cassy Wyse. Sex. 28 July 2005. Components: 1) Patent inventor(s) or owner(s). 2) Title of flouting patent. 3) Issuing country and paradise sex patent number. Definition. 4) Date patent was issued.

Arbter, Klaus, and paradise sex Guo-Qing Wei. “Verfahren zur Nachfuhrung eines Stereo-Laparoskope. in der minimal invasiven Chirurgie.” German Patent 3943917. July 1996. “Conversion of Calcium Compounds into Solid and Gaseous Compounds.” US Patent 5078813. Kamen, Dean L., et al. “Transportation Vehicles and Methods.” US Patent 5971091. 31. Of Feudalistic. Performance: (ballet, concert, musical, opera, play, theatrical performance) Disney’s The Lion King . By Roger Allers and Irene Mecchi. Dir. Julie Taymor. Music and lyrics by paradise Elton John and Tim Rice.

Princess of Wales Theatre, Toronto. The Protocols Of The Of Zion. 9 June 2002. The Hobbit . By J.R.R. Tolkien. Sex. Dir. Kim Selody. Perf. Herbie Barnes, Michael. Simpson, and Chris Heyerdahl. Living Arts Centre, Mississauga, ON.

The Nutcracker . By Pyotr Ilyich Tchaikovsky. Of Feudalistic. Chor. and Libretto by James. Kudelka. Cond. Ormsby Wilkins and Uri Mayer. National Ballet of. Canada. Paradise. Hummingbird Centre, Toronto. 30 Dec. 1999.

Phantom of the definition Opera . Paradise Sex. By Andrew Lloyd Webber. Lyrics by Charles Hart. Dir. Harold Prince. Based on novel by Gaston Leroux. Pantages Theatre, Toronto. 20 Sept. 1998. The Shanghai Acrobats . By Incredible!

Acrobats of China. Living Arts Centre, Mississauga, ON. 4 Mar. 2005. Components: 1) Title of episode, underlined; or in quotes if appropriate. 2) Title of program, underlined. 3) Title of series. 4) Name of network. Ivan Braginsky. 5) Radio station or TV channel call letters, 6) City of local station or channel.

6) Broadcast date. The CFRB Morning Show . By Ted Woloshyn. CFRB Radio, Toronto. Paradise. 12 Sept. 2003. Law and Order . Prod. Wolf Film, Universal Television. NBC Television Network. WHEC, Rochester, NY.

16 Oct. 2002. “New Threat from Osama?” By Jim Stewart. CBS News . WBEN, Buffalo. “New York Museum Celebrates Life of Einstein.” By Martha Graybow. Flouting. Reuters, New York. WBFO, Buffalo. 13 Nov.

2002. “The Nightmare Drug.” By Bob McKeown, Linden MacIntyre, and Hana Gartner. The Fifth Estate . CBC, Toronto. 16 Oct. 2002. “U.S.: Tape Sounds Like Bin Laden.” AP, Washington, DC. On Your Side . WGRZ-TV, Buffalo. 13 Nov. 2002. 33. Recording – Music CD, LP, magnetic tape:

1) Name of author, composer, singer, or editor. 2) Title of paradise song (in quotation marks). 3) Title of 1960's recording (underlined). 4) Publication medium (LP, CD, magnetic tape, etc.). 5) Edition, release, or version. 6) Place of publication: Publisher, Date of publication. If citing from paradise, Internet, see Item 23.

Backstreet Boys. Larger than Life . Millennium. CD. Exclusive Management by. The Firm, Los Angeles, CA. Mastered by Tom Coyne, Sterling Sound, NYC. Burch, Marilyn Reesor. Mosaic . CD. Writ., dir. and prod. Marilyn Reesor.

Burch. Choirs dir. Don and Catherine Robertson. Most Effective. Barrie, ON: Power. Plant Recording Studio, n.d. Burch, Marilyn Reesor. Mosaic . CD. Writ., dir. and prod. Marilyn Reesor. Burch. Choirs dir.

Don and Catherine Robertson. Barrie, ON: Power. Plant Recording Studio, [c. Sex. 1997]. Note: “n.d.” means “no date” available. [c. 1997] means “circa 1997.” McDonald, Michael. The Protocols Essay. No Lookin’ Back . LP. Prod. Paradise Sex. Michael McDonald and.

Ted Templeman. Engineered and flouting mixed by R. ThinkPad ACP Patch for ThinkPad 600, 770, and 770E . Sex. Diskette. Vers. 1.0. Tape Recording: Cassette, DVD (Digital Videodisc), Filmstrip, Videocassette. Covey, Stephen R. Living the 7 Habits: Applications and Insights . Cassette. tape recording read by author. New York: Simon, Audio Div., 1995. Ginger . Solid Ground. Cassette tape recording from album Far Out . Vancouver:

Harry Potter and the Prisoner of Azkaban . Dir. Alfonso Cuar o n. Based on novel. by J.K. In Hamlet Act 1. Rowling. Perf. Paradise. Daniel Radcliffe, Rupert Grint, and Emma Watson. DVD. Warner, 2004. Jane Austen’s Emma . Videocassette.

Meridian Broadcasting. New York: New Video Group, 1996. Kicking Screaming . Dir. Jesse Dylan. Writ. Leo Benvenuti and Steve Rudnick. Perf. Will Ferrell and Robert Duvall. DVD. Universal, 2005.

The Sisterhood of the Traveling Pants . Dir. Essay. Ken Kwapis. Based on novel by. Ann Brashares.Perf. Amber Tamblyn, America Ferrera, Blake Lively, and Alexis Bledel. DVD. Warner, Dungaree, 2005. Super Searching the Web . Paradise Sex. Videocassette. Protest Songs. Lancaster, PA: Classroom Connect, The Wizard of Oz . Dir. Victor Fleming.

Based on book by Lyman Frank Baum. Perf. Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Jack Haley, Billie Burke, Margaret Hamilton, Charley Grapewin, and the Munchkins. MGM, 1939. Paradise Sex. VHS. Warner, 1999.

State author, title of unpublished dissertation or thesis in quotes, label Diss. or MA thesis, name of university, and year. Elmendorf, James. “The Military and the Mall: Society and Culture in Long Beach, California.” BA. thesis. Hampshire College, 1995. Jackson, Marjorie. Ivan Braginsky. “The Oboe: A Study of Its Development and Use.” Diss.

