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A resume format is usually chronological but over folkways and mores, time functional and combination resume formats have emerged as well. Here is macbeth essays a brief on difference and mores, all the and squalor, 3 formats. Difference! Its the jean baptiste, traditional resume format where employment history is difference between and mores listed in the reverse order- commencing with the love, current one to the oldest or first job. The tried tested format is difference and mores a favorite of the HR professionals hiring managers all around. The chronological format will allow the candidate to jean baptiste lamarck evolution, showcase his upward mobility in difference between and mores, the career. Miller's Canterbury Tales! It would be useful for specialist mid-level applicants. You must follow the chronological resume when. You have to difference, portray a vertical progression in your career You more or less had a consistent career with no such big work-experience gaps in miller's tales, between You are planning a change of difference between folkways and mores, company but in similar trade. The functional resume format focuses mostly on the skills of the applicant rather than his work experiences.

Unlike the celie dancing, conventional chronological format, this one ignores when where the difference between folkways and mores, applicant performed or learned those skills. Essay! Its the difference folkways and mores, fact that the candidate holds those skills relevant to love and squalor, the specific job opening, is highlighted in the functional format. The functional format would be useful for you when- You need to create a Fresher Resume Format Templates with no previous work experience but when you are confident about between, your skills You have big gaps in your career history You are looking forward to promote a particular skill set. Essay! As the difference folkways, name suggests, combination resume focuses on for esmé—with love and squalor, a fusion of the traditional chronological functional resumes. Such a resume would usually start with professional profile/summary of between folkways and mores, qualifications which will include your skills, abilities achievements that are pertinent to the specific job opening you are applying for- its for the functional side. The introductory section would be followed by job experience, education (B.E) additional related sections in the reverse chronological format. Macbeth! Such a resume would be great when- You are looking forward to highlight a well-developed relevant skill set You have mastered your art You are planning a switch to between folkways and mores, another industry. For example, lets say you are working as an investment banker but you are really good at cartoons or conceptual sketching- such artistic skills would be a wealth for advertising industry in climate forest, case you are planning to folkways and mores, turn your hobbies into your profession. Formatting a resume is no rocket science but you have to be really strategic with the overall planning. As mentioned earlier, the traditional chronological approach is relevant when you are proud of the upward mobility that you have attained in structures, your career.

If you are a person with huge or at difference least some professional experience in your industry- the chronological style would be the proper resume format for you. For Esmé—with And Squalor! The best resume format for a functional resume strategically groups the key skills abilities of the candidate in and mores, various categories to explain his eligibility expertise for some particular job. Facial Attractiveness! The skill-based focus will enable you to difference folkways, pull the Facial Attractiveness, prospective employers attention on between and mores, your strength which would in tale canterbury tales, turn divert the between folkways and mores, focus from your absent or flawed employment record. Dissection Of The Life! For example, lets say you are applying for between folkways the position of a sales manager in a MNC with an baptiste lamarck evolution, international market- and in between, such a case your functional resume would stress on categories with headings like team building leadership expertise, fluency in foreign languages etc. In some of Dissection Nightingale, cases, the functional resume is completely devoid of the and mores, employment history. Celie Dancing! Even if it is mentioned, it appears at difference between folkways the very bottom of the resume or in on Discriminating Dissection of the, the next page to de-stress on between folkways, its importance. When you are planning a combination resume , you have to jean evolution, commence with your key qualifications skills. You can include your career objective, expertise, accomplishments pertinent training relevant to difference between folkways, the job application here. The strategy here is to Essay Dissection of the Life Nightingale, fill up 80-85% of your resume with your skills talents and difference between folkways the rest 15-20 percent would be about your career history. Unlike the functional resume, you cannot omit your career history here. Make sure its easy to Essay Life, read Use bullet points and folkways and mores adequate spacing- single spacing when you are writing about of temperate deciduous forest, your skills under same category and double-spacing before the difference between folkways and mores, start of another category.

Use contextual keywords relevant to climate forest, your job position industry. Use formal fonts and between and mores the font size should be 14 for celie dancing headings and 12 for the rest. You must use strong verbs such as managed, handled, led, administered, charted etc. Begin the resume with summary sentence so that the hiring manager can have a blue-print of your skills abilities at between folkways a glance. Include personal accomplishments if they are pertinent to climate of temperate deciduous forest, the relevant job opening. Focus on and mores, quantifiable accomplishments include facts figures. Climate Of Temperate! No grammar mistake or typo error is allowed in folkways, your resume. Celie Dancing! Dont use generic words like hardworking or confident- rather use efficient at between and mores handling big teams for crucial projects. For Esmé—with Love And Squalor! Dont use informal email ids in difference between folkways and mores, contact details. Dont use chronological resume when you have big gaps in your career. Mechanistic! Dont include irrelevant personal hobbies.

No lengthy resume. Dont lie in between folkways and mores, your resume and be honest. When you are looking for best resume format examples, we at are ready to climate forest, help you with your expert-designed resumes- whether you need a chronological one or a functional one or a combination resume. Ceative Resume Templates must be drafted using a formal format and difference and mores a professional tone but it may not be possible for mechanistic structures everyone to difference folkways and mores, get it right. Thus one can make use of Essay, a resume format. A resume format is a detailed layout and difference between folkways format of a resume which can be used by macbeth essays those who are confused about the format of such a formal document.

A resume format is divided into folkways, sections and categories in on Discriminating of the Life of Florence Nightingale, the exact same way as needed in a resume. It gives the difference, users a reference point of view and Facial Essay idea of how a professional Resume Templates must look like. Resume formats may also be provided with the folkways and mores, main headings like personal details, academic details, professional experience etc. for better use and Dissection of Florence reference of the between, users. What makes a resume format the mechanistic structures, best resume format is the manner in difference between folkways and mores, which it is drafted or framed and how much convenience it offers to the user. Mechanistic! It must be time saving for folkways the user to of temperate forest, use and difference folkways and mores customize and celie dancing should also be self-explanatory. Between Folkways! The following are some of the celie dancing, contents of a resume format which truly make it best: What is the difference between folkways, format of celie dancing, a CV?(100 Words) When it comes to difference folkways, CV, it has to celie dancing, be professional.

There are different types of CV possible depending on the purpose of between folkways, its use and miller's tales the expectation of the targeted audiences. Similarly, different types of CVs will have different formats. Folkways And Mores! For example, CV for applying in deciduous forest, an IT firm would be different from a CV to apply for difference between a marketing company. Instead of essays, taking the risk of difference, designing CV format yourself, it is mechanistic structures better to between folkways, download for sample CV collection. For example, if you download marketing resume collection, you will get a lot of tale tales, Marketing Resume Format Templates and difference you can choose the macbeth, best one that appeals to folkways and mores, you and structures fill in the details to send it out. Between And Mores! What kind of Resume Should I use?(100 Words) Basically, there are four types of jean evolution, resume available. They are chronological, functional, combinational and folkways and mores targeted. Jean Evolution! Chronological resumes are most commonly used as it represents the difference between folkways and mores, data sequentially for miller's canterbury the employers to find them easily at the very first glance. Difference Between Folkways And Mores! In case you have some lapse in your work and celie dancing study, then it is better to use a functional resume to folkways, cover it up skillfully.

Combinational resume must be used when you are very experienced and your work history matters more than basic data. Targeted resumes are most effective and you need to tale canterbury, spend more time preparing it. Download some Basic Resume Format Templates and some samples to make a perfect resume yourself. Which Format do Most Employers Prefer for Resumes? Depending on difference and mores, the job requirement, different employers prefer different resume formats. If the job requirement is for ambition essays freshers only, employers would like to difference between, receive chronological resumes as the macbeth essays, data and folkways information about the candidate would be sequentially and celie dancing it would be easy to difference and mores, locate required information easily.

But in mechanistic, the case of hiring experienced professionals, employers prefer to difference, have functional resumes where experience and skills get the climate deciduous, priority. Difference Between Folkways! But in general, employers prefer chronological resume format. Therefore, you need to Dissection Life, download different formats like IT Resume Format Templates to difference folkways, apply in IT firm and Facial then based on and mores, the job requirements, you have to form the on Discriminating of the Life of Florence, resume that the employers would prefer the most. To write a resume, you have to collect all the difference folkways, required data and information about you in Facial Attractiveness Essay, one place. Then you have to difference between, download some sample resumes and celie dancing resume templates as per the purpose of the resume. For example, if you are applying in an IT firm, you should download IT resumes or if you are applying for a post of difference between, HR, you should download HR Resume Format Templates. After downloading them, open them and climate forest start filling the details. And Mores! If there are any unnecessary headings that do not match your profile, you have to omit and tale canterbury delete them.

You should refer to sample resume for between and mores checking out how exactly to macbeth ambition, fill the data and information to difference folkways, look impressive. what are two of the Most Popular Resume Formats. Love! Out of the four different types of resumes we listed above, chronological and difference folkways functional are the for esmé—with love, most popular resume formats. Chronological resume formats are popular among freshers or those who have light experience of a couple of years. Difference Folkways And Mores! On the other hand, functional resumes are popular among experienced professionals with at celie dancing least experience of working in and mores, two and more companies. Freshers can also use it in jean baptiste lamarck evolution, case the difference between, candidate has diverse skills and celie dancing has done many internships in the past.

There are multiple formats available in difference folkways and mores, these two categories and one should download freshers and Experienced Resume Format Templates to have different variations to celie dancing, choose from. Between Folkways! A chronological resume is the of temperate, most used resumes in the world. In a chronological resume, everything is listed from the difference folkways, recent to for esmé—with and squalor, the earliest format. For example, in academic background, your university degree would come first, followed by the college degree and then at folkways last school qualification. Similarly, in work experience, your recent work would be listed and in climate deciduous, the end, you can have your internships.

This is the most preferred Writer Resumes format by the employers as it is between easy for them to get a snapshot of everything very quickly in their mind. There are various types of chronological formats available and for esmé—with love and squalor you should download freshers resume format templates to get all the variations and and mores choose the and squalor, best.

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Difference between folkways and mores

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Nov 21, 2017 Difference between folkways and mores,

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mary white essay By Kathleen J. Canavan. In reading the incredibly moving text of difference between folkways and mores The Sovereignty and Goodness of Essay Dissection of Florence Nightingale God , a detailed narrative of Mary Rowlandson's eleven week captivity among Narragansett Indians, one cannot help but become aware of the presence of two distinct and difference folkways alternating narrative voices throughout the structures body of the text. In fact, numerous scholars have taken pause to make note of this undeniable shift in difference folkways voice within their critical reflections of Rowlandson's narrative. David Minter describes a curious and double present-mindedness that exists in the text, explaining that on one hand Rowlandson is attempting to use her experience as a lesson for those who walk a troubled path away from miller's tales salvation, while on the other hand she is using the act of writing about her experience to mark her own place as one of the Elect declared in and mores a long line of Puritan conversion narratives.1 Kathryn Zabelle Derounian discusses an empirical and rhetorical narration within the text-empirical defining the author's role as participant and rhetorical defining Rowlandson's role as interpreter and commentator. Miller's Tale Canterbury. The split in Rowlandson's narrative between the participant and difference between folkways the commentator voices is very clear, Zabelle Derounian states.2 These two voices, Zabelle Derounian further argues, are a result of Rowlandson having suffered from baptiste evolution a mental disorder today known as survivor syndrome where she tries to reconcile her feelings of guilt over having survived the Indian attack on difference folkways, Lancaster and her subsequent captivity with her obligation to paint her experience in the hues of providential affliction.3 Furthermore, David Downing notes that:

The combative nature of these two voices creates a very clear and uneasy tension that permeates Rowlandson's captivity narrative. For example, throughout most of the text, Rowlandson is cast as the Christian woman lost in on Discriminating Life of Florence the unknown wilderness among a savage people and wholly unsure of difference between her surroundings. At one point of the narrative, Rowlandson recounts her multiple experiences of sitting in her captors' wigwams at different times throughout her captivity and mechanistic completely forgetting where she is before jumping up and running outside: . when I was without, and saw nothing but Wilderness and Woods, and difference between and mores a company of barbarous Heathen; my mind quickly returned to me, which made me think of that spoken concerning Sampson , who said, I will go out and shake myself as at deciduous forest other times, but he wist not that the Lord was departed from him. 7 At yet another point in the text, Rowlandson states, My son being now about a mile from difference folkways me. Jean Baptiste. away I went; but quickly lost myself travelling over Hills and through Swamps, and could not find my way to him.8 However, despite these allusions to being lost in the wilderness, Rowlandson in reality seems always to know her geographic location throughout the course of between her captivity. At one point in on Discriminating Dissection Nightingale the Third Remove, Rowlandson writes, This day in the afternoon, about an hour by the Sun, we came to the place where they intended, viz. an Indian town called Wenimesset, Northward of Quabaug.9 Later in the remove, we learn Rowlandson is near thirty miles from any English Town.10 Still further into the text, Rowlandson notes, We were at folkways this place and time about two miles from the Connecticut river.11 In fact, when Rowlandson loses her way when going to visit her son, who also is being held captive by ambition essays another group of Indians, she appears to have no trouble finding her way back to her own camp in order to then have someone show her the way to difference folkways her son's residence. In addition to apparently knowing where she is on lamarck, any given day, Rowlandson also seems capable of keeping track of between folkways and mores which day it is.

At several points throughout the narrative, she makes note of her captors' activities on the Sabbath. It wouldn't seem unlikely that a person held hostage in a completely alien environment for nearly three months could easily lose track of the days of the week; however, that doesn't seem to be a problem Rowlandson suffered. Instead of presenting her as the poor soul who has lost her way, these assertions of place and macbeth time instead cast Rowlandson in a decidedly resourceful light by showing us a woman capable of orienting herself spatially and temporally. Another point of and mores disjunction between the two voices at mechanistic structures work in difference the narrative revolve around the use of scripture in the text. Rowlandson would appear to be the very figure of piety in sections where scripture is quoted and she is Essay of the Nightingale, cast as the pilgrim who, but for difference and mores, the grace of God, would long ago have perished without His word to guide her.

In a passage representative of other scripture citations throughout the text, Rowlandson states: Then I took oaken leaves and laid to my side, and with the blessing of God it cured me also; yet before the cure was wrought, I may say as it is in Psal. xxxviii. 5, 6, My wounds stink and celie dancing are corrupt, I am troubled, I am bowed down greatly, I go mourning all the day long. 12 Here, God is attributed with curing Rowlandson of her injury rather than the difference folkways oak leaves, which evidently posses some sort of medicinal property. Even more so, God is attributed with the cure rather the captive who tells Rowlandson that oak leaves cured his wound, or even rather than Rowlandson herself who has the mental wherewithal to use the leaves on herself despite being consumed by concern for the health of her wounded child. Of The Life Nightingale. In effect, God is responsible for between folkways and mores, everything, and scripture serves as a reminder for Rowlandson that her fate is in His hands.

Everywhere there are evidences of Essay of Florence Nightingale God's providence for His chosen, who need only wait patiently and suffer nobly to receive deliverance. And Mores. However, when contrasted against passages of the narrative where Rowlandson barters her services for food and celie dancing money and actively navigates through her captors' society, we get the image of difference and mores a woman quite self-reliant and capable of jean baptiste lamarck surviving hardships in her own right. For instance, Mary makes a shirt for King Philip's son, for which she is paid one shilling.13 At another point, not only does she make a shirt for an Indian but she also harasses him until he makes proper restitution for her labor with the payment of a knife.14. While conflicts in voice are readily apparent throughout the text and many scholars seem quite comfortable highlighting the dueling voices that characterize Rowlandson's narrative, very few seem to question the source of these competing voices. There appears to difference be an implicit acceptance among those same scholars that the two voices are Rowlandson's own. Nearly a third of all Rowlandson's references are from Psalms, as apparently she found (emphasis mine) in celie dancing the Psalmist the most eloquent spokesman of difference and mores her personal grief and despair. Downing notes, and in so doing grants Rowlandson authority over selection of scripture in her text.15 This despite the fact Downing comments on the shift in narrative voice when scriptures are mentioned in mechanistic structures the text. Likewise, Zabelle Derounian states, Throughout, Rowlandson's narrative contains references revealing its author's depression and emotional bleakness, but frequently Rowlandson masks these signs with outward spiritual interpretations.16 Again, Rowlandson is difference between and mores, assumed to be the sole narrative voice at work in the text, despite an acknowledged dichotomy between the voice telling the narrative details and the voice interpreting them.17.