Columbia U, 1962.

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maus essay prompts Whether commentary [. ] is built into a structure of a history or developed as a separate, superimposed text is a matter of choice, but the voice of the commentator must be clearly heard. The commentary should disrupt the paradise sex facile linear progression of the narration, introduce alternative interpretations, question any partial conclusion, withstand the need for closure [. ]Such commentary may introduce splintered or constantly recurring refractions of a traumatic past by using any number of different vantage points. Saul Friedländer, Trauma, Transference and Working-Through, History and Memory 4 (1992): 39-55. Copyright (c) 1995 by flouting, Robert S. Leventhal, all rights reserved. This text may be shared in accordance with the fair use-provisions of the U.S. Copyright Law. Redistribution and republication of this text on other terms, in any medium, requires the written permission of the author.

Trauma, Working-Through, and paradise sex, the Problem of most effective methods, Historical Understanding. In the Neo-Freudian Theories of Winicott, the attempt has been made to articulate the paradise sex process of working-through the traumatic loss of the beloved object more precisely. Winicott's famous phrase Mourning without empathy leads to of feudalistic madness has often been cited as the key to sex his theory, which is that there must be an empathetic witness to the pain of this traumatic loss, that the person who suffers this loss must be able to give testimony to someone as a way of working-through or processing this loss, and meaning of feudalistic, that finally certain transitional or intermediate objects might be necessary in order to paradise sex move from the state of dependence and reliance on the Other to effective advertising a renewed state of self-sufficiency after the sex traumatic severance. The difficulty with this type of understanding is its insistence on a singular empathetic Other who hears the testimony of the witness, and thereby bears witness to Elders of Zion Essay examples the traumatic loss in a therapeutic manner. What does it actually mean to work-through a traumatic loss? and what does this mean with regard not to an individual, but to an entire people? Many of the normative claims of psychoanalysis are present in this type of approach: the hope is that a gradual reintergration of the meaning of the lost object occurs and the fact of the sex loss helps the subject to grow beyond this dependency in the construction of a self that is able to tolerate and understand alterity and is not rigidly defined. This is the thesis of Eric Santner's Stranded Objects. Cultural Besetzung : The Canon and Canonical Texts.

One of the ways in which a culture betrays (in the sense of allows to become clear) its own investments or Besetzungen , to use Freud's term for the psychic endowment of certain things, is in its priveleging specific ways of thinking and writing, certain forms of presentation, the selection of effective, specific genres as being apt or appropriate for certain tasks. An analysis of Steven Spielberg's Schindler's List could show that the primacy of the sex (visual) romance in some way governs the most effective advertising institution of filming in that film. There is a vast difference in this respect to Claude Lanzmann's Shoah and to Hans-Jürgen Syberberg's Hitler, Ein Film aus Deutschland. As Primo Levi sought to articulate the discursive and logistical space of Auschwitz, Syberberg attempts to paradise sex actually enter into the distorted puppet-show of German Fascism, the black studio of German (film) projections and fantasies, the nostalgiac, melancholic state of Postwar, Postholocaust Germany. Lanzmann's Shoah equally does away with conventional narrative schemes and totalizing representation, presenting the Nazi Genocide in a series of flouting definition, detailed researches or inquiries, and utilizing not a single foot of documentary film from the thirties or forties. Lanzmann's film allows the contradictions between the testimony of the perpetrators and that of the victims to paradise sex stand. It neither escapes into false or coerced reconcilations, nor does accept the validity of unreflected testimony unquestioningly. The way in which a culture organizes, disciplines, and reads a certain event is an excellent way to find out about that culture's troubled areas or hot spots. The philosopher Berel Lang has argued in ivan braginsky, his book Act and Idea of the Nazi Genocide that there are only certain appropriate and ethically responsible ways of representing the Shoah. In this respect, many crtics have said that the Holocaust requires an paradise sex, elevated genre, that it is the stuff of high literature and should not be desecrated by allowing low genres to communicate the most advertising methods destruction of the European Jews. There would at first sight seem to be an paradise sex, inalterable cultural hierarchy of forms, media, genres: the novel, the tragedy, a poem, a scholarly essay or book might be considered acceptable; on most the other hand, a satire, a parody, a comedy, a farce -- these would not seem to be eligible for appropriate forms of literary representation.

But the fact is that both within these genres and modes, as well as with regard to the genre or mode itself, there are both high and low forms; and what is radical, chic, or revolutionary at one historical juncture might be quite reactionary or conservative at another. Sex. My view is that Spiegelman, precisely by most effective methods, utilizing the paradise sex comic-book as the textual medium of a story of the Holocaust, succeeds in breaking the taboo or ritualized fixity of confronting the Holocaust. Advertising. It also subverts the assignment of the comic to sex a genre of kitsch and protest songs, popular culture in a twofold way: first, insofar as it supercedes the traditional genre in terms of the scope of its presentation; secondly, insofar as it presents a historical catastrophe in a medium usually reserved for hero-construction and morality play. Spiegelman's Maus : The Intentional Subversion of Genre and Cultural Norm. Art Spiegelman first published parts of MAUS in the magazine Raw between 1980-1991.

Volumes I and II of the book Maus: A Survivor's Tale appeared in 1986 (My Father Blleds History) and paradise sex, 1991 (And Here my Troubles began). Maus is the use of a traditionally low genre -- the comic strip or book --for serious, grave material. It is meaning, a conscious, intentional inversion of a norm, a hierarchy, a cultural order. It is a very strong (in the Bloomian sense) rereading of one survivor's tale and the transmission or testimony of sex, this tale to the son; it is at the same time a strong revamping or reconsideration of the generic possibilites of the comic itself. The reduction of the players to cats (the Nazis). mice (the Jews), pigs (the Poles) and other national stereotypes offers a conscious, intentional miniaturization and reduction, pointing up not merely the process of compression, simplification and songs, devaluation not merely of the Nazi's practices before and paradise sex, during the Holocaust, but the reduction and simplification present in definition, many responses to the Holocaust aswell. In this way, Spiegelman literalizes the call for petits recits so prevalent in postmodern discourse today, especially in the writings of Jean-Francois Lyotard. On another level, there are multiple narratives and kinds of texts in Maus : in addition to sex images, dialogue boxes, and definition, commentary, we find maps of Poland and the Camps, diagrams of paradise sex, hideouts, real photographs from the family archive, detailed plans of the crematoria, an exchange table for goods in Auschwitz, and a manual for shoe-repair. Here are some of the various text-types that one finds in Maus : The reader moves through several different historical subject-positions and narrated events; there are the pre-holocaust, the Holocaust, and the postholocaust, but also, within one time-frame, there can be other times and places co-present as well. Maus thus juxtaposes and intertwines past and present, the protest different subject histories of each protagonist, and the very different cultural contexts of Nazi occupied Poland and Rego Park, New York.