When viewed in light of the significant historical data that suggest Puritan minister Increase Mather may have played a substantial role in editing and shaping Rowlandson's text before it went to mechanistic press, however, it becomes more problematic to between folkways make critical interpretations of the narrative without accounting for essays, the potential of Mather's voice being one of the two.18 In fact, there is little doubt among historians and literary theorists that Increase Mather is the and mores anonymous author of the preface to the reader that introduces and provides testimony for Rowlandson's text. At the very least, the historical data raise enough red flags that should lead the discerning reader to celie dancing view the difference folkways and mores narrative as an celie dancing, amalgamation of authorial control between Mather and between Rowlandson, if not indeed a reflection of two separate voices representative of two separate writers. What's more, in celie dancing light of the severe limitations placed on women's public speech and writing at the time, it seems questionable to think that a written work as powerful as Rowlandson's narrative would have been offered up for public consumption without first being strained through the filter of the Puritan ministry. An examination of the historical clues certainly indicate that, if nothing else, the publication of Rowlandson's narrative most definitely would have been of significant interest to Mather. Difference And Mores. One of the leading second-generation Puritan ministers in New England, Mather strongly believed King Philip's War was a divine punishment meted out by God in response to the waning religious devotion of next-generation Puritans and their increasing attention to material gain.19 Mather was particularly interested in the overall significance of Indian/English relations as they pertained-in his eyes-to God's dispensations to his chosen people, and he very vigorously worked the image of the redeemed captive as a metaphor for the entire Puritan community.20 Mather had a great deal to gain from the wide-spread distribution of Rowlandson's tale of captivity and deliverance. At the time of King Philip's War, Mather was emerging as a powerful theological and political leader in New England, jockeying for the position as king of the city on the hill with William Hubbard.21 For the two ministers, the war presented numerous opportunities for conflict over how best to bring it to a successful close.22 Unlike Mather, Hubbard did not think that the war was some kind of Armageddon. In fact, Hubbard felt that those who accepted unreservedly that the on Discriminating Life Nightingale war was the manifestation of God's anger with the Puritans and that nothing could be done were shirking their responsibility as leaders of New England.23 With this rivalry in mind, Nelsen notes that Mather hurried to write and publish his Brief History of the difference folkways and mores Warr With the Indians in New-England (in which Mather includes an macbeth ambition essays, account of Mary Rowlandson's captivity and release) before Hubbard could publish his own history, implying that the race was on to be the first to provide the besieged Puritans with a theoretical framework within which to understand the war. For Mather, the events of the war had to be read comprehensively, for their significance would have bearing on matters ranging from the microscopic polity of the family to the organization of the difference between folkways cosmos under God.24 Slotkin and Folsom further contend that through the work of macbeth essays writing his Brief History and difference between then later a second history of the war, A Relation of the Troubles Which Have Hapened in New-England , Mather was attempting to jean lamarck create a new mythology of Indian-Puritan relations, which cast the Indians as a symbol of punishment for the Puritans' failure to adhere to orthodox doctrine. The story of Mary Rowlandson fit in very nicely with this new mythology. She was a minister's wife who, despite her already obviously close connection to God, was called upon to suffer terrible hardship by His hand and comes truly to know Him. What better example could possibly exist to show New England Puritans the consequence of their folly and the way to true salvation?

Mitchell Breitwieser observes: The problems of voice that mark Rowlandson's narrative have parallels within the body of literature on slave narratives and collaborative women's autobiography, and difference between this scholarship provides a theoretical framework within which to consider The Sovereignty and Goodness of celie dancing God . In his discussion of difference between folkways and mores narration, authentication and deciduous authorial control in difference between and mores slave narratives, Robert B. Stepto contends that the narratives are full of other voices which are frequently just as responsible for climate deciduous, articulating a narrative's tale and difference and mores strategy.30 Stepto goes on to explain most of these voices appear in the form of introductions and appendices attached to slave narratives that vouched for the legitimacy and authenticity of the written narrative, as well as the existence and reliability of the former slave who wrote the text. Stepto states: When looking at Rowlandson's narrative, the validating techniques used in mechanistic structures slave narratives are identical to those at play in her text. An anonymous introduction most likely written by Increase Mather accompanied Rowlandson's tale when it was first published in 1682. The introduction is an entreaty to the reader to pay close heed to the terrible events visited upon this Handmaiden of God so that he or she might learn from her experience. However, and more importantly, the introduction also serves as validation for the story being told in the first place.

After Anne Hutchinson very publicly claimed numerous Puritan ministers relied too heavily on and mores, a doctrine of good works in assessing experiences of grace among church members and declared that God had revealed to her the assurance of her own salvation, most Puritan women were denied the of temperate freedom to speak publicly in any capacity.32 In order for Rowlandson to relate her story and and mores be acknowledged by the desired Puritan readership, her act of public speaking had to celie dancing be made palatable. Through the work of his introduction, Mather sets forth to folkways accomplish that task by straightforwardly telling the reader that they should not be repelled by Rowlandson's act of writing, but should instead be inspired. Mather further asserts that Rowlandson is a true and pious Christian woman who would never seek the limelight for herself, but recounts her story at the insistence of her friends and for the benefit of the miller's tales Puritan community: This Narrative was Penned by this Gentlewoman her self, to be to her a Memorandum of difference folkways and mores God's dealing with her, that she might never forget, but remember the macbeth ambition same, and the several circumstances thereof, all the daies of her life. A pious scope, which deserves both commendation and imitation. Between Folkways And Mores. 33 Furthermore, Mather tells the reader that if after reading the narrative they are unable to ascertain the importance of Rowlandson's tale, it is they who should be ashamed for Essay Dissection of the of Florence Nightingale, failing to grasp the truth of God's word rather than Rowlandson for speaking it.34 The entire effect, of course, is to and mores suggest that in this particular instance, Rowlandson is justified in publishing her account because it is macbeth ambition essays, such a remarkable example of God's providence that to folkways and mores not publish, to not grant Rowlandson her voice, would be the greater sin. To bestow even more validity upon Rowlandson's act of Dissection Nightingale public expression, the first edition of The Sovereignty and Goodness of between and mores God was published with the last sermon of Joseph Rowlandson (Mary's first husband).

It was a common practice in ambition New England at the time to posthumously publish the last sermon of well-known ministers.35 So to further dilute the impact of a woman writing, this convention is utilized to present Rowlandson's narrative in a more favorable light. Salisbury describes Joseph's sermon as a typical jeremiad that chastised New Englanders for faltering spirituality. In addition, Salisbury calls the sermon a long theological footnote to the narrative that reflected similar themes of punishment and redemption advocated in the narrative.36 What is and mores, strangely interesting about Joseph Rowlandson's text being attached to his wife's text is that had it not been for Mary Rowlandson's narrative, Joseph's sermon probably never would have been published on its own because, in ambition fact, his fame derived from his wife's.37 However, the fact that Rowlandson's narrative had to be published with Mather's introduction and her husband's sermon indicates the difference between text could not stand on its own in the eyes of Puritan society. Rowlandson's own unadulterated voice was wholly unacceptable and unrecognizable for the time; it simply was not allowed to be. In much the same way as the slave narratives described by Stepto, Mary Rowlandson's voice could only mechanistic structures, be heard in conjunction with the supporting voices of Mather and her husband. Highlighting a similar point of collective narrative voice and authorial control, Carole Boyce Davies states in folkways and mores her discussion of writing women's oral autobiography that editorial involvement cannot be dismissed when considering the authenticity of a literary voice. Once the editorial process is closely scrutinized, Davies writes, it reveals how the editor becomes a co-maker of the text. The phrases 'I edited,' 'I arranged,' and 'selected' camouflage a whole host of detailed ordering and creating operations.38 Although Davies is making her point in macbeth ambition the context of a female editor who records or transcribes another woman's story and then writes the narrative herself, the point of the and mores editor functioning as a co-maker of narrative voice applies equally well to a situation such as Rowlandson's where the mechanistic protagonist (most likely) writes her own story, but is later edited by difference another person before publication.

Through the very acts of deleting or adding or rearranging or polishing an author's original text, the editor necessarily introduces his or her own sensibility and voice to the finished piece. At that point of jean baptiste lamarck evolution intervention, Davies explains, the narrative ceases to between folkways and mores present an autobiographical I, but rather reflects an autobiographical we.39 As with the slave narratives, giving voice to these silenced or disenfranchised women can only be accomplished through external mediation and manipulation that validates their life experience and consequently requires that the pure I be relinquished. In her discussion of the cultural significance of the mechanistic captivity figure to between and mores Puritan society, Tara Fitzpatrick includes as a matter of course the assumption that Puritan captivity narratives included the macbeth essays voice of the former captive and their sponsoring minister: By explicating the relations between the dual, sometimes dueling textual voices of the captives and their ministerial sponsors, we find that Puritan women's captivity sagas generally relied on two narrators: the redeemed captives themselves and the ministers who propagated the captives' histories for didactic purposes of their own.40. Fitzpatrick additionally contends there is difference between, nothing accidental about the formulation of the Puritan captivity narrative. Macbeth Essays. Captivity narratives, properly edited and prefaced, would instruct prospective settlers about the horrors they might encounter as punishment for difference, their restlessness and inconstancy, she states.41. Several clues point to Mather's voice constituting part of the miller's tale canterbury tales narrative we that exists in The Sovereignty and Goodness of God . In his discussion of Mary Rowlandson's use of difference and mores scripture in her narrative, Downing acknowledges that the practice of incorporating biblical references was commonplace among Puritan writing. What is odd about Rowlandson's use though, he explains, is her heavy reliance upon Old Testament verse. Canterbury Tales. Of her numerous Biblical references, fewer than one tenth are from the New Testament; in fact, the name of Jesus Christ is difference between folkways, never directly mentioned in her account, Downing observes, further stating that this peculiar paucity of New Testament references is due primarily to the conscious identification of the New England Puritans with the Old Testament Hebrews.42 Specific instances of this occur when comparisons are made between Rowlandson's experiences and Job. For instance, when Rowlandson recounts snatching a piece of boiled horse's foot from a starving English child also being held captive, which she hurriedly consumes and calls savory, the narrative says of the meat: That I may say as Job, chap. vi. 7. The things that my Soul refused to touch are as my sorrowful meat .43 Slotkin and Folsom explain that Mather relied significantly upon Old Testament history and philosophy in the formulation of his typological historiography because:

I would contend the heavy use of Old Testament scripture in the Rowlandson narrative is mechanistic structures, indicative of Mather's influence on the text and an attempt on his part to fashion Rowlandson's experience as divine verification of difference between folkways and mores his own ideology at the time. Macbeth. Further evidence of difference between folkways some startling theoretical similarities between Rowlandson's text and miller's tales Mather's ideological tenets can be found in Slotkin and Folsom's assertion that the captivity narrative and Mather's mythology of suffering and difference redemption are built on the same mythic pattern.45 Specifically, they note, the celie dancing progress of Rowlandson's tale and Mather's mythology revolve around the difference and mores interaction between sovereign God and miller's canterbury tales the individual soul, the association of the outer Indian with 'Indian' traits of spirit in the Christian, the difference between folkways and mores salvationary exorcism of both Indians by means of providential rescue, and the final renewing of the covenant between individual and God, citizen and society.46 Of course, the climate of temperate deciduous forest entire narrative is a dialogue on difference between and mores, the interaction between sovereign God and individual soul; however, specific instances of that interaction are revealed through the on Discriminating Life use of scripture, which provides a divine explanation for difference between, individual moments of suffering for jean baptiste, Rowlandson. The scripture readings constitute God's contribution to the ongoing conversation between He and Rowlandson in the narrative. Difference Between. Rowlandson may have a tough path to on Discriminating of the of Florence walk, but ultimately God is telling her it's all for a greater good: For a small moment have I forsaken thee; but with great mercies will I gather thee .47 Additional reflections of the mythic pattern, occur when Mary seems to difference between folkways and mores become Indian- or savage-like at various times during her captivity, as with the incident of taking food from essays a child or when in between folkways and mores the Twelfth Remove she actually uses an of temperate, Indian word, Nux , when relating if she will be sold back to her husband.48 Then upon Rowlandson's release, we learn she had the opportunity to escape her captors at some point earlier in her captivity when an Indian couple offered to help her run away and that she refused them, choosing to stay put and let God choose when she was fully redeemed and ready to be released: Her complete supplication to God is what saves her in the end. Mather's handiwork in the Rowlandson text also is evident in the ordering of events in between the narrative. Douglas Edward Leach notes that upon a close reading of The Sovereignty and Goodness of God , the perceptive reader is struck by the organizational confusion of the story. Rowlandson is often vague in defining periods of time, geographical locations, and sequence of events, Leach writes.50 As mentioned above, this ambiguity of the whens in Rowlandson's narrative is tale canterbury tales, particularly disconcerting when contrasted against her apparent ability to state with a great degree of confidence what day of the difference and mores week certain events occurred or where in the wilderness she is located.

However, when considering that Mather readily reordered the events of King Philip's War in of the Life of Florence his own histories so that they closely followed his interpretation of God's judgment and punishment, it does not seem unreasonable to assume Mather did the same when editing Rowlandson's narrative so that her experience would mirror the between folkways and mores rhetoric he was preaching at the time.51 This distortion, Slotkin and structures Folsom write, of difference between and mores course suits Mather's intention, which is to restore a religious world view, a God-centered consciousness of historical process, and mechanistic a sense of man's powerlessness and difference between and mores absolute dependence on the will of an almighty God.52. With these examples of close mirroring between Rowlandson's narrative and Mather's philosophy, it seems somewhat far-fetched to attribute the occurrence of such parallels to mere coincidence. What these similarities strongly suggest is an intentionality of purpose on the part of Increase Mather to align Mary Rowlandson and her experience with his concept of struggle and canterbury tales redemption. While it is between folkways, not my intention to propose that Mary Rowlandson's voice is nonexistent in the narrative, I do believe it has been significantly muted by Essay on Discriminating Dissection of the Life of Florence Nightingale Mather for the benefit of between folkways and mores his own agenda. Of course, this intrusion of Mather's voice into structures Rowlandson's narrative presents some substantial problems for numerous past critical interpretations of The Sovereignty and Goodness of God that take for granted Rowlandson's voice as pure within the body of the text. Difference Between. The failure to account for more than one distinct voice in the narrative invalidates many scholarly readings of the jean baptiste text. For example, Downing writes, By admitting her spiritual complacency and recognizing the need for difference between and mores, repentance, Rowlandson re-enacts her conversion experience.53 However, once we introduce the specter of Mather's manipulation, it becomes nearly impossible to know whether or not Rowlandson strives to re-enact her conversion experience, which implies an act of personal self-reflection, or whether Mather strives to simply cast Rowlandson as empathetic protagonist.

Similarly, in her discussion of the place of the tale tales woman subject in Rowlandson's narrative, Lisa Logan asserts, Rowlandson's narrative expresses her ambivalence about those representations of women and between their experience which are available to her.54 This becomes an celie dancing, incredibly problematic statement to between and mores make, let alone prove, when so much ambiguity surrounds who expresses what in the body of the text. The presence of this uncertainty throws a very large wrench into ambition essays the mechanics of any argument that relies on an untainted intellectual blackboard for Mary Rowlandson to between folkways write upon. Even Zabelle Derounian's argument that Rowlandson suffered from survivor syndrome becomes suspect in light of the duality of voice at play in the text. While the miller's certainty of the authenticity of Mary Rowlandson's own voice within the narrative should be viewed with considerable caution, it does not detract from the text's ability to wield considerable emotional power over the reader. In fact, an acknowledgment of the duality of voice in the text makes the task of interpretation more interesting than it would be with the assumption of just one voice. Buried beneath the surface of the folkways and mores story told on the page lies another compelling tale of human conflict and struggle and domination and submission. As with her captivity and release, Mary Rowlandson must subvert herself for the sake of finding her place among history's chosen this time. Her salvation in print is as dependent on the will of an tales, external being as the salvation of her soul is difference between, dependent on God.

To attribute autonomy to Rowlandson's voice in the narrative ultimately does a disservice to her because it pulls a veil across the face of her life and the controlling forces-husband, church and Mather-that most likely defined that life. The Sovereignty and Goodness of God should not be read as a testament to the saving power of Grace or a celebration of the human spirit in the face of hardship but as a commentary on the societal bonds that held Mary Rowlandson captive, even after her release. 1 David Minter, By Dens of Lions: Notes on Stylization in Early Puritan Captivity Narratives, American Literature 45 (1973-74): 341. 2 Kathryn Zabelle Derounian, Puritan Orthodoxy and the 'Survivor Syndrome' in Mary Rowlandson's Indian Captivity Narrative, Early American Literature 22 (1987): 82. 3 Zabelle Derounian, 83. 4 David Downing, 'Streams of Scripture Comfort': Mary Rowlandson's Typological Use of the Bible, Early American Literature 15 (1980-81): 252. 6 Deborah J. Dietrich, Mary Rowlandson's Great Declension, Women's Studies 24:5 (1995): 427. 7 Unless otherwise stated, references to Mary Rowlandson's narrative pertain to the version published in celie dancing Colonial American Travel Narratives, which is based on the London edition of 1682. Wendy Martin, ed., A True History of the Captivity of Mrs. Mary Rowlandson, Colonial American Travel Narratives.

New York: Penguin Books, 1994, 27. 8 Rowlandson, 23. 9 Rowlandson, 14. This same passage, incidently, also lets us know that, in difference folkways addition to being able to chart her geographic loaction, Rowlandson knew how to keep time during the mechanistic day by folkways and mores observing the sun's position in the sky. 10 Rowlandson, 17. 11 Rowlandson, 26. 12 Rowlandson, 14. 13 Rowlandson, 22. 14 Rowlandson, 23.

16 Zabelle Derounian, 86. 17 Zabelle Derounian, 82. 18 Kathryn Zabelle Derounian provides compelling evidence of Increase Mather's probable involvement with the production and publication of Mary Rowlandson's captivity narrative in canterbury The Publication, Promotion, and Distribution of Mary Rowlandson's Indian Captivity Narrative in the Seventeenth Century. Kathryn Zabelle Derounian, The Publication, Promotion, and Distriubtion of Mary Rowlandson's Indian Captivity Narrative in the Seventeenth Century, Early American Literature 23:3 (1988): 239-261. 19 Richard Slotkin and James K. Folsom, eds., So Dreadful a Judgment: Puritan Responses to folkways King Philip's War, 1676-1677. Ambition. Middletown: Wesleyan University Press, 1978, 57. 20 Mason I. Lowance, Jr., Increase Mather.

New York: Twayne Publishers, 1974, 43-44. 21 Anne Kusener Nelsen presents a fascinating portrait of the rivalry between Mather and Hubbard that was played out against the backdrop of King Philip's War. Anne Kusener Nelson, King Philip's War and the Hubbard-Mather Rivalry, William and Mary Quarterly 27 (1970): 615-29. 24 Slotkin and Folsom, 57. 25 Mitchell Robert Breitwieser, American Puritanism and the Defense of Mourning: Religion, Grief, and Ethnology in Mary White Rowlandson's Captivity Narrative.

Madison: University of difference between Wisconsin Press, 1990. 7-8. 26 Joanne Gaudio presents an interesting analysis of jean baptiste Mather's negotiation between alternating personas as minister and politician. Joanne M. Gaudio, 'So many parts of myselfe': Increase Mather, Minister or Politician? CEA Critic 57 (1994): 67-76. 27 Slotkin and Folsom, 303. 28 Neal Salisbury, ed., The Sovereignty and Goodness of God by difference folkways and mores Mary Rowlandson with Related Documents. Boston: Bedford Books, 1997.

44. 29 Zabelle Derounian, Publication and Promotion 242. 30 Robert B. Stepto, I Rose and Found My Voice: Narration, Authentication, and Authorial Control in Four Slave Narratives, Within the Circle: An Anthology of African American Literary Criticism from the Harlem Renaissance to Dissection of the of Florence the Present, ed. Angelyn Mitchell, (Durham: Duke University Press, 1994) 256. 33 Rowlandson, 7. 34 Rowlandson, 9. 35 Salisbury, 45. 36 Salisbury, 45. 37 Salisbury, 45. 38 Carole Boyce Davies, Collaboration and the Ordering Imperative in Life Story Production, De/Colonizing the Subject: The Politics of Gender in Women's Autobiography, eds.

Sidonie Smith and Julia Watson, (Minneapolis: University of Minnesota Press, 1992) 12. 40 Tara Fitzpatrick, The Figure of Captivity: The Cultural Work of the Puritan Captivity Narrative, American Literary History 3:1 (1991) 2. 41 Fitzpatrick, 13. 43 Rowlandson, 33. 44 Slotkin and Folsom, 58. 45 Slotkin and difference and mores Folsom, 74. 46 Slotkin and Folsom, 74. 47 Rowlandson, 29. 48 Rowlandson, 25.

49 Rowlandson, 43. 50 Douglas Edward Leach attempts to accurately delineate the timeline of events during Mary Rowlandson's captivity by comparing her recollections with historic knowledge of King Philip's War. Miller's Tale Tales. Douglas Edward Leach, The 'Whens' of Mary Rowlandson's Captivity, New England Quarterly 34 (1961): 353. 51 In So Dreadful a Judgment Slotkin and Folsom discuss in detail Mather's penchant for tweaking the order of events of King Philip's War in his written histories of the conflict so that it would follow the mythology he created on Indian/Puritan relations. Sel. Folkways. 60-70. 52 Slotkin and Folsom, 67. 54 Lisa Logan, Mary Rowlandson's Captivity and the 'Place' of the Woman Subject, Early American Literature 28 (1993): 274. 1. Breitwieser, Mitchell Robert. Jean Baptiste. American Puritanism and the Defense of Mourning: Religion, Grief, and Ethnology in Mary White Rowlandson's Captivity Narrative. And Mores. Madison: University of Wisconsin Press, 1990.

2. Davies, Carole Boyce. Collaboration and the Ordering Imperative in Life Story Production. De/Colonizing the Subject: The Politics of Gender in Women's Autobiography. Celie Dancing. Eds. Sidonie Smith and Julia Watson. Minneapolis: University of Minnesota Press, 1992. 3-19. 3. Dietrich, Deborah. Mary Rowlandson's Great Declension.

Women's Studies 24:5 (1995): 427-439. 4. Downing, David. 'Streams of Scripture Comfort': Mary Rowlandson's Typological Use of the Bible. Early American Literature. 15 (1980-81): 252-259. 5. Fitzpatrick, Tara. The Figure of Captivity: The Cultural Work of the Puritan Captivity Narrative. American Literary History 3:1 (1991): 1-26. 6. Gaudio, Joanne M. 'So many parts of myselfe': Increase Mather, Minister or Politician? CEA Critic 57:1 (1994): 67-76. 7. Leach, Douglas Edward. The 'Whens' of Mary Rowlandson's Captivity.

New England Quarterly 34 (1961): 352-363. 8. Logan, Lisa. Mary Rowlandson's Captivity and difference folkways and mores the 'Place' of the Woman Subject. Early American Literature 28:3 (1993): 255-277. 9. Celie Dancing. Lowance, Jr., Mason I. Increase Mather. New York: Twayne Publishers, Inc., 1974. 10. Minter, David L. By Dens of Lions: Notes on Stylization in Early Puritan Captivity Narratives.

American Literature 45 (1973): 335-347. 11. Nelsen, Anne Kusener. King Philip's War and the Hubbard-Mather Rivalry. William and Mary Quarterly 27 (1970): 615-629. 12. Rowlandson, Mary. A True History of the Captivity and Restoration of Mrs. Between And Mores. Mary Rowlandson. Miller's. Colonial American Travel Narratives. Ed.

Wendy Martin. Difference Between And Mores. New York: Penguin Books, 1994. Baptiste. 1-48. 13. Salisbury, Neal. Ed. The Sovereignty and and mores Goodness of God by on Discriminating of the of Florence Mary Rowlandson with Related Documents. Boston: Bedford Books, 1997. 14. Slotkin, Richard and James K. Folsom.

Eds. So Dreadful a Judgment: Puritan Responses to between and mores King Philip's War, 1676-1677. Baptiste Evolution. Middletown: Wesleyan University Press, 1978. 15. Stepto, Robert B. I Rose and Found My Voice: Narration, Authentication, and between Authorial Control in Four Slave Narratives. Within the of Florence Nightingale Circle: An Anthology of African American Literary Criticism from the difference and mores Harlem Renaissance to the Present. Ed.

Angelyn Mitchell. Durham: Duke University Press, 1994. Climate Of Temperate Deciduous. 256-281. 16. Difference And Mores. Zabelle Derounian, Kathryn. The Publication, Promotion, and Distribution of Mary Rowlandson's Indian Captivity Narrative in the Seventeenth Century.

Early American Literature 23:3 (1988): 239-261. 17. ---. Puritan Orthodoxy and the 'Survivor Syndrome' in Mary Rowlandson's Indian Captivity Narrative. Early American Literature 22 (1987): 82-93.

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10 Essential Tips for Your Amazing Social Work Resume. by Valerie Arendt, MSW, MPP. Difference Between Folkways. Is your resume ready to send out to macbeth essays, employers? You have Googled example resume templates, perfected your formatting, and difference between, added appropriate action words. Everything is in the correct tense, in reverse chronological order, and kept to two pages or less. What else should you think about for an amazing social work resume? Whether you are a clinical or macro social worker, student, new professional, or have been in macbeth, the field for folkways and mores, 30 years, these essential tips will keep your resume ready to climate of temperate forest, send out to your future employer.

1. Objective or Professional Summary? Lets start at the beginning. Folkways. I am not a fan of the essays, objective, and folkways, neither are many hiring managers. If they are reading your resume, they already know you are seeking a position with them. Generally, an objective is jean baptiste, used by difference folkways and mores, someone who has recently graduated or has very little experience.

If you have plenty of social work experience, you should consider using a professional summary. This is one to three sentences at the beginning of your resume that help describe the value you bring as a social worker through your skills and experience. This helps your reader know right away if you will be a good fit for the hiring organization. It is much easier for a hiring manager to find that value in a short paragraph than trying to piece it together from a lengthy history of celie dancing, professional experience and education. Folkways. DONT: Objective: Seeking a social work position within a facility where I can utilize my experience to miller's tale canterbury, the benefit of my employer as well as gain knowledge and professional growth. DO: Licensed Clinical Social Worker with 6+ years experience in medical and between folkways and mores, mental health settings, working with diverse populations in structures, private practice, health care, outpatient, and inpatient treatment settings. Recently relocated to between, Georgia. Climate Of Temperate. 2. Dont assume your reader already knows what you do.

This is one of the biggest mistakes I see when reviewing resumes. Write your resume as if the person reading it has no idea what you do. Really? Yes! This will help you to be descriptive about your experience. For some reason, some social workers are not very good at tooting their own horns. Your resume is exactly the place you need to brag about difference folkways, what an amazing professional you are.

Dont assume that because your title was Outpatient Therapist, the reader of your resume will know exactly what you did. Be descriptive. Give a little information about the organization or program, the clients, and the type of therapy or work you performed. Essay Dissection Life Of Florence. This can easily be done in three to five bullets if you craft thoughtful, complete sentences. DONT: Provide psychotherapy to and mores, clients. DO: Provide group and canterbury tales, individual outpatient therapy to adult clients at a substance abuse treatment center utilizing Cognitive Behavioral Therapy (CBT), Dialectical Behavioral Therapy (DBT), psychoeducation, and difference between folkways, motivational interviewing. If you worked in miller's canterbury tales, a position for five years but dont list one relevant accomplishment, that is a red flag for a hiring manager.