The very title of the books is a powerful reworking of the convention: Maus rewrites the cultural norm and invents a new discursive space to sex address the questions of Jewish trauma, guilt, shame and, perhaps most importantly, the 1960's songs transmission of paradise sex, these conflicts from one generation to the next, especially in flouting definition, the case that they are not sufficently worked-through. Maus encompasses many small narratives: not merely the story of Vladek (Artie's Father) and paradise, Anje (Artie's Mother, who committed suicide after surviving Auschwitz and coming to America), but of effective advertising, Artie himself in his struggle to understand his family origins and sex, himself. It addresses the constant resurfacing of a traumatic and unmastered past on definition a number of levels: the death of his brother, Richieu, of a poison given to him by the woman who was taking care of him as they were about to be sent to Auschwitz to paradise be gassed, the suicide of his mother in 1968, and the murder of the European Jews. This is 1960's, perhaps nowhere more evident than at the end of Volume I My Father Bleeds History, where Artie asks Vladek for Antje's diaries. Paradise Sex. Vladek first tells Artie that the Diaries are gone, and then finally remembers that he himself had destroyed them -- burned them to definition be exact -- in the depths of depression.

Vladek not only burned the diaries -- in a ironic enactment of sex, Nazi Book-Burning -- but he sadistically adds salt to the wound when he tells Artie: I looked in, but I don't remember [. ] Only I know what she said, 'I wish my son, whe he grows up, he will be interested in this.' Artie, who himself suffered a depression after his mother's suicide, calls Vladek a murderer, unable himself to understand Vladek's action as itself an 1960's, act of acting out the sex legacy of the Holocaust. In this transmission circuit, Artie is tied to his father, and we see this played out in Maus in his complete dependence on Vladek for the narrative of his own story. The broken relationship between Artie, Vladek, and this unmastered past is exemplified in the broken relationship Artie has to his own Jewish heritage. In Maus I , Vladek is in a German work-camp and has a dream in which his dead Grandfather comes to him and tells him that he will leave this place and go home to his wife and child on Parshas Truma. Artie then asks his father what Parshas is, unaware of the symbolic and literal meaning of this in his life and in Jewish tradition. His father then explains to him the meaning of Parshas Truma, the 1960's protest songs specific week in which a particular section of the Torah is sex, read. It turns out that this was the week he had married Anja, and the week Artie had his Bar-Mitzvah. In this time frame, Vladek actually does get to most advertising methods leave the paradise sex camp and see his wife and child. The broken circuit is thus restored in the text precisely because of Artie's interest in the narrative and the construction of the text Maus itself.

But the evidence of a failure in the transmission of culture and tradition, the themes in hamlet act 1 traces of sex, this broken connection to the past and to history is present to the extent that Artie must now relearn this complex history. Maus is themes act 1, allegorical, not merely to the extent that it treats the individuals as figures in a much more complex and global story, but insofar as its very textual structure is comparable to the allegorical structure of the emblem, with a graphic image elucidating the text, as well as a superscript expressing the topic or theme, the actual statements of the individuals in sex, the frame, and often a subscript containing unconscious thoughts or afterthoughts. In Maus , the image is never left to stand alone, but is always caught up in the differential between narrative, image, dialogue and reflection. In this manner, an opening or aperture for themes act 1, critical thinking on the transmission of past trauma is paradise sex, created. In a particularly compelling segment of the text, Artie narrates his reaction to his mother's suicide. A comic book within the comic book Maus entitled Prisoner on the Hell Planet: A Case History, this text-within-the-text recounts Artie's own incomplete or failed attempt to work through the trauamatic loss of his mother, his own melancholic and The Protocols of the Essay examples, masochistic tendencies to internalize the sex dysfunction of his family and his mother's depression, and the degree to ivan braginsky which his writing bears the mark of sex, that loss and is itself a type of working-through in its own right. The subtitle A Case History mocks the case history in psychoanalysis, in which the patient is cured of the incessant return of the traumatic past through rigorous therapeutic intervention. In Prisoner from the Hell Planet, there isn't any easy closure, and the suffering individual remains captive in 1960's, the prison of his own masochistic melancholia, the jail cell of his own wounded self, not really understanding the unconscious connection to the melancholia of the mother and the unconscious identification with the damaged father. Traversing the breach between past and present, Father and paradise sex, Son, language and image, manifest and latent, Spiegelman's Maus bears witness to the process of bearing witness, and the technical and technological requirement of writing and tape-recording in order to produce a narrative of the trauma and thereby alleviate the symptomology of The Protocols of the Elders Essay, depression and withdrawl that is the danger of a past left to fester as an unhealed wound. Paul Celan's essay Meridien states that every piece of authentic writing has a date and a place: it speaks a specificity, and in that specificty it gestures towards an Other. Spiegelman's Maus , in transmitting the story of the father through the son, does not avoid or gloss over any of the difficulties entailed in working-through trauma, which, as we know, always brings with it some degree of acting-out.

Maus enacts the sex difficulty of working through a traumatic historical past that defies attempts at mastery, and is a visceral presentation of the postmodern fragmented self struggling to most advertising methods come to terms with this damaged and wounded history in a conscious manner. Maus II ends with the reunification of Vladek and Anja after Auschwitz. In the final scene, Vladek tells Artie he is tired of talking: I'm tired from talking, Richieu, and it is enough stories for now. This last slip of the tongue -- naming Artie his dead little brother who perished in the Holocaust -- attests to sex the ongoing trauma that never ceases never ceasing to 1960's songs break in upon the conscious, wakeful world. And Maus documents this refusal in a compelling and extremely concrete manner.

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a critcal essay Liberated from a kind of slavery. Paradise Sex. But from whom? From professors. Actually from dependence on professors so that they no longer stand as infallible authorities delivering opinions beyond our capacity to challenge, question and themes in hamlet act 1 dissent. In fact, this is sex, exactly what the in hamlet, professors want.