Describing accomplishments is more than simply listing your job duties. Between And Mores. These are the contributions you have made in your career that would encourage an organization to hire you. Canterbury Tales. Questions you can ask yourself to help remember your accomplishments include: How did you help your clients? Did you create a new form or program based on the needs of the client population? Did your therapy skills reduce the folkways and mores, relapse rate in your agency? Did you save your organization money by coming up with a cost-saving idea? Were you selected for special projects, committees, or task forces? Even if the only social work experience you have on your resume is jean lamarck evolution, your field placement, you should be able to list an accomplishment that will entice the reader to want to know more. DONT: Completed appropriate and timely documentation according to difference between folkways and mores, compliance guidelines. DO: Recognized need for climate deciduous, updated agency forms.

Developed 10 clinical and administrative forms, including no-harm contract, behavior contract, and difference folkways, therapists behavior inventory, which increased staff efficiency and productivity by 15%. 4.Quantify your accomplishments. Numbers arent just for business professionals. Numbers also help with the bragging I mentioned that needs to happen on your resume. The most convincing accomplishments are measurable and help your resume stand out ambition essays from the crowd. How many clients did you serve? How much money did you receive for that grant you secured for your agency? How many people do you supervise? DONT: Wrote grants for counseling program in schools.

DO: Co-wrote School Group Experiences proposal, which received a $150,000 grant from State Foundation for difference between folkways, Health, resulting in doubling the number of on Discriminating of the, children served in group counseling from 120 children to 240 children, and increasing the percentage of difference folkways, minority children served from 20% to 50% of the total child population in structures, group therapy. 5. Folkways. Tailor your resume to mechanistic structures, the specific job. You have heard this over and over, and it should make sense. Still, not many social workers do this correctly or at all. Many big organizations, hospitals, and university systems use online applicant tracking systems to review resumes. When one job has 100 applicants, this is folkways and mores, when using keywords REALLY counts.

Look at macbeth essays, the job description for difference between and mores, keywords. For example, what words do they use to describe the clients? Patients, clients, residents, victims, survivors, adults, children? If you have worked with the same client populations, used the same therapy techniques, or provided the supervision listed in the job description, make sure these SAME words are in your resume. Hiring managers can tell when you havent put any time into celie dancing, matching your experience with their open position. DONT: Provide in-home therapy for families. DO: (Similar language from job description) Perform individual and family, agency, and home-based therapy for medically fragile children and their families (parents and siblings) with goal of maintaining intact families and improving family functioning. Social workers LOVE to difference folkways and mores, use acronyms. Many social workers spend hours writing case notes, and to be efficient, they rely on acronyms to describe their work. For the same reasons you should use keywords, it is celie dancing, essential that you spell things out for the computer or human resources person who may not know what certain acronyms mean.

I am a social worker with limited clinical knowledge, and I often have to Google acronyms when I review NASW members resumes. The reader responsible for finding the right candidates to interview will consider this a waste of his or her time and might move on to the rest of the resumes in the pile if he or she has no idea what you are talking about. DONT: Scored and analyzed clinical assessments to difference between folkways, include SIB-R, CBCL, CTRF, or SCQ in packets for families scheduled for autism evaluations. DO: Scored and analyzed clinical assessments for autism evaluations including Scales of Independent Behavior-Revised (SIB-R), Child Behavior Checklist (CBCL), Caregiver/Teacher Report Form (CTRF), and Social Communication Questionnaire (SCQ). Jean Lamarck Evolution. Most resumes I review are succinct and formatted very nicely by bulleting experience. Between. But there are still some folks who use paragraphs to describe their experience. You may have 20 years of social work experience at one agency, but that does not mean you cant be concise.

I guarantee you that hiring managers are not going to read a paragraph that is 15 lines long to look for the experience that will fit the position they are trying to fill. Celie Dancing. Write your resume in such a way that it is easy to difference between folkways and mores, scan and find the mechanistic, keywords in 30 seconds or less. Use three to folkways, eight bullets to describe your experience and accomplishments. 8. Do not list every continuing education training you have ever attended. Whether or not you are licensed in tale, your state, you should seek out continuing education in between, social work. Dont forget, it is in the NASW Code of Ethics: Section 4.01 (b) Competence: Social workers should routinely review the professional literature and participate in continuing education relevant to social work practice and social work ethics. It is great to show your reader that you are up to of temperate deciduous forest, date on difference between folkways, the latest clinical information on your client population, but the miller's tale, section on your resume for and mores, Continuing Education or Professional Development should only list the Dissection, courses that are relevant to and mores, the job you are applying for. It is celie dancing, a great idea to keep a list of all your continuing education, for difference between and mores, your own reference and for your license renewal. You just dont need to list them all on your resume. I hope you are seeing a theme here.

Recently, I have come across a few resumes that have all of the following sections: #13; #13; Professional Summary #13; Education #13; Relevant Social Work Experience #13; Work Experience #13; Additional Experience #13; Summary of Skills #13; Professional Affiliations #13; Volunteer Experience #13; Publications #13; Relevant Coursework #13; Activities #13; Honors #13; Every resume is personal and different. You dont need 10 categories on your resume. Professional Experience and Education are musts. but after that, limit the places hiring managers need to search to find the macbeth ambition essays, information that will help them decide to interview you. Only put the information that is most relevant to the job to which you are applying. 10. Your references should always be available upon request and not on your resume. If the last line on between, your resume is References Available Upon Request, this one is for you. It is not necessary to tell your reader that you have references. If you get far enough in the interview process, they will ask you for your references. Have them listed in a separate document.

Only send the references that are relevant, and only send them when asked. It is imperative that you inform your references that they may be contacted, and always send them a copy of the celie dancing, job description and between folkways, your recent resume, so they can be prepared when contacted. Nothing is a bigger turnoff to me than getting a call to be a reference for someone I supervised five years ago and I cant remember exactly what their job duties were. Macbeth Ambition. It is great to and mores, get a heads-up and a reminder of what the person did under my supervision. And dont forget to send your references a thank-you note, even if you didnt get the job! DONT: References Available Upon Request.

DO: (Separate document with your contact information at the top) References: Jessica Rogers, MSW, LICSW, Director of Family Programs, Affordable Housing AuthorityChicago, ILRelationship: Former SupervisorPhone: [email protected] was my direct supervisor and is familiar with my clinical social work skills, my ability to ambition, work with diverse communities, and my aptitude for between, managing relationships with partner organizations. Jessica recognized my success in client outcomes and promoted me within 6 months of my hire date. Remember, your resume is your tool to get an interview. It doesnt need to include every detail about you as a professional social worker. Use your cover letter to expand on details that are specific to the job you are seeking. Of Temperate. During the interview, you can go into more detail about your relevant experience. Valerie Arendt, MSW, MPP, is the Associate Executive Director for the National Association of between folkways, Social Workers, North Carolina Chapter (NASW-NC). She received her dual degree in social work and forest, public policy from the University of difference folkways and mores, Minnesota and currently provides membership support, including resume review, to the members of NASW-NC. Graduating with my MSW in miller's tale tales, social work this helps out a lot. Thank you so much for this article.

I greatly appreciate it and feel it will be an immense help in between folkways, my job search and resume formulation. Emerald Reese 107 days ago. Thank you for the advice. Right now I am revamping my resume and trying to avoid paying for macbeth ambition essays, the service. Jennifer J. Capri 138 days ago.

Thank you so much for all the information! I will be graduating with my MSW in difference folkways, 3 short months and it's about time to start job searching so I am starting to update my resume and this has been so helpful! It has been much appreciated. Kelly 153 days ago. This article was so helpful in tweaking my resume. Dana 181 days ago. I would have made all the listed mistakes, if I hadn't read this article. Thank you so very much for sharing this knowledge. Amy 197 days ago. Many thanks for the information! Always nice to structures, find job information specific to the human service/social work field!

Michael 237 days ago. Featured Jobs at. Copyright 2017 White Hat Communications. All rights reserved. Please contact the publisher for permission to difference between and mores, reproduce or reprint any materials on this site.

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Focus and Precision: How to between and mores Write Essays that Answer the Question. Stephanie Allen read Classics and English at St Hughs College, Oxford, and miller's, is currently researching a PhD in Early Modern Academic Drama at the University of Fribourg. Weve all been there. Youve handed in an essay and you think its pretty great: it shows off all your best ideas, and contains points youre sure no one else will have thought of. Youre not totally convinced that what youve written is relevant to the title you were given but its inventive, original and good. In fact, it might be better than anything that would have responded to difference between folkways and mores the question. But your essay isnt met with the lavish praise you expected. Macbeth! When its tossed back onto your desk, there are huge chunks scored through with red pen, crawling with annotations like little red fire ants: IRRELEVANT; A bit of a tangent!; . ; and, right next to your best, most impressive killer point: Right so?.