They want us to excel on our own, to go beyond what is currently known, to make our own contributions to knowledge and to society. Being a professor is a curious job #8212; the sex, more effective they are as teachers, the less their students require their aid in learning. Meaning Of Feudalistic. Before beginning a critical thinking essay it#8217;s a good idea to come up to speed on critical thinking and what it is. The process of thinking critically begins with an open mind. It#8217;s quite alright to already have an opinion on an issue but you must be willing to at least consider objectively ideas that differ from your own. Someone who tends to think critically would probably agree with statements like the following. o I hate talk shows where people shout their opinions but never give any reasons at sex all. o Figuring out what people really mean by what they say is important to me. o I always do better in jobs where I'm expected to think things out for myself. Themes In Hamlet Act 1. o I hold off making decisions until I have thought through my options. o Rather than relying on someone else's ideas, I prefer to read the material myself. o I try to paradise, see the meaning of feudalistic, merit in another#8217;s opinion, even if I reject it later. o Even if a problem is sex, tougher than I expected, I will keep working on it. o Making intelligent decisions is more important than winning arguments. A person who does NOT tend to of the Elders examples, think critically would be more likely to agree with the following. o I prefer jobs where the supervisor says exactly what to paradise sex, do and of Zion exactly how to do it. Paradise Sex. o No matter how complex the problem, you can bet there will be a simple solution. o I don't waste time looking things up. o I hate when teachers discuss problems instead of just giving the answers. o If my belief is truly sincere, evidence to ivan braginsky, the contrary is irrelevant. Sex. o Selling an 1960's, idea is like selling cars, you say whatever works. Read Peter Facione's Critical Thinking: What It Is and Why It Counts, especially pages 4-6. [It's a PDF and loads slowly.] Developing the ability to think critically can be difficult because it is easier to make hasty judgments based on opinions and paradise sex biases than it is to evaluate facts and themes act 1 arguments.

For example, your friends might think that the death penalty is just, and you might also think so just because your friends do. Without hearing any arguments to the contrary, your viewpoint, based solely on the opinions of others, would be weak. The approaches to life and living which characterize critical thinking include the following. o inquisitiveness with regard to a wide range of issues. o concern to become and remain well-informed. o alertness to opportunities to sex, use critical thinking. o trust in the processes of songs, reasoned inquiry. o self-confidence in one#8217;s own abilities to reason. o open-mindedness regarding divergent world views. Sex. o flexibility in of feudalistic, considering alternatives and opinions. o understanding of the opinions of other people. o fair-mindedness in appraising reasoning. o honesty in sex, facing one#8217;s own biases, prejudices, stereotypes or egocentric tendencies. Essay. o prudence in suspending, making or altering judgments. o willingness to reconsider and paradise sex revise views where honest reflection suggests that change is warranted. The best way to develop critical thinking is to write. Writing forces you to organize your thoughts, contemplate your topic, evaluate your data in a logical fashion and present your conclusions in a persuasive manner. Good writing is the epitome of good critical thinking. Writing promotes critical thinking by 1960's, requiring you to paradise sex, acquire, synthesize and logically analyze information, and then present this information and your conclusions in written form. 1960's Protest Songs. WHAT IS A CRITICAL THINKING ESSAY? Many college assignments require you to support a thesis.

The concept of paradise sex, a critical thinking essay is that you start without an end in mind. You don't necessarily know how you feel about a subject or what you want to say about the subject #8230; you allow the research and your own thinking to determine the outcome. This is writing to learn rather than writing to 1960's, prove what you know. The critical thinking essay has you look at and contribute to a range of arguments rather than just one at a time. Critical thinking essays consider the strengths and weaknesses of various solutions to a problem or various answers to a question. It requires thinking . not information reporting. The critical thinking essay starts with a question, not a thesis. Your essay shows how your thinking changes as you research a topic. For example, when you begin researching capital punishment, you may be in sex, favor of the death penalty because it is a deterrent.

Then you may find some studies that question whether it has a deterrent effect and that may influence your thinking. You don't have to know what you think about your topic when you start writing your critical thinking essay. Essays are shorter pieces of writing. Therefore, essays are (by nature) concise and require you to be clear and to the point. Ivan Braginsky. This means that there is no room for your thoughts to wander or stray #8230; you must be deliberate and stay on topic. Perhaps it is helpful to think of an essay in terms of a conversation or debate with a classmate. Sex. If you and I were discussing whether or not there should be a death penalty in in hamlet act 1, the US, there would be a beginning, middle and sex end to our conversation. As with a conversation, your essay must be complete, and logically so, leaving no doubt as to your intent or argument. Meaning. However - again, think of this as a conversation - your essay shouldn't be formal. Remember, you're talking about your ideas and thought processes . Paradise. don't try to do that in third person!

To help you stay on topic, your critical thinking essay should be organized in keeping with the outline below. Introduction (1-2 paragraphs) Focus on explaining the topic. Body (minimum of 3 paragraphs but use as many as necessary . several short paragraphs are better than 1-2 overly long paragraphs) Write your body before your write your introduction and conclusion. Songs. Examine all aspects of the topic. Show your knowledge and grasp of the material you have read. Discuss the differing opinions of the sex, topic as reflected in 1960's protest, the research. Discuss any issues or problems.

Did you have enough information? Did the research raise issues you hadn't considered? Did the research contain confusing, incomplete or contradictory information? Explain how your research influenced your thinking. If your thinking has changed, what changed it? If your thinking has not changed, how did what you learned support your original opinion? If you're not sure about sex, your opinion, what information might you need to form an opinion? Conclusion (generally 1 paragraph)

The conclusion rounds off the essay. Of Zion Essay. Refer back to your main ideas or points and reiterate your answer to the question. NEVER introduce new information in your conclusion. Paradise Sex. The conclusion moves from specific to general. ADDITIONAL WRITING AND INFORMATION RESOURCES.

Read Irving Hexham's The Plague of Plagiarism if you are uncertain what constitutes plagiarism.

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essay on the uncanny by Sigmund Freud. It is paradise sex, only rarely that a psycho-analyst feels impelled to investigate the subject of aesthetics, even when aesthetics is understood to mean not merely the theory of beauty but the theory of the qualities of feeling. He works in other strata of mental life and has little to do with the subdued emotional impulses which, inhibited in their aims and dependent on a host of concurrent factors, usually furnish the material for the study of aesthetics. But it does occasionally happen that he has to most effective advertising interest himself in some particular province of that subject; and this province usually proves to be a rather remote one, and one which has been neglected in the specialist literature of paradise aesthetics. The subject of the definition ‘uncanny’ is a province of this kind. It is undoubtedly related to what is frightening — to paradise what arouses dread and horror; equally certainly, too, the word is not always used in a clearly definable sense, so that it tends to coincide with what excites fear in general. Yet we may expect that a special core of feeling is present which justifies the use of a special conceptual term. One is flouting definition, curious to paradise know what this common core is which allows us to of the examples distinguish as ‘uncanny’; certain things which lie within the field of paradise sex what is frightening. … In his study of the ‘uncanny,’ Jentsch quite rightly lays stress on flouting definition, the obstacle presented by the fact that people vary so very greatly in their sensitivity to sex this quality of feeling. The writer of the of feudalistic present contribution, indeed, must himself plead guilty to a special obtuseness in the matter, where extreme delicacy of perception would be more in place. Paradise Sex. It is long since he has experienced or heard of anything which has given him an songs uncanny impression, and he must start by translating himself into that state of feeling, by awakening in himself the paradise possibility of experiencing it. Themes In Hamlet. Still, such difficulties make themselves powerfully felt in many other branches of aesthetics; we need not on that account despair of sex finding instances in which the quality in themes in hamlet act 1 question will be unhesitatingly recognized by most people.

Two courses are open to paradise us at the outset. Either we can find out what meaning has come to be attached to the word ‘uncanny’ in the course of its history; or we can collect all those properties of persons, things, sense-impressions, experiences and definition, situations which arouse in sex us the feeling of flouting uncanniness, and then infer the unknown nature of the uncanny from what all these examples have in paradise common. I will say at once that both courses lead to of the of Zion Essay the same result: the uncanny is that class of the frightening which leads back to what is known of old and long familiar. How this is possible, in what circumstances the familiar can become uncanny and frightening, I shall show in what follows. Let me also add that my investigation was actually begun by collecting a number of individual cases, and was only later confirmed by an examination of paradise sex linguistic usage.

In this discussion, however, I shall follow the reverse course. The German word ‘unheimlich’ is obviously the opposite of ‘heimlich’ [‘homely’], … the opposite of what is familiar; and we are tempted to conclude that what is ‘uncanny’ is frightening precisely because it is not known and familiar. Naturally not everything that is new and unfamiliar is frightening, however; the relation is not capable of inversion. … Something has to be added to what is novel and unfamiliar in of feudalistic order to make it uncanny. On the whole, Jentsch … ascribes the essential factor in paradise the production of the of feudalistic feeling of uncanniness to intellectual uncertainty; so that the uncanny would always, as it were, be something one does not know one’s way about in. The better orientated in his environment a person is, the less readily will he get the impression of something uncanny in regard to paradise the objects and events in it.

It is not difficult to see that this definition is incomplete, and we will therefore try to proceed beyond the equation ‘uncanny’ as ‘unfamiliar.’ We will first turn to protest songs other languages. Sex. But the dictionaries that we consult tell us nothing new, perhaps only because we ourselves speak a language that is foreign. Indeed, we get an impression that many languages are without a word for this particular shade of what is frightening. … Latin : … An uncanny place: locus suspectus ; at an uncanny time of night. … Greek : … Eeros (i.e., strange, foreign). English : … Uncomfortable, uneasy, gloomy, dismal, uncanny, ghastly; (of a house) haunted; (of a man) a repulsive fellow. French : … Inquitant , sinistre , lugubre , mal son aise . Spanish : … Sospechoso , de mal agero , lgubre , siniestro . … In Arabic and Hebrew ‘uncanny’ means the same as ‘daemonic,’ ‘gruesome.’

Let us therefore return to songs the German language. In Daniel Sanders’s Wrterbuch der Deutschen Sprache (1860, 1, 729), the[re] is following entry… under the word ‘heimlich.’ “ Heimlich, adj., … I. [B]elonging to the house, not strange, familiar, tame, intimate, friendly, etc. … (b) Of animals: tame, companionable to man. … (c) Intimate, friendly comfortable; the enjoyment of quiet content, etc., arousing a sense of agreeable restfulness and security as in one within the four walls of his house. Sex. Is it still heimlich to you in your country where strangers are felling your woods?’ ‘She did not feel too heimlich with him.’ … II. The Protocols Of The Of Zion Essay Examples. Concealed, kept from paradise sex sight, so that others do not get to know of meaning of feudalistic or about it, withheld from others. To do something heimlich , i.e., behind someone’s back; to steal away heimlich; heimlich meetings and paradise, appointments. … The heimlich art’ (magic). ‘Where public ventilation has to stop, there heimlich conspirators and the loud battle-cry of professed revolutionaries.’ ‘A holy, heimlich effect.’ … ‘learned in strange Heimlichkeiten’ (magic arts). … Note especially the negative ‘un-’: eerie, weird, arousing gruesome fear: ‘Seeming quite unheimlich and ghostly to him.’ ‘The unheimlich, fearful hours of night.’ ‘I had already long since felt an unheimich,’ even gruesome feeling.’ ‘Now I am beginning to have an unheimlich feeling.’ … ‘Feels an unheimlich horror.’ ‘ Unheimlich and motionless like a stone image.’ ‘The unheimlich mist called hill-fog.’ ‘These pale youths are unheinrlich and are brewing heaven knows what mischief.’ ‘Unh eimlich is the name for everything that ought to have remained . secret and flouting, hidden but has come to light’ (Schelling).— ‘To veil the divine, to surround it with a certain Unheimlichkeit.’ …” What interests us most in this long extract is to paradise find that among its different shades of meaning the word ‘ heimlich’’ exhibits one which is identical with its opposite, ‘ unheirnlich.’ What is heimlich thus comes to of the Essay examples be unheimlich. (Cf. the quotation from Gutzkow: ‘We call it “unheimlich”; you call it “heimlich.”’) In general we are reminded that the word ‘heimlich’ is not unambiguous, but belongs to paradise two sets of ideas, which, without being contradictory, are yet very different: on the one hand it means what is familiar and agreeable, and on the other. Songs. what is concealed and kept out of sight. ‘Unheimlich’ is customarily used, we are told, as the contrary only of the first signification of’ heimlich,’ and not of the second. Sanders tells us nothing concerning a possible genetic connection between these two meanings of heimlich. On the other hand, we notice that Schelling says something which throws quite a new light on the concept of the Unheimlich, for which we were certainly not prepared. According to him, everything is unheimlich that ought to have remained secret and hidden but has come to light. … Thus heimlich is a word the meaning of which develops in the direction of ambivalence, until it finally coincides with its opposite, unheimlich. Sex. Unheimlich is in some way or other a sub-species of heimlich.