The grade your teacher has scrawled at the end is nowhere near what your essay deserves. Difference Folkways And Mores! In fact, its pretty average. And the Essay of the of Florence Nightingale comment at the bottom reads something like, Some good ideas, but you didnt answer the question!. If asked a question about Keats, you should write about difference and mores Keats. If this has ever happened to jean baptiste lamarck evolution you (and it has happened to me, a lot), youll know how deeply frustrating it is and mores, and how unfair it can seem.

This might just be me, but the exhausting process of researching, having ideas, planning, writing and re-reading makes me steadily more attached to the ideas I have, and the things Ive managed to put on the page. Each time I scroll back through what Ive written, or planned, so far, I become steadily more convinced of its brilliance. Mechanistic Structures! What started off as a scribbled note in the margin, something extra to think about or to pop in if it could be made to difference folkways fit the argument, sometimes comes to be backbone of a whole essay so, when a tutor tells me my inspired paragraph about ambition essays Ted Hughess interpretation of mythology isnt relevant to my essay on Keats, I fail to see why. Between Folkways! Or even if I can see why, the structures thought of taking it out is difference folkways and mores, wrenching. Who cares if its a bit off-topic? It should make my essay stand out, if anything! And an macbeth examiner would probably be happy not to read yet another answer that makes exactly the folkways and mores same points. If you recognise yourself in the above, there are two crucial things to realise. The first is that something has to change: because doing well in of the high school exam or coursework essays is almost totally dependent on being able to pin down and organise lots of ideas so that an examiner can see that they convincingly answer a question. And its a real shame to work hard on difference folkways, something, have good ideas, and not get the Essay Dissection marks you deserve.

Writing a top essay is a very particular and actually quite simple challenge. Its not actually that important how original you are, how compelling your writing is, how many ideas you get down, or how beautifully you can express yourself (though of course, all these things do have their rightful place). What youre doing, essentially, is using a limited amount of folkways and mores time and knowledge to really answer a question. It sounds obvious, but a good essay should have the title or question as its focus the whole way through . It should answer it ten times over in every single paragraph, with every fact or figure. Treat your reader (whether its your class teacher or an external examiner) like a child who cant do any interpretive work of their own; imagine yourself leading them through your essay by the hand, pointing out that youve answered the question here , and here , and here. Now, this is all very well, I imagine you objecting, and much easier said than done. Ambition! But never fear! Structuring an essay that knocks a question on the head is something you can learn to do in a couple of easy steps. In the next few hundred words, Im going to share with you what Ive learned through endless, mindless crossings-out, rewordings, rewritings and rethinkings. Ive lost count of the difference number of times Ive been told to write the question at miller's tale, the top of difference every new page- but for structures some reason, that trick simply doesnt work for me.

If it doesnt work for difference folkways you either, use this three-part process to allow the question to structure your essay: 1) Work out exactly what youre being asked. It sounds really obvious, but lots of celie dancing students have trouble answering questions because they dont take time to figure out exactly what theyre expected to do instead, they skim-read and then write the essay they want to write. Sussing out between folkways, a question is a two-part process, and the first part is baptiste lamarck, easy. It means looking at the directions the question provides as to what sort of essay youre going to write. I call these command phrases and will go into more detail about what they mean below. Difference! The second part involves identifying key words and phrases. Use forceful, persuasive language to show how the points youve made do answer the question. My main focus so far has been on tangential or irrelevant material but many students lose marks even though they make great points, because they dont quite impress how relevant those points are. Again, Ill talk about how you can do this below.

3) Be brutally honest with yourself about whether a point is jean lamarck evolution, relevant before you write it. It doesnt matter how impressive, original or interesting it is. It doesnt matter if youre panicking, and you cant think of difference between folkways any points that do answer the question. If a point isnt relevant, dont bother with it. Its a waste of time, and tale, might actually work against you- if you put tangential material in an essay, your reader will struggle to follow the thread of your argument, and lose focus on your really good points. Macbeth and Banquo meeting the witches on difference, the heath by Theodore Chasseriau. Lets imagine youre writing an English essay about the role and importance of the three witches in Macbeth . Youre thinking about the different ways in which Shakespeare imagines and presents the of temperate deciduous forest witches, how they influence the folkways action of the tragedy, and of temperate deciduous, perhaps the extent to which were supposed to believe in between and mores them (stay with me you dont have to know a single thing about celie dancing Shakespeare or Macbeth to folkways understand this bit!). Now, youll probably have a few good ideas on this topic and mechanistic, whatever essay you write, youll most likely use much of the same material. However, the detail of the phrasing of the question will significantly affect the difference folkways way you write your essay. You would draw on on Discriminating of the of Florence Nightingale, similar material to between address the celie dancing following questions: Discuss Shakespeares representation of the three witches in Macbeth . How does Shakespeare figure the supernatural in Macbeth ? To what extent are the three witches responsible for Macbeths tragic downfall?

Evaluate the importance of the three witches in bringing about Macbeths ruin. Are we supposed to believe in the three witches in Macbeth ? Within Macbeth s representation of the witches, there is profound ambiguity about the actual significance and power of their malevolent intervention (Stephen Greenblatt). Discuss. Ive organised the examples into three groups, exemplifying the different types of questions you might have to answer in an exam. The first group are pretty open-ended: discuss- and how-questions leave you room to set the folkways and mores scope of the essay. You can decide what the baptiste lamarck focus should be. Between And Mores! Beware, though this doesnt mean you dont need a sturdy structure, or a clear argument, both of which should always be present in an essay. The second group are asking you to Essay on Discriminating of the Life evaluate, constructing an argument that decides whether, and how far something is true. Good examples of hypotheses (which your essay would set out to prove) for difference these questions are:

The witches are the most important cause of tragic action in Macbeth. The witches are partially, but not entirely responsible for Macbeths downfall, alongside Macbeths unbridled ambition, and mechanistic structures, that of his wife. We are not supposed to believe the folkways and mores witches: they are a product of Macbeths psyche, and climate of temperate deciduous, his downfall is his own doing. The witches role in Macbeths downfall is deliberately unclear. Their claim to reality is between and mores, shaky finally, their ambiguity is celie dancing, part of an difference and mores uncertain tragic universe and the great illusion of the jean baptiste lamarck evolution theatre. (N.B. Its fine to conclude that a question cant be answered in black and white, certain terms as long as you have a firm structure, and keep referring back to it throughout the essay). The final question asks you to respond to a quotation. Difference! Students tend to find these sorts of questions the most difficult to answer, but once youve got the hang of climate of temperate forest them I think the title does most of the work for between folkways you often implicitly providing you with a structure for mechanistic structures your essay. The first step is breaking down the difference between folkways quotation into Essay on Discriminating Life Nightingale, its constituent parts- the different things it says. I use brackets: ( Within Macbeth s representation of the witches, ) ( there is profound ambiguity ) about the difference between folkways ( actual significance ) ( and power ) of ( their malevolent intervention ) Examiners have a nasty habit of picking the most bewildering and terrifying-sounding quotations: but once you break them down, theyre often asking for something very simple. This quotation, for example, is celie dancing, asking exactly the same thing as the other questions.

The trick here is making sure you respond to all the different parts. Difference Folkways! You want to celie dancing make sure you discuss the following: Do you agree that the status of the between folkways and mores witches malevolent intervention is miller's tale canterbury tales, ambiguous? What is its significance? How powerful is it? James I, the King of England and Scotland at the time Macbeth was written, famously wrote Daemonologie, which encourages the difference between folkways practice of celie dancing witch-hunting. Having worked out difference between folkways and mores, exactly what the question is asking, write out a plan (which should be very detailed in celie dancing a coursework essay, but doesnt have to be more than a few lines long in folkways and mores an exam context) of the material youll use in each paragraph. Make sure your plan contains a sentence at the end of each point about how that point will answer the question.

A point from my plan for one of the celie dancing topics above might look something like this: To what extent are we supposed to believe in the three witches in Macbeth ? Hypothesis: The witches role in Macbeths downfall is deliberately unclear. Their claim to reality is uncertain finally, theyre part of an difference uncertain tragic universe and the great illusion of the macbeth ambition theatre. At the difference between and mores time Shakespeare wrote Macbeth , there were many examples of people being burned or drowned as witches There were also people who claimed to Essay Life Nightingale be able to exorcise evil demons from people who were possessed. Catholic Christianity leaves much room for the supernatural to exist This suggests that Shakespeares contemporary audience might, more readily than a modern one, have believed that witches were a real phenomenon and did exist. My final sentence (highlighted in red) shows how the material discussed in the paragraph answers the question.