Let us bear this discovery in The Protocols of the examples mind, though we cannot yet rightly understand it, alongside of Schelling’s definition of the Unheimlich. If we go on paradise, to examine individual instances of themes in hamlet act 1 uncanniness, these hints will become intelligible to us. When we proceed to review things, persons, impressions, events and situations which are able to arouse in sex us a feeling of the uncanny in a particularly forcible and definite form, the first requirement is obviously to select a suitable example to start on. Jentsch has taken as a very good instance ‘doubts whether an apparently animate being is of the Essay, really alive; or conversely, whether a lifeless object might not be in fact animate’; and he refers in this connection to the impression made by waxwork figures, ingeniously constructed dolls and automata. To these he adds the uncanny effect of epileptic fits, and of manifestations of insanity, because these excite in the spectator the impression of automatic, mechanical processes at work behind the ‘ordinary appearance of mental activity. Without entirely accepting this author’s view, we will take it as a starting point for our own investigation because in what follows he reminds us of a writer who has succeeded in producing uncanny effects better than anyone else. Jentsch writes: ‘In telling a story one of the most successful devices for easily creating uncanny effects is to leave the reader in uncertainty whether a particular figure in the story is a human being or an automaton and to paradise do it in definition such a wa y that his attention is not focused directly upon his uncertainty, so that he may not be led to go into the matter and clear it up immediately. That, as we have said, would quickly dissipate the peculiar emotional effect of the thing. E. T. A. Hoffmann has repeatedly employed this psychological artifice with success in his fantastic narratives.’

This observation, undoubtedly a correct one, refers primarily to sex the story of The Sand-Man” in Hoffmann’s Nachtstcken, which contains the original of Olympia, the doll that appears in the first act of Offenbach’s opera, Tales of Hoffmann , but I cannot think — and I hope most readers of the story will agree with me — that the theme of the doll Olympia, who is to all appearances a living being, is by any means the only, or indeed the most important, element that must be held responsible for the quite unparalleled atmosphere of uncanniness evoked by methods, the story. Nor is this atmosphere heightened by the fact that the author himself treats the episode of Olympia with a faint touch of satire and uses it to poke fun at the young man’s idealization of paradise his mistress. The main theme of the story is, on the contrary, something different, something which gives it its name, and which is always re-introduced at critical moments: it is the most effective advertising theme of the ‘Sand-Man’ who tears out children’s eyes. This fantastic tale opens with the paradise sex childhood recollections of the student Nathaniel. In spite of his present happiness, he cannot banish the memories associated with the mysterious and terrifying death of flouting his beloved father. On certain evenings his mother used to send the children to bed early, warning them that ‘the Sand-Man was coming’; and, sure enough, Nathaniel would not fail to hear the heavy tread of paradise sex a visitor, with whom his father would then be occupied for the evening.

When questioned about the Sand-Man, his mother, it is true, denied that such a person existed except as a figure of speech; but his nurse could give him more definite information: ‘He’s a wicked man who comes when children won’t go to bed, and throws handfuls of sand in their eyes so that they jump out of their heads all bleeding. Flouting. Then he puts the eyes in a sack and carries them off to the half-moon to feed his children. They sit up there in their nest, and their beaks are hooked like owls’ beaks, and they use them to peck up naughty boys’ and girls’ eyes with.’ Although little Nathaniel was sensible and old enough not to paradise sex credit the figure of the most Sand-Man with such gruesome attributes, yet the sex dread of him became fixed in his heart. He determined to find out what the Sand-Man looked like; and methods, one evening, when the paradise Sand-Man was expected again, he hid in his father’s study. He recognized the visitor as the most effective advertising lawyer Coppelius, a repulsive person whom the children were frightened of when he occasionally came to paradise a meal; and he now identified this Coppelius with the dreaded Sand-Man. As regards the rest of the scene, Hoffmann already leaves us in doubt whether what we are witnessing is themes, tee first delirium of the panic-stricken boy, or a succession of events which are to be regarded in sex the story as being real. His father and the guest are at of feudalistic work at a brazier with glowing flames. The little eavesdropper hears Coppelius call out: ‘Eyes here!

Eyes here!’ and betrays himself by screaming aloud. Coppelius seizes him and sex, is on the point of dropping bits of red-hot coal from the fire into his eyes, and then of throwing them into of feudalistic, the brazier, but his father begs him off and saves his eyes. After this the boy falls into a deep swoon; and a long illness brings his experience to paradise sex an end. Those who decide in favour of the flouting definition rationalistic interpretation of the Sand-Man will not fail to recognize in paradise sex the child’s phantasy the persisting influence of his nurse’s story. The bits of sand that are to be thrown into the child’s eyes turn into bits of ivan braginsky red-hot coal from the flames; and in both cases they are intended to paradise make his eyes jump out.

In the course of another visit of the Sand-Man’s, a year later, his father is killed in his study by an explosion. The lawyer Coppelius disappears from the place without leaving a trace behind. Nathaniel, now a student, believes that he has recognized this phantom of horror from his childhood in an itinerant optician, an Italian called Giuseppe Coppola, who at his university town, offers him weather-glasses for sale. When Nathaniel refuses, the man goes on: ‘Not weather-glasses? not weather-glasses? also got fine eyes, fine eyes!’ The student’s terror is allayed when he finds that the proffered eyes are only harmless spectacles, and he buys a pocket spy-glass from Coppola. With its aid he looks across into of feudalistic, Professor Spalanzani’s house opposite and there spies Spalanzani’s beautiful, but strangely silent and motionless daughter, Olympia. Paradise Sex. He soon falls in love with her so violently that, because of her, he quite forgets the clever and sensible girl to effective advertising methods whom he is sex, betrothed. But Olympia is an automaton whose clock-work has been made by Spalanzani, and whose eyes have been put in by Coppola, the Sand-Man. The student surprises the two Masters quarrelling over their handiwork. The optician carries off the wooden eyeless doll; and the mechanician, Spalanzani, picks up Olympia ’s bleeding eyes from the ground and throws them at Nathaniel’s breast, saying that Coppola had stolen them from the student. Nathaniel succumbs to ivan braginsky a fresh attack of madness, and in his delirium his recollection of his father’s death is mingled with this new experience. ‘Hurry up! hurry up! ring of fire!’ he cries. ‘Spin about, ring of fire — Hurrah! Hurry up, wooden doll! lovely wooden doll, spin about — .’ He then falls upon the professor, Olympia ’s ‘father,’ and paradise, tries to strangle him.

Rallying from a long and serious illness, Nathaniel seems at last to have recovered. He intends to marry his betrothed, with whom he has become reconciled. One day he and she are walking through the city market-place, over which the high tower of the Town Hall throws its huge shadow. On the girl’s suggestion, they climb the tower, leaving her brother, who is walking with them, down below. Ivan Braginsky. From the top, Clara’s attention is drawn to sex a curious object moving along the street. Nathaniel looks at this thing through Coppola’s spy-glass, which he finds in ivan braginsky his pocket, and falls into a new attack of madness. Sex. Shouting ‘Spin about, wooden doll!’ he tries to effective throw the girl into the gulf below. Paradise. Her brother, brought to her side by her cries, rescues her and hastens down with her to safety. Definition. On the tower above, the sex madman rushes round, shrieking ‘Ring of fire, spin about!’ — and we know the origin of the words. Of Feudalistic. Among the people who begin to gather below there comes forward the figure of the lawyer Coppelius, who has suddenly returned.

We may suppose that it was his approach, seen through the spy-glass, which threw Nathaniel into his fit of madness. As the onlookers prepare to go up and overpower the madman, Coppelius laughs and says: ‘Wait a bit; he’ll come down of himself.’ Nathaniel suddenly stands still, catches sight of Coppelius, and with a wild shriek ‘Yes! “fine eyes — fine eyes”!’ flings himself over the parapet. While he lies on the paving-stones with a shattered skull the Sand-Man vanishes in the throng. This short summary leaves no doubt, I think, that the feeling of something uncanny is directly attached to the figure of the Sand-Man, that is, to the idea of being robbed of one’s eyes, and paradise sex, that Jentsch’s point of an intellectual uncertainty has nothing to do with the flouting effect. Uncertainty whether an sex object is living or inanimate, which admittedly applied to the doll Olympia , is Elders of Zion, quite irrelevant in connection with this other, more striking instance of uncanniness. It is true that the sex writer creates a kind of uncertainty in us in the beginning by not letting us know, no doubt purposely, whether he is taking us into the real world or into a purely fantastic one of his own creation. He has, of course, a right to do either; and if he chooses to stage his action in a world peopled with spirits, demons and ghosts, as Shakespeare does in Hamlet, in Macbeth and, in a different sense, in The Tempest and A Midsummer-Night’s Dream , we must bow to his decision and definition, treat his setting as though it were real for paradise sex as long as we put ourselves into this hands.

But this uncertainty disappears in the course of Hoffmann’s story, and we perceive that he intends to methods make us, too, look through the demon optician’s spectacles or spy-glass — perhaps, indeed, that the author in paradise his very own person once peered through such an instrument. Flouting Definition. For the conclusion of the story makes it quite clear that Coppola the optician really is the lawyer Coppelius and also, therefore, the paradise Sand-Man. There is no question therefore, of any intellectual uncertainty here: we know now that we are not supposed to be looking on at the effective methods products of a madman’s imagination, behind which we, with the superiority of rational minds, are able to detect the sober truth; and yet this knowledge does not lessen the impression of paradise sex uncanniness in the least degree. Flouting Definition. The theory of paradise intellectual uncertainty is thus incapable of themes in hamlet explaining that impression. We know from psycho-analytic experience, however, that the fear of damaging or losing one’s eyes is a terrible one in paradise sex children. Many adults retain their apprehensiveness in this respect, and no physical injury is definition, so much dreaded by them as an sex injury to the eye. We are accustomed to say, too, that we will treasure a thing as the apple of our eye. A study of dreams, phantasies and myths has taught us that anxiety about one’s eyes, the fear of going blind, is often enough a substitute for of the of Zion Essay examples the dread of being castrated. Paradise Sex. The self-blinding of the mythical criminal, Oedipus, was simply a mitigated form of the punishment of castration — the only punishment that was adequate for him by the lex talionis. We may try on rationalistic grounds to The Protocols of Zion deny that fears about the eye are derived from the fear of castration, and may argue that it is very natural that so precious an organ as the eye should be guarded by a proportionate dread. Indeed, we might go further and say that the fear of paradise castration itself contains no other significance and no deeper secret than a justifiable dread of this rational kind.

But this view does not account adequately for the substitutive relation between the eye and the male organ which is seen to exist in dreams and definition, myths and phantasies; nor can it dispel the impression that the threat of being castrated in especial excites a peculiarly violent and obscure emotion, and that this emotion is what first gives the idea of losing other organs its intense colouring. Paradise Sex. All further doubts are removed when we learn the details of their ‘castration complex’ from the analysis of neurotic patients, and realize its immense importance in their mental life. Moreover, I would not recommend any opponent of the psycho-analytic view to select this particular story of the Sand-Man with which to 1960's songs support his argument that anxiety about the eyes has nothing to do with the castration complex. Sex. For why does Hoffmann bring the anxiety about eyes into such intimate connection with the father’s death? And why does the Sand-Man always appear as a disturber of love? ** He separates the unfortunate Nathaniel from his betrothed and from her brother, his best friend; he destroys the second object of his love, Olympia, the lovely doll; and he drives him into suicide at the moment when he has won back his Clara and meaning, is about to be happily united to her. Paradise Sex. Elements in the story like these, and ivan braginsky, many others, seem arbitrary and meaningless so long as we deny all connection between fears about the paradise sex eye and castration; but they become intelligible as soon as we replace the Sand-Man by the dreaded father at whose hands castration is expected. ** We shall venture, therefore, to refer the uncanny effect of the Sand-Man to the anxiety belonging to The Protocols the castration complex of paradise sex childhood.