Writing this out at the planning stage, in addition to clarifying your ideas, is a great test of whether a point is relevant: if you struggle to write the difference between folkways and mores sentence, and make the connection to the question and larger argument, you might have gone off-topic. Step Three: Paragraph beginnings and endings. This 16th century English illustration shows a witch feeding her familiars. The final step to making sure you pick up all the possible marks for answering the deciduous question in an essay is ensuring that you make it explicit how your material does so. This bit relies upon difference folkways and mores getting the beginnings and endings of paragraphs just right. Dissection Life! To reiterate what I said above, treat your reader like a child: tell them what youre going to say; tell them how it answers the question; say it, and between and mores, then tell them how youve answered the celie dancing question. This need not feel clumsy, awkward or repetitive. The first sentence of each new paragraph or point should, without giving too much of your conclusion away, establish what youre going to discuss, and how it answers the question. Difference Between! The opening sentence from the paragraph I planned above might go something like this: Early modern political and religious contexts suggest that Shakespeares contemporary audience might more readily have believed in witches than his modern readers. The sentence establishes that Im going to discuss Jacobean religion and witch-burnings, and also what Im going to use those contexts to show.

Id then slot in all my facts and examples in structures the middle of the paragraph. The final sentence (or few sentences) should be strong and decisive, making a clear connection to the question youve been asked: Contemporary suspicion that witches did exist, testified to by witch-hunts and exorcisms, is folkways and mores, crucial to our understanding of the witches in Macbeth. To the macbeth ambition essays early modern consciousness, witches were a distinctly real and difference between folkways and mores, dangerous possibility and the witches in celie dancing the play would have seemed all-the-more potent and terrifying as a result. The best way to get really good at making sure you always answer the question is to write essay plans rather than whole pieces. Set aside a few hours, choose a couple of essay questions from past papers, and for each: Write a hypothesis Write a rough plan of what each paragraph will contain Write out the first and last sentence of each paragraph. You can get your teacher, or a friend, to look through your plans and give you feedback.

If you follow this advice, fingers crossed, next time you hand in an essay, itll be free from red-inked comments about irrelevance, and between folkways, instead showered with praise for Dissection Life Nightingale the precision with which you handled the topic, and difference between folkways and mores, how intently you focused on answering the lamarck question. Folkways! It can seem depressing when your perfect question is macbeth, just a minor tangent from the question you were actually asked, but trust me high praise and good marks are all found in answering the question in between front of miller's tale canterbury tales you, not the one you would have liked to see. Teachers do choose the questions they set you with some care, after all; chances are the question you were set is the and mores more illuminating and structures, rewarding one as well. 40 Responses to Focus and Precision: How to and mores Write Essays that Answer the Question August 21, 2014 at 8:22 am, Kristen Webster said: I have been reading your articles on better essay writing and I am wondering whether you can provide an example of a well written essay please?

August 21, 2014 at 11:59 am, ORA Admin said: We havent produced any sample essays ourselves. Celie Dancing! However, there is a huge amount available online the Student Rooms sample essays might be a good place to start. We hope this helps. January 20, 2015 at difference, 1:54 am, kot said: Thank you this was very helpful!

March 18, 2015 at 7:56 am, Kos cahe said: How do you answer a to what extend essay question? March 18, 2015 at 12:34 pm, ORA Admin said: A to what extent essay question is effectively a yes or no essay question thats phrased in Essay on Discriminating Life Nightingale a more helpful way. For example: To what extent did his desire for between folkways a son influence Henry VIIIs decision to break from the on Discriminating Dissection of the of Florence Nightingale Catholic Church? Did his desire for a son influence Henry VIIIs decision to break from the Catholic Church?

You can see that both questions will get a very similar answer, only to what extent gives you a hint of what sort of answer is expected that it played some role, but that there are other causes that need to be considered. In a to what extent essay, you should consider a variety of reasons, but in each paragraph return to difference between the reason given in the question. In my Henry VIII example, you might write one paragraph on his desire to divorce Catherine of Aragon and marry Anne Boleyn, but connect this back to celie dancing his desire for difference between and mores a son, as he believed Anne Boleyn stood a better chance of jean evolution giving him a son than Catherine of Aragon. In the conclusion, you could then assess whether the reason given in folkways and mores the question is in fact the most important, or if there was a more significant reason that you have identified in the essay. We hope this helps,

November 22, 2015 at 6:14 pm, Sarah said: How do I write an essay with keywords or key points already given in the question? For eg. If the question says to celie dancing write an essay on some topic and below are some key points or key words. November 23, 2015 at 10:25 am, ORA Admin said: Thank you for your comment. It is difficult to and mores advise you on the specific essay in mechanistic structures question, but we do have a large collection of essay-writing and study skills articles on the ORA website that may be of use to you. Hopefully you can find something that can help you in the following articles: March 29, 2016 at 9:47 am, Fay said:

How do you answer a why essay question? May 29, 2016 at 8:16 pm, Aaliyah said: Hi, how do you answer a what does so and so contribute to physics? Is this simply a descriptive essay? June 27, 2016 at 3:04 am, Dutta the One said: Thank you for this amazing article. I feel so much more confident now! Just coincidentally, I happen to have an essay on Macbeth this Friday! Wish me luck! June 27, 2016 at difference between, 6:38 am, ritchie said:

Great article, thanks! When answering a DO YOU AGREE question, is it better to baptiste give a straight Yes or No answer, instead of May be, Yes and no August 22, 2016 at difference, 5:23 pm, holly said: how would you answer evaluate the main reasons Im confused on how to structure it. August 27, 2016 at 1:35 am, Deyshan said: I was wondering your opinion on how to macbeth ambition essays answer a How essay question. For example: How does To Kill a Mockingbird and 12 Angry Men illustrate the dangers of personal prejudice? September 30, 2016 at 6:20 pm, said: Asking questions are truly pleasant thing if you are not understanding. anything completely, but this article offers pleasant. November 13, 2016 at 11:02 am, janaki ballav said: this article was very helpful ..i want to develope my writing skillwill be obliged if you could give tips and ways on practical appreciation of between and mores poem. November 13, 2016 at 11:06 am, janaki ballav said:

Thank you for celie dancing this article .I want to develop my writing skillwill be obliged if you could provide me the tips and ways of practical appreciation of poem with example December 23, 2016 at 7:40 pm, Amado said: I visit everyday a few web sites and sites to difference folkways read articles orr reviews, however this. blog provides featurre basdd content. January 11, 2017 at 10:51 pm, MG said: For a how essay question e.g How can you achieve a work/life balance as a student; Can there be two different oppinions in baptiste lamarck one essay written by between folkways, the same person, like the answer can say you cant achieve a work/life balance, but if you want to etc? January 26, 2017 at 6:46 pm, Kajaun said: Hello, my name is Kajaun.

I am most grateful for these essay tips. I have now started to gather more marks for Knowlege on my essay questions. However, in answering my essay questions I keep receiving a low grade for the Use of Knowledge. How may I better bring across points more coherent in answering an essay I am fully knowlegeable on? April 06, 2017 at 8:37 am, mercola pets said: Hiya!

Quick question thats entirely off topic. Do you know how to make. your site mobile friendly? My website looks weird whsn browsing from my iphone. 4. Im trying to baptiste find a template or plugin that might be able to correct.

this problem. Folkways And Mores! If you have any suggestions, please share. Sp?ot on miller's canterbury tales, with this write-up, I honestly believe that this website needs far more attntion. Ill pprobably be back again to read more, thanks for folkways and mores the information! May 11, 2017 at tale canterbury tales, 3:26 am, essential said: I believe what you typed was actually very reasonable. But, what about between this? suppose you typed a catchier title? I mean, I dont want to celie dancing tell you how to run your website, but suppose you added something that grabbed peoples attention? I mean Focus and difference between folkways and mores, Precision: How to Write Essays that Answer. the Question is a little plain.

You should look at essays, Yahoos. front page and difference folkways and mores, see how they create post headlines to miller's canterbury get viewers to difference folkways open the links. You might add a video or a related picture or two to. grab readers excited about what youve got to say. Just my opinion, it would make. your website a little livelier. May 23, 2017 at 10:07 am, Jared Deans said: Thanks a lot for the great post here, really nice job, I personally enjoyed it a lot as a writer myself. Youve mentioned some of the tips Im actually using while writing any new material or post.

Ive also been curious how to answer the question how to write an mechanistic structures essay the easiest way possible made my own research on the topic. The variety of essays makes it a little bit harder task to difference between find the ultimate guide, so I decided to work on each essay type. I can share with a link if youd like. Hope it will be useful to your audience here I personally will be happy to baptiste evolution hear some thought on between folkways, it from other authors, it is Essay Dissection of the, always useful to share with your experience listen to what others say about folkways it. So I will wait for celie dancing your answer hope youll like it. May 27, 2017 at 3:05 am, bravo said: Hey .this is wonderful work.

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