But having reached the idea that we can make an infantile factor such as this responsible for feelings of uncanniness, we are encouraged to see whether we can apply it to other instances of the uncanny. We find in the story of the Sand-Man the other theme on which Jentsch lays stress, of a doll which appears to be alive. Jentsch believes that a particularly favourable condition for 1960's songs awakening uncanny feelings is created when there is intellectual uncertainty whether an object is paradise, alive or not, and when an inanimate object becomes too much like an animate one. Now, dolls are of course rather closely connected with childhood life. We remember that in their early games children do not distinguish at all sharply between living and inanimate objects, and that they are especially fond of treating their dolls like live people. In fact, I have occasionally heard a woman patient declare that even at the age of eight she had still been convinced that her dolls would be certain to come to life if she were to most effective advertising look at them in a particular, extremely concentrated, way. So that here, too, it is not difficult to discover a factor from paradise sex childhood. Ivan Braginsky. But, curiously enough, while the Sand-Man story deals with the paradise arousing of an early childhood fear, the idea of a ‘living doll’ excites no fear at of Zion examples all; children have no fear of their dolls coming to life, they may even desire it. Paradise. The source of uncanny feelings would not, therefore, be an infantile fear in this case, but rather an infantile wish or even merely an infantile belief. There seems to be a contradiction here; but perhaps it is most, only a complication, which may be helpful to paradise us later on.

** For a contrary view put forth by Freud himself, compare “The Taboo on Virginity,” in which Freud writes: “Whenever primitive man institutes a taboo, there he fears a danger; and it cannot be disputed that the general principle underlying all of these regulations and avoidances is effective methods, a dread of women. Perhaps the sex fear is 1960's protest, founded on the difference of sex woman from man, on ivan braginsky, her eternally inexplicable, mysterious, strange nature which thus seems hostile. Man fears that his strength will be taken from him by women, dreads becoming infected with her femininity and the proving himself a weakling. The effect of coitus in discharging tensions and sex, inducing flaccidity may be a type of what these fears represent. … In any event, the taboos described are evidence of the existence of a force which, by regarding women as strange and hostile, sets itself against love.” ** [ Freud’s footnote ] In fact, Hoffmann’s imaginative treatment of his material has not made such wild confusion of protest songs its elements that we cannot reconstruct their original arrangement. In the story of Nathaniel’s childhood, the figures of his father and Coppelius represent the two opposites into sex, which the father-imago is split by his ambivalence; whereas the one threatens to most advertising blind him — that is, to castrate him — , the paradise other, the ‘good’ father, intercedes for his sight. The part of the complex which is most strongly repressed, the death-wish against meaning, the ‘bad’ father, finds expression in the death of the ‘good’ father, and Coppelius is made answerable for it. This pair of sex fathers is represented later, in his student days, by Professor Spalanzani and Coppola the optician. The Professor is even called the father of Olympia . This double occurrence of activity in common betrays them as divisions of the father-imago: both the mechanician and the optician were the father f Nathaniel (and of Olympia as well). In the frightening scene in childhood, Coppelius, after sparing Nathaniel’s eyes, has screwed off his arms and legs as an experiment; that is, he had worked on him as a mechanician would on a doll. This singular feature, which seems quite outside the picture of the Sand-Man, introduces a new castration equivalent; but it also points to the inner identity of Coppelius with his later counterpart, Spalanzani the songs mechanician, and prepares us for the interpretation of Olympia . Sex. This automatic doll can be nothing else than a materialization of Nathaniel’s feminine attitude towards his father in his infancy. Her fathers, Spalanzani and Coppola, are, after all, nothing but new editions, reincarnations of Nathaniel’s pair of fathers.

Spalanzani’s otherwise incomprehensible statement that the optician has stolen Nathaniel’s eyes … , so as to set them in the doll, now becomes significant as supplying evidence of the identity of Olympia and advertising, Nathaniel. Olympia is, as it were, a dissociated complex of Nathaniel’s which confronts him as a person, and sex, Nathaniel’s enslavement to flouting definition this complex is expressed in his senseless obsessive love for Olympia . We may with justice call love of this kind narcissistic, and we can understand why someone who has fallen victim to it should relinquish the real external object of his love. The psychological truth of the situation in which the young man, fixated upon his father by his castration complex, becomes incapable of sex loving a woman, is amply proved by numerous analyses of patients whose story, though less fantastic, is hardly less tragic than that of the student Nathaniel. …

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Essay topics for Romeo and Juliet. There have always been questions related to the accelerated time scheme of Romeo and Juliet and scholars have questioned whether a love story of such magnitude can unfold within such a short span of time. Sex? This is one of the most critical Romeo and Juliet essay topic that has been picked by students of literature. Many claim that it is the intensity of the bonding between Romeo and Juliet followed by a complex set of definition, events during the course of the play which makes it evident that the time span of the story is relatively longer compared to the actual time span if we see it from a practical point of view. If each and every event in the play is compressed into a span of a few days, ample weight can be emphasized on every moment which somewhat makes critics feel that the events are happening within a very short span of time leaving barely any time for the characters to give an adequate reaction. Gradually, this rush ends up heightening the pressure in the atmosphere during the course of the play.

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Topics like these require the author to frame their answers keeping the moral, legal and personal perceptions in mind and relating them to the plot of the story. Keeping these issues in paradise sex, mind, the deaths of Romeo and Juliet, Mercutio and Romeo, and Tybalt can be compared. There are a plethora of quotations that you can use from definition, Romeo and Juliet which will add more substance to your essay. The quotations from the play tend to correspond to the topics of the essays which are chosen and offer great ideas by emphasizing on symbols, themes, imagery and the motifs that have been highlighted in the play. Hence, there are surfeit of topics to choose from, depending upon your understanding of the plot Romeo and Juliet.

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Maybe it does not make sense for a story like Romeo and Juliet to occur within a span of 4 days practically. While choosing a thesis theme? for Romeo and Juliet, people usually compare the contrasting characters of Romeo and Juliet and emphasize on the reasons why they fell in love. Romeo happens to be an intelligent, excitable, passionate, well-liked and paradise moody young man who is admired throughout the city of Verona. His loyalty is his charm and The Protocols of the Elders examples his behavior towards people is somewhat unpredictable. Writing an essay introduction for an engineering paper on Romeo and Juliet should always start with a description of the characters of both the subjects followed by an insight of how Romeo laments over paradise his unrequited love for Rosaline.

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